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Introduction

Congratulations on purchasing the Gemini PS-900 PRO mixer. This state
of the art mixer is backed by a three year warranty, excluding
crossfader and channel slides. Prior to use, we suggest that you
carefully read all the instructions.

Features

4 Stereo Channels

State of the Art Cue Section

3 Phono/Line Convertible, 5 Line, and 3 Mic Inputs

Cut Feature for Bass, Mid and High for each channel

Gain, High, Mid and Bass tone controls for each channel

Talkover

Loop

Balanced and Unbalanced Master Outputs

BOOTH and Record outputs

Dual mode display

Digital Sampler with 5 Memory Banks

Battery backup to retain samples

Cautions

1. All operating instructions should be read before using this equipment.

2. To reduce the risk of electrical shock, do not open the unit. There are

NO USER REPLACEABLE PARTS INSIDE. Please refer servicing to
a qualified service technician.

In the U.S.A., if you have any problems with this unit,

call 1-732-738-9003 for customer service. Do not return

equipment to your dealer.

3. Do not expose this unit to direct sunlight or to a heat source such as

a radiator or stove.

4. This unit should be cleaned only with a damp cloth. Avoid solvents or

other cleaning detergents.

5. When moving this equipment, it should be placed in its original

carton and packaging. This will reduce the risk of damage during
transit.

6. DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

7. DO NOT USE ANY SPRAY CLEANER OR LUBRICANT ON ANY

CONTROLS OR SWITCHES.

Connections

1. Before plugging in the power cord, make sure that the VOLTAGE

SELECTOR (46) switch is set to the correct voltage.

NOTE

: This product is double insulated and not intended

to be grounded.

2. Make sure that the POWER (41) switch is in the off position. The

POWER LED (42) will be off.

3. The PS-900 PRO is supplied with 4 sets of amp output jacks. The

BALANCED OUTPUT (48) jacks are used to connect to your main
amplifier using standard XLR cables. We recommend using the
balanced amp outputs if the cables to your amp are 25 feet or more.
BALANCED OUTPUTS have three separate conductors, two of
which are signal (positive and negative) and one shield (ground). Pin
1 is ground (shield). Pin 2 is signal hot (positive). Pin 3 is signal cold
(negative). The MAIN OUTPUT (49) jacks are unbalanced and used

to connect to your main amplifier. The REC OUTPUT (51) jacks can
be used to connect the mixer to the record input of your recorder
enabling you to record your mix. The BOOTH OUTPUT (50) jacks
allow you to hook up an additional amplifier.

4. The MIC 1 (1) input (found on the front panel) accepts a 1/4" or XLR

connector.

 The MIC 2 (66) input and the MIC 3 (65) input (found on

the rear panel) accept 1/4" connectors. All accept balanced and
unbalanced microphones.

5. On the rear panel are 3 stereo PHONO/LINE (57, 60, 63) inputs and

5 stereo LINE (54, 55, 56, 59, 62) inputs. The PHONO/LINE
SWITCH (58)
 enables you to set the (57) input to Phono or Line. The
PHONO/LINE SWITCH (61) enables you to set the (60) input to
Phono or Line. The PHONO/LINE SWITCH (64) enables you to set
the (63) input to Phono or Line. The phono inputs will accept only
turntables with a magnetic cartridge. A GROUND SCREW (67) for
you to ground your turntables is located on the rear panel. The stereo
line inputs will accept any line level input such as a CD player, a
cassette player, etc.

6. Headphones can be plugged into the front panel mounted

HEADPHONE (45) jack.

7. The PS-900 PRO comes with a front panel BNC LIGHT (40) jack.

This jack is for use with a gooseneck light like the Gemini GNL-700.

8. There are LOOP INPUTS (53) and LOOP OUTPUTS (52) located on

the rear panel. If you are using an outboard signal processor, you
can use the LOOP OUTPUTS (52) to send the signal to the device
and the LOOP INPUTS (53) to bring the signal back in to the mixer.
The unit comes with jumpers to be used with the loop inputs and
outputs. Keep the jumpers in the unit if you are not using the loop to
prevent interruptions in your music program.

Using the Ground Lift Switch

Depending on your system configuration, sometimes applying the
ground will create a quieter signal path. Sometimes lifting the ground
can eliminate ground loops and hum to create a quieter signal path.

1. With the mixer on, listen to the system in idle mode (no signal

present) with the ground applied (the GROUND LIFT SWITCH (68) in
the left position).

2. Then turn the power off before moving the GROUND LIFT

SWITCH (68). Lift the ground by moving the GROUND LIFT
SWITCH
 to the right, turn the power back on and listen to determine
which position will provide a signal devoid of background noise and
hum. Keep the GROUND LIFT SWITCH in the ground position if the
noise level remains the same in either position.

