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A tip from the designer:

8 Shape (E651), Contour (E650)

Atipfromthedesigner:

9(Lead)Presence

10 LeadVolume

11 Gain Low/High

To help you get acquainted with the amp's fundamental sounds, I recommend that
you set all tone controls to the center or 12 o'clock position. For higher-gain, high-
volume lead sounds, your best bet is to turn the Treble knob (7) and the Lead Presence
knob (9) well down to prevent the pickups and speakers from interacting at high levels
and generating feedback (the recommended setting is somewhere in the 10 to 1
o'clock range).
Bear in mind that you also have the Bright (3) button and the Lead Presence (9) control
knob at your disposal for shaping the high frequency range.
This means that you can tweak the top end of each of the two channels separately to
suit your taste and the given sonic scenario. You will find that grittier tones generally
sound better with a touch less treble because preamp saturation makes higher
frequencies figure more prominently in the signal.

This voicing feature influences specific midrange frequencies in the preamps´s EQ
section. The sound-shaping button operates globally, affecting both channels. When
activated, frequencies between 300 Hz and 2 KHz are boosted varyingly strong. The
LED above the button lights up to indicate

is activated.

The

sound feature may also be switched using a Z-9 Custom

Footswitch connected to the S.A.C. Port (19) or a footswitch connected to jack
(21).The button (8) on the amp's front panel is disengaged when you switch the Shape
(Contour) function via footswitch (21). For more details see the chapter 19 and 21 on
page

and affects the Lead channel only.

Press this button to increase the gain level (amplification factor) in both channels
considerably. The yellow LED above the button lights up to indicate High Gain mode is
activated. As soon as you select

via button 11, Master B (14) is activated

simultaneously. The Gain button (11) on the amp's front panel is disengaged when you
switch the Gain function via footswitch (19, 22). The Gain function may also be

Shape (Contour)

Shape (Contour)

High Gain

11 and 12 !

The

button voices specific midrange frequencies that are instrumental

in fine-tuning a guitar's sound. The amp's sound will be thicker and much more
pronounced in the mid frequency range when it is activated. If you want a less
dominant midrange, leave this feature deactivated; that is, don't push this button.

This power amp voicing knob's setting determines the amount of high-end frequencies

Volume control for the Lead channel. Use this knob to dial in the desired balance of
levels between the Lead and Clean channels. Because this volume control is located pre
effects loop, it also determines the effects send level for the Lead channel.
The red LED above the mode selector button (12) lights up to indicate

is

activated.

Shape (Contour)

Lead channel

8

Summary of Contents for Artist Edition E651

Page 1: ...E650 E651 E653 Ritchie Blackmore Artist Edt Operator s Manual...

Page 2: ...Loop off on Noise Gate S A C Port FX Loop Send Return Balance Dry Effect Threshold Off Lo Hi Noise Gate Lead Channel 100 Watts All tube Guitar Amp Head Ritchie Blackmore Signature TYPE E650 Artist Ed...

Page 3: ...16 Ohms Poweramp Output Cabinet options Power Amp section Master A B Mains Mains Fuse S A C Port for Z 9 or Z11 S A C Footswitch Ports You ll find an ancillary pamphlet accompanying this owner s manu...

Page 4: ...es and applications There are few more handy features to rave about This amp sports our Serial Amp Control Port or S A C Port for short for connecting remote control units like the ENGL Z 9 Plug an EN...

Page 5: ...e for the Clean channel and the Shape Contour button in the EQ section for and You can footswitch these knobs to activate two different power amp volume settings on the fly without twisting a knob It...

Page 6: ...ation due to high frequency loss use the shortest cords feasible as a rule the shorter the cord the less susceptible it is to high frequency attenuation Gain control for the tube amp s extraordinary v...

Page 7: ...knob settings beyond the 1 o clock s position at high output power in order to prevent interaction between guitar and speakers that possibly causes undesirable feedback Moreover the noise floor rises...

Page 8: ...e may also be switched using a Z 9 Custom Footswitch connected to the S A C Port 19 or a footswitch connected to jack 21 The button 8 on the amp s front panel is disengaged when you switch the Shape C...

Page 9: ...wer amp output The green LED to the right of the knob lights up to indicate Master B is enabled and determining the master level The Master B knob is selected whenever you activate via button 11 and n...

Page 10: ...onsiderable wear The amp is ready to run when you flip the Standby switch because the tubes are already warm and don t require time to heat up For breaks of 20 minutes and longer I recommend that you...

Page 11: ...ther clever switching concept it features four switches that afford you direct access to and in combination with the two Gain stages and Clean Low Gain Clean High Gain Lead Low Gain and Lead High Gain...

Page 12: ...conventional footswitch with two switching functions for example the ENGL Z 4 2 x off on Single Pole Single Throw or SPST for short This type of footswitch lets you access One of the two switches acti...

Page 13: ...keep a lid on extraneous noise during short breaks It s in the nature of high gain rigs to generate undesirable peripheral noise in overdriven high gain channels This is attributable to the physical...

Page 14: ...p signal is routed through with no processed signal 0 wet balance added to the mix Twist the knob clockwise to blend in the processed signal parallel passive wet balance 1 99 depending on knob positio...

Page 15: ...ol down before you transport it Ten minutes or so will spare the tubes Tubes take some 20 seconds to warm up after you switch the power on and about two to three minutes before they are able to pump o...

Page 16: ...ply switch the amp off and on again If a reset doesn t solve the problem there is a defect in the control system probably on the logic board holding the microcontroller or merely a faulty contact on o...

Page 17: ...efect In this case be sure to take the preamp to an authorized professional service center Is there a connection for example via a shielded circuit between the amp and another device that is grounded...

Page 18: ...ly to 4 8 and 16 ohms T slo blo M medium blo ECC83 F Q input tube EL34 E651 6L6GC E650 2 matched sets Replace tubes with selected sets only Refer to page 20 for pin assignments Replace these with fuse...

Page 19: ...d on _ _ _ _ _ _ _ 20 _ _ _ Replaced by _ _ _ _ _ _ _ _ _ _ _ _ _ _ Replaced tubes _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Reason _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _...

Page 20: ...gh Gain via jack via jack 22 A switch connected to this terminal T controls FX Loop off bypassed on enabled via jack 20 Master A B Master A control Master B control via jack 21 Clean Lead Clean channe...

Page 21: ...tch The ENGL Z 4 dual footswitch 1 2 2 2 Serial Amp Control Port CAUTION Connect Custom Footswitch Z 9 Only Clean Lead Gain Low High Footswitch Master A B Mid Shape Contour FX Loop off on Noise Gate S...

Page 22: ...rently or newly selected configuration For example if LED 3 flashes when the Z 9 s Setup routine is activated then the Artist Edition R B S Amp s switching feature is currently assigned to the corresp...

Page 23: ...Space for User Notes 23...

Page 24: ...www engl amps com...

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