13
Patch Mode
MTRX CTRL1–4
Parameter
Value/Explanation
Control 1–4
Source
Sets the MIDI message used to change the tone parameter with the Matrix
Control.
OFF
Matrix control will not be used.
CC01–32, 33–95
Controller numbers 1–32, 33–95
PITCH BEND
Pitch Bend
AFTERTOUCH
Aftertouch
SYS CTRL1–SYS
CTRL4
MIDI messages used as common matrix controls.
VELOCITY
Velocity (pressure you press a key with)
KEY FOLLOW
Key follow (keyboard position with C4 as 0)
*
Velocity and Key follow correspond to Note messages.
TEMPO
The specified tempo (sequencer tempo) or the tempo
of an external MIDI sequencer.
LFO1, 2
LFO1, 2
PITCH ENV
Pitch envelope
TVF ENV
TVF envelope
TVA ENV
TVA envelope
5
Although there are no MIDI messages for LFO 1 through TVA Envelope, they can be used as
Matrix Control. In this case, you can change the tone settings in realtime by playing patches.
5
If you want to use common controllers for the entire JUNO-DS, select “SYS CTRL1”–”SYS
CTRL4.” MIDI messages used as System Control 1–4 are set with the System Ctrl 1–4 Source
MEMO
5
There are parameters that determine whether or not Pitch bend, Controller number 11
(Expression) and Controller number 64 (Hold 1) are received (p. 12). When these settings
are “ON,” and the MIDI messages are received, then when any change is made in the settings
of the desired parameter, the Pitch bend, Expression, and Hold 1 settings also change
simultaneously. If you want to change the targeted parameters only, then set these to “OFF.”
5
There are parameters that let you specify whether specific MIDI messages will be received
for each channel in a performance (p. 20). When a patch with Matrix control settings
is assigned to a part, confirm that any MIDI messages used for the Matrix control will be
received. If the JUNO-DS is set up such that reception of MIDI messages is disabled, then the
Matrix control will not function.
Control Dest1–4
Matrix control destination selects the tone parameter that is to be
controlled when using the Matrix control. The following parameters can
be controlled. When not controlling parameters with the Matrix Control,
set this to “OFF.” Up to four parameters can be specified for each Matrix
Control, and controlled simultaneously.
OFF
Matrix control will not be used.
Changing the pitch
PCH
Changes the pitch.
Opening and closing the filter
CUT
Changes the cutoff frequency.
RES
Emphasizes the overtones in the region of the cutoff
frequency, adding character to the sound.
Changing the volume and pan
LEV
Changes the volume level.
PAN
Changes the pan.
Changing how the effects are applied
DRY
Changes the volume of the original sound.
CHO
Changes the amount of chorus.
REV
Changes the amount of reverb.
Applying LFO to modulate sounds
PIT-LFO1, 2
Changes the vibrato depth.
TVF-LFO1, 2
Changes the wah depth.
TVA-LFO1, 2
Changes the tremolo depth.
PAN-LFO1, 2
Changes the effect that the LFO will have on pan.
LFO-RATE
Changes the speed of the LFO cycles.
The speed will not change if LFO Rate is set to “note.”
Changing the Pitch Envelope
PIT-ATK
Changes the Env Time 1of the pitch envelope.
PIT-DCY
Changes the Env Time 2 and Env Time 3 of the pitch
envelope.
PIT-REL
Changes the Env Time 4 of the pitch envelope.
Changing the TVF Envelope
TVF-ATK
Changes the Env Time 1 of the TVF envelope.
TVF-DCY
Changes the Env Time 2 and Env Time 3 of the TVF
envelope.
TVF-REL
Changes the Env Time 4 of the TVF envelope.
Changing the TVA Envelope
TVA-ATK
Changes the Env Time 1 of the TVA envelope.
TVA-DCY
Changes the Env Time 2 and Env Time 3 of the TVA
envelope.
TVA-REL
Changes the Env Time 4 of the TVA envelope.
Splitting tones that are played
TMT
5
If the Matrix control is used to split tones, set the
TMT Velocity Control to “OFF,” and the TMT Control
Switch to “ON” (p. 7).
5
If the Matrix control is used to split tones, we
recommend setting the Matrix control Sens to “+63.”
Selecting a lower value may prevent switching of
the tones. Furthermore, if you want to reverse the
effect, set the value to “-63.”
5
If you want to use matrix control to switch smoothly
between tones, use the Velo Fade Lower and Velo
Fade Upper (p. 7). The higher the values set, the
smoother the switch is between the tones.
Parameter
Value/Explanation
Changing the depth of frequency modulation for FXM
FXM
Changing specific MFX parameters
MFX1–4
Change the parameter that was specified by MFX
Control 1–4 Assign.
*
If you have not made the necessary settings for
using the MFX, the MFX will not be applied even
if you attempt to control it as a Matrix control
destination.
Control Sens1–4
Sets the amount of the Matrix Control’s effect that is applied.
If you wish to modify the selected parameter in a positive (+) direction—i.e.,
a higher value, toward the right, or faster etc. —from its current setting,
select a positive (+) value. If you wish to modify the selected parameter in
a negative (-) direction—i.e., a lower value, toward the left, or slower etc.
—from its current setting, select a negative (-) value.
For either positive or negative settings, greater absolute values will allow
greater amounts of change. Set this to “0” if you don’t want to apply the
effect.
-63–+63
Control Switch1–4
Selects the tone to which the effect is applied when using the Matrix
Control.
OFF
The effect will not be applied.
ON
The effect will be applied.
REVS
The effect will be applied in reverse.