Chapter 3.
Sound Mode
A fully parametric filter with controls for specifying the center frequency (Freq), width of the frequency
band around the center frequency (Q) and amount of boost/cut (gain) for the specified area.
Peak/Notch
A high shelving filter that cuts or boosts frequencies above the set frequency.
HighShelf
High pass filters that reduce low frequencies below the set frequency. 6dB and 12dB slopes are
available. The higher the slope, the steeper the cut off.
HPF 6dB, HPF 12dB
The Mod/Wah section offers separate modulation and “wah-wah” effects. Only one of these effects can
be used at a time, so you must designate one or the other by way of the “Type” selector.
Mod/Wah (Modulation/Wah-wah)
Select from 3 waveforms shapes: Triangle, Sine, and Async sine.
Waveform
Determines the frequency of signal modulation. Higher values equal faster rates.
Rate
Sets the depth of the pitch modulation. Higher values equal wider pitch variations.
Depth
Adds delay in front of the modulated signal. Higher values equal longer delay line times and thus phase
variations.
Delay
The Chorus effect provides 5 parameter
settings: Waveform, Rate, Depth, Delay,
Dry/Wet.
Chorus
The Modulation effect consists of 5 options: Chorus, Vibrato, Flanger, Phaser and Rotary. These are
chosen using the “Sub Type” selector.
Modulation
Determines the balance between unaffected (dry) and effected (wet) signals. Higher values equal a more
effected signal.
Dry/Wet
