Page 8
Figure 1–2: L–100 Console, Rear View
Mixed tones from the upper manual and lower manual and pedals
go through the pre-amplifier and the “vibrato amplifier”. Vibrato
may be added, depending on the position of the vibrato selector
tabs. The tones then pass through the expression control and
additional stages of amplifica tion before reaching the speaker.
Percussion tones are produced by borrow ing a signal from the
upper manual 2nd harmonic drawbar, 3rd harmonic drawbar, or
both, and conducting the signal through the percussion amplifier,
where its decay characteristics are controlled.
A portion of this signal is returned to the respective drawbar.
The percussion signal is then combined with the signal from the
manuals after the vibrato system but before the expression control.
The control tubes are keyed through the 6th harmonic key contacts
and busbar.
The pedal tones do not require drawbars for tone color variation,
because they are produced as complex tones by special tone
wheels. The single pedal drawbar adjusts the volume of the
pedals relative to that of the manuals, and the pedal signal then is
combined with the signal from the manuals before passing into the
matching transformer.
1–3 MOTOR AND POWER SWITCH
The tone generator assembly, in which all tones of the
organ originate, is driven at constant speed by a self starting
synchronous motor, operating at 1800 RPM located at the left side
(rear view) of the console (
). (In 50 cycle organs, the
generator speed is 1500 RPM ).
A toggle switch (
) controls power to the organ.
1–4 TONE GENERATOR
DRIVING GEAR
BAKELITE GEAR
TONE WHEELS
COIL
MAGNET
BAKELITE GEAR
COIL
MAGNET
Figure 1–3: Section of Main Generator
All tones of the organ originate as electrical signals in the tone
generator assembly. It contains 87 tone wheels having various
numbers of teeth, with suitable gears for driving them at various
speeds from a main shaft extending along the center. Each pair of
tone wheels is mounted on a shaft and between them is a bakelite
gear held by a coil spring, forming a mechanical vibration filter (see
). As the gear is not rigidly attached to the shaft, any
pair of wheels which may be stopped accidentally will not interfere
with the operation of the others.
Содержание L-100 Series
Страница 1: ......
Страница 6: ......
Страница 9: ...Page 9 Figure 1 4 Block Diagram L 100 Series Figure 1 5 Typical Tone Generator...
Страница 38: ...Page 38 This page intentionally left blank...
Страница 40: ...Page 40 Figure 5 3 Schematic Diagram L 100A Percussion Unit Figure 5 3A Parts Layout L 100A Percussion Unit...
Страница 44: ...Page 44 Figure 5 7 Wiring Diagram L 100 Organ...
Страница 45: ...Page 45 Figure 5 8 Wiring Diagram L100 1 and L 100 2 Organs...
Страница 46: ...Page 46 Figure 5 9 Wiring Diagram L 200 Organ...
Страница 49: ...Page 49 Figure 5 13 Parts Layout AO 41 Vibrato Amplifier...
Страница 50: ...Page 50 Figure 5 14 Parts Layout AO 47 126 000023 Vibrato Amplifier...
Страница 51: ...Page 51 Figure 5 14A Comparison Between AO 41 and AO 47 Vibrato Amplifiers...
Страница 52: ...Page 52 Figure 5 15 Parts Layout AO 42 117 000019 Percussion Amplifier...
Страница 53: ...Page 53 Figure 5 16 Parts Layout AO 43 126 000017 Power Amplifier...
Страница 54: ...Page 54 Figure 5 17 Power Amplifier Fuse Location Canadian 101 000130...