Zoom B9.1ut, Руководство по эксплуатации

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Patch
number
Patch name Foot switch 1 Foot switch 2 Foot switch 3 Foot switch 4 Expression pedal
Demo
01
SlapSolo
WAH : Splitter AMP : G-Krueger MOD : ST-Chorus DLY : Delay Volume
Typical slap solo sound of the eighties, using short delay. Chorus mix ratio can be adjusted by
moving the expression pedal horizontally. Pressing foot switch 1 in manual mode turns the
"Splitter" effect on, to emphasize the slap pull.
MOD:ST-Chorus:Mix
0 2
Detune
WAH : Tremolo AMP : TubePre MOD : Detune REV : Hall Volume
Detune chorus sound to make the bass stand out in an ensemble. Effective for ballads and solos.
DLY:Delay:Mix
03
Synthtic
WAH : Octave AMP : SansAmp MOD : A-Resonance DLY : Delay Volume
Synth bass type patch using "Octave" and "Auto Resonance". Suitable for funky bass lines with
a powerful attack.
AMP:SansAmp:Gain
0 4
UP 2oct
CMP : M Comp AMP : MXR D.I+ MOD : Z-MonoPitch DLY : Delay MOD:Z-MonoPitch:PdlPosi V
Distortion sound using the dedicated expression pedal effect "Z-MonoPitch". Allows you to use
the expression pedal for whammy pedal type play.
MOD:Z-MonoPitch:PdlPosi H
11
FunkyWah
CMP : Limiter AMP : WalterWds MOD : Chorus DLY : Delay Volume
Auto wah sound with a solid bottom. Great for percussive play with mute or ghost notes.
WAH:AutoWah:Resonance
1 2
Basic CP
WAH : AutoWah AMP : WalterWds MOD : Chorus DLY : Delay Volume
All-rounder compression sound that gives the bass sound a tight, glossy feel. Delay mix ratio
can be adjusted by moving the expression pedal horizontally. Useful for any kind of playing
style, including
fi ngering, picking, and slap.
DLY:Delay:Mix
13
60sFzWah
CMP : M Comp AMP : FuzzFace MOD : Flanger DLY : Delay WAH:PedalVox:Frequency
This patch combines the “PedalVox” effect modeled on Vox pedals with the “Fuzz Face”
effect. Move the expression pedal horizontally for more radical distortion.
AMP:FuzzFace:Gain
1 4
Drum'nBs
WAH : Octave AMP : TS9 MOD : Chorus REV : Hall Volume
Ultra low note patch using "Octave". The slight chorus is the secret ingredient.
WAH:Octave:OctLvl
21
Defret12
WAH : Defret AMP : Aguilar MOD : MonoPitch REV : Hall Volume
This patch simulates the characteristic attack sound of a fretless bass. Move the expression
pedal horizontally to add a one-octave higher sound component for a wider spread, great for
melodious playing.
MOD:MonoPitch:Balance
22
AnalogPD
CMP : Compressor AMP : MonoSyn MOD : PitchShift DLY : AnalogDelay Volume
Pad sound using "Analog Delay". By moving the expression pedal horizontally, you can add
a one-octave higher sound component for a wider spread. Suitable for play using the volume
pedal or tapping.
MOD:PitchShift:Balance
23
Dis.JET
CMP : Compressor AMP : BigMuff MOD : X-Flanger DLY : Delay MOD:X-Flanger:X-Fade
Jet fl anger sound with radical distortion. Make the fl anger wail by moving the expression pedal
vertically, and add delay with a horizontal movement.
DLY:Delay:Mix
2 4
FunkySyn
WAH : AutoWah AMP : V-Syn MOD : MonoPitch REV : E/Re fl ection Volume
Sharp and funky synthesizer patch enhanced by resonance and light doubling that gives the sound body.
WAH:AutoWah:Resonance
Ca
te
go
ry
31
ROCK
CMP : Limiter AMP : AmpegSVT MOD : Chorus DLY : Delay Volume
"Ampeg SVT" patch in the style of the famous rock amp. The limiter that evens out the picking
attack sound is the key.
AMP:AmpegSVT:Gain
3 2
POPS
CMP : M Comp AMP : Aguilar MOD : Chorus DLY : Delay Volume
Basic sound for laying down a bottom line in pop music. Compatible with all playing styles,
including
fi ngering, picking, and slap.
(MOD:Chorus:Rate)
33
JAZZ
WAH : Defret AMP : Polytone MOD : Air DLY : Delay Volume
Use of the "Polytone Mini Brute III" makes this a great patch for playing Jazz. Pressing foot
switch 1 in manual mode turns on "Defret" for fretless bass sound.
MOD:Air:Re fl ex
Ca
te
go
ry
3 4
METAL
CMP : Limiter AMP : Hartke MOD : CombFilter DLY : SOS Volume
Heavy metal patch with a strident sound that emphasizes the pick attack. Pressing foot switch
3 in manual mode turns on the "CombFilter" for an even stronger metallic tone. Move the
expression pedal horizontally to vary the emphasized frequency.
(MOD:CombFilter:Frequency)
41
REGGAE
WAH : AutoWah AMP : AmpegSVT MOD : Chorus DLY : Delay Volume
Strong bass patch for Reggae and Dub.
(WAH:AutoWah:Resonance)
4 2
Old R+B
WAH : AutoWah AMP : AmpegB15 MOD : Vibe DLY : Delay Volume
Sixties R&B type patch using the Ampeg B15 much beloved by James Jamerson.
(MOD:Vibe:Depth)
43
N.O.funk
WAH : AutoWah AMP : AmpegSVT MOD : Chorus DLY : Delay Volume
New Orleans Funk sound with a clear, wide tone range. Good for fi ngering or slap play.
