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Now we’ll add Line In, so the performer can hear their input signal.
This performer likes the levels of the backing tracks louder, but the overall level down a bit, so we’ll nudge the USB Play source
signal up by 6dB, and attenuate the Phones output by 10dB.
Now the performer and engineer each have their own monitor mix. Now we’re ready to record, keeping in mind that the signals from
the Line In will appear in the DAW software as USB Record 1&2.
As you can see, using variations on the sequence described above, that one can easily integrate outboard processors, and other sound
sources into a recording session and maintain complete control over who hears what, and how loud each element will be.
