NAMES AND
FUNCTIONS
27
BASIC
CONNECTIONS
BASIC
OPERA
TION
ADV
ANCED
CONNECTIONS
SETUP
ADV
ANCED
OPERA
TION
TROUBLESHOOTING
OTHERS
OTHERS
* :
Depending on the particular setup, there may be differences compared to the information contained in
these tables.
‡
*
: When L/R (FRONT Speaker) = SMALL.
Notes
• Dolby Digital (2 ch: Lt/Rt): signal with Dolby
Surround
fl
ag Speakers are full set.
• No sound outputs from the surround speaker,
center speaker and subwoofer if the DVD disc has
no surround data.
Abbreviations
L/R : Front speakers
C
:
Center
speaker
SL/SR : Surround speakers
SubW : Sub woofer speaker
OTHERS
AUTO
When this mode is selected, the unit determines
whether the digital input signal is Dolby Digital,
Dolby Surround, DTS, PCM-audio.
When a Dolby Digital or DTS signal is input, the
number of channels for which the corresponding
signal is encoded will be played.
Inputting a Dolby Digital two channel signal with
Dolby surround status automatically subjects that
signal to Pro Logic
II
movie processing before play.
Notes
• When you use this mode with certain DVD, Blu-
ray disc and CD players, performing operations
such as “Skip” or “Stop” may momentarily
interrupt the output.
• When the signal is not decoded, the mode is
changed to AUTO mode automatically. Refer to
page 26 to con
fi
rm the available decoding mode.
SOURCE DIRECT
In the Source Direct mode, the tone control circuit
and bass management confi guration are bypassed
for full-range frequency response and the purist
audio reproduction.
Notes
• Speakers for which a “SMALL” speaker
configuration is chosen will be automatically
changed to “LARGE.” Tone controls, equalizer
and additional processing are deactivated.
• When you use this mode with certain DVD and
CD players, performing operations such as skip
or stop may momentarily interrupt the output.
Dolby MODE
(Dolby Digital, Pro Logic
II
MOVIE, Pro Logic
II
MUSIC, Pro Logic)
This mode is used with source materials encoded in
Dolby Digital and Dolby Surround.
DOLBY DIGITAL
This mode is enabled when playing source materials
encoded in Dolby Digital.
Playing multi-channel encoded 5.1-channel Dolby
Digital sources provides fi ve main audio channels
(left, center, right, surround left and surround right)
and Low Frequency Effect channel.
Dolby Pro Logic
II
brings the excitement of surround
sound to any stereo mix, while making existing
Dolby Surround mixes sound more like discrete 5.1
channels Surround sound.
Dolby Pro Logic
II
has below 3 modes.
Pro Logic
II
MOVIE
This mode provides 5.1 channel surround sound
from Dolby Surround encoded stereo movie sound
tracks.
Pro Logic
II
MUSIC
This mode provides 5.1 channel surround sound
from conventional stereo sources, analog or digital,
such as CD, tape, FM, TV, stereo VCR, etc.
Pro Logic
This mode emulated original Dolby Pro Logic
decoding (3/1 surround) suit for Dolby Surround
encoded stereo movie soundtracks.
Notes
• Pro Logic II mode is available to 2ch input signal
which is encoded Dolby Digital or PCM format.
• PCM-audio signals can be subjected to Pro Logic
processing when the sampling frequency is 32
kHz, 44.1 kHz or 48 kHz.
dts MODE
(dts)
This mode is for DTS encoded source materials
such as Blu-ray disc , CD, and DVD.
dts
: This mode is enabled when playing source
materials encoded in dts multichannel.
Playing multichannel encoded 5.1-channel dts
sources provides fi ve main audio channels (left,
center, right, surround left and surround right) and
Low Frequency Effect channel.
dts-ES decoding is not available in this mode.
The DTS mode cannot be used when an analog
input has been selected.
Dolby Virtual Speaker MODE
Dolby Virtual Speaker technology uses proprietary
technology of Dolby Laboratories to create a virtual
surround sound fi eld using only two speakers for the
front channels, allowing the user to experience sound
as if surround speakers were actually being used.
Dolby Virtual Speaker has below 2 modes.
Dolby Virtual Speaker Reference Mode
(DVS REF2 MODE)
This is standard mode for experiencing 5.1-channel
surround mode with only speakers for the two front
channels.
Dolby Virtual Speaker Wide Mode
(DVS WIDE2 MODE)
The Dolby Virtual Speaker mode’s front channel
sound fi eld is expanded.
HALL MODE
This mode is suited especially for classical music.
JAZZ MODE
This mode offers a real and vibrant sound.
ROCK MODE
This mode is ideal for lively, dynamic rock music.
STEREO MODE
This mode bypasses all surround processing.
In stereo program sources, the left and right
channels play normally when PCM-audio or analog
stereo is input.
With Dolby Digital and DTS sources, the 5.1
multichannels are converted to two channel stereo.
96 kHz PCM source material can be played back in
stereo mode.
Surround
mode
Input Signal
Decoding
Output Channel
Front information display
L/R
C
SL/
SR
SW Signal format indicators
Channel status
STEREO
Dolby Surr. EX
Stereo
‡
–
–
–
2
D EX
L, R
Dolby D (5.1ch)
Stereo
‡
–
–
–
2
D
L, R
Dolby D (2ch)
Stereo
‡
–
–
–
2
D
L, R
Dolby D (2ch Surr.)
Stereo
‡
–
–
–
2
D
L, R
Dolby D (1ch)
Stereo
‡
–
–
–
2
D
L, R
DTS-ES
Stereo
‡
–
–
–
dts ES
L, R
DTS 96/24
Stereo
‡
–
–
–
dts
L, R
DTS (5.1ch)
Stereo
‡
–
–
–
dts
L, R
DTS (2ch)
Stereo
‡
–
–
–
dts
L, R
DTS (1ch)
Stereo
‡
–
–
–
dts
L, R
PCM (Audio)
Stereo
‡
–
–
–
PCM
L, R
PCM 96KHz
Stereo
‡
–
–
–
PCM
L, R
HDCD
PCM (Stereo)
‡
–
–
–
PCM
L, R
Analog
Stereo
‡
–
–
–
PCM
L, R
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