background image

CHAPTER 2

-

Installation and wiring

-

2.1 On installation

Installation   of   Solidyne   audio   console   doesn’t   pre-
sent particular problems. However, keep in mind the 
basic   rules   for   all   professional   audio   installations. 
The inputs and outputs of the D-816 series incorpo-
rate DIN-5 multi-pin connectors for stereo balanced 
inputs (provided with the console). You can acquire 
the Solidyne wiring kit (MNG816), which incorporates 
all the cables and connectors needed for installing 
D816.

For console grounding use the rear side GND 

bronze 

tip 

with a 2mm cable to a good buried cooper bar.

2.1.1 Parasitic signals

All unwanted signals that appear in audio lines usu-
ally consider  

parasitic signals

. A common type are 

denominated 

humming

, low frequency signals (multi-

ples   of   50/60   Hertz)   caused   by   the   interaction   of 
electromagnetic   fields   coming   from   the   AC   line. 
When the interference source is a magnetic field (ge-
nerally originated in a supply transformer) the resul-
tant interference will be denominated 

electromagne-

tic humming

. When the interference is due to such 

electric potentials as cables that take supply tensi-
ons, that are elevated in comparison with the audio 
signals present in the circuit, you will be in presence 
of  

electrostatic humming

. The distinction is not me-

rely academic, because the resolution of a problem 
supposes the knowledge of the noise type to apply 
the correct solution. 

Examples:  

To minimize the reception of electromagnetic  

humming in the wires, remember the following rule: "THE  
AREA AMONG TWO AUDIO WIRES WILL BE MINIMUM."  
It implies that the cables will be tied very close, like the  
shielded twisted pair audio cables. They should pass far 
away from any transformer or devices that manage high-
intensity  currents.  Is  important   to  remember  that  a  wire  
can be good shielded, but if his conductors don’t complete 
the conditions of minimum area it will be susceptible to  
take magnetic humming. 

Other parasitic signals are: AC HUM, RADIO FRE-
QUENCY and CROSSTALK. As hum noises like the 
radio frequency are originated by electromagnetic fi-
elds of high frequency; the first ones are originated 
by disturbances due to the connection and discon-

nection of equipment’s to the AC line, the seconds 
ones are generated by communications transmitters 
or   industrial   equipment.   If   these   signals   penetrate 
into audio lines, with sufficient intensity, can surpass 
the action of the special protection filters, and to rea-
ch some sensible part of the input stages.   In that 
case, the interfering signals can be demodulated and 
already turned audio signal, and will be amplified by 
the rest of the system. It is fundamental, therefore, to 
maintain the interference within reduced margins. It 
is obtained avoiding very long audio lines, with aerial 
sections   or   that   pass   near   of   transformers   or   RF 
transmitters.   For   protection   against   very   high   fre-
quencies is advisable to use double shielded cables, 
guarantied by the manufacturer.

CROSSTALK is the reception of signals coming from 
other lines of audio. This, like all unwanted noise, it 
can be supposed controlled when its level is below 
the level of the system residual noise. Then, all con-
siderations mentioned for the case of buzz are valid.

2.1.2 RF interference

 (Hum)

D-816 consoles have numerous internal protections 
against RF fields, for the AM and FM broadcasting 
band. When the transmission station is installed cor-
rectly,   there   will   be   no   interference   problems,   still 
with FM equipment of 50 KW installed in the terrace 
of the radio station. Nevertheless, when the antenna 
is badly positioned with respect to the Studio or has 
severe SWR problems, then it does not have the mi-
nimum value of field intensity, downward. Or maybe 
there   is   a   faulty   ground   connection,   then,   strong 
standing waves will appear on the cables of the Stu-
dio that can induce high electrical currents inside the 
audio console.

Symptoms:

   If  the  interference takes place at the 

A.M. band, the sound transmitted by the A.M. radio 
will be listened in the loudspeakers on background 
(or at buses PGM, REC). In case of FM transmissi-
ons, the interference inside the console demodulates 
the A.M component of the FM carrier; (usually hum 
from   power  supply)   causing   background   humming, 
because in many transmitters of FM, the final output 
stage is not powered with stabilized tension. There-
fore,   if  console   D816

 

presents   humming,   please 

make a test shutting down the transmitter a few se-
conds to check if the problem disappears. Someti-
mes, an FM transmitter with the output stage badly 

SOLIDYNE

D·816

 broadcast console

Page 7

Содержание D 816

Страница 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Страница 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Страница 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Страница 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Страница 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Страница 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Страница 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Страница 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Страница 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Страница 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Страница 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Страница 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Страница 13: ...SOLIDYNE D 816 broadcast console Page 13...

Страница 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Страница 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Страница 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Страница 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Страница 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Страница 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Страница 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Страница 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Страница 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Страница 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Страница 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Страница 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Страница 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Страница 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Страница 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Страница 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

Отзывы: