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CHAPTER 5

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Specifications and testing

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5.1

Testings

The radio stations that have their own Technical De-
partment sometimes needs to carry out measurements 
when receiving the console. Also some engineers esti-
mate convenient to make a general inspection every 
some   years,   to   verify   if   the   specifications   continues 
being perfect.

The methods and comments that are given next refer to 
the Technical Specifications that figure at the end of this 
chapter.

Before starts any measurement, make sure that all 
modules present the following conditions: PAN POT 
controls must be at the center position. PGM, AUD, 
and SEND buttons must be released; and AIR and 
CUE must be off. Be sure the console is 

properly 

grounded

 and no RF is present at the measurement 

Laboratory.

5.1.1

Microphone

Connect   an   audio   generator   to   a   microphone   input. 
Connect an audio level meter and an oscilloscope to 
the PGM left output (then repeat with the right). Connect 
a 600 ohms charge to the output.

Set the audio generator to 1 kHz -80 dBm. Select MIC 
and PGM on this channel. Move the main fader to the 
maximum. Increase the gain of the module until obtain 
+4dBm at the output.

Move GAIN to the minimum. Change the generator to 
-45 dBm. Move the fader until you verify that can obtain 
+4 dBm without clipping at the output.

Change to the right input of this channel (or to another 
channel) and repeat the procedure.

5.1.2

Line

Connect the generator to left input of a line channel, 
with a level of -20 dBm at 1 KHz. Verify that the oscillos-
cope and audio level meter are connected to the left 
PGM output. Select LIN and PGM in the channel under 
test; move to the maximum the GAIN knob and move 
the main fader until you verify that can 4 dBm at 
the output.

Change the gain control to the minimum; and increase 
the input level up to +18 dBm; move the fader until ob-
tain +4 dBm at the output without visible clipping.

Increase the gain with the main fader until obt15 
dBm at the output. Use this value like reference. Con-

nect the balanced input in common mode joining both 
signal terminals. Then, verify that the output level decre-
ase at least 40 dB. Change the test frequency to verify 
the common mode rejection specification. 

Repeat for the right input of this channel or for another 
channel.

5.1.3

Aux Input 

Connect  the   generator  to  the  AUX  left  input.   Select 
AUX and repeat the procedure explained for the line 
channels, with levels of -25 dBm and +4 dBm. Take in 
mind that the common mode rejection isn’t applicable 
for this input. 

5.1.4

Balanced Outputs

All the measurements must be carried out in the same 
way that the unbalanced outputs, but disconnecting of 
GND the instrumental used and connect it between the 
two balanced terminals. 

Another   possibility   is   to   measure   all   in   unbalanced 
mode (only one pin), 

adding 6dB to the results.

5.1.5

Gain

Connect   a   microphone   input   to   an   audio   generator. 
Connect the audio level meter and the oscilloscope to 
the output. Charge this output with 600 ohms.

Adjust the generator to -80 dBm @ 1 KHz. Select MIC 
and PGM in this channel. Move the main fader and the 
gain   knob   to   the   maximum   position.   The   difference 
between the obtained output level and -80 dB is the 
gain of the console.

5.1.6

Frequency Response

Connect the generator to a microphone input. Connect 
an audio level meter and an oscilloscope to the output. 
Load it with 600 ohms.

Change the audio generator to 1 kHz / -50 dBm. Select 
MIC and PGM in the channel. Move the main fader to 
the value -10 dB. Change the gain of the module or the 
generator output until obt4 dBm at the output. 
Swap the frequency between 20 and 20.000 Hz and 
verify the frequency response. 

SOLIDYNE

D·816

 broadcast console

Page 27

Содержание D 816

Страница 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Страница 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Страница 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Страница 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Страница 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Страница 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Страница 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Страница 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Страница 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Страница 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Страница 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Страница 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Страница 13: ...SOLIDYNE D 816 broadcast console Page 13...

Страница 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Страница 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Страница 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Страница 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Страница 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Страница 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Страница 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Страница 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Страница 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Страница 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Страница 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Страница 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Страница 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Страница 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Страница 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Страница 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

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