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Roland V-DRUMS TD-10, Owner'S Manual

Get your hands on the Roland V-DRUMS TD-10 Owner's Manual for free download. This comprehensive manual will guide you through setting up and using your V-DRUMS TD-10 with ease. Visit manualshive.com to access the manual and get the most out of your electronic drum kit.

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|             |           |                     10.0 - 50.0 (5.0step))  |
|          24 | 000a aaaa | Compressor Release Time     0 - 23          |
|             |           |              (0.05,0.07,0.1,0.5,1,5,10,17,  |
|             |           |               25,50,75,100,200,300,400,500, |
|             |           |               600,700,800,900,1000,1200,    |
|             |           |               1500,2000 ms)                 |
|          25 | 0aaa aaaa | Compressor Output Level     0 - 72          |
|             |           |                               (-60 - +12db) |
|—————————————+———————————+—————————————————————————————————————————————|
|          26 | 0000 000a | EQ SW                       0 - 1           |
|             |           |                             (OFF,ON)        |
|          27 | 0000 00aa | EQ HIGH Type                0 - 2           |
|             |           |           (Peaking, L.Shelving, H.Shelving) |
|          28 | 000a aaaa | EQ HIGH Frequency           0 - 30          |
|             |           |           (20,25,31.5,40,50,63,80,100,125,  |
|             |           |            160,200,250,315,400,500,630,800, |
|             |           |            1k,1.25k,1.6k,2k,2.5k,3.15k,4k,  |
|             |           |            5k,6.3k,8k,10k,12.5k,16k,20k)    |
|          29 | 0aaa aaaa | EQ HIGH Gain                49 - 79         |
|             |           |                             (-15 - +15db)   |
|          2A | 000a aaaa | EQ HIGH Q                   0 - 20          |
|             |           |                   (0.5,1.0 - 20.0, 0.1step) |
|          2B | 0000 00aa | EQ LOW Type                 0 - 2           |
|             |           |           (Peaking, L.Shelving, H.Shelving) |
|          2C | 000a aaaa | EQ LOW Frequency            0 - 30          |
|             |           |           (20,25,31.5,40,50,63,80,100,125,  |
|             |           |            160,200,250,315,400,500,630,800, |
|             |           |            1k,1.25k,1.6k,2k,2.5k,3.15k,4k,  |
|             |           |            5k,6.3k,8k,10k,12.5k,16k,20k)    |
|          2D | 0aaa aaaa | EQ LOW Gain                 49 - 79         |
|             |           |                             (-15 - +15db)   |
|          2E | 000a aaaa | EQ LOW Q                    0 - 20          |
|             |           |                   (0.5,1.0 - 20.0, 0.1step) |
|—————————————+———————————+—————————————————————————————————————————————|
|          2F | 0000 00aa | Mic Type                    0 - 2   (*3)    |
|             |           |        (1/KICK:Condenser,Dynamic1,Dynamic2) |
|             |           |        (2/SNARE:Condenser,Dynamic,Lo-Fi)    |
|          30 | 0000 00aa | Mic Position                0 - 2   (*4)    |
|             |           |                   (Outside,Standard,Inside) |
|—————————————+———————————+—————————————————————————————————————————————|
|          31 | 0aaa aaaa |                                     (*5)    |
|          32 | 0aaa aaaa |                                     (*5)    |
|          33 | 0aaa aaaa |                                     (*5)    |
|          34 | 0aaa aaaa |                                     (*5)    |
|          35 | 0aaa aaaa |                                     (*5)    |
|          36 | 0aaa aaaa |                                     (*5)    |
|—————————————+—————————————————————————————————————————————————————————|
|  Total size | 00 00 00 37                                             |
+———————————————————————————————————————————————————————————————————————+

(*3) 1/KICK, 2/SNARE only
(*4) 1/KICK, 2/SNARE, 3/TOM1, 4/TOM2, 5/TOM3, 6/TOM4 only
(*5) 1/KICK, 2/SNARE, 3/TOM1, 4/TOM2, 5/TOM3, 6/TOM4 only

Depending on the instrument group of the assigned instruments, settings are as follows.

Instrument Group: V-KICK

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 00aa | Head Type                   0 - 2           |
|             |           |                   (Clear,Coated,PinStripe*) |
|             | PinStripe is a registered Trademark of Remo Inc. U.S.A. |
|          32 | 0000 000a | Shell Depth                 0 - 1           |
|             |           |                             (Normal, Deep)  |
|          33 | 0000 0aaa | Muffling                    0 - 4           |
|             |           |            (OFF,Tape1,Tape2,Blanket,Weight) |
|          34 | 0000 0000 | dummy (ignored)                             |
|          35 | 0000 0000 | dummy (ignored)                             |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: V-SNARE

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 00aa | Head Type                   0 - 2           |
|             |           |                   (Clear,Coated,PinStripe*) |
|             | PinStripe is a registered Trademark of Remo Inc. U.S.A. |
|          32 | 000a aaaa | Shell Depth                 0 - 38          |
|             |           |                     (1.0” - 20.0”, 0.5step) |
|          33 | 0000 0aaa | Muffling                    0 - 4           |
|             |           |     (OFF,Tape1,Tape2,Daughnuts1,Daughnuts2) |
|          34 | 0000 00aa | Shell Material              0 - 2           |
|             |           |                          (Wood,Steel,Brass) |
|          35 | 0000 00aa | Strainer Adjustment         0 - 3           |
|             |           |                    (OFF,Loose,Medium,Tight) |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: V-TOM

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 00aa | Head Type                   0 - 2           |
|             |           |                   (Clear,Coated,PinStripe*) |
|             | PinStripe is a registered Trademark of Remo Inc. U.S.A. |
|          32 | 0000 000a | Shell Depth                 0 - 1           |
|             |           |                             (Normal, Deep)  |
|          33 | 0000 0aaa | Muffling                    0 - 4           |
|             |           |               (OFF,Tape1,Tape2,Felt1,Felt2) |
|          34 | 0000 0000 | dummy (ignored)                             |
|          35 | 0000 0000 | dummy (ignored)                             |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: ELEC KICK, ELEC SNARE, ELEC TOM1 - ELEC TOM4

