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3.3

Monitor section

3.3.1 Using monitors and headphones

At   the   monitors   section   you   can   observe   the   fol-
lowing areas:

Studio Monitor: 

here you define what signal

 

you 

will listen at the Studio monitors and headphones.

Control Room  Monitor:  

define  what  signal

 

you 

will listen at the Control Room monitors and he-
adphones.

CUE:

 set the CUE level

 

of

 

the built-in loudspeaker. 

A unique level control manages the headphone and 
monitor outputs for the Studio. Normally the monito-
ring level adjusts from the console for a comfortable 
listening in the headphones. In case that you wants 
individual control for each headphone; you can make 
external level control using a potentiometer of 2 x 1 
Kohm, mounted in the table. 

The  

Studio monitors

  have their own gain control, 

since the console’s output was designed to operate 
with powered monitors. Remember that when the mi-
crophones activate, opening its faders, the audio in 
the studio monitors is muted, to avoid feedbacks. 

The Control Room section offers independent gain 
controls for headphones and monitors. The 

Control 

Room   monitors   must   be   powered   units

  (active 

speakers).

Using the routing switches you can choose the signal 
that   will   be   listened   in   monitors   and   headphones. 
The assignments for Studio and Control Room are 
independent. The options are: 

PGM 

to listen the console 

output.

REC

  allows   the   listening   of   the   channels   that  

are assigned to recording output.

AIR

 switches to an additional input, designed to  

connect   an  external  tuner  in  order   to  

monito-

ring the transmission from the air

. This is the  

right   way   for   monitoring;   recommended   for   all  
the radios.

3.3.2 Previous listening (CUE)

The D-816 has an internal loudspeaker for previous 
listening. Each channel has a button “CUE” that al-
lows to listen the signal present in that channel with 
the channel fader closed. 

SOLIDYNE

D·816

 broadcast console

Page 19

Talkback  to Studio

MASTER MIC: Enables the 3 microphones. 

In channel 3 only takes effect when the input swit-
ch is in position “MIC”. If switch is in “LINE”, “Mas-
ter Mic” not take effect over this channel. 

PZM MIC. For 

TalkBack 

and hybrid.

Audition level for 

Studio

 

loudspeakers

 

and headphones.

Assign 

PGM

 or 

REC

 to the 

Studio monitors

Talkback volume

Audition level for the 

Control 

Room

 

active loudspeakers

CUE level

.

 

Adjust the volume 

of the built-in loudspeaker. 

The signal CUE also is sent to 

the ControlRoom headphones 

Assign output 

PGM

 or 

REC

 to 

the Control Room

Control Room 

headphones

 level 

Change the monitoring 
between 

external input ‘ON 

AIR’ 

and

 

PGM/REC (Requires 

an external tuner)

Содержание D 816

Страница 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Страница 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Страница 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Страница 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Страница 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Страница 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Страница 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Страница 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Страница 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Страница 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Страница 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Страница 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Страница 13: ...SOLIDYNE D 816 broadcast console Page 13...

Страница 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Страница 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Страница 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Страница 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Страница 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Страница 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Страница 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Страница 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Страница 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Страница 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Страница 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Страница 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Страница 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Страница 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Страница 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Страница 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

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