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RED EPIC-M DRAGON, Operation Motion

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CAMERA MODE

The Camera Mode allows you to seamlessly toggle between Motion mode, Stills mode, and Playback. To select a 
camera mode, select the 

Camera Mode

 icon in the Lower Status Bar, swipe up, and select a camera mode.

NOTE: 

Setting adjustments made in Stills mode do not affect the settings in Motion mode, and vice versa.

NOTE: 

You can also switch between Stills and Motion mode by using the Motion/Stills switch on the DSMC Side 

Handle and REDMOTE.

You can select the following camera modes:

"Motion Mode" below

"Stills Mode" below

"Playback Menu" on page 135

MOTION MODE

Motion  mode  optimizes   your  camera  settings   for  capturing   motion.   This   mode  defaults   the  camera  to   Continuous  
Record. Motion mode includes the following features:

Motion recording modes:

"Continuous Record" on page 110

"Internal Timelapse Timer" on page 110

"Frame Trigger" on page 111

"Speed Ramp Mode" on page 111

"REDCODE Burst" on page 112

Swipe-Up Shortcuts

Camera Mode

Tools

Media

Power

Default Motion Preset (RED)

NOTE: 

For more information, go to 

"Swipe-Up Menu" on page 73

 and  

"Default Key Functions" on page 247

. 

STILLS MODE

Stills mode optimizes your camera settings for capturing stills. Stills mode includes the following features:

Stills recording modes:

"Multi-Shot" on page 112

" Stills" on page 113

Swipe-Up Shortcuts:

Auto Exposure

Auto Focus

Record Mode

Default Stills Preset (RED)

For more information, go to 

"Swipe-Up Menu" on page 73

 and  

"Default Key Functions" on page 247

. 

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EPIC/SCARLET OPERATION GUIDE

Summary of Contents for EPIC-M DRAGON

Page 1: ...EPIC SCARLET RED DRAGON MYSTERIUM X MONOCHROME V6 3 RED COM EPIC SCARLET OPERATION GUIDE ...

Page 2: ...rd 56 4 Basic Menus and Controls 58 GUI Menu Introduction 58 Upper Status Row Basic Menu 59 COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 2 EPIC SCARLET OPERATION GUIDE TABLE OF CONTENTS Live Action Area 63 Lower Status Row 65 Navigation Controls 71 5 Advanced Menus 82 Advanced Menus Overview 82 Access the Advanced Menus 82 Settings Menu 83 Media Menu 134 Playback Menu 135 Power Menu 139 HDRX Men...

Page 3: ...2 EPIC DRAGON Technical Specifications 202 SCARLET DRAGON Technical Specifications204 EPIC MYSTERIUM X Technical Specifications 206 SCARLET MYSTERIUM X Technical Specifications 208 B Mechanical Drawings 210 EPIC BRAIN 210 SCARLET BRAIN 216 C Input Output Connectors 221 DSMC BRAIN 222 Record Monitor Out Ports 223 Communication Ports 225 Audio Ports 229 Power Ports 230 SSD Module Connectors 230 D Le...

Page 4: ...is a registered trademark of Avid Technology Inc DaVinci Resolve is a registered trademark of Blackmagic Design in the U S and other countries EDIUS Pro is a registered trademark of Grass Valley Vegas Pro is a registered trademark of Sony Creative Software IDX is a registered trademark of IDX Company Ltd COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 4 EPIC SCARLET OPERATION GUIDE COMPLIANCE STATE...

Page 5: ...ve implies conformity to the following European Norms in brackets are the equivalent international standards EN 60065 IEC 60065 Product Safety ETSI EN 300 328 Technical requirement for radio equipment ETSI EN 301 489 General EMC requirements for radio equipment INFORMATION Products with the CE marking comply with the EMC Directive 2004 108 EC and the Low Voltage Directive 2006 95 EC issued by the ...

Page 6: ...gh moisture without appropriate protection and immediately remove power source if camera or accessories are exposed to moisture WARNING To reduce the risk of fire or electric shock do not expose the camera to rain or moisture DO NOT expose the camera to laser beams as laser beams may damage the sensor DO NOT expose your camera to excessive vibration or impact shock Be careful not to drop your came...

Page 7: ...amage due to crushing or other forms physical damage Products marked with this symbol are class 2 devices These devices are not provided with a grounding type plug CAUTION The power cord plug for the DSMC AC Power Adaptor is used as the power disconnect To disconnect all power from the DSMC AC Power Adaptor unplug the power cord plug from the wall outlet During use the power cord plug should remai...

Page 8: ... Overcharging may increase internal temperature beyond the recommended limits and cause permanent damage to the battery DO NOT connect the positive and negative terminals to a metal object such as a wire COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 8 EPIC SCARLET OPERATION GUIDE DO NOT transport or store the battery together with metal objects such as jewelry hairpins etc as they may generate he...

Page 9: ... and RED Li 7 2V batteries may also be classified as Dangerous Goods when purchased in bulk Applicable laws prohibit the shipping of batteries that are physically damaged We urge you to look into the formal rules and regulations of shipping Class 9 Dangerous Goods prior to preparing your shipment For more information on these regulations please visit www iata org and www dot gov For more informati...

Page 10: ...each camera offers the ability to simultaneously capture video and stills This guide is for EPIC and SCARLET only This section introduces the imaging capabilities and advanced features of the EPIC and SCARLET system For information about other cameras go to RED Downloads at www red com downloads The EPIC and SCARLET system includes the following cameras organized by sensor type SENSOR TYPE CAMERA ...

Page 11: ...r adjusted in the field without affecting the recorded RAW data image quality or dynamic range REDCODE is a visually lossless wavelet based compression codec that reduces R3D RAW files into a manageable size allowing longer recording times on media The ability to compress RAW data is one of the significant technologies that RED has brought to the industry For more information see the DSMC Media Op...

Page 12: ...h both natural motion blur from the A track and sharper reference the X track MAGIC MOTION produces an image with an extraordinary dynamic range that is not available with any other motion capture camera Shooting at 24 fps with a 180 1 48 sec shutter on traditional film or digital cameras produces motion blur throughout which is not the way the human eye observes motion For example ask someone to ...

Page 13: ...e camera Failure to do so may result in damage to the item or camera that is not covered under warranty NOTE Availability of components listed in this chapter is subject to change at any time ADDITIONAL RESOURCES For more information on power and media see the following guides available at www red com downloads DSMC Power Operation Guide DSMC Media Operation Guide BRAIN Figure EPIC BRAIN The DSMC ...

Page 14: ...d Status LED REC Off No media present Green Ready to record Amber Finalizing Red flashing slow Media mounted with 5 and 10 of media space available Red flashing fast Media mounted with 5 of media space available Red Recording Power Status LED PWR and Record Status LED REC Both green flashing Firmware update in progress Both red flashing Firmware update error MEDIA MODULES This section describes th...

Page 15: ...ame EVF LCD LEMO connector user keys and REC button For more information see the DSMC Media Operation Guide available at www red com downloads SIDE SSD MODULE CONNECTOR CONNECTOR CONNECTOR TYPE CONNECTOR FUNCTION EVF LCD N A Power and external monitoring support for an electronic viewfinder or display SIDE SSD MODULE CONTROLS CONTROL DESCRIPTION 1 User Key 1 Programmable key User Key 1 2 Press Eje...

Page 16: ...e 116 If media is not mounted this LED is off REAR SSD MODULE Figure Rear SSD Module The Rear SSD Module secures to the back of a Module Adaptor or a 1 Adaptor Module to serve as a rear location for recording to a REDMAG 1 8 SSD For more information see the DSMC Media Operation Guide available at www red com downloads COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 16 EPIC SCARLET OPERATION GUIDE ...

Page 17: ...GB 750 0075 v5 3 47 or later or v6 0 40 or later RED MINI MAG 240GB 725 0082 v5 1 47 or later RED MINI MAG 512GB V41 725 0078 v5 1 34 or later RED MINI MAG 512GB V51 725 0078 v6 2 60 or later or v6 3 17 or later RED MINI MAG 512GB V61 725 0078 v6 2 63 or later or v6 3 27 or later RED MINI MAG 1TB 2 725 0081 v5 3 34 or later 1 To see the Model number go to Menu Media Device 2 The RED MINI MAG 1TB c...

Page 18: ... 1 8 750 0006 RED STATION REDMAG 1 8 MINI ESATA 750 0035 RED STATION REDMAG 1 8 MINI USB 3 0 750 0036 RED STATION REDMAG 2 5 750 0007 1 These REDMAG 1 8 SSDs are no longer available for purchase at red com but are still supported by RED 2 The REDMAG 1 8 SSD 240GB requires that your camera is on firmware v5 1 44 or later For more information see the DSMC Media Operation Guide available at www red c...

Page 19: ... support Most modules require a Module Adaptor or 1 Adaptor Module to attach to your camera For more information go to Configure Your Camera on page 42 WARNING The Module Adaptor is NOT compatible with the 1 Adaptor Module WARNING The 1 Adaptor Module IS NOT compatible with the Module Adaptor WARNING DO NOT use the EVF LCD port if a Pro I O Module is connected to the camera RED offers the followin...

Page 20: ...ories with the RED 4 Pin to 2 Pin Adaptor Cable Max sustained current is 2 A 4 REDMOTE dock connector 8 point POGO connector Power and support for the REDMOTE 5 Dock connector SEARAY connector Supports power and communication with modules WARNING DO NOT use the EVF LCD connector if a Pro I O Module is connected to the camera NOTE The default auxiliary power output setting is on To toggle the power...

Page 21: ... 2 pin based accessories 790 0334 Micro HDMI to HDMI Adaptor2 Micro HDMI to Standard HDMI HDMI video connection from the camera to support auxiliary EVF LCD attachment N A 1 The 4 Pin to 2 Pin Adaptor Cable converts 4 pin power into a 2 pin female LEMO connection enabling support for 2 pin based accessories from the 1 Adaptor Module or Pro I O Module 2 The Micro HDMI to HDMI Adaptor is field repla...

Page 22: ...ecording RED offers the following power modules Item Part Number Pro Battery Module Dual 720 0005 Pro Battery Module Quad 720 0006 REDVOLT XL Module1 740 0031 Quickplate Module 790 0343 Backpack Quickplate Short 790 0342 RED Quickplate 790 0008 1 The REDVOLT XL Module requires that your camera is on firmware v5 1 29 or later For more information see the DSMC Power Operation Guide available at www ...

Page 23: ... the camera via a power module or other RED accessory such as the DSMC Side Handle RED chargers replenish lost capacity for REDVOLT REDVOLT XL and RED BRICK batteries RED offers the following batteries and chargers Item Part Number REDVOLT 740 0020 REDVOLT XL 740 0021 RED BRICK 740 0002 REDVOLT Travel Charger 790 0134 REDVOLT Charger Quad 740 0015 RED CHARGER 740 0006 For more information see the ...

Page 24: ...udio and video components The Pro I O Module offers the following features Centralized ports that make it easy to manage connections and cables LCD EVF port that allows you to connect an additional RED LCD or EVF Customizable triggers that interface with third party GPIO and RS232 control devices using Pro I O cables Mounting points for an additional module or a REDMOTE Internal cooling system tha...

Page 25: ...REDCAST Module uses four 4 3G SDI output connections to broadcast 4K video at up to 60 frames per second Five 5 1 4 20 mounting holes are built into the top of the module allowing for various mechanical peripherals to be attached For more information see the REDCAST Module Operation Guide available at www red com downloads COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 25 EPIC SCARLET OPERATION GU...

Page 26: ... 0 LCD2 3 1920 x 1136 Total 180 Forward 90 Backward 90 Total 360 CW 180 CCW 180 730 0007 RED Touch 9 0 LCD2 1280 x 768 Total 270 Forward 180 Backward 90 Total 360 CW 180 CCW 180 730 0011 RED PRO LCD 7 2 1024 x 600 No tilt No swivel 730 0009 RED PRO Touch 7 0 LCD2 1920 1136 No tilt No swivel 730 0025 DSMC2 RED EVF OLED 2 1920 x 1080 N A N A 730 0021 BOMB EVF LCOS 2 1280 x 784 N A N A 730 0004 BOMB ...

Page 27: ...ponents of the camera system caused by using the display as a handle are not covered under warranty WARNING DO NOT use the threaded holes in the RED Touch LCD base to mount the display to the camera Damage to a RED display or other components of the camera system caused by using these threaded holes is not covered under warranty IMPORTANT DO NOT try to turn an LCD past its tilt or swivel range Dam...