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0aaa aaaa | Attack                      0 - 127         |
|          32 | 0aaa aaaa | Decay                       0 - 127         |
|          33 | 0aaa aaaa | Noise                       0 - 127         |
|          34 | 0aaa aaaa | Tone                        0 - 127         |
|          35 | 0aaa aaaa | Bend                        0 - 127         |
|          36 | 0aaa aaaa | Balance                     0 - 127         |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: TR808 KICK

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 0000 | dummy (ignored)                             |
|          32 | 0aaa aaaa | Decay                       0 - 127         |
|          33 | 0aaa aaaa | Tune                        0 - 127         |
|          34 | 0aaa aaaa | Tone                        0 - 127         |
|          35 | 0000 0000 | dummy (ignored)                             |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: TR808 SNARE

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 0000 | dummy (ignored)                             |
|          32 | 0000 0000 | dummy (ignored)                             |
|          33 | 0aaa aaaa | Tune                        0 - 127         |
|          34 | 0aaa aaaa | Tone                        0 - 127         |
|          35 | 0aaa aaaa | Snappy                      0 - 127         |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: TR808 TOM

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 0000 | dummy (ignored)                             |
|          32 | 0aaa aaaa | Decay                       0 - 127         |
|          33 | 0aaa aaaa | Tune                        0 - 127         |
|          34 | 0000 0000 | dummy (ignored)                             |
|          35 | 0000 0000 | dummy (ignored)                             |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: TR909 KICK

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0aaa aaaa | Attack                      0 - 127         |
|          32 | 0aaa aaaa | Decay                       0 - 127         |
|          33 | 0aaa aaaa | Tune                        0 - 127         |
|          34 | 0000 0000 | dummy (ignored)                             |
|          35 | 0000 0000 | dummy (ignored)                             |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: TR909 SNARE

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 0000 | dummy (ignored)                             |
|          32 | 0000 0000 | dummy (ignored)                             |
|          33 | 0aaa aaaa | Tune                        0 - 127         |
|          34 | 0aaa aaaa | Tone                        0 - 127         |
|          35 | 0aaa aaaa | Snappy                      0 - 127         |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

Instrument Group: TR909 TOM

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|          31 | 0000 0000 | dummy (ignored)                             |
|          32 | 0aaa aaaa | Decay                       0 - 127         |
|          33 | 0aaa aaaa | Tune                        0 - 127         |
|          34 | 0000 0000 | dummy (ignored)                             |
|          35 | 0000 0000 | dummy (ignored)                             |
|          36 | 0000 0000 | dummy (ignored)                             |
+———————————————————————————————————————————————————————————————————————+

* 1-3 PERCUSSION GROUP

+———————————————————————————————————————————————————————————————————————+
| Offset      |                                                         |
|  address    |                 Description                             |
|—————————————+—————————————————————————————————————————————————————————|
|       16 00 | Note #22 (Note parameters)                        *1-3-1|
|       :     |                                                         |
|       5D 00 | Note #93 (Note parameters)                        *1-3-1|
+———————————————————————————————————————————————————————————————————————+

MIDI implementation

161

Appendices

Summary of Contents for V-DRUMS TD-10

Page 1: ...ide important information concerning the proper operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit this manual sho...

Page 2: ...ould be taken so that objects do not fall and liquids are not spilled into the enclosure through openings The product should be serviced by qualified service personnel when The power supply cord or th...

Page 3: ...ntually melt through Before using the unit in a foreign country consult with your dealer or qualified Roland service per sonnel Always turn the unit off and unplug the power cord before attempting ins...

Page 4: ...its plugs with wet hands when plugging into or unplugging from an outlet or this unit Before moving the unit disconnect the power plug from the outlet and pull out all cords from external devices Befo...

Page 5: ...ntroduced in the Quick Start refer to chapters 2 5 Chapter 6 Using a sequencer and related functions This chapter explains sequencer functions such as performance recording click settings and pattern...

Page 6: ...9 PD 100 or PD 120 individually 30 Using triggers on an acoustic drum to play the TD 10 33 Check the settings 34 For a better performance 35 Concerning the performance expressiveness of the pads 35 R...

Page 7: ...sequencer 68 Playing back a preset pattern 68 Play the pads along with a preset pattern 69 Drum Kit Chain Selecting drum kits in the desired order 70 Using a foot switch to select kits 72 Using a pad...

Page 8: ...ience mike location 87 Adjusting the volume and output assignments of the ambience 88 Settings for each instrument 88 Adjusting the amount of ambience 88 Selecting the type of mike and its location 88...

Page 9: ...on 100 Selecting the output destination 100 Recording 101 Basic recording procedure 101 The Rehearsal function 102 Using a count in 102 Start recording the moment that you strike a pad 102 Correcting...

Page 10: ...sing pads to perform button operations Pad Switch 119 Using foot switches to perform button operations Foot Switch 120 Chapter 10 Functions using MIDI 121 Saving Loading data to from an external devic...

Page 11: ...endices 131 Troubleshooting 132 Instruments that can be used with each trigger 136 Restoring the factory settings INITIALIZE 137 Message error message list 138 About MIDI 140 Using drum triggers 142 P...

Page 12: ...namics to be reproduced accurately Twelve pads can be used simultaneously Since up to twelve pads can be used simultaneously you can create large scale setups bigger than ever before This also gives y...

Page 13: ...board external sequencer etc Brush swish sweeping and choke cannot be recorded Previous models of pads can be used Previous pad models PD 5 PD 7 PD 9 kick trigger units KD 5 KD 7 and the hi hat contro...

Page 14: ...owner s manual this will be referred to simply as the display F1 F4 Buttons These buttons change their function depending on the con tents of the display The lower part of the display will indi cate t...

