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distortion, that is), simply back off the Clean Gain knob accordingly and set the Gain
(11) feature to

(off position).

If your guitar sports single-coils and you want to add some grit to your tone and bite to
your riffs, set the knob somewhere between 12 and 4 o'clock. For higher output pick-
ups such as humbucking or active jobs, dial in settings between 10 and 2 o'clock and
activate Gain (11).

Gain control

Lead channel. This Control knob determines input sensitivity when

the Lead channel is active. Use it to dial in the desired amount of preamp saturation
level.

You can achieve a moderate preamp saturation or overdrive if you prefer for typical
rock riffs or for rhythm work with Lead Gain knob settings prior to the 1 o'clock's
position; ideally in the 9 to 1 o'clock range, depending on the output of the guitar
pickup, with the sound function Gain (11) deactivated

. Activating the Gain

function

at similar Lead Gain control settings produces a remarkably rich

sustain and a singing lead tone, perfectly suited for playing solos and lead guitar for
example. I would only recommend very high Gain levels at lower volume to get
additional sustain. In other words, you should avoid Lead Gain knob settings beyond
the 1 o'clock's position at high output power in order to prevent interaction between
guitar and speakers that possibly causes undesirable feedback. Moreover the noise
floor rises noticeably at Lead Gain settings beyond the 1 o'clock position. When playing
the amp at high volume levels rich sustain is already produced with lower Lead Gain
control settings , supported by an increased amplification factor in the poweramp.

Low Gain

(Low Gain)

(High Gain)

3 Bright

4 Lead

5 Bass

6 Middle

7 Treble

CAUTION:

A tip from the designer:

A tip from the designer:

Extremely high gain and volume levels can produce powerful feedback.

Avoid feedback squeals; they can lead to hearing loss and damage speakers! At higher
volumes, back off the Gain and Treble levels in order to prevent unchecked feedback!

This feature boosts the upper end of the high frequency range in the Clean channel (or
Clean mode, if you prefer). Its intensity decreases as gain settings increase.

For a crisp or glassy tone, activate the Bright feature. It brightens the sound of
humbucking or muddy pickups. Use it to tweak the amp's tone to taste, activating it to
boost top-end frequencies or deactivating it to dampen high end response.

for the

Bottom end voicing control of the preamps´s passive EQ.

Mid-range voicing control of the preamps´s passive EQ.

Upper range voicing control of the preamps´s passive EQ.

7

Summary of Contents for Artist Edition E651

Page 1: ...E650 E651 E653 Ritchie Blackmore Artist Edt Operator s Manual...

Page 2: ...Loop off on Noise Gate S A C Port FX Loop Send Return Balance Dry Effect Threshold Off Lo Hi Noise Gate Lead Channel 100 Watts All tube Guitar Amp Head Ritchie Blackmore Signature TYPE E650 Artist Ed...

Page 3: ...16 Ohms Poweramp Output Cabinet options Power Amp section Master A B Mains Mains Fuse S A C Port for Z 9 or Z11 S A C Footswitch Ports You ll find an ancillary pamphlet accompanying this owner s manu...

Page 4: ...es and applications There are few more handy features to rave about This amp sports our Serial Amp Control Port or S A C Port for short for connecting remote control units like the ENGL Z 9 Plug an EN...

Page 5: ...e for the Clean channel and the Shape Contour button in the EQ section for and You can footswitch these knobs to activate two different power amp volume settings on the fly without twisting a knob It...

Page 6: ...ation due to high frequency loss use the shortest cords feasible as a rule the shorter the cord the less susceptible it is to high frequency attenuation Gain control for the tube amp s extraordinary v...

Page 7: ...knob settings beyond the 1 o clock s position at high output power in order to prevent interaction between guitar and speakers that possibly causes undesirable feedback Moreover the noise floor rises...

Page 8: ...e may also be switched using a Z 9 Custom Footswitch connected to the S A C Port 19 or a footswitch connected to jack 21 The button 8 on the amp s front panel is disengaged when you switch the Shape C...

Page 9: ...wer amp output The green LED to the right of the knob lights up to indicate Master B is enabled and determining the master level The Master B knob is selected whenever you activate via button 11 and n...

Page 10: ...onsiderable wear The amp is ready to run when you flip the Standby switch because the tubes are already warm and don t require time to heat up For breaks of 20 minutes and longer I recommend that you...

Page 11: ...ther clever switching concept it features four switches that afford you direct access to and in combination with the two Gain stages and Clean Low Gain Clean High Gain Lead Low Gain and Lead High Gain...

Page 12: ...conventional footswitch with two switching functions for example the ENGL Z 4 2 x off on Single Pole Single Throw or SPST for short This type of footswitch lets you access One of the two switches acti...

Page 13: ...keep a lid on extraneous noise during short breaks It s in the nature of high gain rigs to generate undesirable peripheral noise in overdriven high gain channels This is attributable to the physical...

Page 14: ...p signal is routed through with no processed signal 0 wet balance added to the mix Twist the knob clockwise to blend in the processed signal parallel passive wet balance 1 99 depending on knob positio...

Page 15: ...ol down before you transport it Ten minutes or so will spare the tubes Tubes take some 20 seconds to warm up after you switch the power on and about two to three minutes before they are able to pump o...

Page 16: ...ply switch the amp off and on again If a reset doesn t solve the problem there is a defect in the control system probably on the logic board holding the microcontroller or merely a faulty contact on o...

Page 17: ...efect In this case be sure to take the preamp to an authorized professional service center Is there a connection for example via a shielded circuit between the amp and another device that is grounded...

Page 18: ...ly to 4 8 and 16 ohms T slo blo M medium blo ECC83 F Q input tube EL34 E651 6L6GC E650 2 matched sets Replace tubes with selected sets only Refer to page 20 for pin assignments Replace these with fuse...

Page 19: ...d on _ _ _ _ _ _ _ 20 _ _ _ Replaced by _ _ _ _ _ _ _ _ _ _ _ _ _ _ Replaced tubes _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Reason _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _...

Page 20: ...gh Gain via jack via jack 22 A switch connected to this terminal T controls FX Loop off bypassed on enabled via jack 20 Master A B Master A control Master B control via jack 21 Clean Lead Clean channe...

Page 21: ...tch The ENGL Z 4 dual footswitch 1 2 2 2 Serial Amp Control Port CAUTION Connect Custom Footswitch Z 9 Only Clean Lead Gain Low High Footswitch Master A B Mid Shape Contour FX Loop off on Noise Gate S...

Page 22: ...rently or newly selected configuration For example if LED 3 flashes when the Z 9 s Setup routine is activated then the Artist Edition R B S Amp s switching feature is currently assigned to the corresp...

Page 23: ...Space for User Notes 23...

Page 24: ...www engl amps com...

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