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Yamaha 02R96 Version 2, Owner'S Manual

The Yamaha 02R96 Version 2 Owner's Manual is a comprehensive guide to unlock the full potential of this professional-grade audio mixing console. With its intuitive design and advanced features, this manual is a must-have tool for any audio enthusiast. Download your free copy from manualshive.com today!

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Contents

 

02R96 Version 2—Owner’s Manual

 

7

Input Channels  . . . . . . . . . . . . . . . . . . . . . . . . . . . .  73

 

Patching Input Channels  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   73
Metering Input Channels  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   73
Reversing the Signal Phase  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   73
Gating Input Channels  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   74
Attenuating Input Channels   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   75
EQ’ing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   75
Grouping Input Channel EQs  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   76
Input Channel Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   76
Compressing Input Channels   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   76
Grouping Input Channel Compressors   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   77
Delaying Input Channels  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   77
Muting Input Channels (ON/OFF)   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   77
Grouping Input Channel Mutes (ON/OFF)   . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   78
Input Channel Mute Master   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   79
Setting Input Channel Levels  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   79
Grouping Input Channel Faders  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   79
Group Master for Input Channel Faders   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   80
Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   82
Panning Input Channels   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   83
Using Surround Pan  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   85
Assigning Surround Channels to Buses   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   87
Sending Input Channels to Aux Sends  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   90
Soloing Input Channels  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   90
Direct Outs   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   90
Pairing Input Channels   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   90
Viewing Input Channel Settings  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   90
Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   90
Using the MS Stereo Microphone  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   91

 

8

Stereo Out   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  92

 

Stereo Out Connectors  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Patching the Stereo Out to Outputs  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Routing Input Channels to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Sending Bus Outs to the Stereo Out  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Metering the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Monitoring the Stereo Out   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Attenuating the Stereo Out   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
EQ’ing the Stereo Out   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   92
Stereo Out Inserts  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   93
Compressing the Stereo Out  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   93
Grouping Master Compressors  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   93
Muting the Stereo Out (ON/OFF)   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   93
Grouping Master Mutes (ON/OFF)  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   93
Setting the Stereo Out Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   93
Grouping Master Faders   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   93
Balancing the Stereo Out  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   94
Delaying the Stereo Out  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   94
Viewing Stereo Out Settings   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   94
Naming the Stereo Out   . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .   94

Summary of Contents for 02R96 Version 2

Page 1: ...E DIGITALMIXING CONSOLE Owner s Manual Owner s Manual Owner s Manual Keep This Manual For Future Reference ...

Page 2: ...ase of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to coaxial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distribute this type of product If you can not locate the appropriate retailer please contact Yamaha Corporation of America Electronic Ser...

Page 3: ...cted Doing so may be an electrical shock hazard Use only the included power cord for this unit Using other types may be a fire and electrical shock hazard The 02R96 has four rear panel slots for installing mini YGDAI cards For technical reasons certain card combinations are not supported Before installing any cards check theYamaha web site to if your card is compatible Installing cards that are no...

Page 4: ... not apply oil grease or contact cleaner to the faders Doing so may cause problems with electrical contact or fader motion Operating Notes XLR type connectors are wired as follows pin 1 ground pin 2 hot and pin 3 cold Insert TRS phone jacks are wired as follows sleeve ground tip send and ring return The performance of components with moving contacts such switches rotary controls fad ers and connec...

Page 5: ...emark of Steinberg Media Technologies AG Pro Tools is a trademark or registered trademark of Digidesign and or Avid Technology Inc Tascam Digital Interface is a trademark and Tascam and Teac are registered trademarks of Teac Corporation Microsoft and Windows are registered trademarks of Microsoft Corporation Inc Waves is a trademark of Waves Inc Yamaha is a trademark of Yamaha Corporation Nuendo a...

Page 6: ... to physical buttons are enclosed in square brackets for example press the ENTER button References to dis play page buttons are not emphasized for example press the ENTER button Display pages can be selected by using the DISPLAY buttons or the Left Tab Scroll Right Tab Scroll and F1 4 buttons below the display In order to simplify explanations only the DISPLAY button method is mentioned in the pro...

Page 7: ...Surround Monitor can be reset to 85dB SPL page 138 A new parameter has been added to Base Management on the Surround Monitor Setup page page 140 Surround Monitor is also available when Surround mode is set to Stereo You can simultaneously select BUS and SLOT on the Surround Monitor page You can select from Slot Channel 9 through Channel 16 as Surround Monitor signal sources You can simultaneously ...

Page 8: ...R chan nels and odd and even buses page 234 You can set the Auto Direct Out On check box so that if you change a channel s Direct Out destination the channel Direct Out will automatically be enabled page 231 You can set the Routing ST Pair Link check box so that the routing from paired Channels to the Stereo Bus is linked page 231 This applies only to products distributed by YAMAHA CORPORATION OF ...

Page 9: ...des 49 Selecting Encoder Modes 50 Assigning Parameters to the ENCODER MODE Assign Buttons 51 4 Analog I O the AD Input Section 53 AD Input Section 53 Stereo Out 54 Control Room Monitor Out 54 Studio Monitor Out 54 Omni Outs 54 2TR Analog INs 54 5 Digital I O Cascading 55 Wordclocks 55 2TR Digital Outs 57 2TR Digital Ins 58 2TR In Sampling Rate Conversion 58 Slot I O 59 Dithering Digital Outputs 62...

Page 10: ...n 85 Assigning Surround Channels to Buses 87 Sending Input Channels to Aux Sends 90 Soloing Input Channels 90 Direct Outs 90 Pairing Input Channels 90 Viewing Input Channel Settings 90 Naming Input Channels 90 Using the MS Stereo Microphone 91 8 Stereo Out 92 Stereo Out Connectors 92 Patching the Stereo Out to Outputs 92 Routing Input Channels to the Stereo Out 92 Sending Bus Outs to the Stereo Ou...

Page 11: ...d Masters to Outputs 98 Setting the Aux Send Mode 98 Pre Fader or Post Fader Aux Sends 98 Setting Aux Send Levels 99 Aux Send Pages 99 Viewing Aux Send Settings 101 Panning Aux Sends 103 Excluding Certain Channels from Aux Sends Mix Minus 104 Copying Channel Fader Positions to Aux Sends 104 Metering Aux Send Masters 105 Monitoring Aux Send Masters 105 Attenuating Aux Send Masters 105 EQ ing Aux Se...

Page 12: ...ngs 129 Viewing Channel Fader Settings 130 Naming Channels 134 12 Monitoring Talkback 136 Control Room Monitoring 136 Studio Monitoring 137 Surround Monitoring 138 Using Talkback 142 13 Libraries 143 About the Libraries 143 General Library Operation 143 Channel Library 144 Input Patch Library 145 Output Patch Library 145 Effects Library 146 Bus to Stereo Library 147 Gate Library 148 Comp Library 1...

Page 13: ...rip AUTO Buttons 174 Automix Memory Page 175 Fader Edit Pages 175 Selecting the Timecode Source Frame Rate 177 Creating a Time Signature Map 178 Recording an Automix 179 Inserting Mix Parameters into Automix 180 Rerecording Events 181 Parameter Recording 182 Punching In Out Individual Parameters 183 Playing Back an Automix 184 Editing Events Offline 185 Event Edit Page 188 17 MIDI 190 MIDI the 02R...

Page 14: ...10 Setting Send Levels 210 Muting Sends 210 Panning Sends 210 Flip Mode 211 Assigning Inserts Plug ins 212 Editing Plug ins 213 Bypassing Plug ins 214 Resetting Faders Sends Panpots 214 Navigating the Edit Window 214 Zooming 215 Making Fine Adjustments to the Selected Region 215 Scrub Shuttle 215 Automation 216 Panner 217 19 Remote Control 219 About the Remote Layer 219 About Machine Control 222 G...

Page 15: ...ial Bank Settings 255 Effects Parameters 259 Effects and tempo synchronization 281 Preset EQ Parameters 282 Preset Gate Parameters fs 44 1 kHz 283 Preset Compressor Parameters fs 44 1 kHz 284 Dynamics Parameters 286 Appendix B Specifications 291 General Spec 291 Libraries 296 Analog Input Spec 297 Analog Output Spec 297 Digital Input Spec 298 Digital Output Spec 298 I O Slot Spec 1 4 299 Control I...

Page 16: ...g 8 Aux Sends Stereo Out Channels can be named for easy identification Channel library with 127 user memories I O Architecture 16 analog mic inputs on balanced XLRs plus 48 V phantom 24 analog line inputs on bal anced phone jacks 16 analog inserts 32 inputs 32 outputs via four mini YGDAI slots and optional I O cards which offer a vari ety of analog and digital I O options with support for all the ...

Page 17: ...or optional Add On Effects Optional Add On Effect package includes effects that featuring new algorithms Multichannel effects for surround sound processing Joystick control of early reflections and reverb with the Reverb 5 1 effect Optional Waves 56K effects plug in cards User defined plug ins for external effects control via MIDI with Learn function Dynamics Gates on all 56 Input Channels Gate li...

Page 18: ...face port for external control and Recording light MIDI Standard MIDI ports USB TO HOST port or SERIAL TO HOST port USB and SERIAL offer multiport operation Scene recall mix parameter control Bulk Dump MTC and MIDI Clock for Automix syn chronization MMC for external machine control Control Surface 25 touch sensitive 100 mm motorized faders touch sense used to select channels or punch faders in out...

Page 19: ... STORE RECALL USER DEFINED KEYS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DISPLAY REC REW FF STOP PLAY SET DISPLAY MACHINE CONTROL LOCATE MEMORY 1 2 3 4 5 6 7 8 INC DEC ENTER SHUTTLE SCRUB ON SEL AUTO 70 60 50 40 30 20 15 10 5 0 STEREO 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 ON SOLO SEL AUTO AUTOMIX DIO SETUP UTILITY MIDI REMOTE METER VIEW PAIR GROUP INPUT PATCH OUTPUT PATCH DI...

Page 20: ...the currently selected Layer See Selecting Layers on page 47 for more information A Encoders These controls are used to edit Input and Output Channel parameters Their exact operation depends on the currently selected Encoder mode and Layer There are two preset Encoder modes Pan and Aux and two assignable modes with over 40 parameters to choose from See Selecting Encoder Modes on page 50 for more i...

Page 21: ...elect Touch Sense Select on page 49 for more information They can also be used to punch chan nels in and out during Automix recording See Punching In Out Individual Parameters on page 183 for more information AUX SELECT A AUX SELECT DISPLAY button This button is used to select the following pages Aux Send Aux Send Pan and Input Chan nel Aux View See Aux Sends on page 98 for more information B AUX ...

Page 22: ... function as Input Channel 49 56 Aux Send controls and Encoders 9 24 are inactive See Selecting Encoder Modes on page 50 D ASSIGN 1 2 buttons These buttons are used to select the assignable Encoder modes The button indicator for the currently selected mode lights up When an assignable mode is selected the function of the Encoders depends on the assigned parameter Up to two parameters from a list o...

Page 23: ...ton This button is used to select the following pages MIDI Setup Program Change Assign Table Control Change Assign Table and Bulk Dump See MIDI on page 190 for more information G METER button This button is used to select the following pages Input Channel Meter Master Meter Effect 1 4 Input Output Meter Stereo Meter and Metering Position See Metering on page 107 for more information H VIEW button ...

Page 24: ...n internal effects processor orY56K card effect is inserted in the currently selected chan nel the relevant Effects Edit or Plug In Edit page appears when this button is pressed and its indicator lights up In addition the corresponding EFFECTS PLUG INS 1 4 button indicator flashes If it s a Y56K that is inserted the PLUG INS button indicator also flashes If it s an internal effects processor the I...

Page 25: ...dot display with fluorescent backlight displays pages information on the currently selected Scene and channel the sampling rate and more See About the Display on page 44 for more information B Contrast control This control is used to adjust the contrast of the display C F1 F4 buttons These buttons are used to select the pages whose tabs are currently visible See Selecting Display Pages on page 45 ...

Page 26: ...uting Input Channels on page 82 for more infor mation D DIRECT button This button is used to route the currently selected Input Channel to its Direct Out Its indi cator lights up when it s pressed See Routing Input Channels on page 82 for more infor mation E ROUTING 1 8 buttons These buttons are used to route the currently selected Input Channel to the Bus Outs The button indicators of Bus Outs to...

Page 27: ...utton is used to set the rotary controls for either Gate or Compressor operation When an Output Channel is selected Compressor is selected automatically and cannot be changed See Gating Input Channels on page 74 and Compressing Channels on page 116 for more information E THRESHOLD RANGE ATTACK DECAY HOLD THRESHOLD RATIO ATTACK RELEASE GAIN controls When the GATE COMP button is set to GATE these co...

Page 28: ... Stereo Out on page 94 E LINK button This button which is enabled only when a Surround mode other than Stereo is selected is used to link the PAN control and the Joystick so that either control can be used for normal and surround panning It s a global setting that applies to all Input Channels Its indicator lights up when the PAN control and Joystick are linked If the Joystick is set to control ef...

Page 29: ...ush switches The push switches are used to select either fre quency or Q The current setting is shown by the FREQUENCY Q indicators The rotary controls are used to set the frequency or Q as selected by the push switches See Using EQ on page 111 for more information C EQ GAIN controls These controls are used to set the gain of each EQ band See Using EQ on page 111 for more information D EQ ON butto...

Page 30: ...p AUTO Buttons on page 174 for more information B SEL button The Stereo Out SEL button is used exclusively to select the Stereo Out for editing with the SELECTED CHANNEL section Its indicator lights up when the Stereo Out is selected Each time it s pressed the selection toggles between the Stereo Out s left and right channels See Selecting Channels on page 48 for more infor mation It can also be u...

Page 31: ...Scene memories Pressing the Scene Up button incre ments the selection pressing the Scene Down button decrements the selection Holding down a button causes the selection to increment decrement continuously See Storing Recalling Scenes with the SCENE MEMORY Buttons on page 164 F RECALL button This button is used to recall the selected Scene memory See Storing Recalling Scenes with the SCENE MEMORY B...

Page 32: ...rmation D REW button This button starts rewind on the target machine DAW MMC Its indicator lights up while rewinding is in progress See Transport Buttons on page 223 E FF button This button starts fast forward on the target machine DAW MMC Its indicator lights up while fast forwarding is in progress See Transport Buttons on page 223 F STOP button This button stops the target machine DAW MMC Its in...

Page 33: ...tton is used to select and finalize parameter settings to set on off type parameters such as EQ ON OFF and to enter characters when titling Scenes Effects and so on When a Pan control is selected on a Pan display page pressing this button resets the pan position to center For certain parameters the ENTER button supports double clicking i e two quick presses E DEC INC buttons These buttons are used...

Page 34: ...e explained below STUDIO A MONITOR DISPLAY button This button is used to select the following pages Solo Setting Control Room Setup Talkback Setup Surround Monitor Surround Monitor Setup Surround Monitor Patch and Surround Monitor Library See Configuring Solo on page 121 Control Room Monitoring on page 136 Using Talkback on page 142 and Surround Monitoring on page 138 respectively for more infor m...

Page 35: ...oring on page 136 for more information B STEREO 2TR D2 button This button selects the 2TR IN DIGITAL COAXIAL 2 as the Control Room Monitor signal source Its indicator lights up when this source is selected See Control Room Monitoring on page 136 for more information C STEREO 2TR D3 button This button selects the 2TR IN DIGITAL COAXIAL 3 as the Control Room Monitor signal source Its indicator light...

Page 36: ...s used to select the assigned Slot s Inputs as the Surround Monitor signal source Its indicator lights up when this source is selected See Surround Monitoring on page 138 for more information K SURROUND MONITOR LEVEL control This control is used to adjust the level of the Surround Monitor signals See Surround Monitoring on page 138 for more information L CONTROL ROOM LEVEL control This control is ...

Page 37: ...Rear Panel 37 02R96 Version 2 Owner s Manual Rear Panel AD Input Section p 38 SLOT Section p 42 Analog Master I O Section p 39 OMNI OUTs Digital I O Control Section p 40 Power Section p 42 ...

Page 38: ...re balanced 1 4 inch phone jacks AD Inputs can be patched individually to the Input Channels or Insert Ins See AD Input Section on page 53 for more information B INSERT I O 4dB UNBAL connectors AD 1 16 These unbalanced 1 4 inch TRS phone jacks are used to insert external signal pro cessors etc into AD Inputs 1 through 16 They are wired sleeve ground ring return tip send The nominal signal level is...

Page 39: ... In addition these inputs can be patched to Input Channels or Insert Ins See 2TR Analog INs on page 54 D CONTROL ROOM MONITOR OUT 4 dB BAL These balanced 1 4 inch TRS phone jacks nominal output level 4 dB output the analog Control Room Monitor sig nal and are typically used to feed the control room s main monitors See Control Room Monitoring on page 136 for more information E STEREO OUT 10 dBV UNB...

Page 40: ...IAL TO HOST port This 8 pin mini DIN port is for MIDI communication between the 02R96 and a host com puter with a serial port See MIDI I O on page 190 for more information F 2TR OUT DIGITAL COAXIAL 2 3 These phono connectors output consumer format IEC 60958 digital audio and are typ ically connected to the digital stereo inputs of 2 track recorders The following signals can be patched to these out...

Page 41: ...N OFF termination switch This switch applies 75Ω termination to the WORD CLOCK IN See Terminating External Wordclocks on page 57 for more information L WORD CLOCK IN connector This BNC connector is for connecting an external wordclock signal See Selecting the Wordclock Source on page 56 for more information M CONTROL port This 25 pin D sub connector provides access to the GPI General Purpose Inter...

Page 42: ...e method for eliminating hum interference and other noise C AC IN connector This connector is used to connect the 02R96 to an AC outlet via the supplied power cord See Connecting the Power Cord on page 43 for more information D Cooling fan The cooling fan expels air out through this outlet If the airflow is restricted the 02R96 may overheat so make sure this outlet is not blocked SLOT Section A SL...

Page 43: ...urning On Off the 02R96 To prevent loud clicks and thumps in your speakers turn on your audio equipment in the following order reverse this order when turn ing off sound sources multitrack and master recorders 02R96 monitoring power amplifiers 1 To turn on the 02R96 press the POWER switch The startup page appears for a while and then the last selected display page appears 2 To turn off the 02R96 p...

