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Voice Lists

16

MIDI Data Format

5

Appended Tables

In this table -

no.

is the parameter number

(decimal)

c

is the data count

(decimal)

p

is the offset (MSB, LSB)

(hexadecimal)

v

is the value

(decimal)

Values may be of four types given below, depending on the range of the

values.  These values are expressed in MIDI data in hexadecimal.

0 ~ 127

: 00 ~ 7F

0 ~ 127 , 128 ~ 16383

: 00 00 ~ 00 7F , 01 00 ~ 7F 7F

-64 ~ -1 , 0 , 1 ~ 63

: 40 ~ 7F , 00 , 01 ~ 3F

(2’s compliment)

-128 ~ -1 , 0 , 1 ~ 127

: 01 00 ~ 01 7F , 00 00 , 00 01 ~ 00 7F

(2’s compliment)

Table 5.1  Common Parameters

no.

c

p

v

name

0~9

1

00 00 ~ 00 09

32 ~ 126

Voice Name 1~10

10~15

00 0A ~ 00 0F

0

reserve

16

1

00 10

0 ~ 3

Key Mode

VL1,1-m only

17

1

00 11

0 ~ 1

Voice Mode

VL1,1-m only

18

1

00 12

0 ~ 2

Split Mode

VL1,1-m only

19

1

00 13

0 ~ 127

Split Point

VL1,1-m only

20

1

00 14

0 ~ 24

Split Interval

VL1,1-m only

21

1

00 15

0 ~ 15

Elem1 MIDI Rch

VL1,1-m only

22

1

00 16

0 ~ 15

Elem2 MIDI Rch

VL1,1-m only

23

1

00 17

0 ~ 31

Poly Expand Mode VL1,1-m only

24

1

00 18

0 ~ 31

Poly Expand No.

VL1,1-m only

25

1

00 19

0 ~ 2

PB,AT&MOD Mode VL1,1-m only

26

1

00 1A

0 ~ 119

Polyphony Control

VL1,1-m only

27

1

00 1B

0 ~ 1

Sustain

28

1

00 1C

0 ~ 2

Pitch Bend Mode

VL1,1-m only

29

1

00 1D

0 ~ 2

Assign Mode

30

1

00 1E

0 ~ 127

Brth Atck Time

31

1

00 1F

0 ~ 127

Brth Atck Gain

32

1

00 20

0 ~ 127

Touch EG Time

33

1

00 21

0 ~ 127

Touch EG Gain

34

1

00 22

0 ~ 1

Portamento Time MIDI Control

35

1

00 23

0 ~ 1

Portamento Mode

36

1

00 24

0 ~ 127

Portamento Time

37

1

00 25

0 ~ 1

Elem1 Portamento

38

1

00 26

0 ~ 1

Elem2 Portamento

VL1,1-m only

39

1

00 27

-7 ~ 7

Elem1 Detune

40

1

00 28

-7 ~ 7

Elem2 Detune

VL1,1-m only

41

1

00 29

-64 ~ 63

Elem1 Note Shift

42

1

00 2A

-64 ~ 63

Elem2 Note Shift

VL1,1-m only

43

1

00 2B

0 ~ 7

Elem1 Rand Pitch

44

1

00 2C

0 ~ 7

Elem2 Rand Pitch

VL1,1-m only

45

1

00 2D

0 ~ 86

Elem1 MicroTuning

46

1

00 2E

0 ~ 86

Elem2 MicroTuning VL1,1-m only

47

1

00 2F

0 ~ 127

Elem1 Level

48

1

00 30

0 ~ 127

Elem2 Level

VL1,1-m only

49

1

00 31

-64 ~ 63

Elem1 Pan L

50

1

00 32

-64 ~ 63

Elem1 Pan R

51

1

00 33

-64 ~ 63

Elem2 Pan L

VL1,1-m only

52

1

00 34

-64 ~ 63

Elem2 Pan R

VL1,1-m only

53

1

00 35

0 ~ 4 ( 0 ~ 2)

CS1 Class

(Voice Mode=0 or VL7)

54

2

00 36

0 ~ 150 (0 ~ 47)

CS1 Assign (CS1 Class=1)

56

1

00 38

0 ~ 4 (0 ~ 2)