(MOD:Chorus:Rate)
4 4
60'sROCK
CMP : Compressor AMP : AmpegSVT MOD : Chorus DLY : Delay Volume
A patch that simulates the bass sound of 1960s Rock.
AMP:AmpegSVT:Gain
Mod
e
ling
51
Q-TRON
CMP : M Comp AMP : Trace MOD : Chorus DLY : Delay Volume
Patch modeled on the Electro-Harmonix Q-Tron. Suitably light mix of original sound makes
the patch easy to use.
WAH:A-Resonance:Sense
52
ODB-3
WAH : X-Phaser AMP : ODB-3 MOD : Chorus DLY : Delay Volume
Patch modeled on the Boss ODB-3. Strong distortion is great for solos.
(WAH:X-Phaser:X-Fade)
53
SANSAMP
CMP : M Comp AMP : SansAmp MOD : Flanger DLY : Delay Volume
Patch modeled on the Sansamp Bass Driver DI preferred by many bassists. Light distortion is
just right for some Rock styles, and compression makes the patch easy to use.
AMP:SansAmp:Gain
54
BigMuff
CMP : Compressor AMP : BigMuff MOD : Chorus DLY : Delay Volume
Patch modeled on the Electro-Harmonix Big Muff, with its trademark radical distortion sound.
AMP:BigMuff:Gain
61
OctaBass
CMP : M Comp AMP : Trace MOD : Chorus DLY : Delay Volume
Patch modeled on the EBS OctaBass. One-octave lower sound component provides an intimiate
club feel.
(MOD:Chorus:Rate)
62
CHORUS
WAH : X-Vibe AMP : TubePre MOD : Detune DLY : Delay Volume
Basic chorus sound with limited modulation. Suitable for all genres.
(WAH:X-Vibe:X-Fade)
63
FLANGER
CMP : M Comp AMP : BigMuff MOD : Flanger DLY : Delay Volume
Flanger sound that starts to pulsate when you push the pedal. Great for highlighting a phrase.
MOD:Flanger:Depth
64
PHASER
CMP : M Comp AMP : BigMuff MOD : ModDelay DLY : ReverseDelay Volume
Phaser sound with a solid foundation. Enjoy smart play with a breezy feel.
WAH:4StagePhaser:Rate
71
ENVELOPE
CMP : Limiter AMP : AmpegSVT MOD : Chorus DLY : Delay Volume
Versatile Funk sound using a mix of eighties style auto wah and original sound.
WAH:AutoWah:Sense
7 2
Aguilar
CMP : M Comp AMP : Aguilar MOD : Chorus DLY : Delay Volume
Powerful and clean sounding bass patch modeled on the Aguilar. (This patch is suitable for line output.)
(MOD:Chorus:Rate)
73
SuperBs
WAH : Octave AMP : SuperBass MOD : Flanger REV : Arena Volume
This patch is characterized by the typical overdrive sound of the Marshall 1992 Super Bass,
which is also great for solos. (This patch is suitable for line output.)
(MOD:Flanger:Depth)
7 4
Hartke
CMP : Compressor AMP : Hartke MOD : BendChorus DLY : Delay Volume
Patch modeled on the combination of a Hartke HA3500 with the 4.5XL aluminum-cone
speaker cabinet. Straight sound brings out the umistakable punch of the aluminum cone. (This
patch is suitable for line output.)
(MOD:BendChorus:Depth)
81
SVT
CMP : Compressor AMP : AmpegSVT MOD : Chorus DLY : Delay Volume
Patch modeled on the combination of the Ampeg all-tube amp SVT with the 810E cabinet. The gutsy
sound of this bass amp is one of the mainstays of Rock. (This patch is suitable for line output.)
AMP:AmpegSVT:Gain
8 2
G-Kruger
CMP : DualComp AMP : G-Krueger MOD : AutoFilter REV : ModernSpring Volume
Patch modeled on the combination of the Gallien Krueger 800RB with the 410RBH cabinet.
The solid sound packs a punch. (This patch is suitable for line output.)
(MOD:AutoFilter:Sense)
83
PolyTone
WAH : Defret AMP : Polytone MOD : Detune REV : Room Volume
Patch modeled on the "Polytone Mini Brute III" favored by Jazz musicians for its distinctive
midrange character. Pressing foot switch 1 in manual mode turns on "Defret" for fretless bass
sound. (This patch is suitable for line output.)
AMP:Polytone:Gain
8 4
WalterWD
CMP : Compressor AMP : WalterWds MOD : Chorus DLY : Delay Volume
Patch modeled on the combination of the Walter Woods M300 with the Bag End S-12B cabinet.
The Walter Woods can be used with various instruments, but in this patch, the EQ is optimized
for bass. (This patch is suitable for line output.)
(MOD:Chorus:Rate)
91
RecBass
WAH : AutoWah AMP : Bassman MOD : Chorus DLY : Delay Volume
Patch with slight compression for recording. By changing the head amp, you can record with
your preferred bass ampli
fi er. Here, the standard sound of the Fender Bassman is selected. (This
patch is suitable for line output.)
AMP:Bassman:Gain
* Shaded modules: Effects are set to Off when patch is called.
* Expression pedal setting items are listed in the order module name : effect type name : parameter name.
* The [ ] symbol in the table denotes a vertical direction setting, and the [ ] symbol a horizontal direction setting.
* For expression pedal setting items, effects enclosed in brackets () can be switched on by pressing switches 1 – 4, or
by fully depressing the pedal.
Patch List
B9.1ut-Patchlist-E-1
Continued overleaf
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