Page 28: ...xposure to direct sunlight may damage the EVF Point the eyepiece away from sunlight when not in use Damage to the BOMB EVF OLED caused by continued exposure to direct sunlight is not covered under warranty BOMB EVF FEATURES Feature Description 1 EVF connector Custom digital video and power interconnection between the camera and RED EVF Pinout not published 2 EVF Tally LED When enabled the LED illu...

Page 29: ...er blacks in a larger field of view Engineered with OBSOLESCENCE OBSOLETE in mind the DSMC2 RED EVF OLED is perfect for use with WEAPON SCARLET W RAVEN EPIC or SCARLET cameras RED offers multiple mounting solutions for each camera type WARNING DO NOT point the DSMC2 RED EVF OLED eyepiece at direct sunlight Continued exposure to direct sunlight may damage the EVF Point the eyepiece away from sunlig...

Page 30: ...lished compatible with standard RED EVF LCD LEMO cables 3 Key 1 Programmable key Magnify Toggle 4 Key 2 Programmable key Exposure Check Toggle 5 Mounting point Mounting point for the DSMC2 RED EVF Mounting Plate Top 6 DSMC2 RED EVF Modular Optical Block Fully coated with a 32 field of view 1 Not visible Shown with the DSMC2 RED EVF Mount attached COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 30 E...

Page 31: ...to the primary top or the secondary side EVF LCD port on the DSMC2 camera When used along with the DSMC2 LEMO Adaptor B this adaptor enables you to mount a DSMC2 RED Touch LCD away from the camera to a NOGA arm or other stable mounting point The DSMC2 LEMO Adaptor A is compatible with the BOMB EVF LCOS and OLED models or later LEMO ADAPTOR B Figure DSMC2 LEMO Adaptor B The DSMC2 LEMO Adaptor B ena...

Page 32: ...tem Part Number DSMC Side Handle 720 0012 RED Switchblade M1 720 0026 REDMOTE 770 0006 REDLINK Bridge REDLINK Development Kit 720 0028 1 The RED Switchblade M requires that your camera is on firmware v5 2 28 or later Full functionality requires firmware v5 3 or later 2 The REDLINK Bridge requires that your camera is on firmware v5 2 28 or later COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 32 EPI...

Page 33: ...upted operation For a full list of DSMC Side Handle user keys and default actions go to Default Key Functions on page 247 NOTE Upgrading your camera to v5 3 also upgrades the DSMC Side Handle During the upgrade you will be instructed to shut down the camera twice so that the firmware upgrades successfully Any DSMC Side Handle that is upgraded to v5 3 can only be used with cameras running v5 2 or l...

Page 34: ...itchblade M grants full access to menus while optimizing the size and weight of y our camera configuration For a full list of RED Switchblade M user keys and default actions go to Default Key Functions on page 247 NOTE The RED Switchblade M requires camera firmware v5 2 28 or later Full functionality requires camera firmware v5 3 or later COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 34 EPIC SCAR...

Page 35: ...de wireless remote control of the camera over the proprietary REDLINK protocol For a full list of REDMOTE user keys and default actions go to Default Key Functions on page 247 For more information go to REDMOTE Operation on page 159 IMPORTANT To operate properly upgrade both REDMOTE and camera firmware to the most recent version COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 35 EPIC SCARLET OPERAT...

Page 36: ...e rear module The REDLINK Bridge is part of the REDLINK Development Kit and uses the REDLINK Command Protocol RCP to communicate information between the camera and your application For more information see the REDLINK Bridge Operation Guide available at www red com downloads NOTE The REDLINK Bridge requires camera firmware v5 2 8 or later COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 36 EPIC SCAR...

Page 37: ...DSMC MOTION MOUNT Ti PL2 725 0012 DSMC MOTION MOUNT Ti Canon2 725 0014 1 For EPIC and SCARLET cameras the DSMC Fan 2 0 Bottom and the DSMC Mg PL Mount 2 0 are not natively compatible with each other since the fan grill prevents the lens mount locking ring from rotating To use these devices together remove the lower tabs from the locking ring using a T8 TORX driver 2 The DSMC RED MOTION MOUNT requi...

Page 38: ...rs the following modular DSMC interchangeable OLPFs for EPIC DRAGON and SCARLET DRAGON Item Label1 Part Number Required Firmware DSMC Skin Tone Highlight OLPF S 790 0461 v5 2 28 or later DSMC Low Light Optimized OLPF L 790 0462 v5 2 28 or later DSMC H2O OLPF H 790 0472 v5 3 29 or later DSMC Standard OLPF D 790 0517 v6 0 37 or later DSMC IR Pass OLPF Color I 790 0473 v5 3 33 or later DSMC Monochrom...

Page 39: ...ed on Before installing or removing these items you MUST turn off the camera Failure to do so may result in damage to the item or camera that is not covered under warranty WARNING While third party batteries may be mechanically compatible with the camera system the manufacturer is responsible for the performance and stability of third party options not RED Damage to the camera system or third part...

Page 40: ...OTE Additionally one 1 REDVOLT battery may be used in conjunction with the DSMC Side Handle to provide short term power and support hot swapping of other power sources POWER PRIORITY When multiple power sources are connected to the camera power consumption is prioritized in this sequence 1 DC power supply DC IN connector 2 Attached RED BRICK Lowest state of charge first 3 Battery module batteries ...

Page 41: ...era Use a RED ONE DC Power Cable P N 790 0060 and 2B to 1B Power Adaptor Cable P N 790 0138 Use a RED 2B to 1B LEMO Power Cable P N 790 0556 RED BRICK Requires a Backpack Quickplate or Battery Belt Clip DSMC Also supported by a RED Quickplate or RED Cradle using a 2B to 1B Power Adaptor Cable XLR DC power source Requires an XLR Power Cable TURN ON THE CAMERA NOTE If you have just turned off the ca...

Page 42: ...de Handle down flush along the side of the camera 6 Rotate the thumbscrew upward while applying steady pressure until tight REMOVE THE DSMC SIDE HANDLE WARNING Before installing or removing this item you MUST turn off the camera REQUIRED TOOLS T10 TORX driver 1 Turn off the camera 2 Rotate the thumbscrew downward until the DSMC Side Handle detaches from the camera body 3 Disengage the tension lip ...

Page 43: ...ger tight then engage the thumbscrew mechanism REMOVE THE RED SWITCHBLADE M WARNING Before installing or removing this item you MUST turn off the camera REQUIRED TOOLS T10 TORX driver 1 Turn off the camera 2 Disengage the thumbscrew mechanism 3 Loosen the thumbscrew until the Switchblade M detaches from the camera 4 Pull the bottom of the RED Switchblade M away from the camera to disengage the ten...

Page 44: ... 2 Remove the REDMOTE if attached 3 Position the Module Adaptor over the V mount on the rear of the camera Figure Install 1 Adaptor Module 4 Apply pressure and tighten the four 4 captive screws in a cross pattern X pattern approximately two 2 turns each using a T20 TORX driver DO NOT FULLY TIGHTEN Figure Insert HDMI Connector into the BRAIN COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 44 EPIC SC...

Page 45: ...on the rear of the camera 4 Insert the HDMI connector into the HDMI port on the camera 5 Apply pressure and tighten the four 4 captive screws in a cross pattern X pattern approximately two 2 turns each using a T20 TORX driver DO NOT FULLY TIGHTEN 6 Fully tighten the four 4 screws in a cross pattern X pattern using a T20 TORX driver WARNING DO NOT OVERTIGHTEN REMOVE THE 1 ADAPTOR MODULE REQUIRED TO...

Page 46: ...he top of the adaptor module Figure Insert Module Lip 3 Rotate the module down flush with the rear of the adaptor module Figure Press Module Flush 4 Apply pressure and use a T20 TORX driver to turn the lock on the bottom of the adaptor module clockwise into the Lock position COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 46 EPIC SCARLET OPERATION GUIDE ...

Page 47: ...se a T20 TORX driver to turn the lock on the adaptor module counter clockwise to the Unlock position 3 Rotate the module upwards and away from the adaptor module to disengage 4 Remove the module COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 47 EPIC SCARLET OPERATION GUIDE ...

Page 48: ...amera 2 Remove the four 4 M3x0 5 x 6 mm screws holding the hood scoop using a T8 TORX driver 3 Remove the hood scoop 4 Position the replacement hood scoop on the camera 5 Align the hood scoop screw holes with the threaded holes 6 Insert and tighten the four 4 M3x0 5 x 6 mm screws in a cross pattern X pattern using a T8 TORX driver DO NOT FULLY TIGHTEN 7 Fully tighten the four 4 M3x0 5 x 6 mm cap s...

Page 49: ...ible with the DSMC Interchangeable OLPF system WARNING Use only DSMC OLPFs DO NOT use DSMC2 OLPFs For any questions about OLPF compatibility please contact your Bomb Squad representative SWAP AN INTERCHANGEABLE OLPF REQUIRED TOOLS T20 TORX driver T6 TORX driver 1 Turn off the camera 2 Remove any modules cables or other accessories that may interfere with operations 3 Loosen and remove the four 4 M...

Page 50: ...0 0224 in a cross pattern X pattern using a T6 TORX driver Figure Remove OLPF Module Screws 7 Remove the OLPF module and place it in its protective case Figure Remove the OLPF Module COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 50 EPIC SCARLET OPERATION GUIDE ...

Page 51: ...TE Inserting the OLPF module at an angle may cause it to not seat properly 11 Replace and loosely tighten the four 4 M2x0 4 x 4 mm OLPF module screws P N 600 0224 in a cross pattern X pattern using a T6 TORX driver DO NOT FULLY TIGHTEN Figure Replace the OLPF Module and Screws 12 Fully tighten the four 4 OLPF module screws in a cross pattern X pattern using a T6 TORX driver DO NOT exceed 30 in oz ...

Page 52: ...T20 TORX driver DO NOT exceed 350 in oz or damage may occur WARNING DO NOT OVERTIGHTEN Figure Replace Lens Mount 16 Turn on the camera 17 Go to Menu Settings Maintenance OLPF 18 Select the installed OLPF from the Type drop down menu IMPORTANT Ensure the correct OLPF type is selected from the drop down menu Failure to select the correct OLPF type will affect color accuracy For more information go t...

Page 53: ...en a lens mount is attached The OLPF type is labeled in two 2 locations on each DSMC interchangeable OLPF LOCATION ON ASSEMBLY LABEL VISIBLE WITH 1 Top inside Identifier symbol such as S PL mounts 2 Front bottom OLPF type All mounts COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 53 EPIC SCARLET OPERATION GUIDE ...

Page 54: ...aused by using a tripod monopod mount or support system that does not provide sufficient support WARNING DO NOT use excessive force to mount a support accessory as this may damage the screw threading RED offers the following products for use with tripods and other support systems ITEM PART NUMBER Mounting Plate DSMC 790 0094 DSMC Modular Assault Plate Pack 790 0224 DSMC Quick Release Platform Pack...

Page 55: ... FILM encoded data HDMI Provides a 480p 720p or 1080p output suitable for monitoring via a Windows monitor or most HDTVs VIDEO MONITOR CATEGORIES Video monitor outputs are separated into three 3 categories VIEWFINDER The Upper Status Row Live Action Area and Lower Status Row display Default output is the EVF LCD connector located on the front face of the side SSD module If an EVF or LCD is not con...

Page 56: ...or more information go to Input Output Connectors on page 221 You can record simultaneously to an external recorder and a RED SSD To record simultaneously follow the instructions below 1 Connect the camera to an external recorder with an HD SDI or HDMI cable 2 Ensure an SSD is inserted in the camera and formatted 3 Set up the HD SDI or HDMI output A Go to Menu Settings Display Monitor Control Moni...

Page 57: ...overlay D Select the output resolution from the Resolution drop down menu NOTE The HDMI and HD SDI maximum resolution is 1080p For more information go to Record Monitor Out Ports on page 223 4 Disable all False Colors otherwise the external recorder records the False Colors A Go to Menu Settings Display Tools B Select Off from the False Color drop down menu 5 If monitoring audio via a third party ...

Page 58: ...formation Functionality varies based on monitor output type and firmware version The GUI menu is separated into three 3 main sections Figure GUI Control Menu ITEM DESCRIPTION 1 Upper Status Row Basic Menu Easy access to primary camera capture parameters Go to Upper Status Row Basic Menu on the next page 2 Live Action Area Live camera recording view overlays guides and more Go to Live Action Area o...