Page 44: ...elcurrentlyselectedbythe SEL buttons is indicated here See Selecting Channels on page 48 The first four characters are the Channel ID e g CH1 CH56 BUS1 BUS8 AUX1 AUX8 ST L ST R The second four are the channel s Short name See Naming Channels on page 134 If the Channel ID pref erence is on only the Channel ID is displayed See Channel ID on page 232 for more information Channel name Depending on the...

Page 45: ... example the Input Channel Atten uators which are divided among three pages the page containing the parameter for the cur rently selected channel is selected automatically when channels on different Layers are selected For example if the Input Channel 1 24 Attenuator page is currently selected and then you select say Input Channel 25 by using the LAYER 25 48 button and SEL but ton 1 the Input Chan...

Page 46: ...e Title Edit window is used to enter titles for Scene and library memories automixes and so on Depending on the item being titled the number of characters that can be entered is either 4 12 or 16 The following screen shots show the available characters The one on the left shows uppercase characters and various punctuation marks That on the right lower case characters and numbers Use the cursor but...

Page 47: ... The following table shows which Input and Output Channels are controlled by the channel strips on each Layer The exact function of each channel strip fader and Encoder also depends on the currently selected Fader mode and Encoder mode respectively See Selecting Fader Modes on page 49 and Selecting Encoder Modes on page 50 for more information Layers Channel Strips 1 8 9 16 17 24 1 24 Input Channe...

Page 48: ...annel s SEL but ton is pressed the cursor moves to that parameter automatically If the currently displayed page contains no such parameter the page that does contain such a parameter is selected automatically For example if a Delay page for the Output Channels is selected when an Input Channel SEL button is pressed the Delay page showing the relevant Input Channel Delay parameter is selected autom...

Page 49: ...e FADER MODE buttons to select a Fader mode FADER Channel faders control Input Channel levels or Output Channel master levels depending on the selected Layer AUX Channel faders control Aux Send levels depending on the selected Layer The indicator of the currently selected FADER MODE button lights up The following table shows the channel fader functions for each Layer and Fader mode Layer Fader Mod...

Page 50: ...ctions for each Layer and Encoder mode Layer Encoder Mode Encoder 1 8 9 16 17 24 1 24 Pan Input Channels 1 24 pan Aux Input Channels 1 24 Aux Send level Assign 1 2 Input Channels 1 24 assigned parameter1 1 When Alt Layer is assigned the Encoders enable you to control a parameter that is assigned to the cor responding channel fader in the partner layer A partner layer would be the layer of channels...

Page 51: ...s highlighted in the right hand box 2 Press an ASSIGN button or use the Up Down cursor buttons to select an ASSIGN button 3 Use the Parameter wheel or the INC DEC buttons to select a parameter A parameter is selected when it appears inside the dotted box See the Assignable Encoder Mode Parameter List on page 52 for a complete list of assign able parameters 4 Press the ENTER button to assign your c...

Page 52: ... 18 EQ Low G EQ Low Gain 19 EQ Low Mid Q EQ Low Mid Q 20 EQ Low Mid F EQ Low Mid Frequency 21 EQ Low Mid G EQ Low Mid Gain 22 EQ High Mid Q EQ High Mid Q 23 EQ High Mid F EQ High Mid Frequency 24 EQ High Mid G EQ High Mid Gain 25 EQ High Q EQ High Q 26 EQ High F EQ High Frequency 27 EQ High G EQ High Gain 28 Gate On Gate on off 29 Gate Threshold Gate Threshold 30 Gate Range Gate Range 31 Gate Atta...

Page 53: ...individ ually for each AD Input Pad AD 1 16 AD Inputs 1 through 16 feature pad switches which attenuate input signals by 26 dB allowing the Head Amps to work with high level signals Pad is typi cally used to attenuate hot signals from bass or snare drum microphones or hot line level signals Gain AD Inputs feature detented rotary gain controls with an input sensitivity of 16 dB to 60 dB or 10 dB to...

Page 54: ... Outs The 02R96 features assignable Omni Outs on balanced 1 4 inch TRS phone jacks Omni Outs can be patched to Bus Outs Aux Sends the Stereo Out Input or Output Channel Insert Outs or Surround Monitor Channels see page 69 In addition Input Channel Direct Outs can be patched to the Omni Outs see page 70 The maximum output level of each OMNI OUT can be set internally to either 4 dB 10 dB operating l...

Page 55: ...and outputs no special word clock settings are required and the 02R96 can be set to use its own internally generated wordclock If you re connecting other equipment digitally however you must decide which device to use as the wordclock master and which devices to use as slaves The 02R96 can be used as the wordclock master running at either 44 1 kHz 48 kHz 88 2 kHz or 96 kHz or slaved to an external...

Page 56: ...cts the CASCADE IN port as the wordclock source 2TRD1 2TRD2 2TRD3 These buttons select the 2TR Digital Inputs as the wordclock source INT44 1k INT48k INT88 2k INT96k These buttons select the internal wordclock generator as the wordclock source The source select buttons have the following indications A usable wordclock signal is present at this input No wordclock signal is present at this input A w...

Page 57: ...on to the next This method of distribution is not rec ommended for larger systems 2TR Digital Outs The 02R96 features three sets of 2 track digital outputs 2TR OUT DIGITAL AES EBU 1 uses an XLR 3 32 type connector and outputs AES EBU format digital audio 2TR OUT DIGITAL COAXIAL 2 and 3 use phono connectors and output consumer format IEC 60958 dig ital audio These outputs can be patched to the Bus ...

Page 58: ...al sampling rate converters see page 58 You can monitor the Channel Status of digital signals present at these inputs on the Channel Status Monitor page see page 62 2TR In Sampling Rate Conversion The 02R96 s 2TR Digital Inputs feature sampling rate converters so you can easily connect your legacy 44 1 48 kHz digital audio equipment 1 Use the DISPLAY ACCESS DIO button to locate the Sampling Rate C...

Page 59: ...rd Format In Out Resolution Sampling Rate Connectors MY8 AD Analog in 8 20 bit 44 1 48 kHz Phone jack balanced x8 MY8 AD241 1 This card is a substitution for a 20 bit MY8 AD card 24 bit 44 1 48 kHz MY4 AD 4 XLR 3 31 type balanced x4 MY8 AD96 8 24 bit 44 1 48 88 2 96 kHz D sub 25 pin MY4 DA Analog out 4 20 bit 44 1 48 kHz XLR 3 32 type balanced x4 MY8 DA96 8 24 bit 44 1 48 88 2 96 kHz D sub 25 pin ...

Page 60: ...nto the inter nal connector 4 Secure the card using the attached thumbscrews Do not leave them loose as the card will not be grounded correctly which may cause the 02R96 to malfunction You can check which I O Cards are installed on the Word Clock Select page see page 56 For technical reasons certain card combinations are not supported Before installinganycards checktheYamahawebsite seepage 5 tosee...

Page 61: ...ard to four In Double Channel mode the even numbered channels are disabled Double Channel mode allows you to record 96 kHz audio to legacy 44 1 48 kHz digital multitrack recorders In Single mode digital audio data is received and transmitted at a sampling rate that is exactly half the cur rent higher sampling rate This is useful for digital MTR recording and playback situations The IN and OUT para...

Page 62: ...led I O Cards You can copy the currently selected setting to all Dither parameters by double clicking the ENTER button Monitoring Digital Input Channel Status You can monitor the Channel Status of digital audio signals connected to the 2TR Digital Inputs and Slot Inputs as follows 1 Use the DISPLAY ACCESS UTILITY button to locate the Channel Status Mon itor page 2 Use the cursor buttons to select ...

Page 63: ...e is recalled on the master console that scene is recalled on all cascaded con soles The following Automix functions Make New Automix Store Recall Title Edit Transport AutoREC REC PLAY STOP ABORT The following Automix parameters Automix Enable Disable Internal Start Time Offset Time Frame Rate Overwrite FADER ON PAN SURR AUX AUX ON EQ Motor ON OFF Edit Out Mode OFF RETURN TAKEOVER Return Time Upda...

Page 64: ... by the Slot Outputs or Omni Outs Master On Bi directional On 02R96 1 02R96 2 3 02R96 4 CASCADE IN CASCADE OUT CASCADE IN CASCADE OUT CASCADE OUT CASCADE IN Master Off Bi directional Final signals can be output by the Slot Outputs or Omni Outs Master Off Bi directional Master On Bi directional On Final signals can be output by the Slot Outputs or Omni Outs 02R 02R96 1 2 02R96 3 CASCADE IN CASCADE ...

Page 65: ...ly configured as the master console and it output the final signals CASCADE IN FROM This is used to specify the type of device connected to the CAS CADE IN port either 02R96 or 02R When a 02R96 or DM2000 is connected to the CAS CADE IN port 02R96 is specified automatically CASCADE IN ATTENUATOR These controls are used to attenuate Cascade Input sig nals The AUX9 AUX12 controls attenuate the corres...

Page 66: ... be patched by using the Encoders see page 72 See page 241 for a complete list of input patch sources See page 244 for a list of initial input patches Input Patch settings can be stored in the Input Patch library which contains 1 preset mem ory and 32 user memories See Input Patch Library on page 145 for more information Patching Input Channels AD Inputs Slot Inputs internal effects processor outp...

Page 67: ...ER and SEL buttons Patching Effects Inputs and Outputs Aux Sends internal effects processor outputs OUT1 and OUT2 only or Output Channel Insert Outs can be patched to the internal effects processor inputs Input Channels or Insert Ins can be patched to the internal effects processor outputs Inter nal effects processor inputs can be also patched to the internal effects processor outputs OUT1 and OUT...

Page 68: ...page 72 See page 245 for a complete list of output patch sources See page 249 for a list of initial out put patches Output Patch settings can be stored in the Output Patch library which contains 1 preset memory and 32 user memories See Output Patch Library on page 145 for more informa tion Patching Slot Outputs Bus Outs Aux Sends the Stereo Out Input or Output Channel Insert Outs or Surround Monit...

Page 69: ... Omni Out is patched to a Direct out see page 70 and that Direct Out is assigned on an Input Channel Routing page the Omni Out patch cannot be changed here Output Channel Inserts Ins AD Inputs Slot Inputs internal effects processor outputs or Digital or Analog 2TR Inputs can be patched to the Output Channel Insert Ins The left and right channels of the Stereo Out can be patched individually In add...

Page 70: ...ns Patch parameters can also be selected by using the LAYER and SEL buttons Patching the 2TR Digital Outputs Bus Outs Aux Sends the Stereo Out Input or Output Channel Insert Outs or the Control Room signal can be patched to the 2TR Digital Outputs 2TR Digital Outputs can be patched to Direct Outs on the Direct Out Destination pages see page 70 The left and right channels of each Digital Output can...

Page 71: ...y option is on the first four characters of a newly entered Long name are automatically copied to the Short name and vice versa You can reset all port names back to their initial values by pressing the INITIALIZE button Patch Select Window Input and Output patches can be made by using the Patch Select window shown below which appears when the ENTER button is pressed while a patch parameter is sele...

Page 72: ...ect Outs 1 Assign one of the above parameters to an Encoder ASSIGN button as explained on page 51 2 Press the ASSIGN button to which you assigned the patch parameter 3 Use the Encoders to select ports and press the Encoder push switches to set them The coresponding Patch page appears when an Encoder is operated If you operate another Encoder the selection is cancelled and the patch is left unchang...

Page 73: ... Reversing the Signal Phase The signal phase of each Input Channel can be reversed as follows 1 Use the SELECTED CHANNEL DISPLAY ACCESS PHASE INSERT button to select the Phase pages The Phase parameters for the 56 Input Channels are divided between two pages The Input Channel 1 48 Phase page is shown below The layout of the other page is the same 2 Use the cursor buttons or Parameter wheel to sele...

Page 74: ...cator lit and use the THRESHOLD RANGE ATTACK DECAY and HOLD controls to set the Gate Gate Edit Page Gate settings can be viewed and set on the Gate Edit page If the Auto DYNAMICS Display preference is on this page appears automatically when a gate control in the SELECTED CHANNEL DYNAMICS section is operated 1 Use the LAYER buttons to select Layers and use the SEL buttons to select Input Channels 2...

Page 75: ...y depend ing on the Pair mode setting for the currently selected Input Channel See Pairing Channels on page 123 for more information on horizontal and vertical pairing When Input Channels are paired this parameter is turned on automatically and cannot be changed CURVE This displays the gate curve i e input level vs output level TYPE This is the gate type used by the currently selected Input Channe...

Page 76: ...ect EQ groups a d The selected group is highlighted by a flashing cursor box 4 Use the SEL buttons to add and remove Input Channels to and from the selected group The EQ settings of the first Input Channel added to the group are applied to all subse quently added Input Channels When an Input Channel is added to a group its SEL button indicator lights up Input Channel Inserts Internal effects proce...

Page 77: ...cursor buttons to select Comp groups i l The selected group is highlighted by a flashing cursor box 4 Use the SEL buttons to add and remove Input Channels to and from the selected group The Compressor settings of the first Input Channel added to the group are applied to all subsequently added Input Channels When an Input Channel is added to a group its SEL button indicator lights up Delaying Input...

Page 78: ...I P The selected group is highlighted by a flashing cursor box 4 Use the SEL buttons to add and remove mutes to and from the selected group When an Input Channel is added to a Mute group its SEL button indicator lights up ENABLE These buttons are used to enable and disable the groups INPUT MUTE MASTER When this check box is checked clicking a MASTER MUTE button mutes or unmutes all channels in the...

Page 79: ... button indicators flash You can assign the MASTER MUTE button function to one of the USER DEFINED KEYS for convenient operation Setting Input Channel Levels Input Channel levels can be set as follows 1 Use the LAYER buttons to select the Layers 2 Press the FADER MODE FADER button to select Fader mode 3 Use the faders to set the Input Channel levels Refer to the legend on the left side of the fade...

Page 80: ...ect the input levels for the corresponding Fader group Pressing and holding down the SEL button while operating the fader of an Input Channel will temporarily cancel the cor responding Fader group which is convenient if you want to adjust the relative balance between channels Fader groups are active only in Fader mode i e when the FADER MODE FADER button indicator is on See Selecting Fader Modes o...

Page 81: ...This function works like a VCA mute on an analog mixing console Faders These faders adjust the master levels of the Fader groups Fader knobs are high lighted when faders are set to 0 0 dB Press the ENTER button to set the currently selected fader to 0 0 dB You can also control the parameters from the channel strips on the control surface as described below by using the User Assignable Layer of the...

Page 82: ...ton is turned off the surround pan setting does not affect signals fed to the Bus Outs You can enable the surround pan setting when the input source is monaural and patch the surround sources or surround effects directly to the Surround Buses Routing Pages Input Channel routing settings can be viewed and set on the Routing pages If the Auto ROUTING Display preference is on these pages appear autom...

Page 83: ...ayers 2 Press the ENCODER MODE PAN button to select the Pan Encoder mode 3 Use the Encoders to pan the input channels Using the SELECTED CHANNEL PAN SURROUND Controls 1 Use the LAYER buttons to select the Layers and use the SEL buttons to select the Input Channels 2 Use the Pan control to pan the currently selected Input Channel The pan display indicates the pan position of the currently selected ...

Page 84: ... control can be set to center by pressing ENTER MODE There are three Pan modes that determine how horizontally and vertically paired Input Channels are panned Individual Gang and Inverse Gang This is a global setting that applies to all paired Input Channels In individual mode paired Input Channel pan controls operate independently In Gang mode paired Input Channel pan controls operate in unison I...

Page 85: ...s on see page 231 signals will be at nominal level when panned hard left or hard right and at 3 dB when the preference is turned off The following table shows how Surround channels are handled by the Bus Outs The table may vary depending on the settings on the Surround Bus Setup page see page 87 Selecting Surround Pan Modes The Surround mode can be selected as follows 1 Use the SELECTED CHANNEL PA...

Page 86: ...the typical sound image placement and the Surround channel to Bus Out configuration Select the SURR BUS SETUP button then press the ENTER button to display the Sur round Bus Setup page which enables you to change the Surround Channel to Bus Out assignment See Assigning Surround Channels to Buses on page 87 for more information on the Surround Bus Setup page 3 1 Surround 5 1 Surround 6 1 Surround ...

Page 87: ...t the channel assignment to the default setting Using the Joystick 1 Use the LAYER buttons to select the Layers and use the SEL buttons to select the Input Channels 2 Press the GRAB button to grab the current Joystick position and then use the Joystick to set the surround pan Thisisusedtoturnonandoff JoysticksurroundpancontrolforthecurrentlyselectedInput Channel While Grab is on the Joystick can b...

Page 88: ...to Grab preference is on see page 231 when the Joystick is moved to the current surround pan position the Joystick kicks in as surround pan control and the small square disappears The number of speaker icons and meters around the surround graph depends on the cur rently selected Surround mode The meters indicate Bus Out signal levels You can move the surround pan directly to one of the speaker ico...

Page 89: ...inked the eight patterns selectable here determine how the linked surround pan moves by the Parameter wheel and INC DEC buttons Input Channel Surround Pages Surround pan positions can be viewed and set on the Surround pages 1 Use the SELECTED CHANNEL PAN SURROUND DISPLAY button to select the Input Channel Surround pages The Surround parameters for the 56 Input Channels are arranged into three page...

Page 90: ...gnals can be sourced pre EQ pre fader or post fader See Patching Direct Outs on page 70 and Routing Input Channels on page 82 for more information Pairing Input Channels Horizontal or vertical Input Channel partners can be paired for stereo operation See Pair ing Channels on page 123 for more information Viewing Input Channel Settings Parameter and fader settings for each Input Channel can be view...

Page 91: ...MS microphone with the 02R96 connect the L connector to the input jack of an odd Input Channel and connect the R connector to the input jack of the partner channel 2 Use the DISPLAY ACCESS PAIR button to locate the Pair pages 3 Turn on the MS button for the channels to which the MS microphone is con nected The two channels are automatically paired and MS Decoding is turned on With MS Decod ing tur...

