111
Basics Section
Quick Guide
Reference
Appendix
*43
Filter Scaling Settings
The best way to understand Filter Scaling is
by example. For the settings shown in the
example table below, the basic Cutoff
frequency value is 64, and the various Offset
values at the selected Break point settings
change that basic value accordingly. The
specific changes to the Cutoff frequency are
shown in the diagram below. The Cutoff
frequency changes in a linear fashion
between successive Break Points as shown.
*44
Amplitude Scaling Settings
The best way to understand Amplitude
Scaling is by example. For the settings shown
in the example table below, the basic
Amplitude (volume) value for the selected
element is 80, and the various Offset values at
the selected Break point settings change that
basic value accordingly. The specific changes
to the Amplitude are shown in the diagram
below. The Amplitude changes in a linear
fashion between successive Break Points as
shown.
*45
BP1 to BP4 will be automatically be arranged in
ascending order across the keyboard.
Regardless of the size of these Offsets, the
minimum and maximum Cutoff/Volume limits
(values of 0 and 127, respectively) cannot be
exceeded.
Any note played below the BP1 note results in
the BP1 Level setting. Likewise, any note played
above the BP4 note results in the BP4 Level
setting.
*46
L&R
...OUTPUT L&R
asL&R
...ASSIGNABLE OUTPUT L&R
asL
...ASSIGNABLE OUTPUT L
asR
...ASSIGNABLE OUTPUT R
drum
...This setting is for Drum voice parts.
When this is selected, the output destination
settings for each Drum key are enabled.
as1&2
...OUTPUT 1&2 on the mLAN8E
as3&4
...OUTPUT 3&4 on the mLAN8E
as1/2/3/4
...OUTPUT 1/2/3/4 on the
mLAN8E
*47
This parameter is disabled if the Destination
parameter below is set to a value from 00 to 33.
*48
*49
The ASSIGN A and B sliders can each be
assigned to one common function for the entire
Voice mode, and not to different functions for
each individual voice. Also see the Utility mode
([F4]
→
[SF2]).
*50
For a complete list of the available parameters/
controls, refer to the separate Data List.
*51
For example, you can turn on the Arpeggio
Switch only when pressing the Footswitch by
setting the same control number for the
Arpeggio Switch and the Footswitch (Utility
[F4]
→
[SF1][SF3]). (For switching the on and
off, set the FS parameter to “96” in the Utility
mode [F4]
→
[SF3].)
*52
This parameter is not available for the Plug-in parts.
*53
This parameter is not available for Plug-in parts
or parts to which Drum voices have been
assigned.
*54
The Sustain Level/Release Time setting is not
available for Plug-in parts or parts to which
Drum voices have been assigned.
*55
LFO Wave
tri.
..triangle wave,
saw
...sawtooth wave,
squ
...square wave,
trpzd
...trapezoid wave,
S/H
...sample & hold (random)
In Element Edit, the “trpzd” and “S/H”
parameters are not available.
1
2
3
4
BREAKPOINT
C#1
D#2
C3
A4
OFFSET
-4
+10
+17
+4
C#1
60
74
81
68
Break Point 1
Break Point 2
Break Point 3
Break Point 4
A4
C3
D#2
Note
Cutoff
Frequency
1
2
3
4
BREAKPOINT
C1
C2
C3
C4
OFFSET
-4
+10
+17
+4
C1
76
90
97
84
Break Point 1
Break Point 2
Break Point 3 Break Point 4
C4
C3
C2
Note
Amplitude
PB
Pitch Bend Wheel
MW
Modulation Wheel
AT
Aftertouch
FC1/2
Foot Controller 1/2
FS
Foot Switch
BC
Breath Controller
AS1/2
ASSIGN 1/2 Slider
Summary of Contents for S90
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