Direct Access Keys Input Configure
23
Setting the Input parameters
To enter the input configure menu press the INPUT key.
Navagating the input setup menu
•
Pressing F7 and F8 keys will navigate through inputs.
•
Pressing the F9 key will jump to the analog inputs, the F10 key will jump to the digital inputs and the F11 key
will jump to the internal receiver inputs.
•
When in the input set up menu pressing the PFL keys (F1 thru F5) will jump to the setup page for the input
that is assigned to that fader for the current selected bank.
Adjustable Parameters
•
Input Trim -
Adjusts the input trim.
•
Input Type -
Selectable between mic level and line level (analog inputs 1-thru 4 only).
•
Input Compressor -
Turns on the input compressor and set compressor groups. The compressor settings are
adjusted in the MODE menu.
•
48 Volt Phantom Power -
Turns on or off phantom power (analog inputs 1 thru 4 only).
•
AES-42 Power Enable
-
Turns on power for AES -24 microphones. AES power can be turned on
independently for AES inputs 1/2 and AES inputs 3/4 (digital inputs only).
•
Delay / Delay Value-
Turns on and
adjust the input audio delay. The input delay is variable from .0MS to
100MS in .1MS increments.
•
High Pass Filter / HPF Frequency -
The HPF frequency adjusts a software filter that is adjustable between
40Hz to 230Hz in 10Hz increments.
•
Two Variable Notch Filters -
Notch filters with independent adjustable frequencies.
•
Phase Invert -
Allows for the phase of the input to be reversed.
•
ZaxNet ID -
Sets the ID code for a Zaxcom transmitter that would be associated with that input. This allows
the input gain of a transmitter to be remote controlled with the fader that input is assigned to.
•
ZaxNet Trim -
Remotely adjusts the input trim of the transmitter routed to that input. Please note the
ZaxNet ID code on the transmitter needs to match the ID code set for the input
.
•
TRX Frequency -
Used to remotely adjust the frequency of the transmitter that is routed to that input.
Please note the ZaxNet ID code on the transmitter needs to match the ID code set for the input
.
Input Compressor Linking
When using a stereo or surround microphone the input compressors (limiters) should be linked to insure that
the spatial integrity of the signal is maintained. Nova has three separate compressor groups.
For example, a stereo microphone on inputs 1 and 2 may have their limiters set to Group A. So if the signal on
input 1 needs compressing, the compressor on both 1 and 2 will activate together rather than just channel 1.