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This lets through all messages coming in at IN1 on all channels, and directs them to OUT1 on
the same channel it came in on. In other words, if the incoming message at IN1 is on channel
11, it is forwarded to OUT1 on channel 11. This setup is very useful if you have a multitimbral
synthesizer that can be played on several MIDI channels, or you have several synths
connected to OUT1, either with MIDI Thru boxes or by daisy-chaining equipment with their
MIDI Thru (soft or hard) ports. However, if you're using only one synth in each output port,
you can make a dedicated node for each output port:
IN Chn./P OUT Chn./P
Node 2 IN1 All OUT1 All
Node 3 IN1 All OUT2 All
Node 4 IN1 All OUT3 All
Node 5 IN1 All OUT4 All
With these settings, everything coming in on IN1 will be routed simultaneously to output ports
OUT1–4. This way you can control the synths at each output port with a single MIDI controller
at IN1, just by changing the sending channel on the MIDI controller.
Node 2, for the keyboard synthesizer, is set up like this:
IN Chn./P OUT Chn./P
Node 2 IN2 #1 Sel.Trk
Node 2 contains the settings for the keyboard synthesizer, which is connected to IN1, and set
to send on, and listen to, exclusively channel 1. This way you can use the keyboard synth to
play itself via the sequencer (remember to turn the synth's 'local' setting 'off'), but also any
other synth that you have connected to the sequencer, just by using the group and track
selection buttons to select the right track on the sequencer.
Appendix 4. MBSEQv4 CC implementation
The following is a simplified list of what a track's configuration consists of. The full information can be
found below.
– FX settings – Pattern Bank change commands – Track MODE settings – Track TRANSPOSE settings –
Track DIRECTION settings – Track DIVIDER settings – Loop points – Track LENGTH – GROOVE styles –
MORPH settings
If you want to use a track to send internal CCs over a bus to change the sequencer's settings, set the
sending track's Port to 'Bus1', Chn. to the receiving track's ordinal number, select a CC parameter
layer and then select one of the available CC options with GPK11–13. The options are listed on the
display in an abbreviated form, but in the table below they are written out in full. Also the possible
values for each CC are detailed in the table below; the “NPRN LSB” column's rightmost number
matches the CC number on the sequencer. For example, if you want to control another track's LFO