Page 92: ...o the Stereo Out Bus Out signals can be sent to the Stereo Out See Sending Bus Outs to the Stereo Out on page 97 for more information Metering the Stereo Out Stereo Out signal levels can be metered on the Meter pages See Metering on page 107 for more information Monitoring the Stereo Out The Stereo Out can be monitored via the CONTROL ROOM MONITOR OUTs and the PHONES see page 136 or the STUDIO MON...

Page 93: ...rmation Muting the Stereo Out ON OFF The Stereo Out can be muted by using the STEREO ON button which is used exclusively for this task and is not affected by the Layers Its indicator lights up when the Stereo Out is on Grouping Master Mutes ON OFF The Stereo Out Mute can be grouped with the Mutes of other Output Channels See Grouping Output Channel Mutes ON OFF on page 128 for more information Set...

Page 94: ...l Fader Settings on page 130 for more information Delaying the Stereo Out The left and right channels of the Stereo Out can be delayed independently by using the Ste reo Out Delay See Delaying Channel Signals on page 120 for more information Viewing Stereo Out Settings Parameter and fader settings for the Stereo Out can be viewed and set on the View pages See Viewing Channel Parameter Settings on ...

Page 95: ...s Bus Out signals can be attenuated pre EQ See Attenuating Signals on page 110 for more information EQ ing Bus Outs Each Bus Out features 4 band parametric EQ See Using EQ on page 111 for more infor mation Grouping Master EQs Bus Out EQs can be grouped with the EQs of other Output Channels See Grouping Out put Channel EQs on page 114 for more information Bus Out Inserts Internal effects processors...

Page 96: ...ess the LAYER MASTER button to select the Master Layer 2 Press the FADER MODE FADER button to select Fader mode 3 Use faders 17 24 to set the Bus Out levels Refer to the legend on the right side of the faders when setting Bus Out levels Grouping Master Faders Bus Out faders can be grouped with the faders of other Output Channels See Grouping Output Channel Faders on page 126 for more information D...

Page 97: ...nd right Stereo Out buses The currently selected Pan control can be set to center by pressing ENTER ON OFF These buttons are used to turn on and off the Bus Out to Stereo Out routing Faders These faders are used to set the Bus Out to Stereo Out levels Fader knobs appear highlighted when faders are set to 0 0 dB Press the ENTER button to set the currently selected fader to 0 0 dB You can copy the c...

Page 98: ...Send page is shown below Variable mode on the left Fixed mode on the right The layout of the other two pages is the same On the Fixed mode page GLOBAL POST is displayed in the lower right corner indicat ing that the Aux Send Pre Post parameter is fixed at Post 2 Use the AUX SELECT AUX 1 AUX 8 buttons to select Aux Sends 1 8 3 Use the cursor buttons to select the FIXED and VARIABLE buttons and pres...

Page 99: ...ect Aux Sends 1 8 4 Use the Encoders to set the Aux Send levels Aux Send Pages You can view and set theAux Send parameters of all Input Channels on theAux Send pages Operation of the Aux Send pages in Variable and Fixed mode is explained separately Variable Mode See page 98 for information on how to select Variable Aux mode 1 Use the AUX SELECT DISPLAY button to select the Aux Send pages The Aux S...

Page 100: ...o you can quickly see if all Input Channels are set to either pre fader or post fader 8 If you selected pre fader turn on the PRE ON button or POST ON button to set the Pre point before or after each channel s ON button Fixed Mode See page 98 for information on how to select Fixed Aux mode 1 Use the AUX SELECT DISPLAY button to select the Aux Send pages The Input Channel 1 24 Aux Send page in Fixe...

Page 101: ...o select the Input Channel Aux Sends Input Channels can also be selected by using the Input Channel Layer buttons and SEL buttons Aux Sends can also be selected by using the AUX SELECT AUX 1 AUX 8 but tons 4 Use the Parameter wheel or INC DEC buttons to set the Aux Send levels 5 Use the ENTER button to turn on and off the selected Aux Send The various Aux View page indicators are as follows Send l...

Page 102: ...r two Aux View pages in Pre Post mode is the same 3 Use the cursor buttons or Parameter wheel to select the Input Channel Aux Sends Input Channels can also be selected by using the LAYER buttons and SEL buttons Aux Sends can also be selected by using the AUX SELECT AUX 1 AUX 8 buttons 4 Use the ENTER button or INC DEC buttons to set the selected Aux Send to either pre fader or post fader The vario...

Page 103: ...DEC buttons to set them Input Channels can also be selected by using the LAYER buttons and SEL buttons The currently selected Pan control can be set to center by pressing ENTER MODE There are three Pan modes that determine how paired Aux Sends are panned Individual Gang and Inverse Gang This is an individual setting that applies to each send in a pair of Aux Sends In individual mode Aux Send pan c...

Page 104: ...S FOR AUX appears at the bottom of the screen The asterisk represents an Aux number 3 To reset the setting while pressing and holding down the AUX SELECT AUX 1 AUX 8 buttons you pressed in Step 1 press the ON buttons you pressed in Step 2 The corresponding ON button indicators light up Copying Channel Fader Positions to Aux Sends While Aux Sends are in Variable mode you can copy all Input Channel ...

Page 105: ...ter EQs can be grouped with the EQs of other Output Channels See Group ing Output Channel EQs on page 114 for more information Aux Send Master Inserts Internal effects processors and external signal processors can be patched into the Aux Send Masters by using the Inserts See Using Inserts on page 115 for more information Compressing Aux Send Masters Signal dynamics can be controlled by using the A...

Page 106: ... faders of other Output Channels See Grouping Output Channel Faders on page 126 for more information Delaying Aux Send Masters Each Aux Send Master features a Delay function See Delaying Channel Signals on page 120 for more information Soloing Aux Sends Aux Sends can be soloed See page 121 for more information Pairing Aux Sends Aux Sends can be paired for stereo operation See Pairing Channels on p...

Page 107: ...positions numerically The Peak Hold function which applies to all level meters can be turned on or off on any of the Meter pages Setting the Metering Position Input and Output Channels can be metered pre EQ pre fader or post fader This setting which can be set independently for the Input and Output Channels can be set on the Metering Position page shown below or any of the Input and Output Channel...

Page 108: ...o pages is the same These pages feature two level meters for each Input Channel When Input Channels are vertically paired both meters operate When Input Channels are horizontally paired only the left hand meter operates GATE GR The meters indicate the gain reduction being applied by the Gate COMP GR The meters indicate the gain reduction being applied by the Compressor Therearetwo48 channelMeterpa...

Page 109: ... page Metering Effects Effects inputs and outputs are metered on the Effect 1 4 page There are eight input and output meters for effect 1 and 2 input and output meters for effects 2 through 4 Metering the Stereo out The Stereo Out can be metered on the Stereo Meter page Peak signal levels for the left and right channels are displayed numerically ...

Page 110: ...ion Input and Output Channels can also be selected by using the LAYER and SEL buttons You can copy the currently selected Input or Output Channel attenuation setting to all Input or Output Channels respectively by double clicking the ENTER button For Input Channels you can also set the amount of attenuation in bits from 2 bits to 24 bits Use the cursor buttons to select the bit shift parameters an...

Page 111: ...bass with emphasized low range 12 Syn Bass 2 Emphasizes the attack that is peculiar to synth bass 13 Piano 1 Makes pianos sound brighter 14 Piano 2 Used in conjunction with a compressor this preset emphasizes the attack and low range of pianos 15 E G Clean Use for line level recording of an electric or semi acoustic guitar to get a slightly harder sound 16 E G Crunch 1 Adjusts the tonal quality of...

Page 112: ...gain controls press the LOW and HIGH FREQUENCY Q controls The EQ parameter ranges are as follows The initial EQ parameter settings are as follows 33 Bass Drum 3 A variation on preset 1 with low and mid range reduced 34 Snare Drum 3 A variation on preset 3 creating a thicker sound 35 Tom tom 2 A variation on preset 5 emphasizing the mid and high ranges 36 Piano 3 A variation on preset 13 37 Piano L...

Page 113: ... is selected the ENTER button can be used to turn the EQ on and off so long as any parameter other than TYPE is selected TYPE This selects the type of EQ TYPE I the EQ type used on legacyYamaha digital mix ing consoles or TYPE II a newly developed algorithm ATT This can be used to attenuate signals pre EQ It s the same Attenuator parameter that appears on the Attenuator pages See Attenuating Signa...

Page 114: ...LAY ACCESS GROUP button to locate the Output Equalizer Link page 2 Press the LAYER MASTER button 3 Use the Up Down cursor buttons to select EQ groups e h The selected group is highlighted by a flashing cursor box 4 Use the SEL buttons to add and remove Output Channels to and from the selected group The EQ settings of the first Output Channel added to the group are applied to all subse quently adde...

Page 115: ... pre EQ pre fader or post fader Click the desired COMP and INSERT buttons in the POSITION block diagram to select the Compressor and Insert positions INSERT ON OFF This turns the currently selected channel s Insert on and off INSERT OUT This selects the destination for the Insert Out which can be a Slot Output Omni Out 2TR Digital Output or the input to an internal effects processor See page 241 a...

Page 116: ...at s inserted the PLUG INS but ton indicator also flashes If it s an internal effects processor the INTERNAL EFFECTS button indicator also flashes This applies only to effects that are inserted into channels If there s nothing inserted in the currently selected channel a message appears Compressing Channels Input Channels Bus Outs Aux Sends and the Stereo Out all feature a Compressor Settings can ...

Page 117: ...ad COMP Compressor for synth pad intended to prevent diffusion of the sound 24 SamplingPerc COMPAND S Compressor for making sampled percussion sound like real acoustic percussion 25 Sampling BD COMP A variation on preset 24 intended for sampled bass drum sounds 26 Sampling SN COMP A variation on preset 25 intended for sampled snare drum sounds 27 Hip Comp COMPAND S A variation on preset 26 intende...

Page 118: ...t Layers and use the SEL buttons to select channels 2 Use the SELECTED CHANNEL DYNAMICS DISPLAY button to locate the Comp Library page and recall a preset Compressor that contains the comp type that you want See Comp Library on page 149 for more information 3 Use the SELECTED CHANNEL DYNAMICS DISPLAY button to locate the Comp Edit page 4 Use the cursor buttons to select the parameters and use the ...

Page 119: ...the SELECTED CHANNEL DYNAMICS COMP ON button PARAMETER These controls are used to set the Threshold Ratio Attack Release Out Gain and Knee Width parameters Grouping Output Channel Compressors The Bus Out Aux Send and Stereo Out Compressors can be grouped allowing you to con trol the compression of several Output Channels simultaneously There are four Output Channel Compressor groups m n o and p 1 ...

Page 120: ...em Input and Output Channels can also be selected by using the LAYER and SEL buttons DELAY SCALE These buttons determine the units of the delay value shown below the msec value Units can be set to meters feet samples beats or timecode frames GANG When this option is turned on the delay time for paired channels can be set simul taneously Ganging is relative so any delay time difference between the ...

Page 121: ...e SOLO indicator in the MONITOR section flashes when the Solo function is active You can unsolo all soloed channels by pressing the SOLO CLEAR button Configuring Solo The Solo function is configured on the Solo Setup page If the Auto SOLO Display prefer ence is on this page appears automatically when a channel is soloed See Auto SOLO Dis play on page 230 1 Use the MONITOR DISPLAY button to locate ...

Page 122: ...e Input Channels can be configured individually so that they are not muted when other Input Channels are soloed Use the SEL buttons cursor buttons or Parameter wheel to select the SOLO SAFE CHANNEL buttons Use the ENTER or INC DEC buttons to set Solo Safe for each Input Channel These settings do not affect Recording Solo mode You can clear all Solo Safe settings by selecting the ALL CLEAR button a...

Page 123: ...nd channel The following channel parameters are copied and controlled together when channels are paired Fader On Off Insert On Off Aux On Off Aux Send Mode Aux Send Level Aux Pre Post Aux Pre Point Gate parameters Compressor parameters EQ parameters Fader group Mute group EQ group Comp group Solo Solo Safe AUTO button Fade Time Recall Safe Bus to Stereo On Off Bus to Stereo Level The following cha...

Page 124: ... the 56 Input Channels are divided between two pages The Input Channel 1 48 Pair page is shown below The layout of the other page is the same 2 To set the pair mode select the PAIR MODE HORIZONTAL or VERTICAL but tons and press ENTER The Pair mode can be set independently for Input Channels 1 48 and Input Channels 49 56 The Input Channel 1 48 Pair page in Vertical mode is shown below Pair paramete...

Page 125: ...ns The Output Pair page displays the currently selected Surround mode i e Stereo 3 1 5 1 or 6 1 which can be set on the Surround Mode page see page 85 When a Surround mode other than Stereo is selected the names of the Surround channels are shown below the Bus Out and Aux Send pair buttons as shown in the following table This table shows the default assignment The assignment may vary depending on ...

Page 126: ...is check box is not checked the Output Channel fader positions determine the fader levels in the Output Channel Fader groups When this check box is checked you can set the master level for the corresponding Output Channel Fader group in the Master column The resultant Output Channel level equals the corre sponding Output Channel fader level plus the Group master level See Group Master for the Outp...

Page 127: ...ge as shown below 3 Use the DISPLAY ACCESS GROUP button to locate the Output Fader Group Master page 4 Use the cursor buttons to select the parameters then use the Parameter wheel INC DEC buttons or ENTER button to set them OUTPUT FADER MASTER When this check box is checked you can set the master lev els for the Output Fader groups The resultant Output Channel level equals the correspond ing Outpu...

Page 128: ... to select Mute groups U X The selected group is highlighted by a flashing cursor box 4 Use the SEL buttons to add and remove Output Channels to and from the selected group When an Output Channel is added to a Mute group its SEL button indicator lights up ENABLE These buttons are used to enable and disable the groups OUTPUT MUTE MASTER When this check box is checked pressing the MASTER MUTE button...

Page 129: ... Input Channel Bus Out Aux Send or the Stereo Out can be viewed and set on the Parameter View pages 1 Use the DISPLAY ACCESS VIEW button to select the Parameter View page 2 Use the LAYER buttons to select Layers and use the SEL buttons to select channels 3 Use the cursor buttons to select the parameters and use the Parameter wheel INC DEC buttons and ENTER buttons to set them Input Channels This i...

Page 130: ...mation Output Channels This is the Parameter View page for the Bus Outs Aux Sends and the Stereo Out Parame ters are the same as for the Input Channel ParameterView page minus the GATE and Phase sections and the DELAY MIX and FB GAIN parameters The parameter settings of the left and right channels of the Stereo Out can be viewed individually Use the SEL buttons to toggle between the left and right...

Page 131: ...ROUND PAN The Surround pan parameters for the currently selected Input Chan nel are displayed only when a Surround mode other than Stereo is selected See Using Sur round Pan on page 85 for more information BUS ROUTING This section contains Routing and Follow Pan buttons for the currently selected Input Channel See Routing Input Channels on page 82 for more information The Direct Out output patch c...

Page 132: ...ion is displayed numerically below the fader See Sending Bus Outs to the Stereo Out on page 97 for more information Meters These meters indicate the levels of the currently selected Bus Out and its partner The metering position is displayed below them GROUP These buttons indicate which Fader Mute EQ or Comp group if any the cur rently selected Bus Out is in Aux Sends Below is the Fader View page f...

Page 133: ...ttons then press the ENTER button to set the parameter to Center See Balancing the Stereo Out on page 94 for more information ON OFF This is the On Off parameter of the Stereo Out See Muting the Stereo Out ON OFF on page 93 for more information Fader This indicates the fader position of the Stereo Out The fader knob appears high lighted when the fader is set to 0 0 dB The fader position is display...

Page 134: ... is selected Input Channels are listed in order of vertical partners for example CH1 CH25 CH2 CH26 and so on 3 Use the cursor buttons to select the Input Channel s Long or Short name and then press ENTER When the Title Edit window appears edit the Input Channel name and press OK when you ve finished See Title Edit Window on page 46 for more information You can reset all Input Channel names back to...

Page 135: ...then press ENTER When the Title Edit window appears edit the Output Channel name and press OK when you ve finished See Title Edit Window on page 46 for more information You can reset all Output Channel names back to their initial values by pressing the INI TIALIZE button If the Name Input Auto Copy check box in the upper right corner is checked the first four characters of the name entered in the ...

Page 136: ...button on the Control Room Setup page See Control Room Setup on page 137 ASSIGN 2 Selects the Output Channel assigned to this button on the Control Room Setup page See Control Room Setup on page 137 The level of the Control Room Monitor signal can be set by using the CONTROL ROOM LEVEL control The DIMMER button activates the Dimmer function which dims the Control Room Monitor and Sur round Monitor...

Page 137: ...OL ROOM DIMMER LEVEL This determines the amount of attenuation applied to the Control Room Monitor and Surround Monitor signals by the Dimmer func tion Use the cursor buttons to select it and use the Parameter wheel or INC DEC buttons to set it from MONO This button is be used to switch the Control Room Monitor signal into mono Studio Monitoring The STUDIO MONITOR OUT uses balanced 1 4 inch phone ...

Page 138: ... stored in the Surround Monitor library which contains 1 preset memory and 32 user memories See Surround Monitor Library on page 152 for more information General surround monitoring is performed on the Surround Monitor page 1 Use the MONITOR DISPLAY button to locate the Surround Monitor page 2 Use the cursor buttons to select the parameters and use the Parameter wheel INC DEC buttons and ENTER but...

Page 139: ...arameter wheel INC DEC buttons and ENTER button to set them SPEAKER SETUP These parameters are for setting the volume balance of the surround monitor speakers Select the OSC Oscillator parameter and choose from PINK NOISE 500 2K pink noise through a 500 Hz to 2 kHz BPF 1K 1 kHz sinewave or 50 Hz 50 Hz sinewave Use the ON OFF button to turn the Oscillator on and off When on the Oscil lator outputs ...

Page 140: ...Bs AMP Corrects the LFE channel level HPF1 3 Cut the low range so that the speakers supporting frequency ranges will not interfere with the subwoofer signals HPF1 2 Cut the high range so that the subwoofer s supporting frequency ranges will not interfere with other speakers signals Presets Parameters No Title HPF 1 2 3 LPF1 LPF2 ATT 1 2 AMP 1 DVD Mix w BS 80 12 80 24 80 24 0 10 2 DVD Author w BS 8...

