background image

USB channels appears in Windows© as 

“recording 

device USB 1”

 and “recording device USB-2” (Win-

dows© numbers them according to the order in whi-
ch they were recognized). In the console; the display 
indicator   “Digital   In/Out”   will   show   “U4”,   indicating 
that stereo input and output of USB channel was re-
cognized. When connecting to channel 7 the indica-
tor will change to “U8”; and will appear in the compu-
ter a secondary playing and recording device (USB-
2).   Both   USB   channels   can   be   connected   to   the 
same PC or to different computers (please see “Very 
Important” note).

Remember that you can see the playing and recording 
devices from “Control Panel > Audio and sound Devices > 
Audio”. In this window you define the preferred devices for 
Windows (those that applications use by default). This is 
simple since the devices are selected from a drop-down 
menu. 

Obviously, you must configure the USB devices in the 
automation and editing software that you use. If your PC 
does not have installed a soundcard, default playing and 
recording device will be USB-1 (channel 6 and PGM out-
put).

ON   THE   LEVEL:

  After   installation,  

you   must   adjust   the  

PLAYING LEVEL

 in the Windows© mixer (“Programs > Acces-

sories > Entertainment > Windows Mixer”); since both channels 
“born” SILENCED. Windows© erroneously shows the faders at 
middle scale, but the channels are muted. Set the main fader  
(gain control) and WAVE faders to the Maximum position.

In addition to the inputs, the connection of USB channels 
offers  

two USB digital outputs

, that appears in Win-

dows©   as  

“recording   device   USB   1”

 

(Channel-6   / 

PGM) and “recording device USB 2” (Channel 7 / 
REC)

. So that you have in the computer, in digital format, 

the program and recording outputs (please see “2.2.3.2 – 
USB Outputs”). 

VERY IMPORTANT

USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT 
CONNECTED;  

since it is slave of channel 6. In order to 

use only one USB channel always connect “DIGITAL 6”.

WHEN   TWO   PCs   ARE   CONNECTED;

  CONSIDER 

THAT CHANNEL 7 CANNOT BE USED IF THE COMPU-
TER  CONNECTED  TO CHANNEL  6  IS

 

POWER OFF. 

Usually channel 6 is used with the air PC; which is 24 Hs 
operative.

Channels 

6 and 7

 also present analog

 inputs

. Chan-

nel USB 6 has an auxiliary input -

LINE 6

- stereo, un-

balanced; with RCA connectors. Channel USB 7 has 
a stereo balanced -

BAL-7

- with DIN-5 connector. 

2.2.2.3

MICROPHONE 

INPUTS

The channels for microphones are balanced electro-
nically, with XLR standard connectors. 

Channel MIC-3 can work like LINE channel, because 
it   presents   a   unbalanced   auxiliary   input   with   RCA 
connectors.   Therefore   this   channel   does   not   com-
mand the Tally light and do not mute the Studio Mo-
nitors (still being assigned to entrance MIC-3). 

The floating phantom power of 48 V activates, for the 
three channels simultaneously, from the front of the con-
sole. Remember that the dynamic microphones support 
without problems 48V of phantom, reason why is possi-
ble to mix dynamic and condenser MIC’s.

 

2.2.3 Audio outputs

2.2.3.1 PROGRAM AND RECORDING 

Program output (PGM)

 is the main output that takes 

the signal that will be emitted to the air. It is balan-
ced, with female TRS connectors (a.k.a. “jack” ¼”). 

Recording output (REC)

 is balanced with TRS 1/4” 

connectors.

 

In order to connect these outputs to an unbalance in-
put, connect  

only the (+)

  terminal, and leaving un-

connected the (-) one.

Balanced connection Plug to male XLR 

(for each channel)

TRS

 (Plug)

XLR 

(Cannon)

GND = sleeve

signal (+) = tip

signal (-) = ring

GND = pin 1
signal (+) = pin 2
signal (-) = pin 3

SOLIDYNE

D·816

 broadcast console

Page 9

Содержание D 816

Страница 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Страница 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Страница 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Страница 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Страница 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Страница 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Страница 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Страница 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Страница 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Страница 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Страница 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Страница 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Страница 13: ...SOLIDYNE D 816 broadcast console Page 13...

Страница 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Страница 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Страница 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Страница 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Страница 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Страница 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Страница 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Страница 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Страница 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Страница 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Страница 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Страница 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Страница 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Страница 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Страница 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Страница 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

Отзывы: