
s
e C t i O n
6 – i
n
Y
O u r
r
O O M
6
W i l s o n A u d i o S p e c i a l t i e s
wave modes and resonances at a frequencies determined by the size of the room. Larg
-
er rooms will resonate at a lower frequency and have more complex (better) modal dis
-
tributions than will smaller rooms. Air volume resonances, wall panel resonances, and
low frequency standing waves, together, combine to form a low frequency coloration in
the sound. At its worst, it is a grossly exaggerated fullness, which tends to obscure de
-
tail and distort the natural tonal balance of the speaker system. Occasionally, however,
there is just enough resonance to give a little added warmth to the sound, an addition
some listeners prefer. Careful placement of loudspeakers in the room can dramati
-
cally reduce the speakers’ destructive interaction with low frequency modes. ASC Tube
Traps™ have been found to be effective in reducing some of these low frequency room
colorations. Custom designed and constructed bass traps, such as perforated Helm
-
holtz resonators, provide the greatest degree of low frequency control.
Section 6.4 – Your Room
Room Shapes
Standing waves are pressure waves propagated by the interaction of sound and op
-
posing parallel walls. This interaction creates patterns of low and high acoustical pres
-
sure zones that accentuate and attenuate particular frequencies. Those frequencies are
dependent on room size and dimension.
There are three basic shapes for most rooms: square, rectangular, and L-shaped
(see Figure 16).
A perfectly square room is the most difficult room in which to set up speakers.
By virtue of its shape, a square room is the perfect medium for building and sustain
-
ing standing waves. These rooms heavily influence the music played by loudspeakers,
greatly diminishing the listening experience.
Long, narrow, rectangular rooms also pose their own special acoustical problems
Summary of Contents for The Duette
Page 1: ...T h e D u e t t e O w n e r s M a n u a l...
Page 6: ...W i l s o n A u d i o S p e c i a l t i e s...
Page 7: ...S e c t i o n 1 I n i t i a l S e t u p...
Page 8: ...D u e t t e O w n e r s M a n u a l Wi l s o n A u d i o S p e c i a l t i e s...
Page 12: ...W i l s o n A u d i o S p e c i a l t i e s...
Page 13: ...S e c t i o n 2 D u e t t e O n a S t a n d...
Page 14: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 22: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 23: ...S e c t i o n 3 D u e t t e i n a B o o k s h e l f...
Page 24: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 34: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 35: ...S e c t i o n 4 D u e t t e i n a C a b i n e t...
Page 36: ...D u e t t e O w n e r s M a n u a l 36 Wi l s o n A u d i o S p e c i a l t i e s...
Page 47: ...S e c t i o n 5 C a r e o f D u e t t e...
Page 48: ...D u e t t e O w n e r s M a n u a l 48 Wi l s o n A u d i o S p e c i a l t i e s...
Page 54: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 55: ...S e c t i o n 6 I n Yo u r R o o m...
Page 56: ...D u e t t e O w n e r s M a n u a l 56 Wi l s o n A u d i o S p e c i a l t i e s...
Page 69: ...S e c t i o n 7 S y s t e m S p e c i f i c a t i o n s...
Page 70: ...D u e t t e O w n e r s M a n u a l 70 Wi l s o n A u d i o S p e c i a l t i e s...
Page 74: ...Wi l s o n A u d i o S p e c i a l t i e s...
Page 75: ...S e c t i o n 8 Wa r r a n t y I n f o r m a t i o n...
Page 76: ...D u e t t e O w n e r s M a n u a l 76 Wi l s o n A u d i o S p e c i a l t i e s...