Page 141: ...ying Surround Channels as necessary The Attenuator parameters can be set 12 dB to 12 dB in 0 1 dB steps The Delay parameters can be set from 0 to 30 msec in 0 02 msec steps Patching Slot Inputs to Surround Channels Individual Slot Inputs can be patched to Surround Monitor Channels as follows 1 Use the MONITOR DISPLAY button to locate the Surround Monitor Patch page 2 Use the cursor buttons to sele...

Page 142: ...tton to locate the Talkback Setup page 2 Use the cursor buttons to select the parameters and use the Parameter wheel INC DEC buttons and ENTER button to set them OUTPUT ASSIGN These buttons are used to assign the Talkback mic signal to Slot and Omni Outputs STUDIO MONITOR This allows you to select the Talkback mic signal as the Studio Monitor source TALKBACK DIMMER LEVEL When the Talkback function...

Page 143: ...e of the selected memory select this and press ENTER When the Title Edit window appears edit the title and press OK when you ve finished See Title Edit Window on page 46 for more information RECALL To recall the contents of the selected memory select this and press ENTER If the Recall Confirmation preference is on a confirmation window appears before the con tents are recalled STORE To store setti...

Page 144: ...ted channel Only memories whose contents correspond to the currently selected channel can be recalled For example you can recall Input Channel settings to Input Channels but not to Aux Sends When the selected memory and currently selected channel don t correspond a warning triangle and the word CONFLICT appear in the STORED FROM box Preset memory 0 Reset dB resets all parameters of the currently s...

Page 145: ...the selected memory For details on the Store Recall Title Edit and Clear functions see General Library Oper ation on page 143 Output Patch Library Output Patch settings can be stored in the Output Patch library which contains 1 preset memory and 32 user memories The preset memory is read only User memories enable you to store custom settings See page 68 for information on Output Patch settings 1 U...

Page 146: ...he previously recalled Effects memory Its I O con figuration is shown below this EDIT Pressing this button then the ENTER button displays the Effects Edit page which enables you to adjust the Effects parameters See Editing Effects on page 156 for more information PATCH Pressing this button then the ENTER button displays the Effects Input Patch page which enables you to patch internal Effects proce...

Page 147: ...red to the selected memory CURRENT CONFIGURATION Bus Out pairing information for the current configura tion is displayed here LIBRARY CONFIGURATION Bus Out pairing information for the configuration stored in the currently selected memory is displayed here If the Bus Out pairing configuration does not match the current configuration the word CONFLICT will appear in the LIBRARY CONFIGURATION box In ...

Page 148: ... selected memory When recalling the Gate settings in the selected memory are applied to the currently selected Input Channel CURRENT TYPE This indicates the current Gate type of the currently selected channel CURRENT CURVE This is the Gate curve of the currently selected channel GR meters These meters indicate the amount of gain reduction being applied by the Gate and the levels of the currently s...

Page 149: ...calling the Comp settings in the selected memory are applied to the currently selected channel CURRENT TYPE This indicates the current Comp type of the currently selected channel CURRENT CURVE This is the Comp curve of the currently selected channel GR meters These meters indicate the amount of gain reduction being applied by the Comp andthelevelsof thecurrentlyselectedchannelanditsadjacentchannel...

Page 150: ... EQ settings of the currently selected channel indicated in the upper left and right corners are stored to the selected memory When recalling the EQ settings in the selected memory are applied to the currently selected channel CURRENT TYPE This indicates the current EQ type TYPE I or TYPE II for the cur rently selected channel CURRENT CURVE This is the EQ curve of the currently selected channel Le...

Page 151: ...ENT This is the size of the current Automix UNDO This is the size of the Automix data in the current Undo buffer FREE This is the amount of free memory for storing the current Automix MEMORY This is the size of the selected Automix memory PROTECT To protect the contents of the selected memory select this and press ENTER A padlock icon appears next to the titles of memories that are write protected...

Page 152: ...es The preset memory is read only User memories enable you to store custom settings See page 138 for information on Surround Monitoring 1 Use the MONITOR DISPLAY button to select the Surround Monitor Library page When storing the current Surround Monitor settings are stored to the selected memory For details on the Store Recall Title Edit and Clear functions see General Library Oper ation on page ...

Page 153: ...r memories See Effects Library on page 146 for more information Patching Effects Processors Effects processor inputs can be fed from the Aux Sends Input and Output Channel Insert Outs or the outputs of another effects processor See Patching Effects Inputs and Outputs on page 67 for more information Effects processor outputs can be patched to the Input Channels Input and Output Channel Insert Ins o...

Page 154: ...n 25 Amp Simulate AMP SIMULATE Guitar amp simulation Preset Name Type Description 26 Dyna Filter DYNA FILTER Dynamically controlled filter 27 Dyna Flange DYNA FLANGE Dynamically controlled flanger 28 Dyna Phaser DYNA PHASER Dynamically controlled phase shifter Preset Name Type Description 29 Rev Chorus REV CHORUS Reverb and chorus in parallel 30 Rev Chorus REV CHORUS Reverb and chorus in series 31...

Page 155: ... channel reverb for 7 1 surround 461 Auto Pan 5 1 AUTO PAN 5 1 6 channel auto pan for 5 1 surround 471 Chorus 5 1 CHORUS 5 1 6 channel chorus for 5 1 surround 481 Flange 5 1 FLANGE 5 1 6 channel flanger for 5 1 surround 491 Sympho 5 1 SYMPHO 5 1 6 channel symphonic effect for 5 1 surround 50 M Band Dyna M BAND DYNA Multi band dynamics processor 511 Comp 5 1 COMP 5 12 Multi band compressor for 5 1 ...

Page 156: ...y page for the selected effects processor See Effects Library on page 146 for more information PATCH Select the PATCH button then press ENTER to display the Effects Input Out put Patch page which enables you to patch internal Effects processor inputs and outputs See Patching Effects Inputs and Outputs on page 67 for more information MIX BALANCE This is used to set the balance between the wet and d...

Page 157: ...n edit page appears If it s aY56K card that s inserted the PLUG INS but ton indicator also flashes If it s an internal effects processor the INTERNAL EFFECTS button indicator also flashes This applies only to effects that are inserted into channels If there s nothing inserted in the currently selected channel a message appears Adding Optional Add On Effects Installing an optional Add On Effect pac...

Page 158: ...gs are stored in Scenes for snapshot style automation When installing Y56K cards mini YGDAI Slots 3 and 4 correspond to Plug Ins 3 and 4 so if you install for example a Y56K card in Slot 4 it s automatically configured as Plug In 4 02R96 signals are patched through to theY56K card s effect chains just like any other sig nal is patched through to a Slot Input or Output Slot Outputs i e effect chain...

Page 159: ... four Plug Ins Parameters for the specified target appear on the Plug In Edit page when that Plug In is selected by using the EFFECTS PLUG INS 1 4 buttons In addition to using the cursor buttons Plug Ins can also be selected on this page by using the EFFECTS PLUG INS 1 4 buttons TITLE If a Y56K card is installed its name is displayed here If the target is set to USER DEFINED the specified title of...

Page 160: ... This is used to enter a title up to 16 characters long for each bank To enter a title for the currently selected bank select this and press ENTER When the Title Edit window appears enter a title and press OK when you ve finished See Title Edit Window on page 46 for more information PARAMETER ID NAME This is used to select the four rotary controls at the bottom of the Plug In Edit page for editing...

Page 161: ... currently selected channel a message appears The parameter settings and the target and bank for each Plug In are stored in Scenes When a Scene is recalled if the Plug In s Target is the same as when the Scene was stored the parameters are set accordingly and the corresponding MIDI data is transmitted so long as the REMOTE parameter is set to ENABLED If the Target is not the same the parameters ar...

Page 162: ...re recalled automat ically See Automix on page 170 for more information Scene memories can be stored to external MIDI device such as a MIDI data filer by using MIDI Bulk Dump see page 195 What s Stored in a Scene The following items are stored in Scenes Input and Output Channel settings Effects set tings Group and Pair settings Fade Time settings and Scene title Edit Buffer Edit Indicator The Edit...

Page 163: ...memory for each Original Scene memory The contents of the Original and Shadow memories can be recalled alternately which is useful for doing A B comparisons When a Scene is recalled the current mix settings are automatically stored in the Shadow memory of the Scene memory that was recalled last When you return to that Scene you can recall the Shadow or Original memory alternately While the Scene M...

Page 164: ...e current Scene is stored to the selected Scene memory You can undo Scene stores reverting to the previous mix settings by recalling Scene mem ory U Ud on the SCENE MEMORY display Recalling Scenes 1 Use the SCENE MEMORY Up and Down buttons to select the Scene memories 2 Press the RECALL button The contents of the selected Scene memory are recalled and all mix parameters are set accordingly If the ...

Page 165: ...R When the Title Edit window appears enter a title and press OK See Title Edit Window on page 46 for more information When a Scene is stored the Scene memory s number and title stop flashing and the Edit indicators go off You can stop the Title Edit window from appearing by turning off the Store Confirmation preference on page 230 The Free 100 value indicates the amount of free memory available fo...

Page 166: ...to select the individual Fade Time parameters and use the Parameter wheel or INC DEC buttons to set them You can copy the currently selected Input or Output Channel Fade Time setting to all Input or Output Channels respectively by double clicking the ENTER button If the Input or Output Group Master is selected you can copy the setting to all Input or Output Channel Group Master channels The Long n...

Page 167: ...ameter wheel to select channels and use the ENTER button or the INC DEC buttons to set them as Safe chan nels When a channel is Safe its number appears highlighted GROUP MASTER OTHERS Recall Safe can be set individually not only for Input Out put Channels but also Group Master Internal Effect Processors User Defined Remote Layer and Plug ins 4 Use the cursor buttons or Parameter wheel to select th...

Page 168: ... list and use the Param eter wheel or the INC DEC buttons to select the position to which you want to move the source Scene memory 4 Press ENTER to move the source Scene memory to the specified destina tion The ENTER button executes the Sort function regardless of its position Copying and Pasting a Scene Global Paste Any channel or parameter settings for the current scene can be copied and pasted ...

Page 169: ...ttons or Parameter wheel to select the destination chan nels then press the ENTER button 5 Use the SCENE MEMORY DISPLAY button to locate the Global Paste Des tination Scene page 6 Use the Parameter wheel or INC DEC buttons to select the destination scene s Scenes specified between FROM and TO inclusive become the paste destination You can paste up to 10 scenes at a time 7 Use the cursor buttons to...

Page 170: ... out Automix can be synchronized to an external timecode source or to the internal timecode generator Up to 16 Automixes can be stored in the Automix library See Automix Library on page 151 for more information They can also be stored to an external MIDI device such as a MIDI data filer by using MIDI Bulk Dump see page 195 What s Recorded in an Automix The following parameters can be recorded in a...

Page 171: ...his parameter can be used to specify an offset relative to the external timecode source in hours minutes seconds frames and subframes Specify a value to move events forward relative to the incoming timecode Specify a value to move events back wards relative to the incoming timecode Press the ENTER button to reset the currently selected digits to 00 If the Timecode Display Relative preference is tu...

Page 172: ...er remains at that position right through to the end of the Automix At the point at which recording is stopped all subse quent events are erased so that the fader remains at that position right through to the end of the Automix Off Return Takeover At the punch out point the fader remains at the same position until the next Fader event in the existing data occurs At the punch out point the fader re...

Page 173: ... progress Scene and library recalls and internal effects processors and Plug Ins parameters can be recorded regardless of the OVERWRITE settings AUTOMIX This button is used to enable and disable the Automix function It works in unison with the AUTOMIX ENABLE button NEW This button is used to create a new Automix When a new Automix is created a Scene recall event to recall the current Scene i e the...

Page 174: ...g playback To do this while the PLAY button is highlighted i e during playback press the REC button it flashes in Record Ready mode Then press the PLAY button to start recording PLAY This button is used to start Automix recording and playback when the timecode source is set to internal When an external timecode source is selected while the external timecode is being received recording and playback...

Page 175: ...h there are three The Fader Edit 1 page displays Faders positions for Input Channel 1 through 56 the Bus Outs and Stereo Out The Fader Edit 2 page displays faders positions for Input Channel 1 through 56 the Bus Outs and Aux Sends The Fader Edit 3 page displays fader positions for the Input Group Master Levels and Output Group Master Levels When the Fader mode is set to Fader Input and Output Chan...

Page 176: ...and so on can still be used which is useful for rehearsing mix moves Channel safe settings cannot be changed during recording ABSOLUTE RELATIVE These buttons are the same as those on the Main and Memory pages See Automix Main Page on page 171 for more information MOTOR This button is used to turn the fader motors are on and off for Automix play back The button appears highlighted when the motors a...

Page 177: ...r 24 An Automix will playback correctly even if the frame rate is different to that which was used when the Auto mix was originally recorded The MIDI CLOCK source supports Song position Pointers F8 TIMING CLOCK timing info FA START starts Automix from beginning FB CONTINUE starts Automix from current position and FC STOP stops Automix Source Description INTERNAL Internally generated timecode SMPTE...

Page 178: ...SETUP button to select the Time Signature page 2 Use the cursor buttons to select the parameters and use the Parameter wheel or INC DEC buttons to specify the measure and time signature To insert a time signature change use the cursor buttons to select the next available entry and press ENTER or turn the Parameter wheel To delete a time signature change select it and then press ENTER The initial t...

Page 179: ...s received The main difference between REC and AUTO REC is that the AUTO REC functions remains on when recording is stopped whereas REC must be pressed each and every time you want to start recording Initially however REC may be the safer option 7 Use the AUTO buttons to arm channels for Automix recording The AUTO button indicators of armed channels light up orange 8 Start the timecode source The ...

Page 180: ... confirmation message appears 3 Use the IN and OUT parameters to specify the region to be inserted The default IN and OUT parameter values use the Locate memories specified by the Insert Time Link preference see page 234 If you change the Locate points for the corresponding Locate memories while the confirmation message is displayed the IN and OUT parameter values will be updated accordingly If MI...

Page 181: ...sor buttons to select the INSERT button then press ENTER A confirmation message appears 9 Use the cursor buttons to select YES then press ENTER to insert the data Once the data is inserted Insert mode is cancelled and the INSERT button is unhighlighted Rerecording Events Events can be rerecorded as many times as you like Remember however that unlike the first pass on subsequent passes existing eve...

Page 182: ...round Edit page is on adjacent channels are recorded together EQ F Q G On Off Input Bus Out Aux Send Stereo Out EQ Use SELECTED CHANNEL EQUALIZER section If EQ parameter assigned to an Encoder also use Encoders EQ of paired channels and grouped EQs recorded together Aux send 1 8 levels Input AUX If Fader mode is Aux use faders If Encoder mode is Aux use Encoders also use Aux Send or Aux view pages...

Page 183: ... the Fader mode to Fader Set the Group Master in the User Assignable Layer Pan Input PAN Set Layer to input Encoder mode to Pan Press Encoder and adjust Press Encoder Surround Pan Input SURR Select Input Layer and assign Sur round LFE Level or Surround Pan Wheel to the Encoders Press Encoder and adjust Press Encoder EQ F Q G All channels EQ Turn on Auto EQ Edit In prefer ence see page 233 Use SELE...

Page 184: ...set to internal use the PLAY button on theAutomix Main or Mem ory page to start Automix playback and the STOP button to stop it You can disable Automix playback on individual channels by using the channel strip AUTO buttons During playback the AUTO button indicators appear green When Automix playback for an individual channel is disabled its AUTO button indicator goes out During playback faders mo...

Page 185: ...ers then use the Parameter wheel INC DEC buttons or ENTER button to specify the edit range TIME SETTING The IN and OUT parameters are used to specify the region of Automix data to be erased copied moved merged or trimmed The IN and OUT points can be set on the fly by pressing the ENTER button while the IN or OUT button is selected The captured timecode values can be edited by using the Parameter w...

Page 186: ... copy source channels For example if Input Channels 1 though 8 are specified as the source then the number of destination channels will be eight 8 Destination channels are contiguous and only the first channel in the range can be specified The number in parentheses on the right indicates the last channel in the copy destination You cannot copy from Input Channels to Output Channels Also even withi...

Page 187: ...ter wheel or the INC DEC buttons Press the ENTER button to reset the currently selected digit to 00 The CH parameter specifies the channel to which the specified data will be moved or merged The number of destination channels depends on the number of move merge source channels specified For example if Input Channels 1 though 8 are specified as the source then the number of destination channels wil...

Page 188: ...Parameter wheel or the INC DEC buttons to scroll the list While the cursor is inside the event list you can use these controls to edit event parameters The triangular cursor at the left side of the list indicates the currently selected event When an event s timecode value is edited the list is resorted automatically Button Events FADER Channel Fader events Inputs Channels Bus Out masters Aux Send ...

Page 189: ...n Capture memory display This displays the captured timecode position The captured timecode values can be edited by using the Parameter wheel or the INC DEC buttons Press the ENTER button to reset the currently selected digits to 00 CAPTURE button This button is used to capture the current timecode position Up to eight timecode values can be captured and stored in the eight Capture memories Use th...

Page 190: ...stations including Pro Tools see page 196 MIDI I O The 02R96 features four types of interface for transmitting and receiving MIDI data Standard MIDI ports TO HOST USB port TO HOST SERIAL port SLOT1 for use with an optional mLAN I O Card installed in Slot 1 TO HOST SERIAL and TO HOST USB are multiport interfaces with eight ports each When the 02R96 receives MIDI data via any of these interfaces the...

Page 191: ...isplayed here and no settings can be made Studio Manager These parameters are used to select a port for use with the Studio Manager software and to assign the 02R96 an ID from 1 to 8 Available ports include MIDI SERIAL 1 8 USB 1 8 and SLOT1 See the Studio Manager documentation for more infor mation DAW These parameters are used to select ports for use with DAWs Since four ports are required to con...

Page 192: ...nsmission and reception of Program Changes Tx ON OFF Transmission of Program Change messages is enabled or disabled Rx ON OFF Reception of Program Change messages is enabled or disabled OMNI ON OFF When this button is turned on Program Changes on all MIDI Channels are received regardless of the CHANNEL row settings ECHO ON OFF This button determines whether Program Change messages received at the ...