Page 59: ...e Frame Rate on page 99 2 ISO Camera sensitivity ISO on page 95 3 Aperture Lens aperture F stop information Aperture on page 61 4 Exposure Shutter Integration time or shutter angle Exposure on page 100 5 Color Temperature White balance and Tint Color Temperature on page 98 6 Resolution Record resolution Format on page 102 7 REDCODE REDCODE compression setting REDCODE on page 62 8 Menu Access advan...

Page 60: ...u in the Advanced Menus For example select Advanced in the Frame Rate menu to open Menu Settings Project Frame Rate For more information about Advanced Menus go Advanced Menus on page 82 Figure Select Advanced Button Figure Advanced Menu COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 60 EPIC SCARLET OPERATION GUIDE ...

Page 61: ... increases the depth of field but reduces the exposure brightness Decreasing the aperture to a lower number decreases the depth of field but increases the exposure brightness RED DSMC PL MOUNT INSTALLED The current aperture of the attached lens displays when a DSMC PL mount is installed and a supported lens equipped with Cooke S4 i system is attached DSMC NIKON MOUNT AND CANON MOUNT INSTALLED The ...

Page 62: ...tting frame rate HDRX mode media or the target REDCODE compression ratio The RECODE compression affects the overall quality of the footage A lower compression for example 2 1 increases the quality of the footage while a higher compression for example 22 1 lowers the quality For more information go to R3D File Format and REDCODE on page 11 MYSTERIUM X Range is 3 1 to 18 1 Default is 8 1 RED DRAGON ...

Page 63: ...formation when using supported Canon Nikon or Cooke lenses Lens Information on the next page 2 AF Status Currently selected auto focus mode Focus Menu on page 141 3 Center Crosshair and Spot Focus Guide Crosshair Center of selected guide Reference guides Safe Action Safe Title Picture Center Grid Overlay General Tab on page 94 4 Frame Guides Record or sensor projection area Guides on page 94 5 Cli...

Page 64: ...and focal distance when a DSMC Canon Mount or a DSMC Nikon Mount is installed and an electronically supported lens is attached When AF is set to Manual or Confirm mode the focal distance displays as a pair of Near Far distances When in AF mode an estimated focus distance displays The focal length and focal distance values and range vary depending on the attached lens When the focal length of the l...

Page 65: ... mode provides key system information and camera values including ITEM SUB ITEM DESCRIPTION FOR MORE INFORMATION GO TO 1 Camera Mode Swipe up to toggle Motion Stills Playback modes Camera Mode on page 67 2 Histogram Histogram tap to access the Tools menu Histogram on page 68 COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 65 EPIC SCARLET OPERATION GUIDE ...

Page 66: ...age 85 Timecode Timecode on page 170 Genlock GEN Indicator on page 69 Sync SYNC Indicator on page 69 RM Indicates link to REDMOTE REDMOTE Operation on page 159 LAN LAN Indicator on page 70 RIG Indicates 3D rig metadata is present N A 4 Media Status Media location and remaining media capacity tap to access the Media Menu Media Menu on page 134 5 Power Status DC voltage in or of remaining battery ca...

Page 67: ...era to Continuous Record Motion mode includes the following features Motion recording modes Continuous Record on page 110 Internal Timelapse Timer on page 110 Frame Trigger on page 111 Speed Ramp Mode on page 111 REDCODE Burst on page 112 Swipe Up Shortcuts Camera Mode Tools Media Power Default Motion Preset RED NOTE For more information go to Swipe Up Menu on page 73 and Default Key Functions on ...

Page 68: ...entation of exposure and sensor data levels for Red Green and Blue channels meter is affected by White Balance ISO and VIEW LOOK settings 4 RAW Clip Meter Also known as traffic lights Provides a visual representation of exposure and sensor data levels for Red Green and Blue channels Circles traffic lights will light up when clipping occurs 1 The RAW Level Bars display the amount of pixels in the i...

Page 69: ... day timecode For more information go to Timecode Genlock Multi Camera Setup on page 170 GEN INDICATOR The GEN indicator shows the current genlock status Grey No genlock signal is detected or the signal cannot cross lock to project 24 00 fps vs 23 98 fps Red During process of sync or genlock is lost while recording Green A genlock signal matching the current HD SDI monitor rate is locked Yellow Ti...

Page 70: ...era via DC power the current voltage displays When powering the camera using batteries the remaining battery capacity displays The remaining capacity is indicated by the following colors Green 12 0 V and up Yellow 11 8 V to 11 9 V Red 11 6 V to 11 7 V NOTE The camera turns off automatically if the supply voltage drops to 11 5 V BATTERY TIME REMAINING When using a REDVOLT or REDVOLT XL battery the ...

Page 71: ...igure DSMC2 RED Touch 7 0 LCD RED TOUCH BUTTON DESCRIPTION 1 User Key 1 Toggle 1 1 Magnify on off 2 Up Button Increase display brightness 3 Down Button Decrease display brightness 4 User Key 2 Toggle Exposure Mode on off NOTE RED Touch display keys are programmable For more information go to Key Mapping on page 117 COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 71 EPIC SCARLET OPERATION GUIDE ...

Page 72: ...keys Swipe Swipe to select different values in spinners or drop down menus For more information go to Swipe Up Menu on the next page Double Tap If the monitor is in Clean mode changes to Overlay mode Hold Tap and hold an icon to bring up an advanced interface display Pinch Move two 2 fingers apart together to increase decrease the size of the image By default this gesture is disabled For more info...

Page 73: ... to Select a Camera Mode Figure Stills Mode SWIPE UP SHORTCUT DESCRIPTION 1 Camera Mode1 Select Playback Motion or Stills 2 Tools Set Horizon RAW Magnify Zebras and False Color 3 Media View as Percentage or Time Remaining eject media view clip thumbnails 4 Power View as Percentage or Time Remaining 5 Auto Focus2 Set Zone Size and Mode 6 Auto Exposure2 Set Exp Comp Speed Metering Priority and Mode ...

Page 74: ...e2 Select Multi Shot or Motion Stills 1 For more information about Stills mode and Motion mode go to Camera Mode on page 67 2 Shortcuts only available in Stills Mode COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 74 EPIC SCARLET OPERATION GUIDE ...

Page 75: ...gate menus and menu items Navigate the menus using the following controls Press ENTER to open the menu then rotate the Scroll Wheel clockwise to move right counterclockwise to move left to highlight the desired menu or parameter Press ENTER to select Press the Up Navigation Key to open the related Advanced Settings menu if one 1 is available For more information go to Default Key Functions on page...

Page 76: ...n Access menus or exit currently selected menu 4 Rocker Switch Open Up Close Down Iris 5 User Keys 5 7 5 Toggle Exposure Mode on off 6 Key Disabled 7 Eject Media 6 Thumbwheel Lock Install and remove the DSMC Side Handle 7 LCD Backlight Button Toggles LCD backlight illumination 8 Navigation Group Navigate menus and menu items go to Navigation Group on the previous page 9 User Keys A D A Cycle Auto ...

Page 77: ... open the battery door 13 PC Sync Port Triggers external flashes or strobes 14 Stills Motion Mode Switch Toggles between Stills Motion Mode enabled in v6 0 firmware or later 1 Press User Keys 1 4 simultaneously to lock unlock DSMC Side Handle buttons to prevent inadvertent menu changes NOTE DSMC Side Handle keys are programmable For more information go to Keys on page 117 COPYRIGHT 2016 RED COM IN...

Page 78: ...sensitivity 5 Lens Information Displays aperture when a supported Canon Nikon or Cooke lens is attached 6 Cursor User 1 4 keys are used to move the cursor to select a slot The front rotary then adjusts the value of the selected slot 7 Shutter Speed Integration time or shutter angle 8 REDCODE REDCODE compression setting 9 Media Status Displays media location and remaining media capacity 10 Power St...

Page 79: ...al Modes 5 Mounting Thumbscrew Install and remove the RED Switchblade M 1 Press User Keys A D simultaneously to lock unlock RED Switchblade M buttons to prevent inadvertent menu changes 2 MODE Button functionality requires camera firmware v5 3 or later NOTE RED Switchblade M keys are programmable For more information go to Key Mapping on page 117 OPERATION MODES The RED Switchblade M OLED display ...

Page 80: ...ate using the RED Switchblade M controls and display User Keys A D are inactive KEY LOCK UNLOCK Lock the keys on the RED Switchblade M to prevent inadvertent button presses and menu changes Lock Press A D simultaneously Unlock Press A D simultaneously Alternatively press and hold ENTER while keys are locked COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 80 EPIC SCARLET OPERATION GUIDE ...

Page 81: ...ikon or Cooke lens is attached 3 White Balance Color temperature 4 REDCODE REDCODE compression setting 5 Media Status Displays media location and remaining media capacity 6 Timecode Current timecode value 7 Power Status DC supply voltage or of remaining battery capacity 8 Color and Gamma Space Currently selected RED color and gamma space settings 9 Resolution Recording resolution 10 Shutter Speed ...

Page 82: ...ck View clips recorded to the attached SSD Playback Menu on page 135 Power Power sources settings status and shutdown Power Menu on page 139 HDRX HDRX mode and settings HDRX Menu on page 140 Focus Focus modes features settings and rack focus Focus Menu on page 141 Exposure Assist Automatic exposure settings and controls Exposure Assist Menu on page 146 Presets Adjust Looks key mappings I O and mor...

Page 83: ...exposure false color zebra tools FALSE COLOR MODES False color modes include Off Exposure Video Focus Edge and Gio Scope NOTE Only monitors with the Tools check box selected in the Monitor Control menu show the false colors For more information go to Monitor Control on page 87 NOTE False color modes affect video recorded through HDMI or HD SDI to an external recorder if the Tools check box is sele...

Page 84: ...lays in the Lower Status Row Colors are based on the RGB levels of the video out signal that is the cooked look and not RAW data The RGB settings settings in the Look menu affect the Video indicators The Video indicators represent the following IRE values at all other values the desaturated image represents the luminance value of the ISO adjusted image Purple IRE 0 4 Blue IRE 5 Teal IRE 10 12 Gree...

Page 85: ...apable of autofocus with the camera use Confirm mode to turn on the AF Window Sharpening is disabled when 1 1 magnify is enabled The camera automatically exits magnify mode when recording begins The Magnify tool magnifies a 1920 x 1020 region centered on a 1920 x 1080 display If the resolution is lower than 1920 x 1020 the image border cannot be magnified Use the following equations to determine t...

Page 86: ...o function properly For more information go to Gyroscope and Accelerometer Calibration on page 129 ZEBRAS Use Zebra mode to enable and adjust the upper and lower values for two 2 independent zebra indicators Use Zebra 1 for highlight exposure and use Zebra 2 for mid tones or shadows Zebras are visible in Magnify mode and are disabled by default The camera offers two 2 zebra types Video IRE based m...

Page 87: ...surfaces OVERLAY Select which overlay shows on top of the video RED provides preset overlays which have RED in the overlay name Create custom overlays in the Overlay tab For more information go to Overlays on the next page RESOLUTION Select the output resolution for monitors you cannot select a resolution for LCDs and EVFs since the resolution is determined automatically For more information about...

Page 88: ...tage AUTO HIDE MENUS Hides the Upper Status Row and Lower Status Row When this option is disabled the video is scaled so that the menus are not overlaid on the video When this option is enabled the video is not scaled This option creates a control surface on a monitor without scaling the video This setting only affects the monitor and does not affect captured footage To toggle display hide the men...

Page 89: ...D EDIT OVERLAYS 1 Go to Menu Settings Display Monitor Control Overlay 2 Select Create or select an existing overlay and select Clone or Edit 3 If creating a new overlay enter a name for the overlay and select OK 4 Select any of the following check boxes to add the corresponding guides to the overlay Frame Guide Action Guide Title Guide 5 Select a button on the matrix to add a user interface elemen...

Page 90: ...eracting with camera settings The Priority tab determines the order in which a monitor becomes the control monitor If you plan on removing or adding monitors during a shoot set up the priority list ahead of time For a monitor to become the control monitor the following must occur The monitor must be set to Overlay mode in the Monitor Control menu Each monitor that has higher priority on the list m...

Page 91: ...ight 25 of the video area on the LCD to toggle record Double Tap Left 25 to Start AF Double tap the left 25 of the video area on the LCD to start autofocus when compatible lenses are used OTHER Lock Touch Screen Touchscreen control is locked To unlock tap the screen and follow the on screen instructions Use Small Dialogs on 9 LCD The dialogs on the RED Touch 9 0 LCD are smaller than the default di...

