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The inherent low noise of the input channels on
FOLIO LITE
allows an alternative method of setting-up, which allows the
use of the optimum range of the input faders.
o
Set the Master Fader fully clockwise.
o
Set all input faders to the '0' mark. Note that this still allows 10dB of gain in hand.
o
Gradually bring up each channel by adjusting the input TRIM control until the required mix is created.
SETTING UP FOR RECORDING
While the connections to the
FOLIO LITE
for PA work are quite straightforward, recording is rather more demanding
because the mixer is not only required to mix down input signals but also to provide a monitor mix for artists to hear. The f
following describes a typical set-up for recording two tracks on a multitrack recorder, but would be similar for a 2-Track
machine:
o
Connect input sources and set gain as described opposite. Connect Mix Left & Right outputs to the multitrack tape
inputs.
o
Route the channel signal to the required tape input by setting the PAN fully left or right. For example, panning fully
left will route the signal from the Left Mix output only. This allows an individual source to be sent to an individual tape
track.
o
Connect the multitrack tape outputs to the 2 Track Returns. Set the 2TRK LEVEL control fully clockwise for -10dBV
sources, or at a lower setting for equipment with a higher output level.
o
Connect a monitor amplifier for foldback headphones or a monitor speaker to the Aux 1 output. Set the amplifier
volume to a normal listening level. Press the AUX 1 PRE switch on the Master section to set all channel Aux 1 sends to
pre-fade.
o
Use the Aux 1 send controls on the input channels to set up a mono monitor mix. (make sure that all other Aux 1
controls are fully off)
o
If a compressor is to be used, connect this to the Mix Insert points.
o
Connect any effects required using Aux 2, and return them to the mixer on unused Line or Stereo inputs or FX Return
to allow the effect to be balanced with the original source.
If it is necessary to hear the off-tape signal as part of the foldback mix, for instance for overdubbing, connect the tape
outputs to unused stereo or line inputs, which can access the Aux 1 send.
It is important to match the input and output levels of your mixer and recording device to avoid distortion and create the
best recording.
o
Set the recording level as recommended for your recording device, feeding a suitable signal from the Mix outputs.
With MONITOR SOURCE selected to MIX the meters will display the signal being fed to the recorder.
o
Monitor the signal going to the recorder by selecting 2TRK on the MONITOR SOURCE switch. Gradually increase the
2TRK level while toggling the MONITOR SOURCE switch to alternate between the Mix output and 2TRK return until no
change in level is audible or visible on the LED meters.
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