Page 193: ...e assigned Program Change number is transmitted If that Scene is assigned to more than one Program Change the lowest Program Change is transmitted Likewise when a Program Change message is received the assigned Scene is recalled You must set the MIDI Setup parameters in order to transmit and receive Program Change mes sages see page 192 Initially Scenes 1 through 99 are assigned sequentially to Pr...

Page 194: ...nsmitted 3 Use the cursor buttons to select the No CH column and use the Parameter wheel or INC DEC buttons to select the Control Changes 4 Use the cursor buttons to select the three PARAMETER columns and use the Parameter wheel or INC DEC buttons to select the parameters Parameters with more than 128 steps require two or more Control Change messages for MIDI transmission and reception Certain Del...

Page 195: ... Surround Monitor For each library you can specify ALL user memo ries individual user memories and for the Bus to Stereo Input Patch Output Patch Sur round Monitor libraries you can also specify the current settings BANK User Defined Remote Layer banks RMT UDEF User Defined Plug Ins banks PLUG UDEF User Defined Keys banks KEYS UDEF or the USER ASSIGNABLE LAYER banks USR LAYER For each item you can...

Page 196: ...ac The 02R96 can be connected to your Mac by connecting the TO HOST SERIAL port to either the Printer or Modem port on your Mac or by connecting the TO HOST USB port to a USB port on your Mac If you use the TO HOST SERIAL port make sure that the TO HOST SERIAL parameter on the MIDI TO HOST Setup page is set to Mac see page 191 2 Install OMS The 02R96 communicates with Pro Tools via OMS Open Music ...

Page 197: ... is selected the 02R96 s control surface controls Pro Tools not the 02R96 In order to control the 02R96 you need to select an Input Channel Layer or the Master Layer Audio mixing on the other Layers and Automix continues while the Pro Tools Layer is selected Configuring Pro Tools Pro Tools needs to be configured as follows For more information see your Pro Tools doc umentation 1 Launch Pro Tools 2...

Page 198: ...ANNER for 4 to enable use of the Joystick 6 Select the Receive From and Send To ports and then click OK The 02R96 can emulate up to three typical 8 channel Pro Tools MIDI controllers A single MIDI port is required for every eight channels So you must configure MIDI Controller 1 to use channels 1 through 8 MIDI Controller 2 to use channels 9 through 16 and MIDI Controller 3 to use channels 17 throu...

Page 199: ...201 TARGET This parameter cannot be changed here To change the target for this Layer you must first select another Layer and then press the DISPLAY ACCESS REMOTE button See Assign ing a Target to the Remote Layer on page 219 for more information COUNTER This counter works in unison with the timecode counter in Pro Tools The display format is specified in Pro Tools The three check boxes indicate th...

Page 200: ...d plug in related information although other mes sages are also displayed here Encoder Display This section displays information about the Parameter controls 1 4 The SEL indicators show the on off status of the Parameter control push switches The rotary control indica tors show the positions of the Parameter controls The O symbol below each Parameter control shows the automation status for each Pa...

Page 201: ... strips By using the USER DEFINED KEYS Pro Tools channels can be scrolled in banks of 24 see page 206 Encoders Push Switches The Encoders are used to set pan and send levels The Encoder push switches are used to reset send levels and panpots and to set sends to pre or post fader Their exact operation depends on the currently selected Encoder mode as shown in the following table AUTO buttons These ...

Page 202: ... information AUX SEND LEVEL button When this button is pressed the Encoders work as send level controls Its indicator lights up when it s pressed and send A is selected automatically If the Encoders are currently set to control pan its indicator lights automatically when one of the AUX SELECT AUX 1 AUX 5 SEND A E buttons is pressed FADER MODE Section FADER AUX buttons These buttons are used to sel...

Page 203: ...ther controls to assign inserts plug ins to chan nels See Assigning Inserts Plug ins on page 212 for more information 2 COMPARE button This button is used to compare plug in edits before and after See Editing Plug ins on page 213 for more information 3 BYPASS button This button is used to bypass plug ins See Editing Plug ins on page 213 and Bypassing Plug ins on page 214 for more information 4 INS...

Page 204: ...cted track The 4 button indicator lights up when the R channel is selected 5 button Selects Main or Send in this order for the selected track 6 button Switches the mode of the knob controls for the panner The 6 button indicator lights up or turns off 7 button Selects Send or Main in this order for the selected track 8 button Mutes or unmutes the selected track The 8 button indicator lights up whil...

Page 205: ...nt rear position If the ROUTING 6 button indicator is lit the control adjusts the F R front rear divergence DECAY RELEASE control If the ROUTING 6 button indicator is off the DECAY RELEASE control adjusts the LFE level If the ROUTING 6 button indicator is lit this control adjusts the center per centage HOLD GAIN control Adjusts the channel volume PAN SURROUND GRAB button Press this button turning ...

Page 206: ... 5 LATCH 6 READ 7 TRIM 8 OFF buttons These buttons are used in conjunction with the channel strip AUTO buttons to set the Automation mode of each channel strip See Setting the Automation Mode on page 216 for more information 9 BANK 10 BANK buttons These buttons are used to swap channel banks 24 channels at a time 11 FADER 12 MUTE 13 PAN 14 SEND 15 SEND MUTE 16 PLUG IN buttons These buttons are use...

Page 207: ...on it s non latching FF button This button fast forwards from the current cursor position it s non latching STOP button This button stops playback and recording PLAY button This button starts playback from the current cursor position REC button This button arms Pro Tools for recording REC button indicator flashing recording is started by pressing the PLAY button REC button indicator lit continuous...

Page 208: ...r computer keyboard Pressing it opens the New Memory Location dialog box While a dialog box is open pressing it performs the same action as clicking the OK button DEC ESC button For the most part this button works the same as the Esc key on your computer keyboard While a dialog box is open pressing it performs the same action as clicking the Cancel but ton INC CURSOR MODE button This button is use...

Page 209: ...can be muted as follows 1 Use the ON buttons to mute channels The ON button indicators of muted channels go out 2 Press the ON buttons again to unmute channels The ON button indicators of unmuted channels are lit Grouped channels are muted together Panning Channels Channels can be panned as follows 1 Press the ENCODER MODE PAN PAN button Its indicator lights up 2 Use the Encoders to pan the channe...

Page 210: ... to toggle between pre and post Sends can also be set as pre or post fader by using the Encoder push switches in Flip mode See Flip Mode on page 211 for more information Send pre post status can be viewed in Channel Display mode F3 or Meter Display mode F4 see page 200 by pressing the holding the Encoder push switches Setting Send Levels Send levels can be set as follows 1 Use the AUX SELECT AUX 1...

Page 211: ...of the selected send lights up 3 Use the faders Encoders and ON buttons to control the currently selected send For stereo aux input channels i e channels with two send panpots use the ENCODER MODE PAN PAN button to toggle between the left and right panpots and pan with the Encoder When the left panpot is active the ENCODER MODE PAN PAN button indi cator is lit continuously When the right panpot is...

Page 212: ...the ASSIGN indicator on the display 4 Use Parameter controls 1 4 to select inserts plug ins The names of the inserts plug ins appear on the display in abbreviated form When you select an insert plug in other than the current the corresponding SEL button flashes on the display 5 To confirm your selection press the relevant Parameter control s push switch The SEL button stops flashing While the EFFE...

Page 213: ...meters displayed on the bottom row can be edited by using the Parameter controls 5 Use the Parameter Down SCROLL button and Parameter Up SCROLL button to select the parameter pages When a parameter page is first selected the number of the current parameter page and the total number of parameter pages is displayed momentarily For example 1 2 indicates that the first page of two is currently selecte...

Page 214: ...llows For faders and send controls this is 0 For panpots it s center Make sure that the EFFECTS PLUG INS CHANNEL INSERTS button indicator is off before proceeding with these shortcuts While the EFFECTS PLUG INS PLUG INS DEFAULT button is being pressed its indi cator flashes and DFLT appears in the SELECT ASSIGN section of the display Grouped channels are reset together Navigating the Edit Window T...

Page 215: ...e the cursor to the in point of the selected region double click the Left cursor button 7 To move the cursor to the out point of the selected region double click the Right cursor button Scrub Shuttle The Parameter wheel can be used to scrub and shuttle as follows 1 Make sure that Pro Tools is stopped 2 Press the SCRUB button if you want to scrub press the SHUTTLE button if you want to shuttle The ...

Page 216: ...button Channel Display mode or Meter Display mode is selected 2 Press and hold a channel s AUTO button The channel s Automation mode is displayed while the AUTO button is pressed For MIDI tracks appears on the display The Automation mode settings of all channels can be viewed as follows 3 Press and hold the USER DEFINED DISPLAY AUTO STATUS button TheAutomationmodesof allchannelsaredisplayedwhileth...

Page 217: ...perations Stereo Track Link You can control the panner for the L and R channels of stereo tracks simultaneously or indi vidually depending on the stereo link status To cancel the stereo panner link press and hold down the Control key on the keyboard and move the Joystick Pro Tools Display AUTO Button Indicators Auto trim write TWrt Flashing red orange Record Ready Orange Recording Auto trim touch ...

Page 218: ...stick To limit movement to the up and down front and rear directions select 3 Knob mode in the Pro Tools Panner window Panner Operation via Knob Controls You can control the following parameters using the DYNAMICS controls 1 Select the track and output if desired 2 Press the ROUTING 6 button to select the knob control mode that is appro priate for the parameter you wish to control 3 Use the approp...

Page 219: ...r See page 228 for more information on the User Assignable Layer Assigning a Target to the Remote Layer Targets are assigned to the Remote Layer as follows 1 Use the DISPLAY ACCESS REMOTE button to locate the Remote 1 4 pages 2 Use the cursor buttons to select the TARGET parameter use the Parameter wheel or INC DEC buttons to select a target and then press ENTER TARGET This can be set to NO ASSIGN...

Page 220: ... Edit Window on page 46 for more information ON These parameters are used to specify the MIDI message up to 16 bytes to be trans mitted when an ON button is pressed Use the SEL buttons to select the channel strips and then edit as necessary When a value from 00 to FF is specified that value is transmitted when an ON button is pressed For the SW setting data value 7F is transmitted when an ON butto...

Page 221: ...essages are displayed in the FADER DATA area Only one Learn function can be used at a time Using the User Defined Remote Layer Once configured the User Defined Remote Layer can be used as follows 1 Use the LAYER REMOTE button to select the User Defined Remote Layer While the User Defined Remote Layer is selected operating the channel strip faders Encod ers and ON buttons causes the specified MIDI ...

Page 222: ... wheel INC DEC buttons and ENTER button to set them MACHINE CONTROL DAW CONTROL When the MACHINE CONTROL option is on the MACHINE CONTROL section controls external MMC machines regardless of the layer selection When the DAW CONTROL option is on the MACHINE CONTROL sec tion controls DAWs regardless of the layer selection TYPE This is used to specify the type of machine MMC or NONE PORT When the mac...

Page 223: ...nes PLAY button This button starts playback on the external machines It s also used to punch out of record ing REC button Thisbuttonisusedinconjunctionwiththe PLAY buttontostartrecordingontheexternal machines Using Shuttle Scrub The Parameter wheel can be used to shuttle and scrub the external machines When the SHUTTLE button indicator is lit the Parameter wheel can be used to shuttle When the SCR...

Page 224: ...locate points Setting the Locate Memories The locate points can be set as follows 1 Use the MACHINE CONTROL DISPLAY button to locate the Locate Memory page 2 Use the cursor buttons to select the parameters and use the Parameter wheel INC DEC buttons and ENTER button to set them MACHINE CONTROL DAW CONTROL When the MACHINE CONTROL option is on the MACHINE CONTROL section controls external MMC machi...

Page 225: ...using an outside switch See page 300 for more information on pin assignment 1 Use the DISPLAY ACCESS SETUP button to select the GPI Setup page 2 To assign functions to incoming trigger signals use the cursor buttons to select INPUT 1 or 2 3 Use the Parameter wheel or INC DEC buttons to select a parameter then press ENTER 9 1 21 14 9 2 21 15 9 3 21 16 9 4 21 17 22 5 10 6 GPO0 GPO1 GPO2 GPO3 GPO4 GP...

Page 226: ...ction xxx UNLATCH The assigned function is enabled only while the incoming trigger signal is active xxx ON The corresponding channels turn on or off each time the incoming trigger signal becomes active xxx ON UNLATCH The corresponding channels turn on only while the incoming trig ger signal is active UDEFxxx Functions the same as the USER DEFINED KEYS 5 To select parameters or controls as trigger ...

Page 227: ...e fader is set to any level other than and the trigger signal turns off when the fader is set to UDEFxx LATCH Pressing the corresponding button in the USER DEFINED KEYS sec tion activates the trigger signal and pressing the button again turns it off UDEF xx UNLATCH A trigger signal of 250 ms is transmitted each time you press the corresponding button in the USER DEFINED KEYS section REC LAMP This ...

Page 228: ... the YES button and press ENTER 3 Use the cursor buttons to select parameter 1 24 use the Parameter wheel or INC DEC buttons to select a channel you want to assign then press ENTER You can store up to four 24 channel setups in four banks by switching Banks 1 4 via the BANK 1 4 buttons Pressing the ENTER button prior to selecting assigned channels enables you to select a channel in the User CH Sele...

Page 229: ...The following User Define Select window opens 4 Move the cursor to the left column then rotate the Parameter wheel or press the INC DEC buttons to select the function you wish to assign 5 Select options in the center and right columns in the same way The items displayed in the center and right columns vary depending on the function assigned in Step 4 6 Use the cursor buttons to select YES then pre...

Page 230: ...perated see page 116 Auto PAN SURROUND Display When this preference is on and Input Channels have been selected the Pan pages appears automatically when a control in the SELECTED CHANNEL PAN SURROUND section is operated see page 84 Similarly when a Sur round Pan mode other than Stereo is selected the Input Channel Surround Edit page appears automatically when the Joystick is operated see page 88 A...

Page 231: ... Inputs MIDI Warning When this preference is on a warning message appears if any errors are detected in the incoming MIDI messages Initial Data Nominal When this preference is on Input Channel faders are set to nom inal when Scene 0 is recalled Meter Follow Layer When this preference is on the optional MB02R96 Peak Meter Bridge automatically follows the Layer selection on the 02R96 Scene MEM Auto ...

Page 232: ...y the Channel Copy function ALL parameters or any combination of FADER ON PAN SURR AUX AUX ON and EQ Fader Touch Sense These parameters control the Touch Sense function If the CON TROL button is turned on and the touch sensors are not triggered fader operation is ignored DuringAutomix recording you can cut in by touching a fader When this button is off the 02R96 always recognizes fader movements I...

Page 233: ...n the Automix Event Edit page are linked to the eight Locate memories so that for example edits made to Capture memory 1 are reflected on Locate memory 1 and vice versa Clear Edit Channel after REC When this preference is on when using Auto Rec channels are automatically unarmed i e AUTO buttons are turned off when Automix recording stops When this preference is off channels remain armed when reco...

Page 234: ...ert Time Link This parameter enables you to select the locate memory used for the IN and OUT parameters in the Insert operation Using the Oscillator The 02R96 features an oscillator that can be used for calibration or diagnostic purposes 1 Use the DISPLAY ACCESS UTILITY button to locate the Oscillator page 2 Use the cursor buttons to select the parameters and use the Parameter wheel INC DEC button...

Page 235: ...n then press ENTER 3 Use the SEL buttons to set the password Enter a four letter password using the Channel 1 10 SEL buttons Channel 10 SEL but ton enters 0 The factory default password is 1234 Enter the current password in the PASSWORD field and a new password in the NEW PASSWORD field Enter the new password again in the REENTRY field 4 Use the cursor buttons to select the OK button then press EN...

Page 236: ...el Encoders 1 24 CHANNEL ON Channel ON buttons 1 24 STEREO CHANNEL SOLO Channel SOLO buttons 1 24 CHANNEL SEL Channel SEL buttons 1 24 STEREO FADER MODE All buttons in the FADER MODE section ENCODER MODE All buttons in the ENCODER MODE section AUX SELECT All buttons in the AUX SELECT section SCENE MEMORY All buttons in the SCENE MEMORY section excluding the STORE button SELECTED CHANNEL All contro...

Page 237: ...E button turn on the 02R96 3 When the confirmation message appears release the SCENE MEMORY STORE button select INITIALIZE button and press ENTER The following message is displayed while initialization is in progress Loading Factory Pre sets Calibrating the Faders Do Not Touch the Faders It simportantthatyoudonottouchthefaderswhilethismessageisdisplayed asthefad ers may not be calibrated correctly...

Page 238: ... Fader Group Enable C IN Fader Group C 46 Input Fader Group Enable D IN Fader Group D 47 Input Fader Group Enable E IN Fader Group E 48 Input Fader Group Enable F IN Fader Group F 49 Input Fader Group Enable G IN Fader Group G 50 Input Fader Group Enable H IN Fader Group H 51 Input MUTE Group Enable I IN Mute Group I 52 Input MUTE Group Enable J IN Mute Group J 53 Input MUTE Group Enable K IN Mute...

Page 239: ...OMP Group Assign X Out COMP Assign x 139 Input Mute Group Master X In Mute Master X 140 Output MUTE Group Master X Out Mute Master X 141 Automix UPDATE TO END Amx UPDATE TO END 142 AUX SOLO LINK Mode On Off AUX SOLO LINK 143 FADER SOLO RELEASE Mode On Off FaderSoloRELEASE 144 Control Room Monitor MONO C R MONO 145 Talkback Assign SLOT1 Talkback SLOT1 XX 146 Talkback Assign SLOT2 Talkback SLOT2 XX ...

Page 240: ...IDI PGM 6 7 Surr Mon C Mute Scene 7 Recall IN Fader Group G Automix T SENSE No Assign IN Fader Assign G IN Mute Master O MIDI PGM 7 8 Surr Mon R Mute Scene 1 Recall IN Fader Group H Automix TAKEOVER No Assign IN Fader Assign H IN Mute Master P MIDI PGM 8 9 Bass Man age ON Scene 8 Recall IN Mute Group I Overwrite FADER Fx 1 Lib 1 Recall IN Mute Assign I OUT Mute Master U MIDI PGM 9 10 No Assign Sce...

