Keith McMillen Instruments K-MIX, Руководство пользователя

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2.3.6 – To A Computer ...................................................................................................................... 22
2.3.7 – To An iPad ............................................................................................................................. 23
2.3.8 – To MIDI Hardware ................................................................................................................. 25
2.4 – Mixing Audio .................................................................................................................................... 26
3. FEATURES OVERVIEW ................................................................................................................................. 27
3.1 – Standalone Mixing ........................................................................................................................... 28
3.2 – USB Audio Interface ......................................................................................................................... 28
3.3 – MIDI I/O ............................................................................................................................................ 28
3.4 – Flexible Inputs .................................................................................................................................. 29
3.4.1 – Microphone Input ................................................................................................................. 29
3.4.1.1 – Phantom Power ......................................................................................................... 29
3.4.1.2 – µPre Mic Pres ............................................................................................................. 29
3.4.2 – Line Level Input .................................................................................................................... 29
3.4.3 – Instrument Level Input ......................................................................................................... 29
3.4.4 – Phono Level Input ................................................................................................................. 29
3.5 – Robust Outputs ................................................................................................................................ 30
3.5.1 – Main Outputs ........................................................................................................................ 30
3.5.2 – Aux Outputs .......................................................................................................................... 30
Send Levels .............................................................................................................................. 30
Pre/Post Fader Sends ............................................................................................................... 30
3.5.3 – Headphone Output .............................................................................................................. 31
3.6 – Onboard DSP ................................................................................................................................... 32
3.6.1 – EQ .......................................................................................................................................... 32
3.6.1.1 – Low-Shelf ................................................................................................................... 33
3.6.1.2 – Mid-Band ................................................................................................................... 33
3.6.1.3 – High-Shelf .................................................................................................................. 34
3.6.2 – Noise Gate ............................................................................................................................ 34
3.6.3 – Compressor .......................................................................................................................... 35
3.6.4 – Reverb ................................................................................................................................... 35
3.6.5 – “Rumble” Filter ...................................................................................................................... 36
3.7 – Stereo Panning ................................................................................................................................. 36
3.8 – Surround Panning ............................................................................................................................ 36
3.8.1 – Multiple Speaker Layouts ..................................................................................................... 36
3.8.2 – Ambisonics ........................................................................................................................... 36