Page 15: ...nob CURSOR Buttons Used to move the cursor in the display or to access the next display page p 18 VALUE Dial This dial has the same function as the INC and DEC buttons Use this dial when you wish to m...

Page 16: ...ow you to have more separation over the total kit and can be used for external effects etc Ambience may also be sent from these outputs but NOT the digital effects Output assignments DIRECT 1 2 or 3 j...

Page 17: ...ice e g a sequencer in the unit s memory once it has been lost Roland Corporation assumes no liability concerning such loss of data Use a reasonable amount of care when using the unit s buttons slider...

Page 18: ...00 003e Cursor refers to the highlighted characters indicating an on screen item that can be set If the screen contains more than one item that can be set use the CURSOR buttons to move it to the ite...

Page 19: ...6e In pages that allow you to make settings for each pad you can strike the desired pad to see the set ting page for that pad At this time the upper right of the display will show the number of the tr...

Page 20: ...ith the preview button you can edit without pads connected to the TD 10 Depending on the instrument selection there will be no distinction between head and rim in some cases For details refer to p 136...

Page 21: ...Quick Start Quick Start 21...

Page 22: ...e included screws attach it so that the unit is oriented as shown in the above diagram Use the included screws Using other screws can cause damage Next attach the TD 10 to the drum stand MDS 7U 10 For...

Page 23: ...STER L and R jacks are connected respectively to the L and R of your audio sys tem or amps In consideration of live performance situations the headphone output is designed to produce a higher volume t...

Page 24: ...our pads hi hat control pedals and kick trigger units as shown in the above diagram Special jacks are provided for the kick KICK and snare SNARE so make the correct connections to these jacks fig 00 0...

Page 25: ...he Roland position When using a KD 7 either position will do fig 00 012 To have the most expressive performance we recommend the use of the Roland pads PD 5 PD 7 PD 9 PD 100 PD 120 and kick trigger un...

Page 26: ...ER switch located on the rear panel of the TD 10 Caution when turning on the power After turning on the power do not press the hi hat control pedal FD 7 until the drum kit name see the following illus...

Page 27: ...sure that the TD 10 volume controls and the connected external devices are turned to the minimum position 2 Turn off the power of the external devices 3 Turn off the power of the TD 10 If there is no...

Page 28: ...You can start listening from the beginning of any of the four sections 4 Press PLAY You can listen to the medley and it will continue to loop During playback the GROUP FADERS function normally allowin...

Page 29: ...BANK 2 Use CURSOR to move the cursor to the BANK number 3 Use INC DEC or the VALUE dial to make the setting V Basic Kit BANK 1 V Standard Kit BANK 2 If the settings have been modified and are differen...

Page 30: ...5 PD 5 PD7 PD 7 PD9 PD 9 10A PD 100 12A PD 120 KD7 KD 7 KD 5 For details on 10B and 12B refer to p 108 2 Use CURSOR to move the cursor to a location other than BANK 3 Strike the pad for which you wish...

Page 31: ...A PD 100 or to 12A PD 120 2 Press SETUP then press F1 TRIG and then press F4 OPTION 3 Strike the PD 100 or PD 120 for which you wish to make settings The setting page for the pad that you struck will...

Page 32: ...he right to tighten the tension If the indicator moves greatly to the left or right adjust the tension of the entire head before making this set ting The head tension adjustment does not work correctl...

Page 33: ...and then press F1 BANK The following screen will appear fig 00 017 This screen shows a list of the trigger types that are specified for each TRIGGER INPUT jack 2 Use CURSOR to move the cursor to a loc...

Page 34: ...letes the settings Strike the pads drums and verify that the appropriate instrument sounds correctly If not check the settings once again and refer to Troubleshooting connections and settings on p 45...

Page 35: ...simultaneously There will be no sound if you strike only the rim When you play a rim shot the instrument assigned to the rim will sound When specifying the rim during editing you will also need to st...

Page 36: ...rushes you must select a drum kit that is intended for brush playing Press KIT and select a kit that has a symbol like the following at the lower right of the kit name fig 00 033 ONLY use nylon plasti...

Page 37: ...Control Room settings p 90 fig 00 034 Adjusting the overall volume Use VOLUME CONTROL to adjust the volume of the TD 10 s MASTER output jacks Rotating it clockwise increases volume and rotating it cou...

Page 38: ...NC DEC or the VALUE dial to select a kit The List display makes it easier to select a drum kit In the above display press F1 LIST and ten kit names will appear in one screen allowing you to select the...

Page 39: ...er sensitivity lower values will mean that stronger strikes will not increase the volume very much Conversely higher sen sitivity will mean that loud volumes will be reached quickly as you play more s...

Page 40: ...t of boost fig 00 043 1 Press KIT and then press F4 MAS EQ The following screen will appear fig 00 044 2 Use F2 F4 or CURSOR to select the GAIN column F2 Low range LOW F3 Middle range MID F4 High rang...

Page 41: ...ize of the room and the type of walls can be adjusted to modify the sound COMP Compressor This is used to smooth volume peaks preventing overload EQ Equalizer This adjusts the balance of the high mid...

Page 42: ...cess the appropriate setting page fig 00 045a 1 Press TOOLS and then press F4 HELP The following screen keyword list will appear fig 00 046 2 Use INC DEC or the VALUE dial to select a keyword 3 Press...

Page 43: ...remove the board and try again 5 Use the Installation Tool supplied with the Expansion board to turn the holders in the LOCK direction so the board will be fastened in place fig 00 049c When Expansio...

Page 44: ...nstallation d une carte d extension Si elle ne s ajuste pas correctement au premier essai enlevez la et recommencez 5 Pour tourner les supports en position LOCK verrouill utilisez l outil d installati...

Page 45: ...dphones but not from the external amp etc Check the connections with the external equipment its vol ume and make sure that the TD 10 s MASTER knob is not turned down fig 00 052 The wrong pad sounds or...