Page 92: ...etermine how the following settings display Camera Lens CAMERA TAB Figure Display Mode Camera EXPOSURE Time Absolute Displays the exposure time in seconds 1 xx sec When you change the frame rate in this mode the shutter time stays the same but the shutter angle changes Time Absolute is the default Angle Relative Displays the exposure as an angle 1 360 When you change the frame rate in this mode th...

Page 93: ...lays media space remaining as time in hours and minutes HHH MM LENS TAB Figure Display Mode Lens APERTURE 1 4 F Aperture increments in 1 4 stops 1 3 F Aperture increments in 1 3 stops Default FOCUS DISTANCE Metric Displays lens focus distances in meters Imperial Displays lens focus distances in feet and inches Default MOTION MOUNT ND AND MOTION MOUNT ISO PULL Only applicable when using a DSMC RED ...

Page 94: ... from the Mode drop down menu Select the values for the width and height of the guide in pixels OFFSET X Y Percentage to offset guide from its default centered position Available range is 0 100 100 Right aligned for X offset and bottom aligned for Y offset 100 Left aligned for X offset and top aligned for Y offset APPEARANCE Line Style Select one of the following line styles Solid Dashed or Bracke...

Page 95: ...shing highlights Available range is 10 0 to 10 0 Default is 0 0 Exp Comp Adjusts exposure compensation Available range is 7 0 to 7 0 Default is 0 0 NOTE Saturation is disabled on all Monochrome cameras GAIN Adjust the Red channel Blue channel and Green channel individually The range for each is 0 0 none of the color to 10 0 and the default for each is 1 0 ISO FLUT Use the ISO FLUT menu to adjust I...

Page 96: ...deo menu may make the menu lighter or darker The camera applies the color and gamma spaces after rendering the user interface so changing these settings affects the user interface NOTE RED recommends using the most recently released Color Space and Graded Gamma settings Use legacy settings such as REDcolor2 only if you need to record footage to match footage that you recorded with that legacy sett...

Page 97: ... Monitor Config menu to apply curves to the monitor outputs 1 Select the monitor to configure from the drop down menu at the top of the menu 2 Select a curve from the Curve drop down menu Neutral The camera does not apply a graded gamma space to the monitor output Graded The camera applies a graded gamma space to the monitor output The Video Path displays the video source and graded gamma space ap...

Page 98: ... you adjust the color temperature manually Selecting a preset resets Tint to 0 000 NOTE Tint is disabled on all Monochrome cameras PRESETS Each preset has 0 000 Tint Available preset options are Incandescent 2800 K Tungsten 3200 K Fluorescent 4500 K Flash 5500 K Daylight 5600 K Cloudy 7500 K Shade 9000 K AUTO WHITE BALANCE Auto white balance analyzes the central 25 of the image visible in the moni...

Page 99: ...time base and REDCODEproject time base REDCODE and Lookaround For more information about the maximum REDCODE settings for each common recording frame rate see the DSMC Media Operation Guide available at www red com downloads PROJECT TIME BASE Select the project time base which is the rate at which the footage will be played back The project time base displays in the lower left corner of the displa...

Page 100: ...re changes to the longest exposure possible for the frame rate For more information go to Speed Ramp Mode on page 111 NOTE You cannot change the exposure when HDR is enabled INTEGRATION TIME Enter the exposure value as a shutter speed 1 xx sec MYSTERIUM X Slowest speed is 1 recording frame rate For 24 fps the slowest speed is 1 24 sec RED DRAGON Slowest speed is 1 8 sec regardless of the recording...

Page 101: ...hen a Pro I O Module is attached Select the LTC Out check box to output the linear timecode signal generated by the camera through the timecode TCODE port on the Pro I O Module NOTE If jamming camera timecode to a timecode device ensure that LTC Out is disabled SLATE Use the Slate menu to add metadata to clips After configuring the following fields the information populates in the Media menu when ...

Page 102: ... a 6 5 aspect ratio at 2x anamorphic gives you a 2 4 1 aspect ratio RESOLUTION DIMENSIONS PIXELS DIMENSIONS MM WIDTH HEIGHT WIDTH HEIGHT DIAGONAL 6K FF 6144 3160 30 72 15 80 34 55 6K 2 1 6144 3072 30 72 15 36 34 35 6K 2 4 1 WS 6144 2592 30 72 12 96 33 34 6K 16 9 HD 5568 3132 27 84 15 66 31 94 6K 3 2 4752 3160 23 76 15 80 28 53 6K 6 5 3792 3160 18 96 15 80 24 68 6K 4 1 6144 1536 30 72 7 68 31 67 6K...

Page 103: ...8 8 64 22 23 4K 16 9 HD 3840 2160 19 20 10 80 22 03 4K 6 5 2592 2160 12 96 10 80 16 87 4K 3 2 3840 2560 19 20 12 80 23 08 4K 4 3 3840 2880 19 20 14 40 24 00 4K 5 4 3840 3072 19 20 15 36 24 59 4K 4 1 4096 1024 20 48 5 12 21 11 4K 8 1 4096 512 20 48 2 56 20 64 3 5K FF 3584 1876 17 92 9 38 20 23 3 5K 2 1 3584 1792 17 92 8 96 20 04 3 5K 2 4 1 WS 3584 1512 17 92 7 56 19 45 3 5K 16 9 HD 3456 1944 17 28 ...

Page 104: ... 4 1 WS 2560 1080 12 80 5 40 13 89 2 5K 16 9 HD 2304 1296 11 52 6 48 13 22 2 5K 3 2 2400 1600 12 00 8 00 14 42 2 5K 4 3 2400 1800 12 00 9 00 15 00 2 5K 5 4 2400 1920 12 00 9 60 15 37 2 5K 4 1 2560 640 12 80 3 20 13 19 2 5K 8 1 2560 320 12 80 1 60 12 90 2K FF 2048 1080 10 24 5 40 11 58 2K 2 1 2048 1024 10 24 5 12 11 45 2K 2 4 1 WS 2048 864 10 24 4 32 11 11 2K 16 9 HD 1920 1080 9 60 5 40 11 01 2K 3 ...

Page 105: ...0 25 60 10 80 27 78 5K 16 9 HD 4800 2700 24 00 13 50 27 54 5K 6 5 3240 2700 16 20 13 50 21 09 4K FF 4096 2160 20 48 10 80 23 15 4K 2 1 4096 2048 20 48 10 24 22 90 4K 2 4 1 WS 4096 1728 20 48 8 64 22 23 4K 16 9 HD 3840 2160 19 20 10 80 22 03 4K 6 5 2592 2160 12 96 10 80 16 87 3K FF 3072 1620 15 36 8 10 17 36 3K 2 1 3072 1536 15 36 7 68 17 17 3K 2 4 1 WS 3072 1296 15 36 6 48 16 67 3K 16 9 HD 2880 16...

Page 106: ...GHT WIDTH HEIGHT DIAGONAL 5K FF 5120 2700 27 65 14 58 31 26 5K 2 1 5120 2560 27 65 13 82 30 91 5K 2 4 1 WS 5120 2160 27 65 11 66 30 01 5K 16 9 HD 4800 2700 25 92 14 58 29 74 5K 1 22 1 3300 2700 17 80 14 58 23 01 4K FF 4096 2160 22 12 11 66 25 01 4K 2 4 1 WS 4096 1708 22 12 9 22 23 96 4K 16 9 HD 3840 2160 20 74 11 66 23 79 3K FF 3072 1620 16 59 8 75 18 75 3K 2 4 1 WS 3072 1284 16 59 6 93 17 98 3K 1...

Page 107: ...e anamorphic both the actual format and the de squeezed format display at the bottom of the Format menu To view the actual format and the de squeezed format go to Menu Settings Project Format Format When anamorphic is enabled the camera does not crop the sensor image so the recorded image has the same resolution and dimensions as the corresponding non anamorphic format After de squeezing the foota...

Page 108: ...rt Cut to Industry Standard Anamorphic Formats LOOKAROUND When Lookaround is enabled the Frame Guide and recording area are scaled down on the display so that you can see what images will enter the recording area To assign a Shading overlay to the Lookaround area the area outside of the recording area go to General Tab on page 94 Lookaround limits the available frame rates Also Lookaround is eithe...

Page 109: ...ttom to the top The Flip Mirror Scan Direction feature is intended for multi camera arrays when all sensors are synchronized and at least one 1 camera is mounted upside down Using this feature is helpful for matching the line scan direction for the cameras in the array To enable the Flip Mirror Scan Direction feature follow the instructions below 1 Go to Menu Settings Project Sensor 2 Select the F...

Page 110: ...ER NOTE This mode is not available in Stills mode NOTE Audio is not recorded in Internal Timelapse Timer mode In Internal Timelapse Timer mode the camera records a specified number of frames at a specified interval The current recording frame rate determines the timing of the frames per pulse For example in Internal Timelapse Timer mode you can choose to record a total amount of 1000 frames and ta...

Page 111: ...t recorded in Speed Ramp mode Speed Ramp mode lets you program the current recording frame rate to transition to different recording frame rates during recording 1 Go to Menu Settings Recording Mode 2 Select Speed Ramp Mode from the Mode drop down menu 3 Use the Limit Recording to fields to set the recording to end at a predefined frame limit optional 4 Select a ramp target Ramp A B C D Each ramp ...

Page 112: ...lumn and are based on format and REDCODE MULTI SHOT NOTE Multi Shot mode is only available on an EPIC DRAGON or SCARLET DRAGON NOTE The camera does not sync timecode in Multi Shot mode NOTE This mode is available in Motion mode but is only recommended in Stills mode NOTE Audio is not recorded in Multi Shot mode Multi Shot mode removes restrictions on Recording Frame Rate and REDCODE allowing you t...

Page 113: ...Multi Shot mode follow the instructions below 1 Set the camera to Stills mode 2 Go to Menu Settings Recording Mode 3 Select Multi Shot from the Mode drop down menu 4 Use the Limit Recording to fields to set the recording to end at a predefined frame limit optional 5 Close the menu 6 For more information on using the different sub modes go to Basic Multi Shot Mode on the previous page Advanced Mult...

Page 114: ...t the target REDCODE compression ratio for your project from the REDCODE drop down menu For more information go to REDCODE on page 62 COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 114 EPIC SCARLET OPERATION GUIDE ...

Page 115: ...al image that is brighter and possibly blurrier than any of the original frames so you can use frame summing to achieve the effect of long exposure FRAME AVERAGING Frame Averaging combines the specified number of frames into one frame and averages the exposure time for each of the original frames The resulting frame has an effective integration time that is equal to the current integration time Fo...

Page 116: ... the next page INDICATOR Enable Sounds Select this check box to enable sounds Then select sounds for the following actions Record Start Record Stop Mark Still Frame EVF Tally Light Select this check box to enable the EVF Record Tally LED on the EVF to illuminate red when recording COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 116 EPIC SCARLET OPERATION GUIDE ...

Page 117: ...soft keys are available on the touchscreen A B C D Left side of the touchscreen 1 2 3 4 Right side of the touchscreen To map or remap a soft key select an action from the drop down menu next to the key you want to map Enable Soft Keys on touchscreen Tap the left or right side of the touchscreen to show the soft keys Show key actions as labels When the soft keys display the number letter of the key...

Page 118: ...e camera names and group names to address commands to a specific camera or group of networked cameras Camera ID Enter a unique camera name to use in network communications The field is limited to eight 8 characters Group ID Enter a group name to identify the camera as a member of a group of devices The field is limited to eight 8 characters and the default name is DEFAULT Target Specify which devi...

Page 119: ...en sets the property on other cameras If this camera receives a SET command the camera does not send the command to other cameras devices Enable External Control This camera can be controlled via TCP IP from an external device WIFI The settings on the WiFi menu are only used when a REDLINK Bridge is attached to the camera For more information see the REDLINK Bridge Operation Guide available at www...

Page 120: ...he input for devices connected to the SYNC connector on the camera Sync In The camera input is used as a sync in signal for MoCo General Purpose In Use the BRAIN GPI In High Low drop down menus to map inputs to actions GPO Function Camera Output Select an options to configure the output for devices connected to the CTRL connector on the camera Sync Out Provides an output sync signal to act as a sh...

Page 121: ...SCARLET DRAGON Select a Target Temperature and the bottom fan self adjusts to maintain the selected temperature The default Target Temperature is 65 C After the camera reaches the Target Temperature and if the ambient temperature remains constant Adaptive mode results in a consistent fan speed and fan noise over time Targeting a higher temperature raises the sensor temperature lengthens the sensor...