Page 241: ...H17 S1 2 Slot1 CH2 IN S1 2 Slot1 CH2 IN INSCH18 InsertOut CH18 S1 3 Slot1 CH3 IN S1 3 Slot1 CH3 IN INSCH19 InsertOut CH19 S1 4 Slot1 CH4 IN S1 4 Slot1 CH4 IN INSCH20 InsertOut CH20 S1 5 Slot1 CH5 IN S1 5 Slot1 CH5 IN INSCH21 InsertOut CH21 S1 6 Slot1 CH6 IN S1 6 Slot1 CH6 IN INSCH22 InsertOut CH22 S1 7 Slot1 CH7 IN S1 7 Slot1 CH7 IN INSCH23 InsertOut CH23 S1 8 Slot1 CH8 IN S1 8 Slot1 CH8 IN INSCH2...

Page 242: ...t AUX2 S4 3 Slot4 CH3 IN S4 3 Slot4 CH3 IN INSAUX3 InsertOut AUX3 S4 4 Slot4 CH4 IN S4 4 Slot4 CH4 IN INSAUX4 InsertOut AUX4 S4 5 Slot4 CH5 IN S4 5 Slot4 CH5 IN INSAUX5 InsertOut AUX5 S4 6 Slot4 CH6 IN S4 6 Slot4 CH6 IN INSAUX6 InsertOut AUX6 S4 7 Slot4 CH7 IN S4 7 Slot4 CH7 IN INSAUX7 InsertOut AUX7 S4 8 Slot4 CH8 IN S4 8 Slot4 CH8 IN INSAUX8 InsertOut AUX8 S4 9 Slot4 CH9 IN S4 9 Slot4 CH9 IN INS...

Page 243: ... 2TD3L 2TR IN Dig 3 L 2TD3L 2TR IN Dig 3 L 2TD3R 2TR IN Dig 3 R 2TD3R 2TR IN Dig 3 R 2TA1L 2TR IN Analog1 L 2TA1L 2TR IN Analog1 L 2TA1R 2TR IN Analog1 R 2TA1R 2TR IN Analog1 R 2TA2L 2TR IN Analog2 L 2TA2L 2TR IN Analog2 L 2TA2R 2TR IN Analog2 R 2TA2R 2TR IN Analog2 R BUS1 BUS1 BUS2 BUS2 BUS3 BUS3 BUS4 BUS4 BUS5 BUS5 BUS6 BUS6 BUS7 BUS7 BUS8 BUS8 AUX1 AUX1 AUX2 AUX2 AUX3 AUX3 AUX4 AUX4 AUX5 AUX5 A...

Page 244: ...04 9 AD09 37 S2 05 10 AD10 38 S2 06 11 AD11 39 S2 07 12 AD12 40 S2 08 13 AD13 41 S3 01 14 AD14 42 S3 02 15 AD15 43 S3 03 16 AD16 44 S3 04 17 AD17 45 S3 05 18 AD18 46 S3 06 19 AD19 47 S3 07 20 AD20 48 S3 08 21 AD21 49 S4 01 22 AD22 50 S4 02 23 AD23 51 S4 03 24 AD24 52 S4 04 25 S1 01 53 S4 05 26 S1 02 54 S4 06 27 S1 03 55 S4 07 28 S1 04 56 S4 08 Source 1 1 AUX1 1 2 NONE 1 3 NONE 1 4 NONE 1 5 NONE 1 ...

Page 245: ...H4 AD22 AD IN 22 INSCH5 InsertOut CH5 INSCH5 InsertOut CH5 AD23 AD IN 23 INSCH6 InsertOut CH6 INSCH6 InsertOut CH6 AD24 AD IN 24 INSCH7 InsertOut CH7 INSCH7 InsertOut CH7 S1 1 Slot1 CH1 IN INSCH8 InsertOut CH8 INSCH8 InsertOut CH8 S1 2 Slot1 CH2 IN INSCH9 InsertOut CH9 INSCH9 InsertOut CH9 S1 3 Slot1 CH3 IN INSCH10 InsertOut CH10 INSCH10 InsertOut CH10 S1 4 Slot1 CH4 IN INSCH11 InsertOut CH11 INSC...

Page 246: ...S3 15 Slot3 CH15 IN INSCH54 InsertOut CH54 INSCH54 InsertOut CH54 S3 16 Slot3 CH16 IN INSCH55 InsertOut CH55 INSCH55 InsertOut CH55 S4 1 Slot4 CH1 IN INSCH56 InsertOut CH56 INSCH56 InsertOut CH56 S4 2 Slot4 CH2 IN INSBUS1 InsertOut BUS1 INSBUS1 InsertOut BUS1 S4 3 Slot4 CH3 IN INSBUS2 InsertOut BUS2 INSBUS2 InsertOut BUS2 S4 4 Slot4 CH4 IN INSBUS3 InsertOut BUS3 INSBUS3 InsertOut BUS3 S4 5 Slot4 C...

Page 247: ...itor Rs2 FX3 2 Effect3 OUT 2 FX4 1 Effect4 OUT 1 FX4 2 Effect4 OUT 2 2TD1L 2TR IN Dig 1 L 2TD1R 2TR IN Dig 1 R 2TD2L 2TR IN Dig 2 L 2TD2R 2TR IN Dig 2 R 2TD3L 2TR IN Dig 3 L 2TD3R 2TR IN Dig 3 R 2TA1L 2TR IN Analog1 L 2TA1R 2TR IN Analog1 R 2TA2L 2TR IN Analog2 L 2TA2R 2TR IN Analog2 R Slot Outputs Omni Outs Output Channel Insert Ins Source Description Source Description Source Description ...

Page 248: ...OUT INSCH25 InsertOut CH25 S3 12 Slot3 CH12 OUT INSCH26 InsertOut CH26 S3 13 Slot3 CH13 OUT INSCH27 InsertOut CH27 S3 14 Slot3 CH14 OUT INSCH28 InsertOut CH28 S3 15 Slot3 CH15 OUT INSCH29 InsertOut CH29 S3 16 Slot3 CH16 OUT INSCH30 InsertOut CH30 S4 1 Slot4 CH1 OUT INSCH31 InsertOut CH31 S4 2 Slot4 CH2 OUT INSCH32 InsertOut CH32 S4 3 Slot4 CH3 OUT INSCH33 InsertOut CH33 S4 4 Slot4 CH4 OUT INSCH34 ...

Page 249: ...SLOT4 06 BUS6 SLOT2 07 BUS7 SLOT4 07 BUS7 SLOT2 08 BUS8 SLOT4 08 BUS8 SLOT2 09 BUS1 SLOT4 09 BUS1 SLOT2 10 BUS2 SLOT4 10 BUS2 SLOT2 11 BUS3 SLOT4 11 BUS3 SLOT2 12 BUS4 SLOT4 12 BUS4 SLOT2 13 BUS5 SLOT4 13 BUS5 SLOT2 14 BUS6 SLOT4 14 BUS6 SLOT2 15 BUS7 SLOT4 15 BUS7 SLOT2 16 BUS8 SLOT4 16 BUS8 Source 1 AUX1 2 AUX2 3 AUX3 4 AUX4 5 AUX5 6 AUX6 7 AUX7 8 AUX8 Destination Destination 1 SLOT1 01 29 SLOT4...

Page 250: ...H26 CH27 CH27 CH27 CH28 CH28 CH28 CH29 CH29 CH29 CH30 CH30 CH30 CH31 CH31 CH31 CH32 CH32 CH32 CH33 CH33 CH33 CH34 CH34 CH34 CH35 CH35 CH35 CH36 CH36 CH36 CH37 CH37 CH37 CH38 CH38 CH38 CH39 CH39 CH39 CH40 CH40 CH40 CH41 CH41 CH41 CH42 CH42 CH42 CH43 CH43 CH43 CH44 CH44 CH44 CH45 CH45 CH45 CH46 CH46 CH46 CH47 CH47 CH47 CH48 CH48 CH48 CH49 CH49 CH49 CH50 CH50 CH50 CH51 CH51 CH51 CH52 CH52 CH52 CH53 C...

Page 251: ...2 09 S2 9 S2 9 Slot2 CH9 IN SLOT2 10 S210 S210 Slot2 CH10 IN SLOT2 11 S211 S211 Slot2 CH11 IN SLOT2 12 S212 S212 Slot2 CH12 IN SLOT2 13 S213 S213 Slot2 CH13 IN SLOT2 14 S214 S214 Slot2 CH14 IN SLOT2 15 S215 S215 Slot2 CH15 IN SLOT2 16 S216 S216 Slot2 CH16 IN SLOT3 01 S3 1 S3 1 Slot3 CH1 IN SLOT3 02 S3 2 S3 2 Slot3 CH2 IN SLOT3 03 S3 3 S3 3 Slot3 CH3 IN SLOT3 04 S3 4 S3 4 Slot3 CH4 IN SLOT3 05 S3 5...

Page 252: ...UT SLOT3 03 S3 3 S3 3 Slot3 CH3 OUT SLOT3 04 S3 4 S3 4 Slot3 CH4 OUT SLOT3 05 S3 5 S3 5 Slot3 CH5 OUT SLOT3 06 S3 6 S3 6 Slot3 CH6 OUT SLOT3 07 S3 7 S3 7 Slot3 CH7 OUT SLOT3 08 S3 8 S3 8 Slot3 CH8 OUT SLOT3 09 S3 9 S3 9 Slot3 CH9 OUT SLOT3 10 S310 S310 Slot3 CH10 OUT SLOT3 11 S311 S311 Slot3 CH11 OUT SLOT3 12 S312 S312 Slot3 CH12 OUT SLOT3 13 S313 S313 Slot3 CH13 OUT SLOT3 14 S314 S314 Slot3 CH14 ...

Page 253: ...TEREO ON 106 CH1 ON UNLATCH 107 CH2 ON UNLATCH 108 CH3 ON UNLATCH 109 CH4 ON UNLATCH 110 CH5 ON UNLATCH 111 CH6 ON UNLATCH 112 CH7 ON UNLATCH 113 CH8 ON UNLATCH 114 CH9 ON UNLATCH 115 CH10 ON UNLATCH 116 CH11 ON UNLATCH 117 CH12 ON UNLATCH 118 CH13 ON UNLATCH 119 CH14 ON UNLATCH 120 CH15 ON UNLATCH 121 CH16 ON UNLATCH 122 CH17 ON UNLATCH 123 CH18 ON UNLATCH 124 CH19 ON UNLATCH 125 CH20 ON UNLATCH ...

Page 254: ...ADER OFF Target 128 CH55 FADER OFF 129 CH56 FADER OFF 130 BUS1 FADER OFF 131 BUS2 FADER OFF 132 BUS3 FADER OFF 133 BUS4 FADER OFF 134 BUS5 FADER OFF 135 BUS6 FADER OFF 136 BUS7 FADER OFF 137 BUS8 FADER OFF 138 AUX1 FADER OFF 139 AUX2 FADER OFF 140 AUX3 FADER OFF 141 AUX4 FADER OFF 142 AUX5 FADER OFF 143 AUX6 FADER OFF 144 AUX7 FADER OFF 145 AUX8 FADER OFF 146 STEREO FADER OFF 147 CH1 FADER TALLY 1...

Page 255: ...12 GM CH12 VOL PAN ON END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER BB 0A ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FADER BB 07 FAD END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP RM13 GM13 GM CH13 VOL PAN ON END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER BC 0A ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FADER BC 07 F...

Page 256: ...P NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER BB 0C ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FADER BB 07 FAD END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP RM13 GM13 GM CH13 VOL EFF1 ON END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER BC 0C ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FADER BC 07 FAD END NOP NOP NOP NOP NOP ...

Page 257: ...N END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER F0 43 10 4C 08 0B 0E ENC F7 END NOP NOP NOP NOP NOP NOP FADER F0 43 10 4C 08 0B 0B FAD F7 END NOP NOP NOP NOP NOP NOP RM13 XG13 XG CH13 VOL PAN ON END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER F0 43 10 4C 08 0C 0E ENC F7 END NOP NOP NOP NOP NOP NOP FADER F0 43 10 4C 08 0C 0B FAD F7 END NOP NOP NOP N...

Page 258: ...P NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER BB 0A ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FADER BB 07 FAD END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP RM13 CH13 VST MIXER CH13 ON BC 40 SW END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENCODER BC 0A ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FADER BC 07 FAD END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP N...

Page 259: ...kHz THRU Low pass filter cutoff frequency GATE LVL OFF 60 to 0 dB Level at which gate kicks in ATTACK 0 120 ms Gate opening speed HOLD 1 1 0 02 ms 2 13 s fs 44 1 kHz 0 02 ms 1 96 s fs 48 kHz 0 01 ms 1 06 s fs 88 2 kHz 0 01 ms 981 ms fs 96 kHz Gate open time DECAY 2 2 6 0 ms 46 0 s fs 44 1 kHz 5 0 ms 42 3 s fs 48 kHz 3 ms 23 0 s fs 88 2 kHz 3 ms 21 1 s fs 96 kHz Gate closing speed Parameter Range D...

Page 260: ...ack gain plus values for normal phase feedback minus val ues for reverse phase feedback HI RATIO 0 1 1 0 High frequency feedback ratio HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Max value depends on tempo setting Used in conjunction with TEMPO to determine DELAY Parameter Ra...

Page 261: ...junction with TEMPO to determine FREQ Parameter Range Description DELAY L 0 0 2730 0 ms Left channel delay time DELAY C 0 0 2730 0 ms Center channel delay time DELAY R 0 0 2730 0 ms Right channel delay time FB DLY 0 0 2730 0 ms Feedback delay time LEVEL L 100 to 100 Left channel delay level LEVEL C 100 to 100 Center channel delay level LEVEL R 100 to 100 Right channel delay level FB GAIN 99 to 99 ...

Page 262: ... 1 0 High frequency feedback ratio HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency SYNC OFF ON Tempo parameter sync on off NOTE L 1 1 Maximum value depends on the tempo setting Used in conjunction with TEMPO to determine DELAY L NOTE R 1 Used in conjunction with TEMPO to determine DELAY R NOTE FBL 1 Used in conjunction with TEM...

Page 263: ... 0 10 EQ peaking type bandwidth HSH F 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 to 12 dB High shelving filter gain SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform LS...

Page 264: ...lter gain HSH F 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 to 12 dB High shelving filter gain SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth DIR 1 1 L R L R L R Turn L Turn R Panning direction WAVE Sine Tri Square Modulation waveform LSH F 21...

Page 265: ...ype gain EQ Q 10 0 0 10 EQ peaking type bandwidth HSH F 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 to 12 dB High shelving filter gain SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description PITCH 12 to 12 semitones Pitch shift FINE 50 to 50 cents Pitch shift fine DELAY 0 0 1000 0 ms Delay time FB GAIN 99 to 99 Feed...

Page 266: ... 2 delay time FB G 2 99 to 99 Channel 2 feedback gain plus values for normal phase feedback minus values for reverse phase feedback MODE 1 10 Pitch shift precision SYNC OFF ON Tempo parameter sync on off NOTE 1 1 1 Maximum value depends on the tempo setting Used in conjunction with TEMPO to determine Channel 1 delay NOTE 2 1 Used in conjunction with TEMPO to determine Channel 2 delay Parameter Ran...

Page 267: ...ction with TEMPO to determine FREQ Parameter Range Description DST TYPE DST1 DST2 OVD1 OVD2 CRUNCH Distortion type DST distortion OVD overdrive DRIVE 0 100 Distortion drive MASTER 0 100 Master volume TONE 10 to 10 Tone N GATE 0 20 Noise reduction Parameter Range Description AMP TYPE 1 1 STK M1 STK M2 THRASH MIDBST CMB PG CMB VR CMB DX CMB TW MINI FLAT Guitar amp simulation type DST TYPE DST1 DST2 ...

Page 268: ... speed OFFSET 0 100 Delay time offset FB GAIN 99 to 99 Feedback gain plus values for normal phase feedback minus val ues for reverse phase feedback LSH F 21 2 Hz 8 00 kHz Low shelving filter frequency LSH G 12 to 12 dB Low shelving filter gain EQ F 100 Hz 8 00 kHz EQ peaking type frequency EQ G 12 to 12 dB EQ peaking type gain EQ Q 10 0 0 10 EQ peaking type bandwidth HSH F 50 0 Hz 16 0 kHz High sh...

Page 269: ...lation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DIFF 0 10 Spread DENSITY 0 100 Reverb density ...

Page 270: ...ormal phase feedback minus val ues for reverse phase feedback WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DIFF 0 10 Spread DENSITY 0 100 Reverb de...

Page 271: ...0 Modulation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DIFF 0 10 Spread DENSITY 0 100 Reverb de...

Page 272: ... 0 0 1000 0 ms Left channel delay time DELAY R 0 0 1000 0 ms Right channel delay time FB DLY 0 0 1000 0 ms Feedback delay time FB GAIN 99 to 99 Feedback gain plus values for normal phase feedback minus val ues for reverse phase feedback HI RATIO 0 1 1 0 High frequency feedback ratio HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequen...

Page 273: ...ON Tempo parameter sync on off NOTE L 1 1 Maximum value depends on the tempo setting Used in conjunction with TEMPO to determine left channel DELAY L NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY Parameter Range Description DELAY L 0 0 1000 0 ms Left channel delay time DELAY R 0 0 1000 0 ms Right channel dela...

Page 274: ...Y 0 100 Reverb density SYNC OFF ON Tempo parameter sync on off NOTE L 1 1 Maximum value depends on the tempo setting Used in conjunction with TEMPO to determine left channel DELAY L NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY Parameter Range Description DST TYPE DST1 DST2 OVD1 OVD2 CRUNCH Distortion type DS...

Page 275: ...r is received For minus values recording starts before the trigger is received TRG LVL 60 to 0 dB Input trigger level i e the signal level required to trigger recording or playback TRG MASK 0 1000 ms Once playback has been triggered subsequent triggers are ignored for the duration of the TRG MASK time PLY MODE MOMENT CONTI INPUT In MOMENT mode the sample plays only while the that the PLAY button i...

