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- HD –
Density
The Density control adjusts how much short-term limiting the audio is allowed to
undergo. Higher settings will make the audio more dense, lower settings less so.
Stations looking for a ‘compressed’ sound will find the Compression and Density
controls useful.
Note that increasing Density will not cause the final limiter to be overdriven
because its controls are also ganged to the Density control to ensure that
distortion and/or audible pumping will not increase as Density is increased.
Low/Warm EQ
(again we’re leaving Loudness for last!)
The Low/Warm Equalization control adjusts how low frequencies sound on the
air. When the control is at “0” and has not been touched since a preset was
taken, the factory determined equalization is applied. However, once the control
has been adjusted away from its “0” setting a whole new equalization opens up.
As the control is turned counterclockwise (toward smaller numbers) the bass
takes on a deep, robust character while the ‘mud’ that would normally occur with
such equalization, especially on automobile radios, is reduced through a gentle
parametric equalization cut at around 180-200Hz.
As the control is turned clockwise (toward larger numbers) the bass takes on a
fuller, warmer, ‘bigger’ sound and the gentle cut at 180-200Hz is removed.
Mid/High EQ
The Mid/High Equalization control acts in some ways similar to how the
Low/Warm EQ acts when adjusted. When the control is set at “0” and has not
been touched since a preset was taken, factory equalization is applied.
As the control is turned counterclockwise (negative numbers) midrange boost is
minimized along with some broad boost at very high frequencies. The effect is to
apply an overall ‘brightening’ to the sound.
As the control is turned clockwise (positive numbers) the midrange boost is left
alone at its factory setting and a very high frequency boost is progressively
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