Toa IP-3000SM, Руководство по эксплуатации

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5. Setting Up the IP-3000SM System Manager
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System Requirements ······································································ 31
Installation ······················································································ 31
6. Setup Flow Procedure
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Chapter 3: Functions and Operation
1. Broadcasting Function
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Types of Broadcast ·········································································· 34
Explanation of Settings ···································································· 34
Broadcasts Initiated by Contact Activation ············································ 35
Broadcasts from the IP-300RM Remote Microphone ······························ 36
Functions assignable to function keys and control input terminals ············ 36
Functions assignable to each status indicator ····································· 37
Operation ······················································································· 38
Broadcasts by Microphone Console ······················································ 43
Operation ······················································································· 45
Audio Monitor ··················································································· 50
2. Audio I/O Adjustment Functions
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Audio Screen Display ········································································· 51
Audio I/O Display ············································································ 51
Audio I/O level indication ··································································· 52
IP-300RM’s audio input and output ······················································ 52
Saving Audio I/O Parameters ······························································ 53
Switching the Audio scene ································································· 53
Saving the Audio scene ···································································· 53
Trim Settings ···················································································· 54
Setting method ················································································ 54
Audio I/O Level Settings ····································································· 54
Setting method ················································································ 54
EQ Settings ····················································································· 55
Setting method ················································································· 55
Comp Settings ·················································································· 56
Setting method ················································································ 56
Threshold Level Indicator ·································································· 57
Delay Settings ·················································································· 57
Setting Method ················································································ 57
Audio Scene Display, Switching and Name Change ································· 58
Display of the Audio Scene in Operation ··············································· 58
Audio Scene Switching ····································································· 58
Changing Audio Scene Names ··························································· 58
3. Timer Functions
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Descriptions of Terms ······································································· 59
Overview of Functions ······································································ 59
Timer Function Setting Flow ······························································· 60
Pattern Settings ··············································································· 61
Copy of the pattern··········································································· 63
Color of the pattern ·········································································· 63
Calendar Settings ············································································· 64