CS2 Class

(Voice Mode=0 or VL7)

57

2

00 39

0 ~ 150 (0 ~ 47)

CS2 Assign (CS2 Class=1)

59

1

00 3B

0 ~ 3

Destination Effect

60

1

00 3C

0 ~ 122

Effect Controller

61

1

00 3D

0 ~ 9

Mod Effect Type

62

1

00 3E

0 ~ 1

Elem1 on/off

VL1,1-m only

63

1

00 3F

0 ~ 1

Elem2 on/off

VL1,1-m only

64~73

00 40 ~ 00 49

Refer to Table 5.1.1 Mod Effect no.0 ~ 9.

74

1

00 4A

0 ~ 1

FBD/Reverb Mode

75

1

00 4B

0 ~ 3

FBD Type

76

1

00 4C

0 ~ 100

FBD Return

77~94

00 4D ~ 00 5E

Refer to Table 5.1.2 FBD no.0 ~ 17.

95

1

00 5F

0 ~ 8

Reverb Type

96~105

00 60 ~ 00 69

Refer to Table 5.1.3 Reverb no.0 ~ 9.

106~107

00 6A ~ 00 6B

reserve

Table 5.1.1 Modulation Effect
Flanger

no.

c

v

name

0

1

0 ~ 2

Wave

1

1

0 ~ 127

Freq

2

1

0 ~ 100

Depth

3

1

0 ~ 126

Delay

4

1

-8 ~ 8

Phase

5

2

-100 ~ 100

FB Gain

7

1

0 ~ 9

High

8

1

0 ~ 10

Analog Feel

9

1

0 ~ 100

Wet/Dry Balance

Pitch Change

no.

c

v

name

0

1

0 ~ 1

Mode

1

1

-12 ~ 12

Pitch 1

2

2

-100 ~ 100

Fine 1

4

1

0 ~ 100

Out 1

5

1

-12 ~ 12

Pitch 2

6

2

-100 ~ 100

Fine 2

8

1

0 ~ 100

Out 2

9

1

0 ~ 100

Wet/Dry Balance

Distortion

no.

c

v

name

0

1

0 ~ 100

Overdrive

1~2

reserve

3

1

0 ~ 4

Device

4

1

0 ~ 5

Speaker

5

1

-10 ~ 10

Presence

6

1

0 ~ 100

Output Level

7~9

reserve

Chorus

no.

c

v

name

0

1

0 ~ 1

Mode

1

1

0 ~ 127

Freq

2

1

0 ~ 100

Depth

3

1

0 ~ 126

Delay

4

2

-100 ~ 100

FB Gain

6

1

0 ~ 9

High

7

1

0 ~ 100

Wet/Dry Balance

8~9

reserve

Phaser

no.

c

v

name

0

1

0 ~ 1

Mode

1

1

0 ~ 1 ( 0 ~ 3 )

Stage (Mode=0)

2

1

0 ~ 127

Freq

3

1

0 ~ 100

Depth

4

1

0 ~ 100

Offset

5

1

-8 ~ 8 ( 0 ~ 1 ) Phase (Diffusion when Mode=0)

6

2

-100 ~ 100

FB Gain

8

1

0 ~ 100

Wet/Dry Balance

9

reserve

Summary of Contents for VL

Page 1: ...ersion 2 Voices 2 VL1 VL1 m Version 2 WX Voices 6 VL7 Version 2 Voices 8 VL7 Version 2 WX Voices 10 Additional Version 2 Voices 11 MDI Data Format 12 MIDI Implementation Chart VL1 21 VL1 m 22 VL7 23 V...

Page 2: ...n The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 MuteCone Simulation of the muted trumpet A16 016 Acid Bass A perfect bass sound for acid basslines Voice n...

Page 3: ...047 Croma Harp A chromatic harmonica simulation C16 048 JungleBass Sliding bass for jungle music Voice number Voice name Voice explanation D01 049 SynthSplit Dual Oscillator synth lead with slow attac...

Page 4: ...zzy tenor sax F03 083 SteamLead Soft lead w hard attack Velocity controls the brigtness of the steam MW2 CC13 brings the sound up an octave and changes the timbre F04 084 Horn A poly mode horn voice F...