Page 46: ...will trigger sound Use the stereo cable included with the PD 7 PD 9 or PD 120 Are the trigger type settings correct Rim shots do not sound cor rectly When playing on the PD 7 or PD 9 strike the rim an...

Page 47: ...Here the finishing touches are made by changing mixer settings such as volume pan effect send level output assignment EQ Compressors and digital effects The V drums concept focuses on these three maj...

Page 48: ...you can create a sound of your own and one that responds to your natural dynamics Let s take a look at the instrument parameters of this kit One of the parameters that creates the rich ness of the sou...

Page 49: ...er to produce a powerful sound this preset has a setting of 8 0 inches but let s try changing this to 3 5 inches fig 00 061 How does it sound The character has changed considerably and is much lighter...

Page 50: ...take advantage of this delicate character and emphasize a natural feeling as if the kit were being played right in front of the listener Listen to what the effect settings are doing To avoid destroyin...

Page 51: ...ce that the sound has suddenly lost its sense of depth Sounds that have a pronounced delicate character respond very sensitively to ambience and rever beration In more advanced applications of these s...

Page 52: ...elocity striking force it gives us powerful electronic sounds with great potentials in today s dance hip hop and rap music scenes Let s experiment by changing the amount of pitch bend a function that...

Page 53: ...ear 5 Press CURSOR to move the cursor to Bend fig 00 073 6 While using INC DEC or the VALUE dial to increase the pitch bend setting strike the tom pad The pitch at the beginning of the note will becom...

Page 54: ...e for fusion etc When effects are being used it will be difficult to hear how the instruments really sound so let s begin by turning off all the effects fig 00 075 1 Press KIT The DRUM KIT page will a...

Page 55: ...ELECT to select triggers sounds even if pads are not connected and use PREVIEW to audition the sound Selecting an instrument fig 00 080 1 Press INST The following screen will appear fig 00 081 2 Strik...

Page 56: ...D 10 It s just like choosing between a variety of real snare drums Here let s modify the material and depth of the snare drum body fig 00 082 1 Press INST then press F2 EDIT and then F1 SHELL 2 Strike...

Page 57: ...nd fig 00 084 This completes our selection of the body material Next we will specify the depth of the body 5 Use CURSOR to move the cursor to Shell Depth fig 00 085 6 Use INC DEC or the VALUE dial to...

Page 58: ...snare The snare setting page appears Here you can type and tuning of the head fig 00 089 3 Use CURSOR to move the cursor to Head Type 4 Use INC DEC or the VALUE dial to change the type of head In thi...

Page 59: ...al choice Next we ll tune of the head 5 Use CURSOR to move the cursor to Head Tuning fig 00 091 6 Use INC DEC or the VALUE dial to modify the tuning Here we will change the setting from 30 to 0 Modify...

Page 60: ...or resonances creating a tighter sound You can even turn the snares off fig 00 093 1 Press INST then press F2 EDIT and then press F3 MUFFLE 2 Strike the pad being used for the snare The snare setting...

Page 61: ...more muted fig 00 095 This completes the muffling settings Next we will adjust the tension of the strainer 5 Use CURSOR to move the cursor to Strainer Adj fig 00 096 6 Use INC DEC or the VALUE dial to...

Page 62: ...ed in a conventional studio or in a glass walled room Here you can make such variations in room characteristics with the simple touch of a few buttons Here we will try editing Ambience which is part o...

Page 63: ...eeing the icon that represents the actual acoustical environ ment The factory preset will be Gymnasium Let s change this to Studio The resonance will change to that of a more muted room fig 00 102 1 P...

Page 64: ...will appear fig 00 103 2 Use CURSOR to move the cursor to Room Size 3 Use INC DEC or the VALUE dial to modify the setting Small sizes will produce a slight impression of ambient presence and it will...

Page 65: ...and low equalizer for each instrument and this can be used to fine tune each sound for the total blend of the kit This way you can customize the contrast between individual sounds such as snare and ki...

Page 66: ...CONTROL ROOM press F3 EQ and then press F4 HIGH The following screen will appear fig 00 108 2 Strike the pad being used for the snare The snare setting screen will appear 3 Use INC DEC or the VALUE di...

Page 67: ...will be selected 4 Use INC DEC or the VALUE dial to lower the volume slightly When setting the volume make sure that the group faders GROUP FADERS are all at the same level and use on screen editing...

Page 68: ...can be used as a very helpful practice tool Playing back a preset pattern Preset patterns 1 36 will playback several measures repeatedly until STOP is pressed These pat terns are convenient for drum p...

Page 69: ...ums backing parts and the click fig 00 117 1 Adjust the BACKING and CLICK GROUP FADERS lower than the other sliders 2 Press CLICK The click will begin sounding 3 As described in Playing back a preset...

Page 70: ...this screen you can create a list to specify the order in which the drum kits will be selected 2 Use CURSOR to move the cursor to the sequence order in which the drum kits will be selected the step n...

Page 71: ...inish making the settings press EXIT You will return to the DRUM KIT CHAIN page fig 00 122a In this page you can use INC DEC to select drum kits in the specified order To turn off the Drum Kit Chain f...

Page 72: ...patterns In addition to using pads to play drum sounds it is also possible to make settings so that striking a pad will start playback of a pattern with various possibilities When this function is us...

Page 73: ...e settings so that the click is heard only in the headphones and is not output from the OUTPUT jacks MASTER fig 00 124 1 Press CLICK and then press F2 INST The following screen will appear fig 00 125...

Page 74: ...ed simultaneously in addition to the sounds that are assigned to the 12 trigger inputs pads In addition three backing parts can be used as sound sources each with its own individual MIDI channel as we...

Page 75: ...Advanced Use 75 Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10...

Page 76: ...control environment that is specially designed for the drummer This includes choosing your instrument out of over 600 sounds editing the sounds and a way to make sure they respond to your style of pl...

Page 77: ...below TRIG SELECT to select a trigger signal corre sponds to the 12 trigger inputs To edit the rim settings press RIM to make the indicator light When using PREVIEW to audition a sound use INC DEC or...

Page 78: ...e VALUE dial INC DEC or CURSOR to select a kit Function buttons F1 PAGE The previous page of the list will appear F2 PAGE The next page of the list will appear Naming a kit Each kit can be given a nam...

Page 79: ...When performing brush swish sweeping the following condi tions must also be met in addition to the above setting Trigger jack 2 must be used for the snare drum PD 120 or PD 100 pads must be used Make...

Page 80: ...ts p 136 Selecting instruments from the list display Here you can choose the sound from the list of all instru ments fig 04 02 Procedure 1 Press INST F1 LIST The INST LIST page will appear 2 Strike th...

Page 81: ...ing on the trigger input and instrument selected The following parameters can be edited Trigger Shell Material Shell Depth Head Type Head Tuning Muffling Strainer Adj 1 KICK o o o o 2 SNARE o o o o o...

Page 82: ...ck Snare Tom Procedure 1 Press INST F2 EDIT HEAD F2 The INST EDIT page will appear 2 Strike the pad that you wish to edit The setting page for the pad you struck will appear 3 Use CURSOR to move the c...

Page 83: ...stronger muf fling of overtones Felt 1 Conventional felt type mute Felt 2 Conventional felt type mute with more pres sure on the head Adjusting the Snare strainer tension The amount of contact betwee...

Page 84: ...up 4 Press F2 EDIT The setting page for the selected instrument will appear 5 Use CURSOR to move the cursor to the parameter that you wish to set You can also use the F1 F4 buttons to select parameter...

Page 85: ...cay Attack 2 SNARE Tune Snappy Tone 3 6 TOM1 4 Tune Decay Procedure 1 Press INST The INST page will appear 2 Strike a pad connected to a TRIGGER INPUT jack 1 6 The setting page for the pad you struck...

Page 86: ...ge for the pad you struck will appear 3 Use INC DEC or the VALUE dial to select a hi hat cym bal or percussion instrument 4 Press F2 EDIT The setting page for the selected instrument will appear 5 Use...

Page 87: ...will appear 2 Use CURSOR to move the cursor to Room Size 3 Use INC DEC or the VALUE dial to make the setting Parameters Room Sizes Tiny Small Medium Large Huge Changing the wall material You can choos...

Page 88: ...pond to the Return Level the amount that is sent from an effect back to the mixer Settings for each instrument About the basic procedure In each page when you hit the pad for which you wish to make se...

Page 89: ...de Produces less attack and a bit more body of the drum Settings for each group Settings can be made for the three main instrument groups the drum kit the percussion group and the backing parts The pe...

Page 90: ...you wish to edit The cursor will move to the slider of the pad that you struck 3 Use the VALUE dial INC DEC or CURSOR to make the setting Parameters Volume 0 127 Adjusting pan stereo location This adj...

Page 91: ...mpressor 10 compressors are provided Triggers 1 10 only Compression is used to smooth volume peaks preventing overloads and as it will also change the character and tone of the sound in response to th...

Page 92: ...ings Parameters TYPE Peak L shelv H shelv Peak The vicinity of the specified frequency range will be boosted cut L shelv The entire range below the specified frequency will be boosted cut H shelv The...

Page 93: ...Reverb and Non Linear fig 06 09e Delay 1 2 A repeating type effect is produced By changing the time difference between the left and right delays you can spread out the left right width of the delayed...

Page 94: ...roduce a fatter denser reverb Parameters for Delay 1 2 Delay Time 0 1200 ms Adjust the time from the original sound until the delay is heard Shift L1200 0 R1200 ms Adjust the time difference between t...

Page 95: ...elay 1 2 Pitch Shift 12 0 12 semitones Specify the amount of pitch change A setting of 1 raises the pitch a semitone and 12 raises the pitch one octave Delay Time 0 500 ms Adjust the time from the ori...

Page 96: ...of effect send level for the drum kit percussion group p 126 and backing parts Procedure 1 Press CONTROL ROOM F4 EFFECT F2 SNDRTN The EFFECT GROUP page will appear 2 Use CURSOR to move the cursor to t...

Page 97: ...e CURSOR Press the left button to rewind and the right button to fast forward Press the up button to move to the beginning of the pattern and the down button to move to the end For details on the oper...

Page 98: ...ayback There are three different ways to make a pattern play back Loop The pattern will playback repeating until you press STOP One Shot The pattern will playback once and then stop Tap See p 119 This...

Page 99: ...ern playback is halted you can use the click as a metronome But if a different pattern is selected the tempo will change to the tempo specified for that pattern Procedure 1 Press TEMPO The TEMPO page...

Page 100: ...ST The CLICK page will appear 2 Use CURSOR to move the cursor to FX Send Level 3 Use INC DEC or the VALUE dial to make the setting Parameters FX Send Level 0 127 The effect is the one assigned to the...

Page 101: ...enominator 2 4 8 16 Length bars 1 99 When the denominator is 16 you cannot set a numerator of from 1 through 3 Also with a denominator of 8 a numerator of 1 cannot be set If you are using Replace reco...

Page 102: ...y out different sounds fills or phrases without stopping the play back of the sequencer Procedure 1 Begin recording 2 During recording press REC The REC indicator will begin blinking In this condition...

Page 103: ...ears and you re in record standby mode as the click starts to play 6 Use CURSOR to move the cursor to Rec Mode 7 Use INC DEC or the VALUE dial to Replace 8 Begin playback on the transmitted device The...

Page 104: ...The ERASE PATTERN MEASURE page will appear 2 Select the portion you wish to erase Use CURSOR to move the cursor to the various settings From the left the display indicates the pattern part first measu...

Page 105: ...turn to the previous page without executing the opera tion Clearing a pattern This operation deletes ALL data from a pattern returning all parameters time signature length tempo to their default value...

Page 106: ...ettings for part instruments Drum part settings cannot be made here These settings are made in the Control Room of the drum kit refer to p 90 96 fig 07 17 Adjusting the master tuning Here you can adju...