Page 122: ...ble noise level in record and standby mode while still cooling the camera Using Quiet results in a higher sensor temperature when compared to Auto mode MANUAL Select a speed for the bottom fan in both record and standby modes The bottom fan self adjusts to maintain the selected speeds The default Maximum Record Speed is 50 and the default Maximum Preview Speed is 75 The range for both Maximum Reco...

Page 123: ...rio Premier PL Lenses on page 236 Auto Detect PL Lenses By default this feature is enabled Detect Lens Detects a lens if one is attached CANON AND NIKON LENS SETTINGS The options below display when a DSMC Nikon Mount or DSMC Canon Mount is installed with a supported lens Aperture Enter the aperture value The range and default depend on the lens Focus Use the slider to change the focal distance Man...

Page 124: ...mber Lens Owner Lens Manufacturer Lens Min Focal Length Lens Max Focal Length Figure Metadata MOTION MOUNT TAB The Motion Mount menu is only accessible when a DSMC RED MOTION MOUNTis installed For more information see the RED MOTION MOUNT Operation Guide available at www red com downloads MOTOR CONTROL Use the Motor Control menu to set up the RED 3 Axis Lens Control System For more information see...

Page 125: ...s Maintenance 3 Select Save Log The log file is saved as a txt file in the SSD root directory For more information about RED support or to create a support ticket go to https support red com NOTE The camera automatically saves a log file when it is turned off properly and an SSD is mounted UPGRADE You can check for upgrades for the following items Camera Go to Upgrade Camera Firmware on page 187 R...

Page 126: ...e that displays on the monitor The noise is random with no fixed patterns or lines The sensor is calibrated The noise has patterns or lines Calibrate the sensor For more information go to Calibration Capture Black Shading below WHEN TO CALIBRATE SENSOR Calibration is required After an extreme change in temperature 30 F or 15 C from the current calibration map After an extreme change in exposure ti...

Page 127: ...th Save check boxes deselected The calibration will only be applied until the camera turns off and will not be saved 7 For EPIC MYSTERIUM X or SCARLET MYSTERIUM X select the exposure you want to use for the calibration from the drop down menu 8 For EPIC DRAGON or SCARLET DRAGON select how many calibration maps you want to create from the Number of captures drop down menu You can create up to four ...

Page 128: ...nd import calibration maps go to Menu Settings Maintenance Calibrate In Camera The calibration maps that are saved internally on the camera Factory This is the calibration map generated during the manufacturing process and is the default map All other The user created calibration maps Media The calibration maps that are on the SSD in the path shown for example S SSD calibration CALIBRATION MAP ACT...

Page 129: ...to reach maximum operating temperature 5 When the camera reaches maximum operating temperature select High Temperature Calibration SELF TEST The Self Test menu includes Enable Sensor Test Pattern and Touchscreen ENABLE DISABLE SENSOR TEST PATTERN The Sensor Test Pattern feature is only used during manufacturing The sensor test pattern is a white screen TOUCHSCREEN To perform a touchscreen self tes...

Page 130: ...ction The camera turns off 4 Turn on the camera REDISCOVER HARDWARE REDISCOVER Rediscovers all hardware and caches the data for future boot cycles Perform a Hardware Rediscover if a module or lens mount is not functioning correctly To perform a Hardware Rediscover follow the instructions below 1 Go to Menu Settings Maintenance 2 Select Rediscover 3 Select Yes on the screen that asks you to confirm...

Page 131: ...ware Version Current firmware version PIN The personal identification number that is specific to your camera SVN Revision The current firmware number Runtime The number of hours that the camera has been turned on COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 131 EPIC SCARLET OPERATION GUIDE ...

Page 132: ...in your camera displays in the OLPF Type field CHECK INSTALLED OLPF IF YOU HAVE A FIXED OLPF If your camera has a fixed OLPF if you do not have the DSMC interchangeable OLPF system then your camera automatically detects which OLPF is installed To see which OLPF is installed when you have a fixed OLPF follow the instructions below 1 Go to Menu Settings Maintenance OLPF The OLPF type displays SKIN T...

Page 133: ...ons below 1 Go to Menu Settings Maintenance OLPF 2 Select your OLPF type from the Type drop down menu IMPORTANT Ensure the correct OLPF type is selected from the drop down menu Failure to select the correct OLPF type will affect color accuracy NOTE If you are unsure which OLPF is installed go to Verify Installed OLPF on page 53 Figure Select OLPF Type COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F...

Page 134: ...ee the DSMC Media Operation Guide available at www red com downloads DEVICE Format and eject unmount the SSD To see information about the SSD in the camera select More Info Figure Device Menu CLIPS View and load clips on the SSD in thumbnail view Figure Clips Menu COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 134 EPIC SCARLET OPERATION GUIDE ...

Page 135: ...elected clip to the Play List All Move all clips to the Play List Apply Image Metadata Image data such as color gain and curves recorded with the image displays with the playback image When deselected the current playback Look settings are used Load Closes the menu and brings up the selected clip in Playback mode RECORD EXIT Select Record to exit Playback mode You can also press any button mapped ...

Page 136: ...PLAYBACK CONTROLS Figure Playback Controls Figure Play Options COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 136 EPIC SCARLET OPERATION GUIDE ...

Page 137: ...ggle Toggles between play and pause 6 Frame by Frame Forward Moves through the clip frame by frame 7 Load Next Clip Loads the next clip in the playlist 8 Play Options Displays the following subset of options Play Once Loop Loop Playlist and Playback Speed 9 Marker Options Displays the following subset of options In Point Remove In Out Point Out Point Previous Marker and Next Marker 10 Play Once Pl...

Page 138: ...of the clip 16 Out Point Sets a red Out Point marker in the Playback Status Bar Use an Out Point marker in conjunction with an In Point marker to play only a certain portion of a clip The In Out Point markers help when the clip is long and you want to focus on a particular segment 17 Previous Marker Goes to the previous marked frame which displays as a red line in the Playback Status Bar Disabled ...

Page 139: ...se Remove the device that is connected to the module as it may be drawing too much power Select RESET to clear the fault POWER SAVE You can select the following power saving options the default for each is Never Low Power Preview The camera uses a lower amount of power after the specified period of inactivity Sleep All monitors turn off and keys do not perform mapped actions after the specified pe...

Page 140: ...ow is grey To enable HDRX follow the instructions below 1 Go to Menu HDRX 2 Select HDRX The HDRX text in the Lower Status Row turns white 3 Select the number of Factors The range is 1 6 and the default is 2 4 Select which track you want the display to show A Track This track shows the video with the selected aperture and exposure settings applied X Track This track shows the video with the additio...

Page 141: ...a performs single shot AF Optimized for rapid focus even under low contrast conditions Works with both Center and Spot zones Continuous When you press the key mapped to AF Start the camera attempts to keep objects in the target in focus Works best with good lighting and contrast Works with both Center and Spot zones Touch Track Dynamically updates a positionable AF point using the touchscreen Only...

Page 142: ... around the recording area MOVE THE SPOT FOCUS TARGET Move Spot target with touchscreen Tap and hold the touchscreen on the location you want to relocate the Spot target Tap and hold the touchscreen where the Spot target currently is and drag the Spot target Move Spot target with DSMC Side Handle or REDMOTE 1 Go to the main screen 2 Press the Down Arrow in the Navigation Group The Spot target line...

Page 143: ...F feature 7 Select the Confirm target style from the Confirm Style drop down menu For more information go to Confirm Style below 8 Close the Focus menu The target displays on the touchscreen and the monitor that you selected for the Enhanced A F feature is in Clean mode CONFIRM STYLE CONFIRM STYLE DESCRIPTION OBJECTS IN TARGET ARE IN FOCUS OBJECTS IN TARGET ARE OUT OF FOCUS None Square target oper...

Page 144: ...rack point manually change the focal distance and select Set Select a rack point and select Refocus The camera uses an autofocus algorithm to re calculate the focal distance 9 To set a rack point location follow the instructions below A Select the rack point A B C or D B Select Close to return to the main screen C Tap and hold the touchscreen where you want the rack point to be or press and drag t...

Page 145: ...e if rack point A is selected when you trigger the AF Start action the focus racks from point A to point B Press a key that is mapped to racking to a specific rack point MAP KEYS TO CYCLE RACK FOCUS You can map user keys to rack focus to different rack points For more information go to Keys on page 117 You can map the following actions AF Start AF Rack to A AF Rack to B AF Rack to C AF Rack to D C...

Page 146: ...bled Single Shot Map one of the following actions to trigger the AE tools AE Start AE AF Start Continuous in Preview The AE tools are enabled in preview only Continuous in Preview Record The AE tools are enabled in both preview and record NOTE In Stills mode AE AF Start is mapped to Record Half Press by default For more information go to Default Key Functions on page 247 EXPOSURE PRIORITY Manual Y...

Page 147: ... Normal Settings adapt in medium steps Fast Settings adapt in large steps SELECTION The Selection setting determines which values the algorithm uses This enables you to modify the list of values so that the algorithm selects only specific parameters Use Free Value Selection to improve accuracy For example you can modify the aperture list to include f 2 8 and f 5 6 If Free Value Selection is enable...

Page 148: ...ter set to be modified and all the values to be updated to their current in camera values You cannot update factory installed presets which end with RED Clone Create a new preset using the selected preset as a template Delete Delete the selected preset EXPORT AND IMPORT PRESETS Presets can be stored on the camera or transferred to SSD to be shared with other cameras When exporting presets from cam...

Page 149: ...to your computer create a folder on the SSD called Looks 2 Save your RMD files that have been exported from REDCINE X PRO to the Looks folder on the SSD 3 Eject the SSD from your computer 4 Mount the SSD to your camera 5 Go to Presets Looks 6 Select one 1 of the following Import selected Look from SSD to camera All Import all Looks from SSD to camera For more information see the REDCINE X PRO Savi...

Page 150: ...eview The selected preset is applied every time the camera enters Preview mode including at startup and when exiting Playback mode On Enter Playback The selected preset is applied every time the camera enters Playback mode COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 150 EPIC SCARLET OPERATION GUIDE ...

Page 151: ...coming audio channels and can record up to four 4 audio channels Input signals are routed via a high quality pre amplifier and soft clip analog limiter the limiter is optional to achieve the desired recording levels and maximize dynamic range Audio data is synchronized with video and timecode and embedded in the R3D file You can export audio data from REDCINE X PRO as separate audio files Audio is...

Page 152: ...AUDIO DATA PATH The diagram below shows how the camera records and outputs audio Figure Audio Data Path COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 152 EPIC SCARLET OPERATION GUIDE ...

Page 153: ...cks for recording two 2 channels of microphone level analog audio The Pro I O Module provides two 2 XLR connectors for recording two 2 additional channels of microphone level audio The sensitivity of the microphone and the pre amp gain determine the recording level of the microphone input PRO I O ANALOG LINE IN The Pro I O Module provides two 2 XLR connectors for recording two 2 channels of line l...

Page 154: ...ormation go to Audio Meter VU Meter on page 157 CHANNEL MODES Match the channel mode to the incoming audio signal Mode Source Description NONE NONE Audio recording disabled BALANCED CAM ANALOG PRO I O ANALOG Balanced microphone input Enables the 48V phantom power option Typically used with microphones that have XLR connectors and internal batteries UNBALANCED CAM ANALOG PRO I O ANALOG Unbalanced m...

Page 155: ...XLR connector that supports 2 channel line level analog output The signal strength of the line out cannot be controlled and is fixed at 15 dB gain HDMI and HD SDI monitor Both output two 2 channels of 24 bit 48 KHz uncompressed embedded digital audio Select and mix the stereo channels in the Monitor Mix menu at Menu Settings Audio Monitor Mix To monitor audio via HDMI or HD SDI the third party mon...

Page 156: ...normalizes each output to prevent the output from exceeding the signal range For example if you pass Channel 1 to an output at 100 and then mix Channel 2 into the same output the level of Channel 1 decreases to 50 Assign each audio channel to the Left Middle or Right side of the stereo mix Move the sliders up and down to adjust the volume You can control the volume and stereo for each audio monito...

Page 157: ...When you select Output as the VU Meter Source the Audio Meter displays the Cam Mix Rear Mix and Monitor Mix levels For more information go to VU Meter on page 93 When recording to an external device use the Output levels to help accurately monitor recorded audio AUDIO METER LEVELS Figure Audio Meter The camera updates the Audio Meter 12 times per second with the maximum signal from the last 1 12 o...