Page 5: ...lanation H01 113 Afterwork This voice benefits from extensive use of aftertouch H02 114 Alto Sax Bright alto sax simulation H03 115 Tenor Air Unique tenor lead tone MW2 CC13 controls Embouchure for su...

Page 6: ...d To turn this effect off set the Sustain Lvl parameter in the EDIT E1 ENV VIBRATO parameter page to 0 Voice number Voice name Voice explanation A01 001 Hey Kenny A soprano sax simulation with delayed...

Page 7: ...mely wide range B08 024 HarpSoprn A combination of soprano sax and harp B09 025 WX Trumpet Tonguing can produce sounds ranging from flugelhorn to bright trumpet Try applying gradual upward pitch bend...

Page 8: ...an using lots of throat formant A13 013 Freezing Experiment with all the controllers A14 014 EnglishHrn The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 Mute...

Page 9: ...range with BC Warm reedy timbre at low pressure MW2 CC13 controls tonguing move towards maximum to soften the tonguing transient Voice number Voice name Voice explanation D01 049 AirSqeezer Simple oct...

Page 10: ...soprano sax simulation with delayed vibrato A02 002 AcoEkoSyn A grass reed type synth voice that takes full advantage of VL technology Take advantage of the light portamento effect A03 003 PanPicol So...

Page 11: ...ersion 2 Voices Additional Version 2 Voices File name ADDITION ALL This file includes some excellent voices that are not in the VL1_VER2 ALL or VL7_VER2 ALL files Most are single element voices so the...

Page 12: ...hanges Program Change data Voice number VL1 1 m 00 7F A01 001 H16 128 VL7 00 3F A01 001 D16 064 40 7F A01 001 D16 064 Reception may not be possible if Memory protect is ON in Bulk Dump Details of Syst...

Page 13: ...etails of System Exclusive Message are given later Active Sensing will be transmitted every 270 msec approximately Keyboards Octave Switch Transpose Note Shift Tone Generator Controllers Local on off...

Page 14: ...1 are ignored as they are sent as 0 s Data for VC is nos 32 139 Common Data Separate table 5 1 nos 0 107 nos 140 1619 Element 1 Data Separate table 5 2 nos 0 1479 nos 1620 3099 Element 2 Data Separate...

Page 15: ...bbbbb b LSB of byte count Byte count is from count 6 to the beginning of check sum 6 01001100 4C ascii L 7 01001101 4D ascii M 8 00100000 20 ascii 9 00100000 20 ascii 10 00111000 38 ascii 8 11 0011000...

Page 16: ...em2 Rand Pitch VL1 1 m only 45 1 00 2D 0 86 Elem1 MicroTuning 46 1 00 2E 0 86 Elem2 MicroTuning VL1 1 m only 47 1 00 2F 0 127 Elem1 Level 48 1 00 30 0 127 Elem2 Level VL1 1 m only 49 1 00 31 64 63 Ele...

Page 17: ...h 13 17 reserve Table 5 1 3 Reverberation no c v name 0 1 0 100 Return 1 1 0 95 Reverb Time 2 1 0 9 High Control 3 1 0 10 Diffusion 4 2 0 405 Initial Delay 6 1 21 12 Treble 7 1 21 12 Bass 8 1 0 3 Feel...

Page 18: ...tion 198 1 01 46 0 127 Break Point 1 199 1 01 47 64 63 Offset 1 200 213 01 48 01 55 Break Point Offset 2 8 214 1 01 56 0 127 Amplitude Level 215 1 01 57 0 127 Break Point 1 216 1 01 58 64 63 Offset 1...

Page 19: ...1 07 4A 07 4B Break Point Offset 2 972 1 07 4C 0 127 E P EG Attack Level 973 1 07 4D 0 127 Break Point 1 974 1 07 4E 64 63 Offset 1 975 976 07 4F 07 50 Break Point Offset 2 977 1 07 51 0 127 E P EG De...

Page 20: ...e Master Tuning of System Parameters can only be performed during reception Transmission will be performed using the 4 4 DX1 Master Tuning Compatibil ity format In addition Device Number Parameter Cha...

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Page 24: ...M D G EMI Division Yamaha Corporation 1995 512POCP6 2 01A0 Printed in Japan...

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