Page 107: ...sound will be located in the center regardless of this setting FXSEND F3 0 127 Adjusts the effect send level OUTPUT F4 MASTER PHONES Select the output destination of the sound The sound cannot be out...

Page 108: ...age will appear 2 Use CURSOR to move the cursor to a location other than BANK 3 Strike the pad for which you wish to set the Trigger Type The cursor will move to the trigger number of the pad that you...

Page 109: ...page for the pad you struck will appear and an input indicator will move in the lower part of the screen 4 Use INC DEC or the VALUE dial to make the setting Gradually raise the Threshold value until...

Page 110: ...ge head ten sion If you wish to loosen this select Loose To tighten it select Tight Then refer to the procedure of p 32 and adjust the tension Unlike tuning an acoustic drum this setting will not affe...

Page 111: ...longer delay until the note is heard so set this to as low a value as possible Parameters Scan Time 0 4 0ms 0 1ms steps The SCAN TIME setting is automatically set to the most effi cient values for eac...

Page 112: ...n if the pads are not too close to each other and mounted on a solid stand Playing technique is also an influence Procedure 1 Press SETUP F1 TRIG F3 ADVNCD The TRIGGER ADVANCED page will appear 2 Use...

Page 113: ...ALUE dial Setting the master equalizer The master equalizer allows balancing the high mid and low frequencies This equalizer is not applied to the sound which is output from the DIRECT 1 2 3 jacks fig...

Page 114: ...Insert the memory card into the MEMORY CARD slot located on the rear panel The INITIALIZE CARD page will appear fig 08 10 4 Press F4 INIT A confirmation display will appear 5 Press F4 EXEC and the me...

Page 115: ...the display Note Chase When editing sounds the TD 10 s display will switch corre sponding to the sound that is used when a pad is hit or when a MIDI message is received This function is called Note C...

Page 116: ...he order that you specified in the chain You can use the up down CURSOR to select chains Press CHAIN to make the indicator go dark and the Drum Kit Chain function will be turned off Applications When...

Page 117: ...RIGGER BANK page SETUP F1 TRIG F1 BANK PERC GROUP page KIT F2 FUNC F1 PRCGRP MIXER page CONTROL ROOM F1 MIXER COMPRESSOR LIMITER page CONTROL ROOM F2 COMP Compressor settings can be copied to another...

Page 118: ...n to The trigger number and instrument will appear in the upper right of the display The RIM indicator will show whether the head or the rim is selected Or call up a sound in the percussion group You...

Page 119: ...he pattern will be played back For details on this setting refer to p 98 4 The pattern will playback when you hit the pad If you do not want to hear the instrument assigned to that pad press CONTROL R...

Page 120: ...tch SW1 SW2 FS 5U x 2 PCS 31 o red o white DP 2 o o Function Not function Procedure 1 Connect the foot switch to the FOOT SWITCH jack 2 Press SETUP F3 CTRL F1 FOOTSW The FOOT SWITCH page will appear 3...

Page 121: ...percus sion groups and setup will be trans mitted SETUP Trigger and pad settings will be trans mitted ALL DRUM KITS Drum kits 1 50 will be transmitted ALL PERC GROUP Data for percussion groups 1 4 wi...

Page 122: ...wing diagram use a MIDI cable to con nect the TD 10 s MIDI OUT to the MIDI IN connector of the external MIDI sound source fig 11 02ae Selecting the note number trans mitted by each pad You can select...

Page 123: ...ion of the notes Parameters Gate Time 0 1 8 0 seconds Setting the MIDI channel For setting the MIDI channel refer to the section below MIDI settings for the entire TD 10 Performance on the pads is tra...

Page 124: ...On duplicate notes will be re transmitted to the TD 10 and will not be played correctly Parameters Local Control OFF ON Disabling reception or trans mission of Program Changes You can specify whether...

Page 125: ...art Refer to Chapter 6 Sequencer in the section Settings for part instruments p 106 If you wish to select instruments for the backing parts Part 1 Part 2 Bass part from an external MIDI device transmi...

Page 126: ...UNC F1 PRCGRP The PERC GROUP page will appear 2 Use CURSOR to move the cursor to the GROUP num ber 3 Use INC DEC or the VALUE dial to select the group Parameters Group 1 4 Selecting percussion instrum...

Page 127: ...rcussion group and Part adjusts the send level of the backing part 3 Use INC DEC or the VALUE dial to make the setting Parameters Send Level 0 127 Percussion group editing Each instrument in the percu...

Page 128: ...controller also transmits the depth to which the pedal is pressed using control change messages By default factory preset control change 4 is used Reception transmission to from an external MIDI sequ...

Page 129: ...e that is playing back is called the master and the device that is synchronizing to the playback is called the slave About the SYNC parameters Internal The TD 10 s tempo setting will be used for playb...

Page 130: ...e master As shown in the following diagram use a MIDI cable to connect the MIDI OUT of the TD 10 to the MIDI IN connector of the external device fig 11 01e Procedure 1 Press PATTERN F2 SETUP F1 GLOBAL...

Page 131: ...Appendices Appendices 131...

Page 132: ...ctions are correct and that each pad is connected to the proper input Has a non volume parameter been set so that no sound can be output Check the following points If you are using brushes have you se...

Page 133: ...n cable that does not contain a resistor Equalizer doesn t work individual or MASTER Check the following points by pressing the buttons in the order given in parentheses and you ll access the appro pr...

Page 134: ...n of the setting page indicates OFF move the cursor to that value and use INC DEC or the VALUE dial to specify the MIDI channel Bulk dump is not transmitted Is the MIDI cable connected properly If you...

Page 135: ...ruments are audible when using the DIRECT jacks The ambience component of the tone being output from a DIRECT jack is being heard from the MASTER jack Turn the ambience to OFF p 41 or set the AMBIENCE...

Page 136: ...09 the combination of head and rim cannot be modified VERY IMPORTANT If you assign two different V sounds from the same instrument group to the head and rim the choices made when editing shell depth h...