Page 276: ...IV 0 100 Divergence determines how the front center signal is fed to the Left Right and Center channels When set to 0 it s fed only to the Left and Right channels i e Phantom Center When set to 50 it s fed equally to the Left Right and Center channels When set to 100 it s fed to only the Center channel i e Real Center ROOMSIZE 0 1 20 0 Size of simulated room s reverb POS L R L63 R63 Left right lis...

Page 277: ...used to start autopan When set to HOLD autopan runs continuously When set to INPUT 1 6 the specified channel s input signal triggers autopan When set to MIDI a MIDI Note On message can be used to trigger autopan TRIG LVL 60 to 0 dB Input trigger level i e the signal level required to trigger panning when SOURCE set to INPUT TRG MASK 0 1000 ms Trigger Mask specifies the time from when a trigger is ...

Page 278: ...VE Sine Tri Modulation waveform HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth MOD DLY 0 0 400 0 ms Modulation delay time WAVE Sine Tri M...

Page 279: ...AT 1 1 to 20 1 Compressor ratio CMP ATK 0 120 ms Compressor attack CMP REL 1 Compressor release time CMP KNEE 0 5 Compressor knee LOOKUP 0 0 100 0 ms Lookup delay CMP BYP ON OFF Compressor bypass L M XOVR 21 2 Hz 8 00 kHz Low mid crossover frequency M H XOVR 21 2 Hz 8 00 kHz Mid high crossover frequency SLOPE 6 dB 12 dB Filter slope CEILING 6 0 dB to 0 0 dB OFF Specifies the maximum output level E...

Page 280: ... 5 Compressor knee LOOKUP 0 0 100 0 ms Lookup delay KEY LINK 2 2 5 1 key in of all inputs are linked 5 0 key in of the L C R LS and RS are linked LFE is independent 3 2 key in of L C and R are linked and LS and RS are linked 2 2 key in of L and R are linked and LS and RS are linked Key in linking L M XOVR 21 2 Hz 8 00 kHz Low mid crossover frequency M H XOVR 21 2 Hz 8 00 kHz Mid high crossover fre...

Page 281: ...you edit TEMPO DELAY or FREQ will be set In this case the DELAY or FREQ value is calculated as follows DELAY or FREQ original DELAY or FREQ x previous TEMPO new TEMPO Example 1 When SYNC ON DELAY 250 ms TEMPO 120 you change NOTE from 8th note to quarter note DELAY new NOTE x 4 x 60 TEMPO 1 4 x 4 x 60 120 0 5 sec 500 ms Thus the DELAY will change from 250 ms to 500 ms Example 2 When SYNC ON DELAY 2...

Page 282: ...z Q 0 1 8 4 5 12 Syn Bass 2 PEAKING PEAKING PEAKING H SHELF G 2 5 dB 0 0 dB 1 5 dB 0 0 dB F 125 Hz 180 Hz 1 12 kHz 12 5 kHz Q 1 6 8 2 2 13 Piano 1 L SHELF PEAKING PEAKING H SHELF G 6 0 dB 0 0 dB 2 0 dB 4 0 dB F 95 Hz 950 Hz 3 15 kHz 7 50 kHz Q 8 0 9 14 Piano 2 PEAKING PEAKING PEAKING H SHELF G 3 5 dB 8 5 dB 1 5 dB 3 0 dB F 224 Hz 600 Hz 3 15 kHz 5 30 kHz Q 5 6 10 0 7 15 E G Clean PEAKING PEAKING P...

Page 283: ...3 5 dB 10 0 dB 3 5 dB 0 0 dB F 118 Hz 315 Hz 4 25 kHz 20 0 kHz Q 2 10 0 4 0 4 34 Snare Drum 3 L SHELF PEAKING PEAKING PEAKING G 0 0 dB 2 0 dB 3 5 dB 0 0 dB F 224 Hz 560 Hz 4 25 kHz 4 00 kHz Q 4 5 2 8 0 1 35 Tom tom 2 L SHELF PEAKING PEAKING H SHELF G 9 0 dB 1 5 dB 2 0 dB 0 0 dB F 90 Hz 212 Hz 5 30 kHz 17 0 kHz Q 4 5 1 2 Title Parameter LOW L MID H MID HIGH 36 Piano 3 PEAKING PEAKING PEAKING H SHEL...

Page 284: ...Attack ms 0 Out gain dB 0 5 Knee 2 Release ms 151 9 A Dr SN COMPAND S Threshold dB 8 Ratio 1 1 7 Attack ms 11 Out gain dB 0 0 Width dB 10 Release ms 128 10 A Dr Tom EXPAND Threshold dB 20 Ratio 1 2 Attack ms 2 Out gain dB 5 0 Knee 2 Release ms 749 11 A Dr OverTop COMPAND S Threshold dB 24 Ratio 1 2 Attack ms 38 Out gain dB 3 5 Width dB 54 Release ms 842 12 E B Finger COMP Threshold dB 12 Ratio 1 2...

Page 285: ...s 354 27 Hip Comp COMPAND S Threshold dB 23 Ratio 1 20 Attack ms 15 Out gain dB 0 0 Width dB 15 Release ms 163 Title Type Parameter Value 28 Solo Vocal1 COMP Threshold dB 20 Ratio 1 2 5 Attack ms 31 Out gain dB 2 0 Knee 1 Release ms 342 29 Solo Vocal2 COMP Threshold dB 8 Ratio 1 2 5 Attack ms 26 Out gain dB 1 5 Knee 3 Release ms 331 30 Chorus COMP Threshold dB 9 Ratio 1 1 7 Attack ms 39 Out gain d...

Page 286: ...This determines the amount of attenuation when the gate closes ATTACK ms 0 120 121 points This determines how fast the gate opens when the signal exceeds the threshold level HOLD ms 44 1kHz 0 02 ms 2 13 sec 48kHz 0 02 ms 1 96 sec 88 2kHz 0 01 ms 1 06 sec 96kHz 0 01 ms 981 ms 160 points This determines how long the gate stays open once the trigger signal has fallen below the thresh old DECAY ms 44 ...

Page 287: ...points This determines how soon the signal is ducked once the ducker has been triggered HOLD ms 44 1kHz 0 02 ms 2 13 sec 48kHz 0 02 ms 1 96 sec 88 2kHz 0 01 ms 1 06 sec 96kHz 0 01 ms 981 ms 160 points This determines how long ducking remains active once the trigger signal has fallen below the THRESHOLD level DECAY ms 44 1kHz 6 ms 46 0 sec 48kHz 5 ms 42 3 sec 88 2kHz 3 ms 23 0 sec 96kHz 3 ms 21 1 s...

Page 288: ...TACK ms 0 120 121 points This determines how soon the signal will be com pressed once the compressor has been triggered RELEASE ms 44 1kHz 6 ms 46 0 sec 48kHz 5 ms 42 3 sec 88 2kHz 3 ms 23 0 sec 96kHz 3 ms 21 1 sec 160 points This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold The value is expressed as the duration required for...

Page 289: ...ASE ms 44 1kHz 6 ms 46 0 sec 48kHz 5 ms 42 3 sec 88 2kHz 3 ms 23 0 sec 96kHz 3 ms 21 1 sec 160 points This determines how soon the signal is expanded once the signal level drops below the threshold The value is expressed as the duration required for the level to change by 6 dB OUT GAIN dB 0 0 to 18 0 180 points This sets the expander s output signal level KNEE Hard 1 5 6 points This determines how...

Page 290: ...n processes Parameter Range Description THRESHOLD dB 54 0 to 0 0 541 points This determines the level at which compression is applied RATIO 1 0 1 1 1 1 1 3 1 1 5 1 1 7 1 2 0 1 2 5 1 3 0 1 3 5 1 4 0 1 5 0 1 6 0 1 8 0 1 10 1 20 1 15 points This determines the amount of compression ATTACK ms 0 120 121 points This determines how soon the signal is com pressed or expanded once the compander has been tr...

Page 291: ...STEREO OUT STEREO fader at nominal level and all CH INPUT faders at minimum level 64 dB 68 dB S N STEREO OUTPUT STEREO fader at nominal level and one CH INPUT fader at nominal level Maximum Voltage Gain 74 dB CH INPUT CH1 24 to STEREO OUT OMNI BUS OUT 74 dB CH INPUT CH1 24 to OMNI AUX OUT via pre input fader 74 dB CH INPUT CH1 24 to CONTROL ROOM MONITOR OUT via STEREO bus Crosstalk 1 kHz Input Gai...

Page 292: ... noise burst noise Routing BUS1 8 AUX1 8 STEREO L R STEREO OUT DA converter 24 bit linear 128 times oversampling OMNI OUT 1 8 Output patch SURROUND MONITOR STEREO BUS1 8 AUX1 8 DIRECT OUT 1 56 INSERT OUT CH1 56 BUS1 8 AUX1 8 STEREO DA converter 24 bit linear 128 times oversampling CONTROL ROOM MONITOR OUT Monitor select STEREO 2TR IN DIGITAL 1 2TR IN DIGITAL 2 2TR IN DIGITAL 3 2TR I N ANALOG 1 2TR...

Page 293: ...EQ5 On off On off Fader 100 mm motorized Delay 0 43400 samples Metering Displayed on LCD Peak hold on off SURROUND MONITOR Mute On off Solo On off Source BUS1 8 SLOT 1 4 Monitor to C R On off Oscillator Pink noise 500 2 kHz 1 kHz 50 Hz Monitor matrix 6 1 6 1 6 1 5 1 6 1 3 1 6 1 ST 5 1 5 1 5 1 3 1 5 1 ST 3 1 3 1 3 1 ST Bass management 5 presets Monitor alignment ATT 12 0 dB to 12 dB 0 1 dB step Del...

Page 294: ... LPF F 21 2 Hz 20 kHz 1 12 oct step G 18 dB 0 1 dB step HPF on off 18 dB 0 1 dB step 18 dB 0 1 dB step LPF on off Gate Threshold 54 dB to 0 dB 0 1 dB step Range 70 dB to 0 dB 1 dB step Attack 0 ms 120 ms 1 ms step Hold 0 02 ms 1 96 s 216 points 48 kHz 0 02 ms 2 13 s 216 points 44 1 kHz 0 01 ms 981 ms 216 points 96 kHz 0 01 ms 1 06 s 216 points 88 2 kHz Decay 5 ms 42 3 s 160 points 48 kHz 6 ms 46 0...

Page 295: ...Release 5 ms 42 3 s 160 points 48 kHz 6 ms 46 0 s 160 points 44 1 kHz 3 ms 21 1 s 160 points 96 kHz 3 ms 23 0 s 160 points 88 2 kHz Compander H Threshold 54 dB to 0 dB 0 1 dB step Ratio x 1 x 1 1 1 1 3 1 5 1 7 2 2 5 3 3 5 4 5 6 8 10 20 15 points Out gain 18 dB to 0 dB 0 1 dB step Width 1 dB 90 dB 1 dB step Attack 0 ms 120 ms 1 ms step Release 5 ms 42 3 s 160 points 48 kHz 6 ms 46 0 s 160 points 44...

Page 296: ...s 67 Compressor library Presets 36 User memories 92 Gate library Presets 4 User memories 124 EQ library Presets 40 User memories 160 Channel library Presets 2 User memories 127 Surround Monitor library Presets 1 User memories 32 Input patch library Presets 1 User memories 32 Output patch library Presets 1 User memories 32 Bus to Stereo library Presets 1 User memories 32 ...

Page 297: ...INPUT 17 24 34 dB 4K Ω 600 Ω Lines 44 dB 4 89 mV 34 dB 15 5 mV 20 dB 77 5 mV Phone jack TRS Balanced 3 10 dB 0 dB 775 mV 10 dB 2 45 V 24 dB 12 28 V INSERT IN 1 16 10K Ω 600 Ω Lines 6 dB 388 mV 4 dB 1 23 V 18 dB 6 16 V Phone jack TRS 4 4 Phone jacks are wired Tip OUT Ring IN Sleeve GND 2TR IN ANALOG 1 L R 10K Ω 600 Ω Lines 4 dB 1 23 V 4 dB 1 23 V 18 dB 6 16 V Phone jack TRS Balanced 3 2TR IN ANALOG...

Page 298: ...EBU1 Professional use 1 Channel status of 2TR OUT DIGITAL 1 Type 2 audio channels Emphasis NO Sampling rate depends on the internal configuration 24 bit2 2 Dither word length 16 20 24 bit RS422 XLR 3 32 type Balanced 3 3 XLR 3 32 type connectors are balanced 1 GND 2 HOT 3 COLD 2 IEC 609584 Consumer use 24 bit2 0 5V pp 75 Ω RCA pin jack 3 IEC 609584 Consumer use 4 Channel status of 2TR OUT DIGITAL ...

Page 299: ... DA96 ANALOG OUT 8 OUT depends on output patch 1 4 MY8 AE96S AES EBU 8 IN 8 OUT depends on output patch 1 2 MY8 AE96 AES EBU 8 IN 8 OUT depends on output patch 1 4 MY8 mLAN mLAN 8 IN 8 OUT depends on output patch 1 4 MY16 mLAN mLAN 16 IN 16 OUT depends on output patch 1 3 Waves Y56K Effect I O 8 IN 8 OUT depends on output patch 1 2 Waves Y96K Effect I O 8 IN 8 OUT depends on output patch 1 2 Apoge...

Page 300: ... OUT 16 CONTROL OUT 50 CONTROL OUT 16 CONTROL IN 50 CONTROL IN 17 GND 51 ID6 IN 17 GND 51 ID6 OUT 18 GND 52 ID6 OUT 18 GND 52 ID6 IN 19 INPUT 17 18 53 INPUT 17 18 19 OUTPUT 17 18 53 OUTPUT 17 18 20 INPUT 19 20 54 INPUT 19 20 20 OUTPUT 19 20 54 OUTPUT 19 20 21 INPUT 21 22 55 INPUT 21 22 21 OUTPUT 21 22 55 OUTPUT 21 22 22 INPUT 23 24 56 INPUT 23 24 22 OUTPUT 23 24 56 OUTPUT 23 24 23 RESERVED 57 RESE...

Page 301: ...HOLD THRESHOLD DYNAMICS DISPLAY GATE COMP DECAY RELEASE HOLD GAIN SELECTED CHANNEL LINK GRAB EFFECT L EVEN R L R PAN SURROUND DISPLAY ODD DISPLAY ACCESS PHASE INSERT DELAY 1 2 3 4 5 6 7 8 STEREO FOLLOW PAN DIRECT DISPLAY ROUTING SCENE MEMORY DISPLAY STORE RECALL USER DEFINED KEYS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DISPLAY REC REW FF STOP PLAY SET DISPLAY MACHINE CONTROL LOCATE MEMORY 1 2 3 4 5...

Page 302: ...9 52 52 95 95 10 10 53 53 96 96 11 11 54 54 97 97 12 12 55 55 98 98 13 13 56 56 99 99 14 14 57 57 100 00 15 15 58 58 101 16 16 59 59 102 17 17 60 60 103 18 18 61 61 104 19 19 62 62 105 20 20 63 63 106 21 21 64 64 107 22 22 65 65 108 23 23 66 66 109 24 24 67 67 110 25 25 68 68 111 26 26 69 69 112 27 27 70 70 113 28 28 71 71 114 29 29 72 72 115 30 30 73 73 116 31 31 74 74 117 32 32 75 75 118 33 33 7...

Page 303: ...EL INPUT15 48 FADER L CHANNEL INPUT16 49 FADER L CHANNEL INPUT17 50 FADER L CHANNEL INPUT18 51 FADER L CHANNEL INPUT19 52 FADER L CHANNEL INPUT20 53 FADER L CHANNEL INPUT21 54 FADER L CHANNEL INPUT22 55 FADER L CHANNEL INPUT23 56 FADER L CHANNEL INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 FADER L MASTER STEREO 63 BALANCE MASTER STEREO 64 ON CHANNEL INPUT1 65 ON CHAN...

Page 304: ... INPUT40 49 FADER L CHANNEL INPUT41 50 FADER L CHANNEL INPUT42 51 FADER L CHANNEL INPUT43 52 FADER L CHANNEL INPUT44 53 FADER L CHANNEL INPUT45 54 FADER L CHANNEL INPUT46 55 FADER L CHANNEL INPUT47 56 FADER L CHANNEL INPUT48 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 ON CHANNEL INPUT25 65 ON CHANNEL INPUT26 66 ON CHANNEL INPUT27 67 ON CHANNEL INPU...

Page 305: ...ER BUS4 45 FADER L MASTER BUS5 46 FADER L MASTER BUS6 47 FADER L MASTER BUS7 48 FADER L MASTER BUS8 49 FADER L MASTER AUX1 50 FADER L MASTER AUX2 51 FADER L MASTER AUX3 52 FADER L MASTER AUX4 53 FADER L MASTER AUX5 54 FADER L MASTER AUX6 55 FADER L MASTER AUX7 56 FADER L MASTER AUX8 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 ON CHANNEL INPUT49 65 ...

Page 306: ... L INPUT17 50 EQ G LOW L INPUT18 51 EQ G LOW L INPUT19 52 EQ G LOW L INPUT20 53 EQ G LOW L INPUT21 54 EQ G LOW L INPUT22 55 EQ G LOW L INPUT23 56 EQ G LOW L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LOW INPUT1 65 EQ F LOW INPUT2 66 EQ F LOW INPUT3 67 EQ F LOW INPUT4 68 EQ F LOW INPUT5 69 EQ F LOW INPUT6 70 EQ F LOW INPUT7 71 EQ F LOW...

Page 307: ...49 EQ G LOW L INPUT40 50 EQ G LOW L INPUT41 51 EQ G LOW L INPUT42 52 EQ G LOW L INPUT43 53 EQ G LOW L INPUT44 54 EQ G LOW L INPUT45 55 EQ G LOW L INPUT46 56 EQ G LOW L INPUT47 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LOW INPUT25 65 EQ F LOW INPUT26 66 EQ F LOW INPUT27 67 EQ F LOW INPUT28 68 EQ F LOW INPUT29 69 EQ F LOW INPUT30 70 EQ F LOW I...

