background image

3.                                    : s

are at your

fingertips, and a tap of your foot on the conveniently compact footboard.
This gives you very

.

4.

takes you from clean to a touch of mean

at high Gain control settings.

dds some grit to the mill for

with a touch of preamp overdrive.

takes you deeper into the saturation zone with

to spare.

offers an immense range of

or for

.

5. Even more

courtesy of diverse sound shaping features:

for the Clean channel and

E650-2) to obtain different

accentuation of a specific mid range.

6. An

that will give you years of

and

.

->

and

:

with separate Gain knobs and Lead with additional Lead Volume

control. Low Gain and High Gain option each channel.

-> The

: One three-band EQ

in the preamp

for

in the poweramp section.

->

. You can control the               remotely via

a footswitch and use this circuit as a hardware bypass for connected FX.

A broad tonal palette urgically precise sound-sculpting functions

powerful remote control options

Four first-rate fundamental sounds in glorious all-tube tone:

sweet crunch tones

Lead
plenty of headroom

gain potential for

creamy, singing lead tone with plenty sustain

massive powerchords

tone-tweaking power

ultra-advanced, tone-generating machine

playing pleasure

value to boot

Two channels

two gain stages

voicing section specially tuned for each channel

Switchable and adjustable

a

plus the Presence

->

for the Clean

channel and the Shape (Contour) button in the EQ section for

and

.

->

. You can footswitch these knobs to activate

two different power amp volume settings on the fly without twisting a knob.

->

. It lets you select

,

,

,

directly and control two

additional (sound-shaping) features of your choice. Three ¼” stereo jack plugs
accept three dual footswitches that let you control remotely channel,

,

,

,              , and

.

->

Activate it at the amp or via footswitch

to suppress excessive noise
at very high gain settings.

Among the hallmarks of this fine amp are painstaking workmanship and finishing as
well as rigorously tested and carefully selected quality components. You'll find
guidelines on care and maintenance of tube amps on page 15 and 16 Under the
heading Tips from the designer, you'll come across practical tips on the
aforementioned features throughout the manual. All critical information concerning
the operation of this amp is preceded by "NOTE", "CAUTION", "Read and heed" or some

Clean Channel @ Low Gain

Clean Channel @ High Gain

Channel @ Low Gain

Lead Channel @ High Gain

Two sound switching options in the preamp section:

Two power amp Master knobs

The optional Z-9 Custom Footswitch

A Noise Gate for the Lead Channel.

Bright

Shape (Contour,

Lead

FX Loop

Features and Functionality at a Glance

Bright

Clean

Lead

Clean Low Gain

Clean High Gain Lead Low Gain Lead High Gain

Low/High

Gain Shape (Contour) Master A/B FX Loop

Noise Gate

FX Loop

Clean channel and Lead channel;

ch

channel

ea

control pot

when

is engaged in Lead mode

.

High Gain

5

Summary of Contents for Artist Edition E651

Page 1: ...E650 E651 E653 Ritchie Blackmore Artist Edt Operator s Manual...

Page 2: ...Loop off on Noise Gate S A C Port FX Loop Send Return Balance Dry Effect Threshold Off Lo Hi Noise Gate Lead Channel 100 Watts All tube Guitar Amp Head Ritchie Blackmore Signature TYPE E650 Artist Ed...

Page 3: ...16 Ohms Poweramp Output Cabinet options Power Amp section Master A B Mains Mains Fuse S A C Port for Z 9 or Z11 S A C Footswitch Ports You ll find an ancillary pamphlet accompanying this owner s manu...

Page 4: ...es and applications There are few more handy features to rave about This amp sports our Serial Amp Control Port or S A C Port for short for connecting remote control units like the ENGL Z 9 Plug an EN...

Page 5: ...e for the Clean channel and the Shape Contour button in the EQ section for and You can footswitch these knobs to activate two different power amp volume settings on the fly without twisting a knob It...

Page 6: ...ation due to high frequency loss use the shortest cords feasible as a rule the shorter the cord the less susceptible it is to high frequency attenuation Gain control for the tube amp s extraordinary v...

Page 7: ...knob settings beyond the 1 o clock s position at high output power in order to prevent interaction between guitar and speakers that possibly causes undesirable feedback Moreover the noise floor rises...

Page 8: ...e may also be switched using a Z 9 Custom Footswitch connected to the S A C Port 19 or a footswitch connected to jack 21 The button 8 on the amp s front panel is disengaged when you switch the Shape C...

Page 9: ...wer amp output The green LED to the right of the knob lights up to indicate Master B is enabled and determining the master level The Master B knob is selected whenever you activate via button 11 and n...

Page 10: ...onsiderable wear The amp is ready to run when you flip the Standby switch because the tubes are already warm and don t require time to heat up For breaks of 20 minutes and longer I recommend that you...

Page 11: ...ther clever switching concept it features four switches that afford you direct access to and in combination with the two Gain stages and Clean Low Gain Clean High Gain Lead Low Gain and Lead High Gain...

Page 12: ...conventional footswitch with two switching functions for example the ENGL Z 4 2 x off on Single Pole Single Throw or SPST for short This type of footswitch lets you access One of the two switches acti...

Page 13: ...keep a lid on extraneous noise during short breaks It s in the nature of high gain rigs to generate undesirable peripheral noise in overdriven high gain channels This is attributable to the physical...

Page 14: ...p signal is routed through with no processed signal 0 wet balance added to the mix Twist the knob clockwise to blend in the processed signal parallel passive wet balance 1 99 depending on knob positio...

Page 15: ...ol down before you transport it Ten minutes or so will spare the tubes Tubes take some 20 seconds to warm up after you switch the power on and about two to three minutes before they are able to pump o...

Page 16: ...ply switch the amp off and on again If a reset doesn t solve the problem there is a defect in the control system probably on the logic board holding the microcontroller or merely a faulty contact on o...

Page 17: ...efect In this case be sure to take the preamp to an authorized professional service center Is there a connection for example via a shielded circuit between the amp and another device that is grounded...

Page 18: ...ly to 4 8 and 16 ohms T slo blo M medium blo ECC83 F Q input tube EL34 E651 6L6GC E650 2 matched sets Replace tubes with selected sets only Refer to page 20 for pin assignments Replace these with fuse...

Page 19: ...d on _ _ _ _ _ _ _ 20 _ _ _ Replaced by _ _ _ _ _ _ _ _ _ _ _ _ _ _ Replaced tubes _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Reason _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _...

Page 20: ...gh Gain via jack via jack 22 A switch connected to this terminal T controls FX Loop off bypassed on enabled via jack 20 Master A B Master A control Master B control via jack 21 Clean Lead Clean channe...

Page 21: ...tch The ENGL Z 4 dual footswitch 1 2 2 2 Serial Amp Control Port CAUTION Connect Custom Footswitch Z 9 Only Clean Lead Gain Low High Footswitch Master A B Mid Shape Contour FX Loop off on Noise Gate S...

Page 22: ...rently or newly selected configuration For example if LED 3 flashes when the Z 9 s Setup routine is activated then the Artist Edition R B S Amp s switching feature is currently assigned to the corresp...

Page 23: ...Space for User Notes 23...

Page 24: ...www engl amps com...

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