Page 137: ...the previous page with out executing the operation How to recall original factory presets for individual drum kits percussion groups and trigger banks fig 12 01ae Example Initializing individual Drum...

Page 138: ...ception has ended Empty Pattern You attempted to perform an editing operation on an empty pattern EXPANSION BOARD Not Ready or Unavailable Either the expansion board has been removed or was not instal...

Page 139: ...ry The internal memory for pattern storage is full Save the pat terns either to a memory card p 114 or to an external device via bulk dump p 121 and then delete some or all of the internal patterns p...

Page 140: ...the concept of MIDI channels which allow a device to distinguish the data that is or is not intended for it In some ways MIDI channels are similar to television channels By changing the channel on a...

Page 141: ...dia gram above each track is transmitted to the respective part track 1 plays part 1 and track 2 plays part 2 and so forth During recording the performance information from the pads or MIDI keyboard...

Page 142: ...ove the cursor to the trigger number that you wish to set and use INC DEC or the VALUE dial to set the trigger parameters as shown in the following display fig 12 07 4 When you hit the drum the TD 10...

Page 143: ...10 BtDelayy 1 11 LatinSet 1 12 Orch Set 1 13 BrasRing 1 14 TR 808 1 2 15 TR 909 1 2 16 Dr Spin 1 17 Memphis 1 18 Cartoon 3 19 KornBall 1 2 20 X Stick 1 21 BIG Band 1 22 lowFI 1 23 CarTUNE 1 24 Natural...

Page 144: ...45 DryHardK V KICK 46 DeepDryK V KICK 47 Fusion K V KICK 48 Meat K V KICK 49 SandBagK V KICK 50 BsktBalK V KICK 51 MondVrbK V KICK 52 Sizzle K V KICK 53 NailHitK V KICK 54 Box K V KICK 55 Dance K V KI...

Page 145: ...um7S SNARE 146 Med7RimS SNARE 147 Medium8S SNARE 148 Med8RimS SNARE 149 Fat3 S SNARE 150 Fat3RimS SNARE 151 Fat4 S SNARE 152 Fat4RimS SNARE 153 Fat5 S SNARE 154 Fat5RimS SNARE 155 DynamicS SNARE 156 D...

Page 146: ...4 V TOM 252 FusionT1 V TOM 253 FusionT2 V TOM 254 FusionT3 V TOM 255 FusionT4 V TOM 256 AttackT1 V TOM 257 AttackT2 V TOM 258 AttackT3 V TOM 259 AttackT4 V TOM 260 Hall T1 V TOM 261 Hall T2 V TOM 262...

Page 147: ...plsh12 CRASH 355 HdSpl 8 CRASH 356 HdSpl10 CRASH 357 DkSpl10 CRASH 358 China10 CRASH 359 China12 CRASH 360 China18 CRASH 361 China20 CRASH 362 SzlChina CRASH 363 SwlChina CRASH 364 PgyzBack CRASH 365...

Page 148: ...USSION 458 MuteTimp PERCUSSION 459 Hand Cym PERCUSSION 460 Castanet PERCUSSION 461 TringlOp PERCUSSION 462 TringlMt PERCUSSION 463 WdBlockH PERCUSSION 464 WdBlockL PERCUSSION 465 Sleibell PERCUSSION 4...

Page 149: ...ER 539 RvsGtSld OTHER 540 GtScrach OTHER 541 RvsGtScr OTHER 542 BsSlide OTHER 543 RvsBSlid OTHER 544 WahGtDw1 OTHER 545 WahGtUp1 OTHER 546 WahGtDw2 OTHER 547 WahGtUp2 OTHER 548 CutGtDwn OTHER 549 CutG...

Page 150: ...OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF...

Page 151: ...astanet MtlNoise RvsChina WhislLng VibraSlp MtlPhase RvsBelTr GuiroSht GuiroSht Orch Hit Rvs Hi Q GiroLng1 GiroLng1 OnKey RvsMFaze Claves GiroLng2 Punch RvsAirDr WdBlockH CuicaLow TapeStop Count 1 WdB...

Page 152: ...uitar 24 OvrdrvGt Overdrive Guitar 25 Heavy Gt Heavy Guitar 26 MutDstGt Muted Distortion Guitar 27 RokRhytm Rock Rhythm 28 Wah Gt Wah Guitar 29 Aco Bass Acoustic Bass 30 El Ac Bs Electric Acoustic Bas...

Page 153: ...114 8 Loop 21 Fusion 120 12 Loop 22 TechFsn 106 4 Loop 23 Fsn in 5 140 3 Loop 24 N J S 107 4 Loop 25 House 113 4 Loop 26 HipHop 91 4 Loop 27 Techno 140 4 Loop 28 Jungle 170 4 Loop 29 Latin 125 8 Loop...

Page 154: ...ded as Pedal Ctrl Chg data in the sequencer data itself Data Entry MSB Controller number 6 Status 2nd byte 3rd byte BnH 06H mmH n MIDI channel number 0H FH ch 1 ch 16 mm Control value 00H 18H 0 24semi...

Page 155: ...ta itself Reset All Controllers Controller number 121 Status 2nd byte 3rd byte BnH 79H 00H n MIDI channel number 0H FH ch 1 ch 16 When this message is received the following controllers will be set to...

Page 156: ...quests the other device to send data The Address and Size determine the type and amount of data to be sent When a Data Request message is received if the device is ready to transmit data and if the ad...

Page 157: ...mber 0H FH ch 1 ch 16 vv Volume 00H 7FH 0 127 When a pattern is selected the Part Level of the sequencer pattern data will be transmit ted Pan Controller number 10 Status 2nd byte 3rd byte BnH 0AH vvH...

Page 158: ...ly message will be transmitted Data set 1 DT1 12H Status Data byte Status F0H 41H dev 00H 0AH 12H aaH bbH ccH ddH F7H eeH ffH sum Byte Explanation F0H Exclusive status 41H ID number Roland dev Device...

