MODULATION EFFECTS (CONT’D.)
Vibratone
Classic late-’60s/early-’70s Fender effect with a
rotating speaker baffle
Vintage Tremolo
Classic Fender “stuttering” photoresistor tremolo, as heard in Fender amps such
as the Twin Reverb
Sine Tremolo
Smoothly pulsating tube bias tremolo, as heard in amps such as the Fender
Princeton Reverb
Ring Modulator
Creatively non-harmonic dissonance from the early era
of electronic music
Phaser
Long-indispensable jetliner “whoosh” heard on
countless recordings
Phaser 90
Phase shifter effect inspired by the classic ’70s MXR Phase 90
Vibe Unit
Based on the late-’60s Uni-Vibe phaser/vibrato pedal
Harmonic Tremolo
Based on the distinctive effect built into certain early-’60s Fender amps
4-Knob Flanger
Based on the MXR M117 Flanger
JC Chorus
Based on the bucket-brigade analog chorus of the classic
Roland JC-120 Jazz Chorus amplifier
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All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
DELAY EFFECTS
Note that the TAP utility button works with Mustang GTX delay effects, and flashes when a preset using one
or more delay effects is in use.
Mono Delay
Clean, simple and pristine signal repetition
Mono Echo Filter
Mono echo with an evenly spaced wah-like effect
on the signal repetitions
Stereo Echo Filter
Stereo echo with an evenly spaced wah-like effect
on the signal repetitions
Tape Delay
Based on an classic analog tape echo unit with imperfections
that created distinctive “wow” and “flutter”
Stereo Tape Delay
Similar to Tape Delay above, but with stereo field expansion
Multi Tap Delay
Rhythmic delay that can be subdivided into multiple
“taps” with differing time intervals
Reverse Delay
Reverses the shape of notes for the classic
“backwards guitar” effect
Ping Pong Delay
Repetitions in the stereo field alternate between right and left,
imparting a “ping pong” effect
Ducking Delay
Delayed notes “duck” out of the way while playing, and
fill in gaps when not playing
