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Voice Lists

18

48

2

00 30

-127 ~ 127

D.Filter Depth

50

1

00 32

0 ~ 124

H.Enhancer Control

51

1

00 33

-16 ~ 16

H.Enhancer Curve

52

2

00 34

-127 ~ 127

H.Enhancer Depth

54

1

00 36

0 ~ 124

Damping Control

55

1

00 37

-16 ~ 16

Damping Curve

56

2

00 38

-127 ~ 127

Damping Depth

58

1

00 3A

0 ~ 124

Absorption Control

59

1

00 3B

-16 ~ 16

Absorption Curve

60

2

00 3C

-127 ~ 127

Absorption Depth

62

1

00 3E

0 ~ 1

Trigger Mode

63

1

00 3F

0 ~ 96

Xfade Speed

64

1

00 40

0 ~ 50

Interpolate Speed

65

1

00 41

0 ~ 127

B.Noise Level

66

1

00 42

0 ~ 127

Break Point 1

67

1

00 43

-64 ~ 63

Offset 1

68~77

00 44 ~ 00 4D

Break Point/Offset 2~6

78

1

00 4E

0 ~ 125

B.Noise HPF

79

1

00 4F

0 ~ 127

Break Point 1

80

1

00 50

-64 ~ 63

Offset 1

81~82

00 51 ~ 00 52

Break Point/Offset 2

83

1

00 53

0 ~ 127

B.Noise LPF

84

1

00 54

0 ~ 127

Break Point 1

85

1

00 55

-64 ~ 63

Offset 1

86~87

00 56 ~ 00 57

Break Point/Offset 2

88

1

00 58

0 ~ 22

B.Noise Noise

89

1

00 59

0 ~ 1

B.Noise Key On Reset

90

1

00 5A

0 ~ 32

B.Noise Slit Drive

91

1

00 5B

-64 ~ 63

B.Noise Control Balance

92

1

00 5C

0 ~ 1

T.Formant Pitch Tracking

93

2

00 5D

0~176(-128~127)

T.Formant Pitch (Tracking=1)

95

1

00 5F

0 ~ 127

Break Point 1

96

2

00 60

-127 ~ 127

Offset 1

98~118

00 62 ~ 00 76

Break Point/Offset 2~8

119

2

00 77

-127 ~ 127

T.Formant Intens

121

1

00 79

0 ~ 127

Break Point 1

122

2

00 7A

-127 ~ 127

Offset 1

124~132

00 7C ~ 01 04

Break Point/Offset 2~4

133

1

01 05

-64 ~ 63

T.Formant Amount

134

1

01 06

0 ~ 127

Break Point 1

135

1

01 07

-64 ~ 63

Offset 1

136~141

01 08 ~ 01 0D

Break Point/Offset 2~4

142

1

01 0E

0 ~ 125

T.Formant HPF

143

1

01 0F

0 ~ 127

Break Point 1

144

1

01 10

-64 ~ 63

Offset 1

145~148

01 11 ~ 01 14

Break Point/Offset 2~3

149

1

01 15

0 ~ 127

T.Formant LPF

150

1

01 16

0 ~ 127

Break Point 1

151

1

01 17

-64 ~ 63

Offset 1

152~155

01 18 ~ 01 1D

Break Point/Offset 2~3

156

1

01 1C

0 ~ 127

Driver Output

157

1

01 1D

0 ~ 127

Break Point 1

158

1

01 1E

-64 ~ 63

Offset 1

159~168

01 1F ~ 01 28

Break Point/Offset 2~6

169

1

01 29

0 ~ 127

Pipe/String Output

170

1

01 2A

0 ~ 127

Break Point 1

171

1

01 2B

-64 ~ 63

Offset 1

172~181

01 2C ~ 01 35

Break Point/Offset 2~6

182

1

01 36

0 ~ 127

Tap Output

183

1

01 37

0 ~ 127

Break Point 1

184

1

01 38

-64 ~ 63

Offset 1

185~194

01 39 ~ 01 42

Break Point/Offset 2~6

195

1

01 43

0 ~ 1

Tap Sign

196

1

01 44

0 ~ 4

Tap Setting

197

1

01 45

0 ~ 127

Tap Location

198

1

01 46

0 ~ 127

Break Point 1

199

1

01 47

-64 ~ 63

Offset 1

200~213

01 48 ~ 01 55

Break Point/Offset 2~8

214

1

01 56

0 ~ 127

Amplitude Level

215

1

01 57

0 ~ 127

Break Point 1

216

1

01 58

-64 ~ 63

Offset 1

217~230

01 59 ~ 01 66

Break Point/Offset 2~8

231~240

01 67 ~ 01 70

32 ~ 126

Element Name 1~10

241~707

01 71 ~ 05 43

reserve

708

2

05 44

-127 ~ 127

Excitation Level To Pipe/String

710

1

05 46

0 ~ 127

Break Point 1

711

2

05 47

-127 ~ 127

Offset 1

713~718

05 49 ~ 05 4E

Break Point/Offset 2~3

719~725

05 4F ~ 05 55

reserve

726

2

05 56

-127 ~ 127

Excitation Level To Driver

728

1

05 58

0 ~ 127

Break Point 1

729

2

05 59

-127 ~ 127

Offset 1

731~736

05 5B ~ 05 60

Break Point/Offset 2~3

737

1

05 61

0 ~ 127

Excitation LPF Cutoff Freq

738

1

05 62

0 ~ 127

Break Point 1

739

1

05 63

-64 ~ 63

Offset 1

740~743

05 64 ~ 05 67

Break Point/Offset 2~3

744

1

05 68

0 ~ 16

Excitation Velo Sens To Level

745

1

05 69

0 ~ 16

Excitation Velo Sens To LPF

746

1

05 6A

-16 ~ 16

Excitation Velo Sens To

P.Width

747

1

05 6B

0 ~ 127

Excitation Pulse Width

748

1

05 6C

0 ~ 127

Break Point 1

749

1

05 6D

-64 ~ 63

Offset 1

750~753

05 6E ~ 05 71

Break Point/Offset 2~3

754

05 72

reserve

755

1

05 73

0 ~ 5

HE Carrier Signal

756

1

05 74

0 ~ 127

HE Carrier HPF

757

1

05 75

0 ~ 127

Break Point 1

758

1

05 76

-64 ~ 63

Offset 1

759~764

05 77 ~ 05 7C

Break Point/Offset 2~4

765

1

05 7D

-64 ~ 63

HE Carrier Overdrive

766

1

05 7E

0 ~ 127

Break Point 1

767

1

05 7F

-64 ~ 63

Offset 1

768~773

06 00 ~ 06 05

Break Point/Offset 2~4

774

1

06 06

0 ~ 127

HE Carrier Level

775

1

06 07

0 ~ 127

Break Point 1

776

1

06 08

-64 ~ 63

Offset 1

777~786

06 09 ~ 06 12

Break Point/Offset 2~6

787

1

06 13

0 ~ 5

HE Modulator Signal

788

1

06 14

0 ~ 127

HE Modulator HPF

789

1

06 15

0 ~ 127

Break Point 1

790

1

06 16

-64 ~ 63

Offset 1

791~792

06 17 ~ 06 18

Break Point/Offset 2

793

1

06 19

-64 ~ 63

HE Modulator Overdrive

794

1

06 1A

0 ~ 127

Break Point 1

795

1

06 1B

-64 ~ 63

Offset 1

796~797

06 1C ~ 06 1D

Break Point/Offset 2

798

1

06 1E

0 ~ 127

HE Modulator Phase

799

1

06 1F

0 ~ 127

HE Modulator Index

800

1

06 20

0 ~ 127

Break Point 1

801

1

06 21

-64 ~ 63

Offset 1

802~807

06 22 ~ 06 27

Break Point/Offset 2~4

808

1

06 28

-64 ~ 63

HE Balance

809

1

06 29

0 ~ 127

Break Point 1

810

1

06 2A

-64 ~ 63

Offset 1

811~816

06 2B ~ 06 30

Break Point/Offset 2~4

817

1

06 31

0 ~ 3

DF Filter Mode

818

1

06 32

0 ~ 127

DF Input Gain

819

1

06 33

0 ~ 1

DF Cutoff Tracking

820

1

06 34

0~127(-64~63) DF Cutoff Freq (Tracking=1)

821

1

06 35

0 ~ 127

Break Point 1

822

1

06 36

-64 ~ 63

Offset 1

MIDI Data Format

Summary of Contents for VL

Page 1: ...ersion 2 Voices 2 VL1 VL1 m Version 2 WX Voices 6 VL7 Version 2 Voices 8 VL7 Version 2 WX Voices 10 Additional Version 2 Voices 11 MDI Data Format 12 MIDI Implementation Chart VL1 21 VL1 m 22 VL7 23 V...

Page 2: ...n The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 MuteCone Simulation of the muted trumpet A16 016 Acid Bass A perfect bass sound for acid basslines Voice n...

Page 3: ...047 Croma Harp A chromatic harmonica simulation C16 048 JungleBass Sliding bass for jungle music Voice number Voice name Voice explanation D01 049 SynthSplit Dual Oscillator synth lead with slow attac...