Page 308: ...NPUT10 51 EQ G LO MID L INPUT11 52 EQ G LO MID L INPUT12 53 EQ G LO MID L INPUT13 54 EQ G LO MID L INPUT14 55 EQ G LO MID L INPUT15 56 EQ G LO MID L INPUT16 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LOW INPUT49 65 EQ F LOW INPUT50 66 EQ F LOW INPUT51 67 EQ F LOW INPUT52 68 EQ F LOW INPUT53 69 EQ F LOW INPUT54 70 EQ F LOW INPUT55 71 EQ F LOW ...

Page 309: ... 50 EQ G LO MID L INPUT34 51 EQ G LO MID L INPUT35 52 EQ G LO MID L INPUT36 53 EQ G LO MID L INPUT37 54 EQ G LO MID L INPUT38 55 EQ G LO MID L INPUT39 56 EQ G LO MID L INPUT40 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LO MID INPUT17 65 EQ F LO MID INPUT18 66 EQ F LO MID INPUT19 67 EQ F LO MID INPUT20 68 EQ F LO MID INPUT21 69 EQ F LO MID INP...

Page 310: ...EQ G HI MID L INPUT2 51 EQ G HI MID L INPUT3 52 EQ G HI MID L INPUT4 53 EQ G HI MID L INPUT5 54 EQ G HI MID L INPUT6 55 EQ G HI MID L INPUT7 56 EQ G HI MID L INPUT8 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LO MID INPUT41 65 EQ F LO MID INPUT42 66 EQ F LO MID INPUT43 67 EQ F LO MID INPUT44 68 EQ F LO MID INPUT45 69 EQ F LO MID INPUT46 70 EQ ...

Page 311: ... 50 EQ G HI MID L INPUT26 51 EQ G HI MID L INPUT27 52 EQ G HI MID L INPUT28 53 EQ G HI MID L INPUT29 54 EQ G HI MID L INPUT30 55 EQ G HI MID L INPUT31 56 EQ G HI MID L INPUT32 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HI MID INPUT9 65 EQ F HI MID INPUT10 66 EQ F HI MID INPUT11 67 EQ F HI MID INPUT12 68 EQ F HI MID INPUT13 69 EQ F HI MID INPU...

Page 312: ...I MID L INPUT50 51 EQ G HI MID L INPUT51 52 EQ G HI MID L INPUT52 53 EQ G HI MID L INPUT53 54 EQ G HI MID L INPUT54 55 EQ G HI MID L INPUT55 56 EQ G HI MID L INPUT56 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HI MID INPUT33 65 EQ F HI MID INPUT34 66 EQ F HI MID INPUT35 67 EQ F HI MID INPUT36 68 EQ F HI MID INPUT37 69 EQ F HI MID INPUT38 70 EQ...

Page 313: ...HIGH L INPUT17 50 EQ G HIGH L INPUT18 51 EQ G HIGH L INPUT19 52 EQ G HIGH L INPUT20 53 EQ G HIGH L INPUT21 54 EQ G HIGH L INPUT22 55 EQ G HIGH L INPUT23 56 EQ G HIGH L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HIGH INPUT1 65 EQ F HIGH INPUT2 66 EQ F HIGH INPUT3 67 EQ F HIGH INPUT4 68 EQ F HIGH INPUT5 69 EQ F HIGH INPUT6 70 EQ F HIGH ...

Page 314: ...UT41 50 EQ G HIGH L INPUT42 51 EQ G HIGH L INPUT43 52 EQ G HIGH L INPUT44 53 EQ G HIGH L INPUT45 54 EQ G HIGH L INPUT46 55 EQ G HIGH L INPUT47 56 EQ G HIGH L INPUT48 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HIGH INPUT25 65 EQ F HIGH INPUT26 66 EQ F HIGH INPUT27 67 EQ F HIGH INPUT28 68 EQ F HIGH INPUT29 69 EQ F HIGH INPUT30 70 EQ F HIGH INPU...

Page 315: ...INPUT10 51 EQ ATT L INPUT11 52 EQ ATT L INPUT12 53 EQ ATT L INPUT13 54 EQ ATT L INPUT14 55 EQ ATT L INPUT15 56 EQ ATT L INPUT16 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HIGH INPUT49 65 EQ F HIGH INPUT50 66 EQ F HIGH INPUT51 67 EQ F HIGH INPUT52 68 EQ F HIGH INPUT53 69 EQ F HIGH INPUT54 70 EQ F HIGH INPUT55 71 EQ F HIGH INPUT56 72 EQ HPF ON ...

Page 316: ...ATT L INPUT36 53 EQ ATT L INPUT37 54 EQ ATT L INPUT38 55 EQ ATT L INPUT39 56 EQ ATT L INPUT40 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ HPF ON INPUT17 65 EQ HPF ON INPUT18 66 EQ HPF ON INPUT19 67 EQ HPF ON INPUT20 68 EQ HPF ON INPUT21 69 EQ HPF ON INPUT22 70 EQ HPF ON INPUT23 71 EQ HPF ON INPUT24 72 EQ HPF ON INPUT25 73 EQ HPF ON INPUT26 74 EQ...

Page 317: ...ASSIGN 51 NO ASSIGN 52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ HPF ON INPUT41 65 EQ HPF ON INPUT42 66 EQ HPF ON INPUT43 67 EQ HPF ON INPUT44 68 EQ HPF ON INPUT45 69 EQ HPF ON INPUT46 70 EQ HPF ON INPUT47 71 EQ HPF ON INPUT48 72 EQ HPF ON INPUT49 73 EQ HPF ON INPUT50 74 EQ HPF ON I...

Page 318: ...4 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ ON INPUT17 65 EQ ON INPUT18 66 EQ ON INPUT19 67 EQ ON INPUT20 68 EQ ON INPUT21 69 EQ ON INPUT22 70 EQ ON INPUT23 71 EQ ON INPUT24 72 EQ ON INPUT25 73 EQ ON INPUT26 74 EQ ON INPUT27 75 EQ ON INPUT28 76 EQ ON INPUT29 77 EQ ON INPUT30 78 EQ ON INPUT31 79 EQ ON INPUT32...

Page 319: ... rx Control the internal effects Bn CONTROL CHANGE rx tx Control parameters Cn PROGRAM CHANGE rx tx Switch scene memories Command rx tx function F1 MIDI TIME CODE QUARTER FRAME rx Used when TIME REFERENCE is MTC F2 SONG POSITION POINTER rx Used when TIME REFERENCE is MIDI CLOCK Command rx tx function F8 TIMING CLOCK rx MIDI clock FA START rx Start automix from the beginning FB CONTINUE rx Start au...

Page 320: ...ansmitted according to the settings of the Program Change Table on the Tx CH channel when a scene memory is recalled If the recalled scene has been assigned to more than one program number the lowest numbered program number will be transmitted Transmission to Studio Manager using Program Change messages will not be performed since there is no guarantee that the contents of the tables will match Pa...

Page 321: ...ta into bulk data d 0 6 actual data b 0 7 bulk data b 0 0 for I 0 I 7 I if d I 0x80 b 0 1 6 I b I 1 d I 0x7F Restoration from bulk data into actual data d 0 6 actual data b 0 7 bulk data for I 0 I 7 I b 0 1 d I b I 1 0x80 b 0 13 3 1 Scene memory bulk dump format compressed data The 02R96 can transmit and receive scene memories in compressed form 13 3 2 Scene memory bulk dump request format compres...

Page 322: ...bulk dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00110101 35 5 00110100 34 4 DATA NAME 01010011 53 S 00000010 02 00000000 00 No 256 Current EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Device number MIDI Channel FORMAT No 01111110 7E Universal bulk...

Page 323: ...bbbb bb current block number 0 total block number DATA 0ddddddd ds User defined key data of block bb 0ddddddd de CHECK SUM 0eeeeeee ee ee Invert L de 1 0x7F EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0010nnnn 2n n 0 15 Device number MIDI Channel FORMAT No 01111110 7E Universal bulk dump 01001100 4C L 0100...

Page 324: ... 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00110101 35 5 00110100 34 4 DATA NAME 01010000 50 P 00000010 02 00000000 00 No 256 Current BLOCK INFO 0ttttttt tt total block number minimum number is 0 0bbbbbbb bb current block number 0 total block number DATA 0ddddddd ds Program change table data of block bb 0ddddddd de CHECK SUM 0eeeeeee ee ee Invert L de 1 0x7F EOX 11110111 F7 End of e...

Page 325: ... End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0010nnnn 2n n 0 15 Device number MIDI Channel FORMAT No 01111110 7E Universal bulk dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00110101 35 5 00110100 34 4 DATA NAME 01011001 59 Y 0mmmmmmm mh 0 127 COMP Library no 1 128 0mmmmmmm ml 256 Ch...

Page 326: ... ch data count ch 128 cl COUNT LOW 0ccccccc cl 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00110101 35 5 00110100 34 4 DATA NAME 01001000 48 H 0mmmmmmm mh 0 128 Channel Library no 0 128 0mmmmmmm ml 256 Current data BLOCK INFO 0ttttttt tt total block number minimum number is 0 0bbbbbbb bb current block number 0 total block number DATA 0ddddddd ds Channel Library ...

Page 327: ...t data EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Device number MIDI Channel FORMAT No 01111110 7E Universal bulk dump COUNT HIGH 0ccccccc ch data count ch 128 cl COUNT LOW 0ccccccc cl 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00110101 35 5 00110100...

Page 328: ...0110101 35 5 00110100 34 4 DATA NAME 01100001 61 a 0mmmmmmm mh 0 15 Automix no 1 16 256 Current data 0mmmmmmm ml BLOCK INFO 0bbbbbbb bh current block number 0 total block number 0bbbbbbb bl 0ttttttt th total block number minimum number is 0 0ttttttt tl DATA 0ddddddd ds Automix memory data of block bb 0ddddddd de CHECK SUM 0eeeeeee ee ee Invert L de 1 0x7F EOX 11110111 F7 End of exclusive STATUS 11...

Page 329: ...dd dd data EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 01111111 7F Universal ADDRESS 0ttttttt tt Data type 0eeeeeee ee Element no If ee is 0 ee is expanded to two bytes 0ppppppp pp Parameter no 0ccccccc cc Ch...

Page 330: ...Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 00001011 0B 02R96 ADDRESS 00000011 03 Setup data 0eeeeeee ee Element no If ee is 0 ee is expanded to two bytes 0ppppppp pp Parameter no 0ccccccc cc Channel no DATA 0ddddddd dd data EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 00...

Page 331: ... copy destination Bus to Stereo LIB STORE 0x29 1 32 256 16383 rx tx Surround Monitor LIB STORE 0x2A 1 32 256 16383 rx tx AUTOMIX LIB STORE 0x2B 1 16 256 16383 rx tx STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 01111111 7F Universal ADDRESS 00...

Page 332: ...e modified Transmission In response to a request a Parameter Change message will be transmitted on the Rx CH If Parameter change ECHO is ON this message will be retransmitted without change STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 0111111...

Page 333: ...st be transmitted within every 10 seconds Reception This is echoed if Parameter change ECHO is ON Transmission When transmission is enabled by receiving a Request the Time Counter information is transmitted on RxCH channel every 50 msec for 10 sec onds Transmission will be disabled if the power is turned off and on again or if the PORT setting is changed If Parameter change ECHO is ON this message...

Page 334: ...g is changed If Parameter change ECHO is ON this message will be retransmitted without change 13 4 32 Parameter request Automix status Reception If Parameter change RX is ON and the Rx CH matches the Device Number included in the SUB STATUS these messages are received If Pa rameter change ECHO is ON these messages are echoed When the data is received the Automix Status data is transmitted on the R...

Page 335: ...tached 2 Using the four supplied 8 mm screws B attach the brackets to the meter bridge as shown below 3 Align the meter bridge with the 02R96 and using two of the supplied 12 mm screws C screw in the top two fixing screws but don t tighten them fully 4 Screw in the bottom two screws C and tighten them fully 5 Fully tighten the top two screws C 6 Connect the meter bridge cable to the 02R96 s METER ...

Page 336: ...e button indicator for the currently selected Layer lights up If the Meter Follow Layer preference is on see page 231 these Layers are selected automatically when the LAYER buttons on the 02R96 are pressed E OUTPUT METERING POSITION button indicators This button is used to set the metering position for Output Channels to pre EQ pre fader or post fader It works in unison with the PRE EQ PRE FADER a...

Page 337: ...SP02R96 Wooden Side Panels 337 02R96 Version 2 Owner s Manual SP02R96 Wooden Side Panels Attach the side panels as shown below ...

Page 338: ...OCK Display preference 230 Automix about 170 absolute mode 173 AUTO buttons 174 cascading consoles 63 copying events 185 deleting events 188 duplicating events 188 erasing events 185 EVENT EDIT page 188 EVENT JOB page 185 event list 188 FADER EDIT pages 175 features 17 inserting events 188 library 151 MAIN page 171 MEMORY page 175 merging events 185 motors on off 176 moving events 185 offline edit...

Page 339: ...US 5 1 277 CLEAR button 35 Clear Edit Channel after REC preference 233 Clearing library memories 143 Clearing scene memories 165 Combination effects 154 Common channel functions chapter 107 COMP 5 1 280 COMP EDIT page 118 COMP indicator 27 COMP LIBRARY page 149 COMP ON button 27 COMPAND 5 1 280 Compander 116 Compressors grouping input channels 77 grouping output channels 119 library 149 order 116 ...

Page 340: ... 52 assigning parameters 51 automix punch in out 183 panning input channels 83 patching inputs outputs 72 Pro Tools 201 selecting encoder modes 50 setting aux send levels 99 user defined remote layer 220 ENTER button 33 EQ automix 170 EQUALIZER EDIT page 113 features 17 frequency 112 gain 112 grouping input channels 76 grouping output channels 114 library 150 presets 111 Q 112 using 111 EQ display...

Page 341: ...iewing parameter settings 129 Input channels chapter 73 INPUT COMP LINK page 77 INPUT EQUALIZER LINK page 76 INPUT FADER GROUP MASTER page 79 81 INPUT FADER MASTER 80 INPUT MUTE MASTER 78 INPUT PATCH button 24 INPUT PATCH LIBRARY page 145 INPUT PATCH pages 66 Input patching 66 INPUT PORT NAME page 71 Input port naming 71 INS title edit window 46 Insert assign edit display mode Pro Tools 200 INSERT...

Page 342: ...x events 185 MS decoding 125 MS microphone 91 MTC TIME CODE INPUT connector 40 MTC timecode source 177 MULTI FILTER 275 Multi effects 153 Muting automix 170 aux sends 105 bus outs 96 Group Master 79 129 grouping input channels 78 grouping output channels 128 input channels 77 stereo out 93 N Name Input Auto Copy 71 Naming channels 134 Naming library memories 143 Naming scene memories 164 NEVER LAT...

Page 343: ...REFERENCES2 page 232 PREFERENCES3 page 233 Presets compressors 116 effects 153 EQ 111 gates 74 Pro Tools Panner 217 Pro tools arming parameters for automation 217 assigning inserts plug ins 212 automation 216 AUX SELECT section 202 bypassing plug ins 214 channel display mode 200 channel strips 201 configuring 197 configuring Macintosh computers 196 configuring sends as pre or post 210 configuring ...

Page 344: ...ng channels 48 STEREO 48 SEL MODE solo 122 SELECTED CHANNEL section 26 Selecting auto channel select 49 channels 48 encoder modes 50 fader modes 49 layers 47 pages 45 touch sense select 49 SERIAL TO HOST port 40 MIDI 190 timecode source 177 SET button 32 SET SPL85 139 Setting levels aux send masters 106 aux sends 99 bus outs 96 input channels 79 stereo out 93 SETUP button 23 Shadow memories 163 SH...

Page 345: ...ure map automix 178 TIME SIGNATURE page 178 Timecode automix source 177 capturing automix 188 capturing locate memories 224 capturing setting memories 224 display 171 offset 171 Title edit window 46 Titling library memories 143 Titling scene memories 164 TO END 171 Touch Sense Edit In All preference 233 Touch sense in out automix 176 Touch sense select 49 Transmit channel 192 Transmitting bulk dum...

Page 346: ...CT 10 COAXIAL 2TRD1 L R 2TRD2 L R 2TRD3 L R 2TRA1 L R 2TRA2 L R AUX1 8 BUS1 8 TB AD TALK BACK AD IN 1 16 USE AD IN 1 16 AS TALKBACK PHONES MONO TB DIMM PHONES LEVEL STUDIO LEVEL L R CONTROL ROOM MONITOR OUT L R C R LEVEL CONTROL ROOM STEREO L STEREO AUX8 AUX8 AUX7 AUX7 STEREO R DA DA DA DA DA DA 2 2 2 2 2 2 STEREO 2TR D1 2TR D2 2TR D3 2TR A1 2TR A2 MONITOR SELECT BUS1 8 AUX1 8 8 8 ASSIGN1 SOLO L 8...

Page 347: ...5Vrms 0dBFS Full Scale 20 10 0 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 24 4 170 180 190 Input Max 24dBu 10dBu 60dBu 46dBu Nominal Input Nominal Input PAD INSERT Digital Analog GAIN MAX PAD OFF GAIN MIN PAD ON Input Max Digital Analog ATT EQ INSERT LEVEL ON COMP DELAY PAN DELAY BUS Adder ATT EQ COMP MASTER LEVEL ON MASTER INSERT INSERT INSERT INSERT INSERT BAL OUTPUT PATCH INPUT PATC...

Page 348: ...X X X X Pitch Bend X X Control Change 0 95 102 119 O O Assignable Prog Change True 0 127 0 127 0 99 Assignable System Exclusive O O 1 System Common Song Pos Song Sel Tune X X X O X X Automix System Real Time Clock Commands X X O O Automix Effect Control Aux Messages Local ON OFF All Notes OFF Active Sense Reset X X X X X X O O Notes MTC quarter frame message is recognized MTC IN MIDI IN 1 Bulk Dum...

Page 349: ...133 AB Vianen The Netherlands Tel 0347 358 040 FRANCE Yamaha Musique France BP 70 77312 Marne la Vallée Cedex 2 France Tel 01 64 61 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen Música S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 SWEDEN Yamaha Scandinavia AB J A Wettergrens ...

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