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The Source Button allows you to choose the source audio for the FM processing section.
Selecting the button of the desired input immediately puts the corresponding audio source
on the air.
The Invert Input button allows you to invert the polarity of the left or right input channels,
or both channels simultaneously.
The Phase Scrambler button enables or disables the phase scrambler. Certain sharp sounds
with high harmonic content (such as trumpets or some synthesized sounds) are low in
energy but contain high peaks. Since peaks must be limited to prevent over-‐deviation of the
FM carrier, and the majority of those peaks will be removed by clipping, the sound may
become dull and distorted. The Phase Scrambler, without employing limiting or clipping of
its own, slightly offsets the various harmonics present in the audio to drastically lower the
peak level, thereby allowing much more of the audio to pass through to the final clipper.
The result is a dramatically improved high end and less distortion.
The Pass-‐Through Delay Time control adjusts the delay time for the pass-‐through patch
point, which contains the original, unprocessed audio but without compensation delay. It is
normally in sync with the Input, not the Output. (Note: If you feed the MPX signal from
another processor into one of Omnia.9’s MPX inputs and monitor its output signal through
Omnia.9’s Speaker or Headphone Monitor Output,, the pass-‐through patch point can be
used to view that signal with Omnia.9’s built-‐in instrumentation for an easy A/B
comparison!)
Bass EFX Menu
The Bass-‐EFX menu allows you to enable or disable the Bass-‐EFX feature and, when enabled, adjust
the level of Bass-‐EFX processing. When used in conjunction with heavier overall levels of processing,
Bass-‐EFX helps retain the punch of low-‐frequency transients such as those found in a kick drum.
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