CAUTION: DO NOT TERMINATE THE AC GROUND ON THE POWER
MIXER IN ANY WAY. TERMINATION OF THE AC GROUND CAN BE
HAZARDOUS.

Operation

1. POWER ON: Once you have made all the equipment connections to

your mixer, press the POWER SWITCH (41). The power will turn on
and the POWER LED (42) will glow RED.

2. CHANNEL 1: The GAIN (9)HIGH (10)MID (11), and LOW (12)

controls allow you to fully adjust the selected source. Switch # (13)
allows you to select  the PHONO 1/LINE 1 (63) or the LINE 2 (62)
input. The CHANNEL SLIDE (14) controls the input level of this
channel.

3. CHANNEL 2: The GAIN (9)HIGH (10)MID (11), and LOW (12)

controls allow you to fully adjust the selected source. Switch # (15)
allows you to select the PHONO 2/LINE 3 (60) or the LINE 4 (59)
input. The CHANNEL SLIDE (16) controls the input level of this
channel.

Summary of Contents for PS-900 PRO

Page 1: ...Page1 1 2 3 4 5 6 7 21 9 10 11 12 13 24 14 24 16 9 10 11 12 15 24 9 10 11 12 17 24 9 10 11 12 19 18 20 22 23 26 29 28 30 31 38 44 45 41 40 43 25 36 34 33 35 39 8 27 27 27 27 27 32 42 37 ...

Page 2: ...Page 2 46 48 48 49 49 50 50 51 51 52 52 53 53 54 54 55 55 56 56 57 57 58 61 64 59 59 60 60 67 62 62 63 63 66 65 47 68 GROUND LIFT LIFT ...

Page 3: ... on the rear panel accept 1 4 connectors All accept balanced and unbalanced microphones 5 On the rear panel are 3 stereo PHONO LINE 57 60 63 inputs and 5 stereo LINE 54 55 56 59 62 inputs The PHONO LINE SWITCH 58 enables you to set the 57 input to Phono or Line The PHONO LINE SWITCH 61 enables you to set the 60 input to Phono or Line The PHONO LINE SWITCH 64 enables you to set the 63 input to Phon...

Page 4: ... 1 and MIC 2 and talkover are off When the MIC TALKOVER SWITCH 7 is in the center position MIC 1 and MIC 2 are on the MIC INDICATOR 6 will glow but talkover is off When the MIC TALKOVER SWITCH 7 is in the top position MIC 1 and MIC 2 and talkover will be on and the volume of all sources except the Mic inputs are lowered by 16 dB The TREBLE 2 and BASS 3 controls allow you to fully adjust the tone o...

Page 5: ... will be OFF and the MODE SELECTOR 34 switch in either the SINGLE or REPEAT mode pressing the START STOP 39 button will cause the sample to play along with the selected source 2 When the ROBO PLAY 36 button is in the ON position the ROBO PLAY INDICATOR illuminates RED starting the sampler mutes the selected source When the sample ends the source automatically turns back on BATTERY BACKUP The PS 90...

Page 6: ...r Eingang DJ MIC 1 1 an der Vorderseite hat einen Durchmesser von 0 38 mm 1 4 Der Eingang DJ MIC 2 66 und der Eingang DJ MIC 3 65 an der Rückwand angebracht nehmen nur Anschlüsse mit Durchmesser von 0 38 mm auf Alle nehmen balanzierte und unbalanzierte Mikrophone auf 5 An der Rückwand sind jeweils 3 Stereoeingänge PHONO LINE 57 60 63 und 5 Stereoeingänge LINE 54 55 56 59 62 Der Schalter PHONO LINE...

Page 7: ...weg eingeführt 8 AUSGANGSREGELUNG Der Verstärkerausgangspegel AMP OUT 48 49 wird vom Schieberegler MASTER 31 geregelt und BALANCE 30 geregelt Beim Aktivieren der Taste MONO 29 die MONO LED erleuchtet ist der Ausgang Mono Der Regler BOOTH 28 justiert den Pegel des BOOTH OUTPUT 50 EMPFEHLUNG Die Kabinenausgang wird von einigen DJs benutzt um die Lautsprecher in der DJ Kabine zu überwachen Ebenfalls ...

Page 8: ... Schnelles Drücken der Taste START STOP 39 bewirkt eine Art Stottern Wenn Abspielen des Samples eingeleitet wurde und die Taste START STOP 39 nicht ein zweites Mal kurz gedrückt wird wird das Sample bis zum Ende abgespielt und endet dann die Samplinganzeige SAMPLER INDICATOR 37 schaltet aus 4 Ein kurzer Druck auf die Taste START STOP 39 während der Modus Auswahlschalter 34 sich im Modus REPEAT Wie...