Page 4: ...zzy tenor sax F03 083 SteamLead Soft lead w hard attack Velocity controls the brigtness of the steam MW2 CC13 brings the sound up an octave and changes the timbre F04 084 Horn A poly mode horn voice F...

Page 5: ...lanation H01 113 Afterwork This voice benefits from extensive use of aftertouch H02 114 Alto Sax Bright alto sax simulation H03 115 Tenor Air Unique tenor lead tone MW2 CC13 controls Embouchure for su...

Page 6: ...d To turn this effect off set the Sustain Lvl parameter in the EDIT E1 ENV VIBRATO parameter page to 0 Voice number Voice name Voice explanation A01 001 Hey Kenny A soprano sax simulation with delayed...

Page 7: ...mely wide range B08 024 HarpSoprn A combination of soprano sax and harp B09 025 WX Trumpet Tonguing can produce sounds ranging from flugelhorn to bright trumpet Try applying gradual upward pitch bend...

Page 8: ...an using lots of throat formant A13 013 Freezing Experiment with all the controllers A14 014 EnglishHrn The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 Mute...

Page 9: ...range with BC Warm reedy timbre at low pressure MW2 CC13 controls tonguing move towards maximum to soften the tonguing transient Voice number Voice name Voice explanation D01 049 AirSqeezer Simple oct...

Page 10: ...soprano sax simulation with delayed vibrato A02 002 AcoEkoSyn A grass reed type synth voice that takes full advantage of VL technology Take advantage of the light portamento effect A03 003 PanPicol So...

Page 11: ...ersion 2 Voices Additional Version 2 Voices File name ADDITION ALL This file includes some excellent voices that are not in the VL1_VER2 ALL or VL7_VER2 ALL files Most are single element voices so the...

Page 12: ...hanges Program Change data Voice number VL1 1 m 00 7F A01 001 H16 128 VL7 00 3F A01 001 D16 064 40 7F A01 001 D16 064 Reception may not be possible if Memory protect is ON in Bulk Dump Details of Syst...

Page 13: ...etails of System Exclusive Message are given later Active Sensing will be transmitted every 270 msec approximately Keyboards Octave Switch Transpose Note Shift Tone Generator Controllers Local on off...

Page 14: ...1 are ignored as they are sent as 0 s Data for VC is nos 32 139 Common Data Separate table 5 1 nos 0 107 nos 140 1619 Element 1 Data Separate table 5 2 nos 0 1479 nos 1620 3099 Element 2 Data Separate...

Page 15: ...bbbbb b LSB of byte count Byte count is from count 6 to the beginning of check sum 6 01001100 4C ascii L 7 01001101 4D ascii M 8 00100000 20 ascii 9 00100000 20 ascii 10 00111000 38 ascii 8 11 0011000...

Page 16: ...em2 Rand Pitch VL1 1 m only 45 1 00 2D 0 86 Elem1 MicroTuning 46 1 00 2E 0 86 Elem2 MicroTuning VL1 1 m only 47 1 00 2F 0 127 Elem1 Level 48 1 00 30 0 127 Elem2 Level VL1 1 m only 49 1 00 31 64 63 Ele...

Page 17: ...h 13 17 reserve Table 5 1 3 Reverberation no c v name 0 1 0 100 Return 1 1 0 95 Reverb Time 2 1 0 9 High Control 3 1 0 10 Diffusion 4 2 0 405 Initial Delay 6 1 21 12 Treble 7 1 21 12 Bass 8 1 0 3 Feel...

Page 18: ...tion 198 1 01 46 0 127 Break Point 1 199 1 01 47 64 63 Offset 1 200 213 01 48 01 55 Break Point Offset 2 8 214 1 01 56 0 127 Amplitude Level 215 1 01 57 0 127 Break Point 1 216 1 01 58 64 63 Offset 1...

Page 19: ...1 07 4A 07 4B Break Point Offset 2 972 1 07 4C 0 127 E P EG Attack Level 973 1 07 4D 0 127 Break Point 1 974 1 07 4E 64 63 Offset 1 975 976 07 4F 07 50 Break Point Offset 2 977 1 07 51 0 127 E P EG De...

Page 20: ...e Master Tuning of System Parameters can only be performed during reception Transmission will be performed using the 4 4 DX1 Master Tuning Compatibil ity format In addition Device Number Parameter Cha...

Page 21: ......

Page 22: ......

Page 23: ......

Page 24: ...M D G EMI Division Yamaha Corporation 1995 512POCP6 2 01A0 Printed in Japan...

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