Page 158: ...ia headphones or HDMI and HD SDI monitors and automatically unmutes any muted audio outputs To access audio settings during playback go to Menu Settings Audio and select the following tabs Control Mix COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 158 EPIC SCARLET OPERATION GUIDE ...

Page 159: ...mable User Keys The color LCD displays critical camera settings including media and battery capacity timecode and clip name lens data and exposure information The REDMOTE has a rechargeable Lithium Ion battery that automatically recharges when docked to the camera or other module It can also be recharged using the built in USB 2 0 connector Under typical operating conditions the REDMOTE provides u...

Page 160: ...enu Button Toggle between basic and advanced menus 8 Soft Menu Buttons 1 3 Go to REDMOTE Soft Menu Buttons 1 3 on the next page 9 Soft Menu Buttons 4 8 Go to Customize REDMOTE Setting Menus on page 165 10 Navigation Group Go to Navigation Group on page 162 11 Focus Record Button Half press initiates auto focus full press toggles record start stop 12 Power Lock Switch Go to Power Key Lock Switch on...

Page 161: ...ormation go to Navigation Group on the next page Local Mode Navigate menus using the REDMOTE controls and display Remote Mode Navigate menus with REDMOTE controls using an attached LCD EVF or other monitor as a reference NOTE When in Remote Mode the current menu item does not display on the REDMOTE REDMOTE SETUP The Setup Menu includes Turn Wireless On Off Toggles the REDLINK wireless link on off ...

Page 162: ... is enabled REDMOTE BASICS This section describes the common REDMOTE operations DOCK THE REDMOTE 1 Position the REDMOTE V Mount dock over the V Mount on the BRAIN or rear module 2 Slide the REDMOTE down until you hear a click which indicates the REDMOTE is securely attached NOTE Docking the REDMOTE automatically pairs the REDMOTE with the camera when the camera is turned on and wireless settings a...

Page 163: ... and the Timecode value on the LCD display changes to red text Stop Record Press and release the REC button When media recording processes are complete the Power Recording LED turns off and the Timecode value on the LCD display changes back to white text PAIR THE REDMOTE There are two 2 ways to pair the REDMOTE to a camera Dock to pair Pair wirelessly When a REDMOTE and camera are paired The REDMO...

Page 164: ...MOTE AFTER SIGNAL LOSS On loss of wireless communication the REDMOTE scans for the camera it was last paired with If the REDMOTE is unable to reconnect after 30 seconds the manual Scan menu opens DISCONNECT THE REDMOTE FROM A PAIRED CAMERA 1 Press Button 1 2 Select DISCONNECT 3 Press ENTER CHARGE THE REDMOTE A fully discharged REDMOTE battery requires approximately six 6 hours to fully charge You ...

Page 165: ...five 5 available REDMOTE Setting menus accessible with the Soft Menu Buttons 4 8 NOTE Soft Menu Buttons 7 and 8 are not defined The primary REDMOTE Setting Menu Button 4 displays the following menu elements REDMOTE item Description HDR Displays HDRX mode status 1 1 Tallies when magnify is selected False Color Displays false color overlay mode LAN Indicates communication via Ethernet connection RIG...

Page 166: ...cess using Mac Windows and the camera UPGRADE REDMOTE WITH CAMERA When you dock a REDMOTE the camera checks to see if the REDMOTE is running the latest firmware If the REDMOTE firmware is slightly outdated you have the option to update the REDMOTE firmware through the camera If REDMOTE firmware is severely outdated you will be instructed to install updates via USB NOTE The REDMOTE and camera must ...

Page 167: ...TE When properly connected to the computer the battery charge indicator flashes NOTE This screen may open automatically when the REDMOTE is connected NOTE After entering the IP address you may not connect during the upgrade procedure If you check the IP address you see that it is 0 0 0 0 and the status of the device is Connected you may need to re enter the IP address UPGRADE REDMOTE FIRMWARE MAC ...

Page 168: ...all 17 Click Close after setup completes successfully 18 Go to Configure REDMOTE Connection with Computer Windows below NOTE If an error occurs during the installation of the REDMOTE Upgrade Utility right click the setup file and select Run as Administrator to proceed CONFIGURE REDMOTE CONNECTION WITH COMPUTER WINDOWS Next you must establish a connection between the Windows and the REDMOTE 1 Disab...

Page 169: ... XX folder and click Open Selected File redmote 1 bin displays 6 Click Start Upgrade When the file transfer is complete the REDMOTE displays Firmware Upgrade Successfully Done 7 Click OK 8 Click Disconnect to close the REDMOTE Upgrade Utility The REDMOTE reboots After the upgrade is complete the REDMOTE displays POWER UP and then SEARCHING 9 Select Cancel 10 On the REDMOTE go to Setup Setup System...

Page 170: ...ore information go to Genlock on page 172 NOTE The camera cannot output internally generated timecode on its own A Pro I O Module or REDCAST Module is required to output timecode generated by the camera NOTE For more information on HANC metadata see HD SDI HANC Metadata Information available at www red com developers TIMECODE DISPLAY MODES Time of Day TOD Displays the time of day HH MM SS FF TOD t...

Page 171: ...t the external timecode generator to the camera Connect the SYNC port 00B LEMO on the camera to the device yellow BNC using a 3BNC to 00 LEMO Sync Cable 2 Go to Menu Settings Project Timecode 3 Select the desired Timecode Display Mode 4 Set Source to External BRAIN The TC indicator in the Lower Status Row turns green when an external timecode source is locked NOTE When an external source is select...

Page 172: ...era sensor 1 Connect the genlock device to the camera Connect the SYNC port on the camera to the device green BNC using a 3BNC to 00 LEMO Sync Cable 2 Go to Menu Settings Display Monitor Control Monitor 3 Select BRAIN HDSDI from the drop down menu 4 Select the desired monitor output frequency from the Frequency drop down menu Select Auto to automatically match the HD SDI output to the current Proj...

Page 173: ... in Sensor Sync sensor timing is locked to the genlock signal Sensor Sync requires the following synchronized settings Setting Menu Location Path Genlock signal frequency N A external genlock device HD SDI monitor output frequency Menu Settings Display Monitor Control Project Time Base Menu Settings Project Frame Rate Recording Frame Rate Menu Settings Project Frame Rate COPYRIGHT 2016 RED COM INC...

Page 174: ... to Menu Settings Display Monitor Control 6 Select BRAIN HDSDI from the drop down menu 7 Select the desired monitor output frequency from the Frequency drop down menu Select Auto to automatically match the HD SDI output to the current project time base The GEN indicator in the Lower Status Row turns green when a compatible genlock signal is present and genlock is enabled The SYNC indicator in the ...

Page 175: ...reo 3D productions When cameras are operated in Master Slave configuration you can perform the following operations Power Turn off the Master camera to turn off both cameras Record Press the PWR REC key on the Master camera to start stop recording on both cameras Change settings Change settings on the Master camera to change settings on the Slave camera For a Master Slave configuration to function...

Page 176: ...ollow the instructions below A Go to Menu Settings Setup Communication B Type a name for the camera Example CAM A LEFT MASTER etc in the Camera ID field C Set Target to All Figure Master Settings D Go to Menu Settings Setup Communication and select the Ethernet tab E Select the Camera to Camera the check box COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 176 EPIC SCARLET OPERATION GUIDE ...

Page 177: ...cation and select the Ethernet tab E Select the Camera to Camera the check box The LAN indicator in the Lower Status Row illuminates green NOTE Cameras can also be set up in a Master Master configuration To set up Master Master set Target to All on both cameras allowing either camera to make changes and control record start stop REQUIRED CABLE 790 0163 Master Slave Gig E Cable 4 COPYRIGHT 2016 RED...

Page 178: ...dia 2 On both Master and Slave cameras select the desired Reel Number and Camera ID settings The Reel Number and Camera ID settings on both cameras should match 3 On the Master camera change the Camera Position to Left representing left eye Figure Master Settings 4 On the Slave camera change the Camera Position to Right representing right eye 5 On both cameras select Format to format media and set...

Page 179: ...S Right The first clip recorded by this Master Slave camera configuration is Master S001_L001_0503B6 R3D Slave S001_R001_0503R7 R3D NOTE B6 and R7 are examples of camera generated wildcard characters NOTE If both camera have a Camera Position of Left the recorded clips will have the same filename structure with the exception of the camera generated wildcard characters For example Master A001_C001_...

Page 180: ... instructions below 1 On both cameras set the project time base and recording frame rate 2 On both cameras follow the instructions in Sensor Sync on page 173 to achieve Sensor Sync genlock status The GEN and SYNC indicators in the Lower Status Row illuminate green 3 Follow the instructions in Set Up Master Slave Operation on page 176 to set Master and Slave camera settings 4 On both cameras follow...

Page 181: ...D CONFIGURATION EXAMPLE The diagram below is an example of how to set up a 3D configuration Figure 3D Configuration Example COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 181 EPIC SCARLET OPERATION GUIDE ...

Page 182: ...s must have the same Group ID name C On the Ethernet tab select the DHCP Camera to Camera and External Control check boxes 2 Follow the instructions in Sensor Sync on page 173 to connect each camera to the genlock device The GEN and SYNC indicators in the Lower Status Row illuminate green 3 Follow the instructions in Set Up Master Slave Operation on page 176 to set Master and Slave camera settings...

Page 183: ...CAMERA ARRAY EXAMPLE The diagram below is an example of how to set up a camera array Figure Camera Array Example COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 183 EPIC SCARLET OPERATION GUIDE ...

Page 184: ...transmitted using the SYNC GPI and CTRL GPO ports on the camera or a connected Pro I O Module or REDCAST Module For more information on GPIO connections go to Input Output Connectors on page 221 To set up MoCo follow the instructions below 1 Connect the Motion Control device to the camera using a 3BNC to 00 LEMO Sync Cable Sync In Connect the white BNC connector to the Motion Control device and th...

Page 185: ...BNC to 00 LEMO Sync Cable required per SYNC and CTRL port used COMPATIBLE TIMECODE DEVICES The following timecode devices are compatible with the camera Additional timecode devices may be compatible but have not yet been tested by RED Ambient ACL 202CT Ambient LOCKIT ACL 203 Ambient ACL 204 Ambient ACC 501 Clockit Controller Ambient ACD 301 Lockit Slate Denecke SB 3 Syncbox Time Code Generator Sou...

Page 186: ... Sync Generator with Universal Power Supply Ambient ACL 202CT Ambient ACL 203 Ambient ACL 204 Denecke SB T Evertz Master Clock 5600MSC NOTE Ensure that your genlock device provides a full strength genlock signal to each camera Splitting a genlock signal weakens it which may compromise the sync between cameras COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 186 EPIC SCARLET OPERATION GUIDE ...

Page 187: ...INE X PRO installed RED Watchdog mounts the SSD as Read Only by default which means that you are unable to write files including firmware upgrade files to the SSD Change the Mount preference to Read Write before attempting to copy firmware to the SSD 1 Connect an SSD RED MINI MAG or RED STATION REDMAG 1 8 to your computer 2 Download the most recent firmware for your camera from RED Downloads at ww...

Page 188: ...e System Status Camera Info and verify that the firmware version listed matches the firmware version that you downloaded 13 After upgrading an EPIC DRAGON or SCARLET DRAGON go to Menu Settings Maintenance Calibrate Sensor and black shade your camera using the Black Shading default option For more information go to Sensor Calibration on page 126 14 Reformat the SSD before recording COPYRIGHT 2016 R...

Page 189: ...age to the camera or other components of the camera system caused by using compressed air or gas dusters is not covered under warranty WARNING DO NOT use compressed air and gas dusters on the sensor or on any optics BRAIN AND ACCESSORY EXTERIOR SURFACES Use a filtered non residue gas duster to clean non critical areas such as around the fans and other recesses on the exterior of the camera Clean w...

Page 190: ...ubber air bulb to clean the screen on the DSMC2 RED EVF If there are still particles on the screen after using an air bulb gently wipe the screen with a rolled up particulate free non abrasive optical grade wipe NOTE Cleaning the screen without first removing solid particles increases the risk of scratching the screen As with many screens any type of physical contact with the screen may scratch th...

Page 191: ...increases the risk of scratching the screen PROHIBITED LCD SCREEN CLEANERS DO NOT use any of the items listed below to clean LCD screens These products have not been tested on RED products and may cause damage or streaking Compressed air Gas dusters Solvents Rubbing alcohol Isopropyl alcohol Windex Third party cleaning kits Pre packaged lens cleaner containing any additives such as detergent anti ...

