Hammond Organ L-100 Series, Руководство по обслуживанию

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lower manual, and available when played in a legato fashion each
time a key is depressed. The “Cymbal” is available on the pedal
and sounds each time a pedal is depressed. The “Cymbal-Brush”
control turns these effects on and selects the “Cymbal-Brush”
volume.
1–15–1 SELECTOR SWITCH
With the Selector Switch in the “ Drawbar” position, the signals
from the upper manual harmonic busbars are routed to their
associated drawbars in the upper manual group. The following is a
breakdown of the harmonic switching used.
1–15–2 HARMONIC BUSBAR SWITCHING AND REITERATION
SPLIT—UPPER MANUAL
The sub-fundamental, sub-third and eighth harmonics are not
switched. The sixth harmonic busbar is used for percussion keying.
With the Selector Switch in the “Drawbar” position, all harmonic
busbars are routed to their associated drawbars (see
Table 1–1 ).
Selector
Position “A” Channel “B” Channel DRAWBARS
Chime 2nd, 3rd, 4th,
5th (to Fc Div.),
1-
1/4
(to Fc Div.)
Fundamental
Guitar Fundamental,
3rd, 4th, 5th 2nd
Marimba Fundamental 2nd 3rd, 4th, 5th
Xylophone Fundamental 3rd 2nd, 4th, 5th
Banjo 2nd, 3rd, 4th, 5th Fundamental
Table 1–1: Select Switch Effect on Drawbars
1–16 L–100–1 SIX-VOICE PERCUSSION FEATURE
Figure 1–12: L–100–1 Six-Voice Percussion Controls
1–16–1 LOCATION OF CONTROLS
The rhythm controls are located on the right end block of the lower
manual.
1–16–2 VOICING
The following voices are available.
BLOCK
CYMBAL
BRUSH
BONGO
TOM-TOM
CLAVES
1–16–3 OPERATION OF CONTROLS
Any of the six voices may be played at any time by means of the
momentary push buttons associated with the rocker tabs.