Page 159: ...me 0 40 0 0ms 4 0ms 0 1ms step 07 0000 aaaa STICK Retrigger Cancel 0 15 1 16 08 000a aaaa STICK Mask Time 0 16 0ms 64ms 4ms step 09 0000 0aaa STICK Crosstalk 0 6 OFF 30 40 50 60 70 80 0A 0000 aaaa BRU...

Page 160: ...Level PERC 0 127 00 00 11 0aaa aaaa EFFECT Group Send Level PART 0 127 00 00 12 0aaa aaaa AMBIENCE Output Level MASTER 0 127 00 00 13 0aaa aaaa AMBIENCE Output Level DIR1 0 127 00 00 14 0aaa aaaa AMBI...

Page 161: ...34 0000 00aa Shell Material 0 2 Wood Steel Brass 35 0000 00aa Strainer Adjustment 0 3 OFF Loose Medium Tight 36 0000 0000 dummy ignored Instrument Group V TOM Offset address Description 31 0000 00aa...

Page 162: ...01H 32H Pattern No 51 Pattern No 100 Data size should be 00 00 00 00 Data of demo song and Preset patterns cannot be transmitted Parameter Address Block Map An outlined address map of the Exclusive Co...

Page 163: ...ive messages have the same status MIDI has a pro vision called running status which allows the status byte of the second and following messages to be omitted Thus the above messages have the following...

Page 164: ...t 1 According to the Parameter Address Map the Drumkit No 1 has an address of 01 00 00 00H Trigger 2 has a offset address of 02 00H and Compressor switch has a offset address of 20H Thus 01 00 00 00 0...

Page 165: ...set 1 16 OFF 1 16 OFF MODE 3 X O 9nH v 1 127 O 8nH v 64 0 127 O X X X O X X X O O X X X X X X X X X X X X O X X X X X X X X X X X X X X X X X X X X X X O X X X X X X X X X X X Modulation Foot control...

Page 166: ...X X O O O O O O O O O O X X X X X X X X X X X 1 16 OFF 1 16 OFF MODE 3 X O 9nH v 1 127 O 8nH v 64 0 127 0 127 O X O O O X X X X X O O X O O X Modulation Foot control Data entry Volume Panpot General p...

Page 167: ...0 127 0 127 X X O X O do not record X O X X X O O X O O X Modulation Foot control Data entry Volume Panpot General purpose controller 1 General purpose controller 2 Hold 1 RPN LSB MSB 1 O X is select...

Page 168: ...terval Volume Output select Master Phones only Instruments 16 Voice counting Click Cowbell etc Tempo 20 260 Display 64x160 dots backlit graphic LCD 8 segment 3 character LED Sliders 6 Kick Snare Hi Ha...

Page 169: ...ound in all studios used in controlling volume peaks to maintain a desired listening level It s also used to change the tonal character and is an important tool in final sound finishing work Controlle...

Page 170: ...ease in steps of 1 useful when mak ing fine adjustments When making on off settings pressing this button will turn the setting ON If making large changes in the value of a setting the VALUE dial is qu...

Page 171: ...n the stereo field On the TD 10 the sound can be moved to left or right in 7 steps respectively Pattern In the sequencer a pattern is a unit of performance data con taining data for any one or all of...

Page 172: ...sound module STEP In a Drum Kit Chain step refers to the order in which the drum kits are selected Since up to 32 drum kits can be speci fied a chain of 32 steps can be created for recall STUDIO This...

Page 173: ...n for each display appears is listed so you can refer to the appropriate page for details CHAIN KIT P 113 P 79 P 126 P 79 P 78 P 116 P 116 P 78 P 78 Accoustic INST Electronic TR 808 TR 909 Trigger 1 T...

Page 174: ...P 89 P 88 CONTROL ROOM P 91 P 92 P 90 P 90 P 96 P 91 P 90 P 93 96 P 93 SETUP P 114 P 137 P 115 P 43 P 72 120 P 108 118 P 124 P 111 112 P 31 110 P 109 P 108 P 115 122 124 P 121 P 128 129 P 128 P 119 P...

Page 175: ...CER CLICK TEMPO PART REC Standby RECORDING PATTERN P 98 P 129 P 97 101 P 107 P 107 P 107 P 107 P 106 P 107 P 97 P 106 P 103 P 98 P 102 P 99 P 100 P 102 P 97 P 103 106 Index of screen displays 175 Appe...

Page 176: ...85 86 Decay Percussion Group 127 Delay 93 94 Delete Pattern 105 Demo 28 179 E Depth 57 82 Device ID 122 DIRECT 1 2 3 Jack 16 91 Display 113 Drum Kit 20 38 78 Drum Kit Chain 70 116 Drum Kit List 38 78...

Page 177: ...RU Jack 16 140 MIDI Delay 129 MIX IN 16 37 108 MIX IN Output 108 Muffling 60 83 Mute Part 107 N NAME Chain 116 NAME Drum Kit 78 NAME Pattern 103 Noi Noise 84 Non Linear 93 94 Note Chase 115 NOTE NO Pa...

Page 178: ...rainer Adj 61 83 STUDIO 15 47 63 87 SYNC MIDI 129 System Initialize 137 T Tap 98 TEMPO 97 99 102 Threshold 109 Time signature 99 101 Tone 84 85 TOOLS 14 TR 808 85 TR 909 85 TRIGGER BANK 29 108 TRIGGER...

Page 179: ...class B Limit This product complies with the requirements of European Directives EMC 89 336 EEC and LVD 73 23 EEC For EU Countries For EU Countries Apparatus containing Lithium batteries ADVARSEL Lith...

Page 180: ...td 17 Diagorou Street Nicosia CYPRUS TEL 022 66 9426 DENMARK Roland Scandinavia A S Nordhavnsvej 7 Postbox 880 DK 2100 Copenhagen DENMARK TEL 3916 6200 FRANCE Roland France SA 4 Rue Paul Henri SPAAK P...

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