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differently than in a smaller system that is incapable of putting out these
low frequency signals.
In a small system (like those used in clubs and small performance halls) the
RenComp gives color to the overall mix. The MaxxBass™ and the HPF allow
the engineer to filter out the low frequencies that often create rumbling
in smaller venues, while increasing the perception of bass. For a relatively
quiet setting (roughly 100db), use the L2 and MaxxBass™ together in order
to give more power without increasing the overall volume (and to protect
your speakers).
The MaxxBCL allows engineers to give performers on stage the maximum
sound in their stage monitors. With the MaxxBCL, performers can get more
bass and more level in their monitors, with less feedback and rumbling
problems.
With an extra MaxxBCL, recording a live show on the fly with great levels
becomes easy. A live simulcast broadcast of a concert for radio or televi-
sion will get optimal levels in real time using the Waves MaxxBCL. Finally,
multiple MaxxBCLs can also be used as high-end dynamic processors for
doing sub-groups of drums, guitars, etc.
MaxxBCL as digital insert
MaxxBCL as analog insert
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