OWNER’S MANUAL
14
SIXTY-TWO
Filter
The
FILTER
sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a flat “no-filter” response. Moving
the filter toward the
LOW
position progressively reduces high frequencies. Moving the filter toward the
HIGH
position progressively reduces low frequencies. The Resonance or Q of these Filters can be adjusted on
the mixer in the "Deck 1-2 Channel Options Menu" on page 23, or in the "Rane Drivers" on page 26.
High resonance adds a “zip” effect to the Filter when it is moved. Low resonance is best when the Filter is
used for mixing.
FlexFX
The blue
FLEXFX
buttons assign an input to the FlexFX bus where internal, external analog or software
effects via USB may be inserted. Any combination of Deck 1, Deck 2, Mic or USB Aux can be assigned
with the option to insert internal effects, external analog effects or software effects via USB. See "FlexFX
Loop" on page 18.
Channel Faders & Crossfader
These faders use magnetic non-contact mechanisms with no noise and no bleed. Each fader has
REVERSE
and
CONTOUR
controls on the front panel. See "Magnetic Fader Maintenance" on page 36.
Channel Meters
Each Deck channel has a mono meter to assist in setting levels. These meters are quasi-peak with peak
hold. Use the
LEVEL
controls to stay out of the red.
Headphone Cue
CUE
buttons assign a signal to the headphone monitor. Deck 1, Deck 2, USB Aux, and the
FlexFX Bus can be cued in the headphones before bringing it into the mix. Cue controls
operate as solo or radio-button controls. This means engaging a Headphone Cue turns
all the other Headphone Cue controls off. You can select more than one at a time by
simultaneously pressing more than one Cue.
• The Headphone monitor provides stereo or mono split cue operation.
•
When set for stereo operation (
SPLIT CUE
dim), the Pan control pans between stereo
Cue and stereo Main Mix.
•
When set for Split Cue operation (
SPLIT CUE
bright), the Pan control pans between
Mono Cue in the left ear and mono Main Mix in the right ear.
• The Phones
LEVEL
control sets the volume to the headphone jacks.
• Headphone outputs are from ¼" and 3.5 mm jacks on the front panel. Both share the
same mix.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGH
LOW
10
0
2
4
8
6
MAIN
CUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHT
LEFT
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
HIGH
LOW
RIGHT
LEFT
HIGH
LOW
SYNC
BYPASS
CLEAN FEED
SYNC OFF
START / STOP
NUDGE
BPM
SLIP
SYNC
SYNC OFF
SLIP
B
B
A
A
DECK 1
MIC
DECK 1
AUX
SP-6 ASSIGN
ON
OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME
TAP
CUES
1
2
3
4
5
C
D
5
4
3
SAMPLES
4
5
6
3
2
1
2
1
B
A
ON
CUE
EXT. INSERT
FILTER
BEAT
FLANGER
PHASER
ECHO
ROBOT
REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS
SELECT
SELECT
SHIFT
SHIFT
LEVEL
FILTER
FLEXFX
AUTO
MANUAL
LOOP
IN
ROLL
OUT
SAVE
BEATS
LOOP
ROLL
SAVE
LOOP
IN
OUT
LOOP
DECK 2
MIX
DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL
AUTO
LOW
MID
HIGH
LEVEL
MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD
PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FFb
BPM:120 * 1:1
4000 ms