Page 192: ...er damage WARNING DO NOT place the device in a container of rice silica gel or desiccant packets in an attempt to dry the device ADJUST BACK FOCUS Adjust back focus by using the RED Focus or a focus chart For more information about using the RED Focus see the RED Focus Operation Guide available at www red com downloads COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 192 EPIC SCARLET OPERATION GUIDE...

Page 193: ...u have an equipment failure during a major shoot 1 Configure your camera 2 Perform a black shade calibration sensor calibration 3 Enable the Sensor Test Pattern in the Maintenance menu 4 Select the desired resolution 5 Select the highest available frame rate 6 Perform a secure format of the SSD 7 Record a full SSD of footage 8 Perform a secure format of the SSD 9 Repeat Step 6 to Step 8 to test mu...

Page 194: ...nformation go to Rediscover Hardware Rediscover on page 130 Upgrade your camera firmware For more information go to Upgrade Camera Firmware on page 187 Reset your camera s default settings For more information go to Reset Defaults on page 130 CAMERA DOES NOT RECOGNIZE LENS SYMPTOM The camera does not recognize the attached lens POTENTIAL RESOLUTIONS Ensure that the lens is compatible For more info...

Page 195: ...mpatible Some PL lenses do not have i technology data CAMERA CANNOT PAIR TO REDMOTE SYMPTOM The camera cannot pair to the REDMOTE POTENTIAL RESOLUTIONS Ensure REDMOTE display indicates IDLE before attempting to pair the camera to the REDMOTE Ensure the REDMOTE is detached from the rear of the camera and turned on Ensure the REDMOTE wireless in turned on Ensure display does not show the message RED...

Page 196: ... Handle A Connect an SSD RED MINI MAG or RED STATION REDMAG 1 8 to your computer B On the SSD create a new folder and name it force_preset C Download the DSMC Toolkit from www red com downloads D Open the Preset_Files folder E Open the folder that corresponds to the firmware version you are using F Save the appropriate enable_menus file to the force_preset folder on your SSD G Eject or unmount the...

Page 197: ...tion go to Perform a Hard Restore below Remove all accessories and power the camera using the DSMC AC Power Adaptor PERFORM A HARD RESTORE A common way to resolve camera firmware issues is to perform a Hard Restore A Hard Restore functions like a System Restore in that it changes all settings to the factory default values To perform a Hard Restore follow the instructions below 1 With the camera tu...

Page 198: ...ge has a faint vertical rainbow artifact EXPLANATION When using a polarizer with an EPIC DRAGON or SCARLET DRAGON with either a Skin Tone Highlight or a Low Light Optimized OLPF a faint vertical rainbow artifact might appear on the image This artifact is not exclusive to EPIC DRAGON or SCARLET DRAGON cameras and can occur on other cameras depending upon camera orientation and direction of the pola...

Page 199: ...to Timecode on page 170 and Genlock on page 172 Ensure that your Sensor Sync Mode is set to Genlock For more information go to Sensor Sync on page 173 Set the ACN Ambient Clockit Network to Off POSSIBLE HOT PIXEL SYMPTOM Your camera displays a possible hot pixel EXPLANATION There may not be an issue with the pixel itself The sensor can display a hot pixel when the black shade calibration is outdat...

Page 200: ...amera to the newest firmware version One 1 of your modules or lens mounts collectively known as peripherals may be experiencing issues Remove all peripherals except for the SSD module and upgrade firmware Then attach another peripheral and upgrade firmware again Repeat this process upgrading one 1 peripheral at a time This will identify which peripheral is experiencing issues If there is a periphe...

Page 201: ...he camera POTENTIAL RESOLUTIONS Ensure that you complete the sensor calibration process For more information go to Sensor Calibration on page 126 Go to Menu Settings Maintenance Calibrate and select user1 Calibration Map Click Set Go to Menu Settings Maintenance Calibrate and delete all user created calibration maps Then reset your camera s default settings For more information go to Reset Default...

Page 202: ...K Full Format 6144 x 3160 100 fps at 6K 2 4 1 6144 x 2592 96 fps at 5K Full Format 5120 x 2700 120 fps at 5K 2 4 1 5120 x 2160 120 fps at 4K Full Format 4096 x 2160 150 fps at 4K 2 4 1 4096 x 1728 150 fps at 3K Full Format 3072 x 1620 200 fps at 3K 2 4 1 3072 x 1296 240 fps at 2K Full Format 2048 x 1080 300 fps at 2K 2 4 1 2048 x 864 Playback Frame Rates Project Time Base 23 98 24 25 29 97 47 95 4...

Page 203: ...LEMO Adaptor B and LCD EVF cable RED Touch 9 0 LCD RED Touch 7 0 LCD RED Touch 5 0 LCD RED PRO 7 LCD RED Touch 7 0 LCD DSMC2 RED EVF OLED BOMB EVF OLED and BOMB EVF LCOS compatible with LCD EVF cable REDCINE X PRO Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB 4 2 2 720p 4 2 2 QuickTime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 2 0 H 2...

Page 204: ...ps at 2K Full Format 2048 x 1080 150 fps at 2K 2 4 1 2048 x 864 Playback Frame Rates Project Time Base 23 98 24 25 29 97 47 95 48 50 59 94 60 fps all resolutions REDCODE Settings Range from 2 1 up to 22 1 1 To see all of the maximum available REDCODE values see the DSMC Media Operation Guide at www red com downloads REDCODE RAW Acquisition Formats Go to SCARLET DRAGON Formats on page 105 for a ful...

Page 205: ...OLED and BOMB EVF LCOS compatible with LCD EVF cable REDCINE X PRO Delivery Formats 4K DPX TIFF OpenEXR RED via RRencode Plugin 2K DPX TIFF OpenEXR RED via RRencode Plugin 1080p RGB 4 2 2 720p 4 2 2 QuickTime JPEG Avid AAF MXF 1080p 4 2 0 720p 4 2 0 H 264 MP4 Video Editing Software Compatibility2 Adobe Premiere Pro Avid Media Composer DaVinci Resolve Edius Pro Final Cut Pro Vegas Pro 1 REDCODE val...

Page 206: ... Weight 5 lbs BRAIN only Operating Temperature 0 C to 40 C 32 F to 104 F Storage Temperature 20 C to 50 C 4 F to 122 F Relative Humidity 0 to 85 non condensing Audio Integrated dual channel digital stereo microphones uncompressed 24 bit 48KHz Optional 2 additional channels with expander uncompressed 24 bit 48KHz Remote Control Ethernet RS232 GPI Trigger wireless with REDMOTE and REDLINK Bridge Mon...

Page 207: ...ompatibility2 Adobe Premiere Pro Avid Media Composer DaVinci Resolve Edius Pro Final Cut Pro Vegas Pro 1 REDCODE values and max frame rates may vary based on selected acquisition format aspect ratio project time base Lookaround setting and SSD For more information see the DSMC Media Operation Guide at www red com downloads 2 Third party non linear editing NLE applications may have limited compatib...

Page 208: ...loy Weight 5 lbs BRAIN only Operating Temperature 0 C to 40 C 32 F to 104 F Storage Temperature 20 C to 50 C 4 F to 122 F Relative Humidity 0 to 85 non condensing Audio Integrated dual channel digital stereo microphones uncompressed 24 bit 48KHz Optional 2 additional channels with expander uncompressed 24 bit 48KHz Remote Control Ethernet RS232 GPI Trigger wireless with REDMOTE and REDLINK Bridge ...

Page 209: ... Compatibility2 Adobe Premiere Pro Avid Media Composer DaVinci Resolve Edius Pro Final Cut Pro Vegas Pro 1 REDCODE values and max frame rates may vary based on selected acquisition format aspect ratio project time base Lookaround setting and SSD For more information see the DSMC Media Operation Guide at www red com downloads 2 Third party non linear editing NLE applications may have limited compat...

Page 210: ...YRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 210 EPIC SCARLET OPERATION GUIDE B MECHANICAL DRAWINGS EPIC BRAIN NOTE Dimensions are shown in mm The optical axis height of all EPIC SCARLET cameras is 95 90 mm ...

Page 211: ...FRONT VIEW Figure EPIC Front View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 211 EPIC SCARLET OPERATION GUIDE ...

Page 212: ...SIDE VIEW LEFT Figure EPIC Side View Left COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 212 EPIC SCARLET OPERATION GUIDE ...

Page 213: ...TOP VIEW Figure EPIC Top View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 213 EPIC SCARLET OPERATION GUIDE ...

Page 214: ...BOTTOM VIEW Figure EPIC Bottom View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 214 EPIC SCARLET OPERATION GUIDE ...

Page 215: ...BACK VIEW Figure EPIC Back View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 215 EPIC SCARLET OPERATION GUIDE ...

Page 216: ...N NOTE Dimensions are shown in mm The optical axis height of all EPIC SCARLET cameras is 95 90 mm FRONT VIEW Figure SCARLET Front View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 216 EPIC SCARLET OPERATION GUIDE ...

Page 217: ...SIDE VIEW LEFT Figure SCARLET Side View Left COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 217 EPIC SCARLET OPERATION GUIDE ...

Page 218: ...TOP VIEW Figure SCARLET Top View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 218 EPIC SCARLET OPERATION GUIDE ...

Page 219: ...BOTTOM VIEW Figure SCARLET Bottom View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 219 EPIC SCARLET OPERATION GUIDE ...

Page 220: ...BACK VIEW Figure SCARLET Back View COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 220 EPIC SCARLET OPERATION GUIDE ...

Page 221: ...ndix provides pinout information for the input output connectors on the camera NOTE When connecting a cable to a connector align the key and red marker on the cable connector with the corresponding key and marker on the device connection NOTE Connector diagram images are for reference only Diagrams are not to scale ...

Page 222: ...4 CTRL 4 pin 00B LEMO CTRL RS232 Control on page 227 5 GIG E 9 pin 0B LEMO GIG E Ethernet on page 228 6 DC IN 6 pin 1B LEMO DC IN Power Input on page 230 7 HDMI HDMI HDMI Out on page 224 8 Module Power SEARAY Power Priority on page 40 9 REDMOTE Dock 8 point POGO REDMOTE Operation on page 159 N A MIC 1 MIC 2 Front 3 5 mm stereo SSD Module Connectors on page 230 COPYRIGHT 2016 RED COM INC 955 0020_V...

Page 223: ...25 00 29 97 30 00 SMPTE ST 292 1 485 Gbps 1080p 10 bit 4 2 2 50 00 59 94 60 00 3G SDI SMPTE ST 424 2 970 Gbps SMPTE ST 425 2 970 Gbps 1 Ensure you select a frequency supported by your monitor 2 The output is progressive scan p it does not support progressive segmented frame PsF or interlaced i scan formats 3 The frequency options depend on project time base If you have a non drop frame project tim...

Page 224: ...PUT FORMATS1 VIDEO FEED2 FREQUENCY HZ 480p 50 00 60 00 720p 24 00 25 00 30 00 50 00 60 00 1080p 24 00 25 00 30 00 50 00 60 00 1 Ensure you select a frequency supported by your monitor 2 The HDMI output is progressive scan p it does not support progressive segmented frame PsF or interlaced i scan formats COMPATIBLE CABLE 790 0331 RED HDMI Cable 5 COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 224 E...

Page 225: ... Connector Looking at the Camera 4 PIN 00B LEMO SYNC CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 SS GPI Shutter sync general purpose input trigger In 3 TIMECODE SMPTE unbalanced timecode input In 4 GENLOCK Tri level sync input In NOTE Mating connector is FGG 00 304 CLAD COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 225 EPIC SCARLET OPERATION GUIDE ...

Page 226: ...n the GPI trigger is used for record start stop Start Record On ground to 3 3 V transition During Record Hold at 3 3 V Stop Record On 3 3 V to ground transition During Stop Hold at ground Figure Trigger Button Circuit Diagram NOTE In the diagram above values are approximate Use standard values COMPATIBLE CABLES 790 0154 3BNC to 00 LEMO Sync Cable 790 0187 4 Pin 00 LEMO to Flying Lead 790 0415 RED ...

Page 227: ...nformation about controlling the camera via RS232 download the REDLINK SDK available at www red com developers Figure Front Face of the CTRL RS232 Connector Looking at the Camera 4 PIN 00B LEMO CTRL CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 GROUND Common ground N A 2 232 RX RS232 RX In 3 SS GPO Shutter sync general purpose output Out 4 232 TX RS232 TX Out NOTE Mating connector is FGG 00 304 CLA...

Page 228: ...ooking at the Camera 9 PIN 0B LEMO GIG E CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION 1 BI_DC Data pair C N A 2 BI_DC Data pair C N A 3 BI_DD Data pair D N A 4 BI_DD Data pair D N A 5 BI_DA Data pair A N A 6 BI_DA Data pair A N A 7 BI_DB Data pair B N A 8 BI_DB Data pair B N A 9 N A Do not connect N A NOTE Mating connector is FGG 0B 309 CLAD COMPATIBLE CABLES 790 0159 RED GIG E Straight to CAT5E Eth...

Page 229: ...48V phantom power optional In RING IN Mic Input 48V phantom power optional In SLEEVE GND Camera ground N A COMPATIBLE CABLE 790 0229 XLR Microphone Cable 20 HEADPHONE The 3 5mm stereo jack provides two 2 channels of audio for monitoring For maximum quality use high impedance headphones HEADPHONE JACK PIN SIGNAL DESCRIPTION DIRECTION TIP LEFT Left channel audio Out RING RIGHT Right channel audio Ou...

Page 230: ...der warranty Figure Front Face of the DC In Power Input Connector Looking at the Camera 6 PIN 1B DC INPUT CONNECTOR PIN SIGNAL DESCRIPTION 1 VBATT Power input 11 5 to 17 V DC 2 VBATT Power input 11 5 to 17 V DC 3 SCL BATT Serial battery bus clock 4 GROUND Power return camera ground 5 GROUND Power return camera ground 6 SDA BATT Serial battery bus data NOTE Mating connector is FGJ 1B 306 CWLD72Z CO...

Page 231: ...udes a linear polarizer and IR filter for improved image color and contrast For more information see the MOTION MOUNT Operation Guide available at www red com downloads NOTE HDRX is not availabe when the MOTION MOUNT Shutter Type is set to Soft or Square REMOVE A LENS MOUNT NOTE You can change lens mounts in the field However RED recommends that you change lens mounts only in a dust free environme...

Page 232: ...Mount 2 0 has captive screws that are not removable from the mount NOTE Screw removal may require a large handle T20 TORX driver and additional leverage Figure Remove the Lens Mount Screws 6 Remove the lens mount from the camera Figure Remove the Lens Mount COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 232 EPIC SCARLET OPERATION GUIDE ...

Page 233: ...ination 3 Align the lens mount on the front of the camera The camera connection pins must align with the lens mount pins Figure Align Lens Mount Pins 4 If installing the DSMC Mg PL Mount 2 0 turn the locking ring slightly counter clockwise so that you can access the lens mount screws NOTE For EPIC and SCARLET cameras the DSMC Fan 2 0 Bottom and the DSMC Mg PL Mount 2 0 are not natively compatible ...

Page 234: ... or damage may occur WARNING DO NOT OVERTIGHTEN 7 After installation a hardware rediscover or firmware upgrade may be required particularly if you are installing a MOTION MOUNT If a MOTION MOUNT is not recognized you will be unable to access the Motion Mount menu at Menu Settings Setup Lens To perform a hardware rediscover go to Menu Settings Maintenance Rediscover A system reboot is required afte...

Page 235: ...hing and detaching PL lenses For more information refer to the original manufacturer s instructions This section also lists lenses supported by the camera PL mounts WARNING ALWAYS protect your equipment when it is not in use by replacing lens caps and mount caps ATTACH PL LENSES 1 Rotate the locking ring counter clockwise to release the camera mount cap 2 Remove the rear lens cap and the camera mo...

Page 236: ...he LDS i Select switch to Off 5 Connect an external power source to the lens 6 In the camera to Menu Settings Setup Lens 7 Deselect the Enable Power to Lens check box NOTE This option is only available when a camera PL mount is attached to the camera 8 The lens should be successfully connected However if lens data does not display within 10 seconds go to Menu Settings Setup Lens and select Detect ...

Page 237: ...er clockwise to remove the camera mount cap 3 Remove the rear lens cap 4 Align the red dot on the lens with the red dot on the DSMC Canon Mount and position the lens in the mount 5 Turn the lens clockwise until it clicks into place 6 Rotate the secondary locking ring clockwise to engage DETACH CANON EF LENSES 1 Rotate the secondary locking ring counter clockwise to disengage 2 Press and hold the l...

Page 238: ...M Canon EF 24 70mm f 4L IS USM Canon EF 24 105mm f 4L IS Canon EF 28mm f 1 8 USM Canon EF 28mm f 2 8 Canon EF 28mm f 2 8 IS USM Canon EF 28 105mm f3 5 II USM Canon EF 28 300mm f 3 5 5 6L IS Canon EF 35mm f 1 4L Canon EF 35mm f 2 Canon EF 35mm f 2 IS USM Canon EF 50mm f 1 2L Canon EF 50mm f 1 4 USM Canon EF 50mm f 1 8 II Canon EF 50mm f 1 8 STM Canon EF 50mm f 2 5 Compact Macro Canon EF 70 200mm f ...

Page 239: ...EF 135mm f 2 0 L with 2 0x Extender Canon EF 135mm f 2 8 Soft Focus Canon EF 180mm f 3 5L Macro Canon EF 180mm f 3 5L Macro with 1 4x Extender Canon EF 180mm f 3 5L Macro with 2x Extender Canon EF 200mm f 2 0L IS Canon EF 200mm f 2 0L IS with 1 4x Exender Canon EF 200mm f 2 0L IS with 2x Extender Canon EF 200mm f 2 8L II Canon EF 200mm f 2 8L II with 1 4x Extender Canon EF 200mm f 2 8L II with 2x ...

Page 240: ... USM Canon EF 500mm f 4L IS II USM Canon EF 500mm f 4L IS with 1 4x Extender Canon EF 500mm f 4L IS with 2x Extender Canon EF 500 f 4L IS II USM Canon EF 600mm f 4L IS Canon EF 600mm f 4L IS II USM Canon EF 600mm f 4L IS with 1 4x Extender Canon EF 600mm f 4L IS with 2x Extender Canon EF 800mm f 5 6L IS Canon EF 800mm f 5 6L IS with 1 4x Extender Canon EF 800mm f 5 6L IS with 2x Extender Canon EF ...

Page 241: ...EX DG HSM1 Sigma APO 70 200mm f 2 8 EX DG Macro HSM II Sigma APO 120 300mm f 2 8 EX DG OS HSM Sigma APO 180mm f 2 8 Macro EX DG OS HSM Tamron Tamron 28 300mm f3 5 Macro Tamron 28 300mm f 3 5 XR Di VC LD Aspherical IF Macro Tamron 70 200mm f 2 8 Di LD IF Macro Tamron SP Tamron SP 10 24mm f 3 5 Tamron SP 10 24mm f 3 5 4 5 Di II Tamron SP 15 30mm f 2 8 Di VC USD1 Tamron SP 24 70mm f 2 8 Di VC USD Tam...

Page 242: ...agon T 25mm f 2 ZE Zeiss Distagon T 28mm f 2 ZE Zeiss Distagon T 35mm f2 ZE Zeiss Makro Planar Zeiss Makro Planar T 100mm f 2 ZE Zeiss Otus Zeiss Otus 55mm f 1 4 Zeiss Planar Zeiss Planar T 50mm f1 4 ZE Zeiss Planar T 85mm f1 4 ZE 1 Image stabilization IS is not supported COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 242 EPIC SCARLET OPERATION GUIDE ...

Page 243: ...the lens counter clockwise until it clicks into place being careful to NOT press the lens release button 6 Rotate the secondary locking ring clockwise to engage DETACH NIKON F MOUNT LENSES 1 Rotate the secondary locking ring counter clockwise to disengage 2 Press and hold the lens release button While holding the lens release button turn the lens clockwise until it stops and remove it from the cam...

Page 244: ... VR N AF S DX Micro Nikkor 40mm f 2 8G AF S Micro Nikkor 60mm f 2 8G ED AF S Micro Nikkor 105mm f 2 8G VR IF ED Sigma Sigma 17 50mm f 2 8 EX DC OS HSM Sigma 17 70mm f 2 8 4 DC Macro OS HSM C Sigma 18 35mm f 1 8 DC HSM Sigma 24 35mm f 2 DG HSM Art Sigma 24 70mm f 2 8 EX DG HSM Sigma 24 105mm f 4 DG OS HSM Sigma 120 300mm f 2 8 DG OS HSM Sigma APO Sigma APO 70 200mm f 2 8 DG OS HSM Sigma APO 120 300...

Page 245: ...us 55mm f 1 41 2 Zeiss Otus 85mm f 1 4 ZF 2 APO1 Zeiss Planar Zeiss Planar T 50mm f 1 4 ZF 2 Zeiss Planar T 85mm f 1 4 ZF 2 1 Iris control only no AF 2 No hand controller support COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 245 EPIC SCARLET OPERATION GUIDE ...

Page 246: ...cal lengths of 50mm and greater EXCEPT for the 50mm f2 0 Dual Range Summicron The 50mm f2 0 Dual Range Summicron has a protruding lug on the exterior of the lens body for mounting a supplementary finder This lug interferes with the locking ring on the DSMC AL Leica M Mount Most Leica lenses with focal lengths of less than 50mm will encounter mechanical interference between the rear lens cell and t...

Page 247: ...t Record Full Release Record Multi Shot Stop Record Half Press AF Start User 1 2 Press Eject Media LCD Primary and Secondary Up Press Br Up Increase Brightness Down Press Br Down Decrease Brightness User 1 Press Magnify Toggle User 2 Press Exposure Check Toggle User 1 2 Press LCD Toggle Lock EVF Primary and Secondary User 1 Press Magnify Toggle User 2 Press Exposure Check Toggle DSMC Side Handle U...

Page 248: ...Nav East Press Navigation Right Nav West Press Navigation Left Nav Enter Press Navigation Select Backlight Press SH Toggle Backlight Movie Select Focus Mode Motion Still Select Focus Mode Still Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop Record Half Press AF Start Rocker Press Iris Open Rocker Press Iris Close Rotary Front CW Navigation CW Rotary Fro...

Page 249: ...ggle User A D Press SM Toggle Key Lock Nav Menu Press Navigation Menu Nav North Press Navigation Up Nav South Press Navigation Down Nav East Press Navigation Right Nav West Press Navigation Left Nav Enter Press Navigation Select Rotary Front CW Navigation CW Rotary Front CCW Navigation CCW COPYRIGHT 2016 RED COM INC 955 0020_V6 3 REV F 249 EPIC SCARLET OPERATION GUIDE ...

Page 250: ...wn Nav East Press Navigation Right Nav West Press Navigation Left Nav Enter Press Navigation Select Rotary Front CW Navigation CW Rotary Front CCW Navigation CCW Record Full Press Record Toggle Multi Shot Start Record Full Release Record Multi Shot Stop Record Half Press AF Start Rocker Press Iris Open Rocker Press Iris Closed PRO I O GPIO GPI A LOW Record Toggle GPI B Low Record Toggle SW 1 Low G...

Page 251: ...Value User 1 Press1 SH Key 1 User 2 Press1 SH Key 2 User 3 Press1 SH Key 3 User 4 Press1 SH Key 4 User 1 4 Press Toggle Key Lock Default Motion Preset RED User A Press AF Mode Cycle User B Press WB Auto Calc User C Press Magnify Toggle User D Press Exposure Check Toggle Rocker Press Iris Open Rocker Press Iris Close Rotary Front Increment Decrement Value User 1 Press1 SH Key 1 User 2 Press1 SH Key...

Page 252: ...e menu map is applicable to the following cameras except as noted throughout this guide EPIC M RED DRAGON Carbon Fiber EPIC M RED DRAGON EPIC X RED DRAGON SCARLET DRAGON EPIC M MYSTERIUM X EPIC X MYSTERIUM X SCARLET X MYSTERIUM X EPIC M Monochrome EPIC X Monochrome EPIC M RED DRAGON Monochrome ...

Page 253: ... Gain Headphone Volume Mix Headphone Mix Monitor Mix AUDIO Mode Storage Mode Codec REDCODE Frame Processing Mode Number of Frames Pre Record Duration Always Trigger Trigger Pre Record Now Indicator Enable Sounds EVF Tally Light RECORDING Keys Key Mapping Options Soft Keys Advanced Date Time Date Local Time Time Zone Communication Camera Serial Ethernet RCP REDMOTE Discovered Paired Wireless Enable...

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