6-5
When the display shows .L-SPLIT or .R-SPLIT, you can use INCR and DECR to step through the keyboard keys.
Alternately, you can select the MIDI number of the key at which you want the split to occur. The key selected becomes the
last key in the center region. The MIDI number for each key is shown in Table 6-2, and Figure 6-2 relates the MIDI numbers
to keys on the keyboard.
Table 6-2
MIDI Key Number Chart
Note
Octave
0
1
2
3
4
5
6
7
8
C
12
24
36
48
60
72
84
96
108
C#
13
25
37
49
61
73
85
97
109
D
14
26
38
50
62
74
86
98
110
D#
15
27
39
51
63
75
87
99
III
E
16
28
40
52
64
76
88
100
112
F
17
29
41
53
65
77
89
101
113
F#
18
30
42
54
66
78
90
102
114
G
19
31
43
55
67
79
91
103
115
G#
20
32
44
56
68
80
92
104
116
A
21
33
45
57
69
81
93
105
117
A#
22
34
46
58
70
82
94
106
118
B
23
35
47
59
71
83
95
107
119
Key
C0
C1
C2
C3
C4
C5
C6
C7
C8
C9
12
24
36
48
60
72
84
96
108
120
MIDI Number
Figure 6-2. MIDI Numbers of C Keys.
The number is automatically translated from the MIDI number to the associated musical note (the new note) in the display. If
you selected the wrong MIDI number, you can repeat this step.
Left and Right Region Balances
The volume of the left and right regions can be adjusted relative to the center region and to each other.
When the display reads .L-BAL, you can adjust the volume of the left region. When the display reads .R-BAL, you can
adjust the volume of the right region. Either region can be adjusted :
±
15dB.
Enter a value in dB directly using the numeric button-pad and press ENTR, or use INCR and DECR to change the value by 1
dB increments. If a value greater than 15 is entered, the value will be set to 15 (+ or -) when ENTR is pressed.
Note that region balancing is relative. When you raise the volume of a specific region, you are actually reducing the volume
of the other regions with respect to it. This is done to insure that the K150X’s output gain is always as high as possible.