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switched via an ENGL Z-9 Custom Footswitch connected to the S.A.C. Port (19) or via a
footswitch connected to jack 22. For more details, see chapters 19 and 22 on page

This channel switching button selects the Clean channel or the Lead channel. Press it to
activate the Lead channel. The red LED above the button lights up to indicate Lead
mode is active. Channels may also be switched via the ENGL Z-9 Custom Footswitch
connected to the S.A.C. Port (19) or via a footswitch connected to jack 22. The
Clean/Lead button (12) on the amp's front panel is disengaged when you select
channels via footswitch (19, 22). For even greater convenience, you could also use the
optional ENGL Z-9 Custom Footswitch to select the two channels in combination with
the two Gain stages directly by simply tapping the Z-9's four channel-switching
buttons. For more details, see chapters 19 and 22 on page 11 and 12 !

Master A volume knob. Located post effect loop, it controls power amp output. The
red LED to the right of the knob lights up to indicate Master A is enabled and
determining the master level. The Master A knob is selected whenever you activate

via button 11 and no footswitch is connected to jack (21).

You can switch between

and

using a Z-9 Custom Footswitch (S.A.C.

F1-1, page 22) connected to the S.A.C. Port (19) or a footswitch connected to jack (21).

Master B volume knob. Located post effect loop, it controls power amp output. The
green LED to the right of the knob lights up to indicate Master B is enabled and
determining the master level. The Master B knob is selected whenever you activate

via button 11 and no footswitch is connected to jack (21).

You can switch between

and

using a Z-9 Custom Footswitch (S.A.C.

F1-1, page 22) connected to the S.A.C. Port (19) or a footswitch connected to jack (21).

If you want to experience real remote control convenience, try an ENGL Z-9 foot
controller. You can dial in different levels for

and

, assign these

settings to any channel and access them directly via the four channel switches on the
ENGL Z-9 foot controller. This gives you a range of alternatives that you can apply to

12 Clean/Lead

A tip from the designer:

Low Gain

Master A

Master B

High Gain

Master A

Master B

Master A

Master B

11

and 12 !

Activating

in the Clean channel increases the gain level significantly, enough

to push the preamp into overdrive. This brings out and tightens up the middle
frequencies to conjure a more assertive sound for classic-style rhythm workouts.
Activating

in the Lead kicks up the gain level considerably, saturating the

preamp to give you far more sustain and much thicker tone. This means you can coax
blazing lead tone out of the amp without having to connect an outboard gain
enhancer or overdrive pedal. And the sound quality may well send your stomp-boxes
into retirement.

For more details see the chapter 19 and 21 on page 11 and 12 !

For more details see the chapter 19 and 21 on page 11 and 12 !

A tip from the designer:

13 Master A

14 Master B

High Gain

High Gain

9

Summary of Contents for Artist Edition E651

Page 1: ...E650 E651 E653 Ritchie Blackmore Artist Edt Operator s Manual...

Page 2: ...Loop off on Noise Gate S A C Port FX Loop Send Return Balance Dry Effect Threshold Off Lo Hi Noise Gate Lead Channel 100 Watts All tube Guitar Amp Head Ritchie Blackmore Signature TYPE E650 Artist Ed...

Page 3: ...16 Ohms Poweramp Output Cabinet options Power Amp section Master A B Mains Mains Fuse S A C Port for Z 9 or Z11 S A C Footswitch Ports You ll find an ancillary pamphlet accompanying this owner s manu...

Page 4: ...es and applications There are few more handy features to rave about This amp sports our Serial Amp Control Port or S A C Port for short for connecting remote control units like the ENGL Z 9 Plug an EN...

Page 5: ...e for the Clean channel and the Shape Contour button in the EQ section for and You can footswitch these knobs to activate two different power amp volume settings on the fly without twisting a knob It...

Page 6: ...ation due to high frequency loss use the shortest cords feasible as a rule the shorter the cord the less susceptible it is to high frequency attenuation Gain control for the tube amp s extraordinary v...

Page 7: ...knob settings beyond the 1 o clock s position at high output power in order to prevent interaction between guitar and speakers that possibly causes undesirable feedback Moreover the noise floor rises...

Page 8: ...e may also be switched using a Z 9 Custom Footswitch connected to the S A C Port 19 or a footswitch connected to jack 21 The button 8 on the amp s front panel is disengaged when you switch the Shape C...

Page 9: ...wer amp output The green LED to the right of the knob lights up to indicate Master B is enabled and determining the master level The Master B knob is selected whenever you activate via button 11 and n...

Page 10: ...onsiderable wear The amp is ready to run when you flip the Standby switch because the tubes are already warm and don t require time to heat up For breaks of 20 minutes and longer I recommend that you...

Page 11: ...ther clever switching concept it features four switches that afford you direct access to and in combination with the two Gain stages and Clean Low Gain Clean High Gain Lead Low Gain and Lead High Gain...

Page 12: ...conventional footswitch with two switching functions for example the ENGL Z 4 2 x off on Single Pole Single Throw or SPST for short This type of footswitch lets you access One of the two switches acti...

Page 13: ...keep a lid on extraneous noise during short breaks It s in the nature of high gain rigs to generate undesirable peripheral noise in overdriven high gain channels This is attributable to the physical...

Page 14: ...p signal is routed through with no processed signal 0 wet balance added to the mix Twist the knob clockwise to blend in the processed signal parallel passive wet balance 1 99 depending on knob positio...

Page 15: ...ol down before you transport it Ten minutes or so will spare the tubes Tubes take some 20 seconds to warm up after you switch the power on and about two to three minutes before they are able to pump o...

Page 16: ...ply switch the amp off and on again If a reset doesn t solve the problem there is a defect in the control system probably on the logic board holding the microcontroller or merely a faulty contact on o...

Page 17: ...efect In this case be sure to take the preamp to an authorized professional service center Is there a connection for example via a shielded circuit between the amp and another device that is grounded...

Page 18: ...ly to 4 8 and 16 ohms T slo blo M medium blo ECC83 F Q input tube EL34 E651 6L6GC E650 2 matched sets Replace tubes with selected sets only Refer to page 20 for pin assignments Replace these with fuse...

Page 19: ...d on _ _ _ _ _ _ _ 20 _ _ _ Replaced by _ _ _ _ _ _ _ _ _ _ _ _ _ _ Replaced tubes _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Reason _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _...

Page 20: ...gh Gain via jack via jack 22 A switch connected to this terminal T controls FX Loop off bypassed on enabled via jack 20 Master A B Master A control Master B control via jack 21 Clean Lead Clean channe...

Page 21: ...tch The ENGL Z 4 dual footswitch 1 2 2 2 Serial Amp Control Port CAUTION Connect Custom Footswitch Z 9 Only Clean Lead Gain Low High Footswitch Master A B Mid Shape Contour FX Loop off on Noise Gate S...

Page 22: ...rently or newly selected configuration For example if LED 3 flashes when the Z 9 s Setup routine is activated then the Artist Edition R B S Amp s switching feature is currently assigned to the corresp...

Page 23: ...Space for User Notes 23...

Page 24: ...www engl amps com...

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