Solidyne D 816 Скачать руководство пользователя страница 15

CHAPTER 3

-

Using the console

-

3.1

Overview

You can see five

 

areas in the console:

Input channels

.

Hybrid channel.

Studio and Control Room Monitors controls.  
Talkback.

Cue

 

VU meters.

The different audio sources (microphones, compact 
disc players, computers, telephones, etc.); enter to 
the console through the INPUT CHANNELS that am-
plify them. The consoles mix all sources to generate 
a unique audio signal, which is sent to the transmit-
ter. The operator manages the level of each signal 
using the main faders. A second stereo signal for re-
cording purposes can be generated using the REC 
bus. This signal is independent of the Program sig-
nal.

The operator can listen to these signals before con-
necting it to air; by pressing the CUE buttons.

Just

 

raising  the

 

fader,  the channel is on the air. 

The   switches   “PGM   /   REC”   define   the   output   for 
each channel. The signal can be on the air (PGM) or 
it can be routed to the recording output (REC). 

Many channels have two inputs; which are selected 
from a switch located at the top of the panel. 

Channels 

MIC 1

 and 

MIC 2

 only manages 

microphone   signal.   The   phantom

 

switch 

48V selects feeding to the THREE MIC in-
puts. Remember that all dynamic microp-
hones are designed to support 48 V phan-
tom, so that there is no problem in mixing 
condenser microphones with the dynamic 
ones. 

Channel 

MIC 3

 has a secondary stereo in-

put of LINE level, unbalanced. Then, it can 
be used as MIC or LIN input.

The three  

microphone channels

  can be 

routed to the 

processing stage

  (4 bands 

EQ and compressor) with independence.

The  

analog

 

line   channels   manage  

ba-

lanced (BAL) and unbalanced (LINE) ste-
reo inputs.

The  

digital   channels

  manage   two  

USB 

digital inputs (DIG) and two analogical ste-
reo inputs (LINE).

Additionally; USB offers direct recording to 
Hard Disk for PGM (channel 6) and REC 
(channel 7).

The turret contains electronic LED’s VU-meters that 
show the recording and program level (average peak 
level). 

3.1.1 Quick checking

Next are described the basic procedures to verify the 
console wiring. In order to check that all is working 
well, please follows the next steps: 

1.

Choose a signal source, like a micropho-
ne, a CD player, etc. According to the used 
source, select in the channel the  

corres-

pondent   input

  (MIC-LINE   or   BAL-LIN). 

This can be the first cause of error (there is 
no   signal   because   the   mistaken   input   is 
assigned).

2.

Press CUE button in the channel in which 
the signal is. 

3.

Open   the   CUE   fader   in   the   MONITOR 
SECTION. The audio will have listened in 
the built-in loudspeaker.

On the air:

1.

Send the channel to PGM, so that the sig-
nal is sent to the main output. 

2.

Open the main fader until reach 0 VU in 
program VU-meter. The signal will be on 
the air. 

3.

The gain knob must adjust so that the nor-
mal work position of the main fader is -15 
dB (gray zone).

 

In some countries (like En-

gland) the user prefers to adjust the nor-
mal level with the fader at maximum.

SOLIDYNE

D·816

 broadcast console

Page 15

Содержание D 816

Страница 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Страница 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Страница 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Страница 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Страница 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Страница 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Страница 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Страница 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Страница 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Страница 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Страница 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Страница 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Страница 13: ...SOLIDYNE D 816 broadcast console Page 13...

Страница 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Страница 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Страница 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Страница 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Страница 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Страница 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Страница 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Страница 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Страница 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Страница 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Страница 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Страница 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Страница 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Страница 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Страница 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Страница 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

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