11
Patch Mode
OUTPUT
Parameter
Value/Explanation
Patch Output
Assign
Specifies how the direct sound of each patch will be output.
MFX
Output in stereo through MFX. You can also apply chorus or
reverb to the sound that passes through MFX.
L+R
Output to the OUTPUT L (MONO) jack and OUTPUT R jack in
stereo without passing through MFX.
L, R
Output to the OUTPUT L (MONO) jack or OUTPUT R jack in
mono without passing through MFX.
TONE
Outputs according to the settings for each tone.
Tone Output
Assign
Specifies how the direct sound of each tone will be output.
*
If the Patch Output Assign is set to anything other than “TONE,” these
settings will be ignored.
*
When the Structure Type (p. 6) has a setting of “2”–”10,” the outputs
of tones 1 and 2 will be combined with tone 2, and the outputs of tones
3 and 4 will be combined with tone 4. For this reason, tone 1 will follow
the settings of tone 2, and tone 3 will follow the settings of tone 4.
*
Chorus and reverb are output in mono at all times.
MFX
Output in stereo through MFX. You can also apply chorus or
reverb to the sound that passes through MFX.
L+R
Output to the OUTPUT L (MONO) jack and OUTPUT R jack in
stereo without passing through MFX.
L, R
Output to the OUTPUT L (MONO) jack or OUTPUT R jack in
mono without passing through MFX.
Tone Output Level
Set the level of the signal that is sent to the output destination specified
by Patch Output Assign or Tone Output Assign.
0–127
Tone Chorus Send
Specifies the level of the signal sent to the chorus for each tone.
0–127
Tone Reverb Send
Specifies the level of the signal sent to the reverb for each tone.
0–127
LFO1, 2
Parameter
Value/Explanation
Waveform
Selects the waveform of the LFO.
*
If you set this to “BD-U” or “BD-D,” you must turn the Key Trigger
parameter to “ON.” If this is “OFF,” it will have no effect.
SIN
Sine wave
TRI
Triangle wave
SAWU
Sawtooth wave
SAWD
Sawtooth wave (negative polarity)
SQR
Square wave
RND
Random wave
BD-U
Once the attack of the waveform output by the LFO is allowed
to develop in standard fashion, the waveform then continues
without further change.
BD-D
Once the decay of the waveform output by the LFO is allowed
to develop in standard fashion, the waveform then continues
without further change.
TRP
Trapezoidal wave
S&H
Sample & Hold wave (one time per cycle, LFO value is changed)
CHS
Chaos wave
VSIN
Modified sine wave. The amplitude of a sine wave is randomly
varied once each cycle.
STEP
A waveform generated by the data specified by LFO Step 1–16.
This produces stepped change with a fixed pattern similar to a
step modulator.
Rate
Adjusts the modulation rate, or speed, of the LFO.
*
This setting will be ignored if the Waveform parameter is set to “CHS.”
0–127, note
Rate Detune
LFO Rate Detune makes subtle changes in the LFO cycle rate (Rate) each
time a key is pressed. Higher settings will cause greater change.
*
This parameter is invalid when Rate is set to “note.”
0–127
Offset
Raises or lowers the LFO waveform relative to the central value (pitch or
cutoff frequency). Positive (+) settings will move the waveform so that
modulation will occur from the central value upward. Negative (-) settings
will move the waveform so that modulation will occur from the central
value downward.
-100, -50, 0, +50, +100
Delay Time
Delay Time (LFO Delay Time) specifies the time elapsed before the LFO
effect is applied (the effect continues) after the key is pressed (or released).
*
After referring to “How to Apply the LFO” (p. 12), change the setting
until the desired effect is achieved.
0–127
Parameter
Value/Explanation
Delay Time KF
Adjusts the value for the Delay Time depending on the key position,
relative to the C4 key (center C). To decrease the time that elapses before
the LFO effect is applied (the effect is continuous) with each higher key
that is pressed in the upper registers, select a positive value; to increase
the elapsed time, select a negative value.
Larger settings will produce greater change. If you do not want the
elapsed time before the LFO effect is applied (the effect is continuous) to
change according to the key pressed, set this to “0.”
-100–+100
Time
Key
Fade Mode
Specifies how the LFO will be applied.
*
After referring to “How to Apply the LFO” (p. 12), change the setting
until the desired effect is achieved.
ON <, ON >, OFF <, OFF >
Fade Time
Specifies the time over which the LFO amplitude will reach the maximum
(minimum).
*
After referring to “How to Apply the LFO” (p. 12), change the setting
until the desired effect is achieved.
0–127
Key Trigger
Specifies whether the LFO cycle will be synchronized to begin when the
key is pressed (ON) or not (OFF).
OFF, ON
Pitch Depth
Specifies how deeply the LFO will affect pitch.
-63–+63
TVF Depth
Specifies how deeply the LFO will affect the cutoff frequency.
-63–+63
TVA Depth
Specifies how deeply the LFO will affect the volume.
-63–+63
Pan Depth
Specifies how deeply the LFO will affect the pan.
MEMO
When the Structure Type (p. 6) is set to any value from “2” through “10,”
the output of tones 1 and 2 will be combined into tone 2, and the output
of tones 3 and 4 will be combined into tone 4. This applies to the Pan
Depth settings. For this reason, tone 1 will follow the settings of tone 2,
and tone 3 will follow the settings of tone 4.
-63–+63
STEP LFO
Parameter
Value/Explanation
Step Type
When generating an LFO waveform from the data specified in LFO
Step1–16, specify whether the level will change abruptly at each step
(TYP1) or will be connected linearly (TYP2).
TYP1, TYP2
LFO Step 1–16
Specifies the data for the Step LFO. If the LFO Pitch Depth is +63, each +1
unit of the step data corresponds to a pitch of +50 cents.
-36–+36
2
2
2
2
2
