40
PITCH
Detune
A Detune effect has a sound that to some
extend can be associated with a Chorus effect.
The source signal is split and a specified
amount of the signal is detuned by an amount
of cents specified by you. (100 cents is 1
semitone). The main difference between the
Detune effect and the Chorus effect is that the
Detune amount does not change. It is a split
signal where you simply offset the pitch.
The Detune algorithm in the Pitch block holds
two voices. If you think your sound is simply too
direct and clean try out a setting with only a few
cents off detune on both voices. - E.g. +2 cents
on Voice 1 and -3 on Voice 2.
A Delay for each voice can be applied as e.g. a
Slapback effect.
Voice 1
Range: -100 to 100 cent
Offsets the first Voice in the Detune block.
Voice 2
Range: -100 to 100 cent
Offsets the second Voice in the Detune block
Delay 1
Range: 0 to 50ms
Specifies the Delay on the first Voice.
Delay 2
Range: 0 to 50ms
Specifies the Delay on the second Voice.
Mix
Range: 0 to 100%
Sets the relationship between the dry signal
and the applied effect in this block.
Out Level
Range: -100dB to 0dB
Sets the overall Output level of this block.
Whammy
The Whammy effect gives you the opportunity
to control the pitch of an added voice with an
external MIDI Expression pedal.
Pitch
Range: 0 to 100%
This parameter sets the mix between the dry
and processed signal. If e.g. set to 100%, no
direct guitar tone will be heard - only the
processed “pitched” tone. (This applies only for
the Serial and the Semi parallel mode).
Direction
Range: Up - Down
This parameter determines whether the
attached Expression pedal should increase or
decrease Pitch when moved either direction.
Range
Range: 1-Oct/2-Oct
Selects how far the Whammy block will pitch
your tone. Select 2 octaves for the extreme and
1 octave for the more commonly used whammy
effects.
Out level
Range: -100 to 0dB
Sets the Output level of this effect block.
Summary of Contents for G-Major
Page 1: ...G Major GUITAR EFFECTS PROCESSOR U US SE ER R S S M MA AN NU UA AL L...
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