Page 9: ...nectar otro amplificador 4 La entrada DJ MIC 1 1 que se encuentra en el panel delantero acepta conector de 1 4 de pulgada o XLR La entrada DJ MIC 2 66 y la entrada DJ MIC 3 65 que se encuentra en el panel trasero aceptan conector de 1 4 de pulgada Todas aceptan micrófonos equilibrados y no equilibrados 5 En el panel trasero hay 3 entradas estereofónicas PHONO LINE 57 60 63 y 5 entradas estereofóni...

Page 10: ...ntroducido en la vía de la señal 8 SECCIÓN DE CONTROL DE LA SALIDA El volumen de AMP OUT 48 49 salida del amplificador se controla por el cursor corredizo MASTER 31 principal y BALANCE 30 equilibrado La activación del botón MONO 29 el DEL mono se prenderá transforma toda la salida en mono El mando BOOTH 28 cabina ajusta el volumen de BOOTH OUTPUT 50 salida de cabina SUGERENCIA Ciertos DJs se sirve...

Page 11: ...que la muestra ha comenzado a volver a reproducir y el botón START STOP 39 no es pulsada por segunda vez la muestra reproducirá hasta el final y luego se detendrá El INDICADOR DE MUESTREO se apagará 4 Dando golpecito al botón START STOP 39 con la llave del MODE SELECTOR 34 selector de modo colocado en la posición de REPEAT repeticion causará que la muestra reproduzca y vuelva a reproducir continua...

Page 12: ...enregistrer votre mélange Les jacks BOOTH OUTPUT 50 sortie cabine vous permettent de brancher un amplificateur supplémentaire 4 L entrée DJ MIC 1 1 retrouvée sur le panneau avant accepte un connecteur de 1 4 de pouce ou XLR L entrée DJ MIC 2 66 et l entrée DJ MIC 3 65 retrouvée sur le panneau arrière n acceptent qu un connecteur de 1 4 de pouce Elles acceptent toutes des microphones équilibrés et ...

Page 13: ...l AMP OUT 48 49 est commandé par le curseur MASTER 31 et la commande BALANCE 30 L activation de la touche MONO 29 la DEL mono s allumera transformera la sortie générale en mono La commande BOOTH 28 ajuste le volume du BOOTH OUTPUT 50 SUGGESTION La sortie de la cabine est utilisée par certains animateurs de disques pour se servir de haut parleurs de contrôle dans leur cabine Vous pouvez aussi l uti...

Page 14: ... 39 causera un effet de bégaiement Une fois que l échantillon a commencé à re passer et que le bouton START STOP 39 n est pas appuyé une deuxième fois l échantillon jouera jusqu à la fin et s arrêtera ensuite le SAMPLER INDICATOR 37 s éteindra 4 Le fait de tapoter doucement le bouton START STOP 39 avec l interrupteur du MODE SELECTOR 34 en position REPEAT fera jouer l échantillon de manière contin...

Page 15: ...gare un amplificatore addizionale 4 L ingresso DJ MIC 1 1 posto sul pannello anteriore accetta un connettore da 1 4 o XLR l ingresso DJ MIC 2 66 e l ingresso DJ MIC 3 65 posto sul pannello posteriore accettano solamente connettori da 1 4 Tutti accettano microfoni bilanciati e non bilanciati 5 Sul pannello posteriore ci sono 3 ingressi PHONO LINE 57 60 63 e 5 ingressi LINEE stereo 54 55 56 59 62 L ...

Page 16: ...CONTROLLO OUTPUT Il livello dell AMP OUT 48 49 è controllato dal cursore MASTER 31 e BALANCE 30 Attivando il pulsante MONO 29 il LED mono si illuminerà e renderà tutta l uscita mono Il BOOTH CONTROL 28 regola il livello dell uscita BOOTH 50 SUGGERIMENTO L uscita BOOTH è usata da alcuni DJ per far funzionare i monitor degli speaker nella cabina DJ E anche possibile usarlo come una seconda uscita ZO...

Page 17: ...i fermerà il SAMPLER INDICATOR 37 si spegnerà 4 Premendo leggermente il tasto START STOP 39 quando l interruttore MODE SELECTOR 34 è nella posizione REPEAT questo farà in modo che la campionatrice continuerà a ripetersi in continuazione il SAMPLER INDICATOR 37 emetterà una luce verde Il tasto START STOP 39 funzionerà come un interruttore Premendolo la prima volta il tasto farà attivare il campione...

Page 18: ...ge without notice and does not represent a commitment on the part of the vendor Gemini Sound Products Corp shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual No part of this manual may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic electrical mechanical optical chemical in...

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