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17

Voice Lists

MIDI Data Format

Symphonic

no.

c

v

name

0

1

0 ~ 1

Mode

1

1

0 ~ 127

Freq

2

1

0 ~ 100

Depth

3

1

0 ~ 10

Diffusion

4

1

0 ~ 12

Lo-Fi

5

1

0 ~ 100

Wet/Dry Balance

6~9

reserve

Celeste

no.

c

v

name

0

1

0 ~ 1

Mode

1

1

0 ~ 127

Freq

2

1

0 ~ 100

Depth

3

1

0 ~ 126

Delay

4

2

-100 ~ 100

FB Gain

6

1

0 ~ 12

Lo-Fi

7

1

0 ~ 100

Wet/Dry Balance

8~9

reserve

DisFlanger

no.

c

v

name

0

1

0 ~ 100

Overdrive

1

1

0 ~ 5

Speaker

2

1

0 ~ 100

Output Level

3

1

0 ~ 127

Freq

4

1

0 ~ 100

Depth

5

1

0 ~ 126

Delay

6

1

-8 ~ 8

Phase

7

1

0 ~ 100

FB Gain

8

1

0 ~ 9

High

9

1

0 ~ 100

Flanger Balance

DisWah

no.

c

v

name

0

1

0 ~ 100

Overdrive

1

1

0 ~ 5

Speaker

2

1

0 ~ 100

Output Level

3

1

0 ~ 3

Mode

4

1

0 ~ 1

Wah Pre/Post

5

1

0 ~ 127

Cutoff Freq

6

1

0 ~ 127

Resonance

7

1

0 ~ 100

Sens

8~9

reserve

Table 5.1.2 Feedback Delay
Mono

no.

c

v

name

0~5

reserve

6

2

0 ~1024

Delay Time

8

1

0 ~ 100

Level

9

2

0 ~1024

FB Delay Time

11

1

0 ~ 100

FB Gain

12

1

0 ~ 9

High

13~17

reserve

L/R

no.

c

v

name

0

2

0 ~ 512

Lch Delay Time

2

1

0 ~ 100

Lch FB Gain

3

1

0 ~ 9

Lch High

4

1

0 ~ 100

Lch Level

5

2

0 ~ 512

Rch Delay Time

7

1

0 ~ 100

Rch FB Gain

8

1

0 ~ 9

Rch High

9

1

0 ~ 100

Rch Level

10~17

reserve

L/C/R

no.

c

v

name

0

2

0 ~1024

Lch Delay Time

2

1

0 ~ 100

Lch Level

3

2

0 ~1024

Rch Delay Time

5

1

0 ~ 100

Rch Level

6

2

0 ~1024

Cch Delay Time

8

1

0 ~ 100

Cch Level

9

2

0 ~1024

FB Delay Time

11

1

0 ~ 100

FB Gain

12

1

0 ~ 9

High

13~17

reserve

Table 5.1.3 Reverberation

no.

c

v

name

0

1

0 ~ 100

Return

1

1

0 ~ 95

Reverb Time

2

1

0 ~ 9

High Control

3

1

0 ~ 10

Diffusion

4

2

0 ~ 405

Initial Delay

6

1

-21 ~ 12

Treble

7

1

-21 ~ 12

Bass

8

1

0 ~ 3

Feel

9

1

0 ~ 10

Reverb Time Boost

Table 5.2 Element Parameters

no.

c

p

v

name

0

1

00 00

0 ~ 124

Pressure Control

1

1

00 01

-16 ~ 16

Pressure Curve

2

2

00 02

-127 ~ 127

Pressure Depth

4

1

00 04

0 ~ 124

Embouchure Control

5

1

00 05

0 ~ 1

Embouchure Mode

6

2

00 06

-127 ~ 127

Embouchure Upper Depth

8

2

00 08

-127 ~ 127

Embouchure Lower Depth

10

1

00 0A

0 ~ 124

Pitch Control

11

1

00 0B

0 ~ 1

Pitch Mode

12

1

00 0C

-12 ~ 12

Pitch Upper Depth

13

1

00 0D

-12 ~ 12

Pitch Lower Depth

14

1

00 0E

0 ~ 124

Vibrato Control

15

reserve

16

2

00 10

-127 ~ 127

Vibrato Depth

18

1

00 12

0 ~ 124

Tonguing Control

19

1

00 13

-16 ~ 16

Tonguing Curve

20

2

00 14

-127 ~ 127

Tonguing Depth

22

1

00 16

0 ~ 124

Amplitude Control

23

1

00 17

-16 ~ 16

Amplitude Curve

24

2

00 18

-127 ~ 127

Amplitude Depth

26

1

00 1A

0 ~ 124

Scream Control

27

1

00 1B

0 ~ 127

Scream Value

28

1

00 1C

-16 ~ 16

Scream Curve

29

2

00 1D

-127 ~ 127

Scream Depth

31

1

00 1F

0 ~ 124

B.Noise Control

32

1

00 20

0 ~ 127

B.Noise Value

33

1

00 21

-16 ~ 16

B.Noise Curve

34

2

00 22

-127 ~ 127

B.Noise Depth

36

1

00 24

0 ~ 124

Growl Control

37

1

00 25

0 ~ 127

Growl Value

38

1

00 26

-16 ~ 16

Growl Curve

39

2

00 27

-127 ~ 127

Growl Depth

41

1

00 29

0 ~ 124

T.Formant Control

42

1

00 2A

0 ~ 127

T.Formant Value

43

1

00 2B

-16 ~ 16

T.Formant Curve

44

2

00 2C

-127 ~ 127

T.Formant Depth

46

1

00 2E

0 ~ 124

D.Filter Control

47

1

00 2F

-16 ~ 16

D.Filter Curve

Summary of Contents for VL

Page 1: ...ersion 2 Voices 2 VL1 VL1 m Version 2 WX Voices 6 VL7 Version 2 Voices 8 VL7 Version 2 WX Voices 10 Additional Version 2 Voices 11 MDI Data Format 12 MIDI Implementation Chart VL1 21 VL1 m 22 VL7 23 V...

Page 2: ...n The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 MuteCone Simulation of the muted trumpet A16 016 Acid Bass A perfect bass sound for acid basslines Voice n...

Page 3: ...047 Croma Harp A chromatic harmonica simulation C16 048 JungleBass Sliding bass for jungle music Voice number Voice name Voice explanation D01 049 SynthSplit Dual Oscillator synth lead with slow attac...

Page 4: ...zzy tenor sax F03 083 SteamLead Soft lead w hard attack Velocity controls the brigtness of the steam MW2 CC13 brings the sound up an octave and changes the timbre F04 084 Horn A poly mode horn voice F...

Page 5: ...lanation H01 113 Afterwork This voice benefits from extensive use of aftertouch H02 114 Alto Sax Bright alto sax simulation H03 115 Tenor Air Unique tenor lead tone MW2 CC13 controls Embouchure for su...

Page 6: ...d To turn this effect off set the Sustain Lvl parameter in the EDIT E1 ENV VIBRATO parameter page to 0 Voice number Voice name Voice explanation A01 001 Hey Kenny A soprano sax simulation with delayed...

Page 7: ...mely wide range B08 024 HarpSoprn A combination of soprano sax and harp B09 025 WX Trumpet Tonguing can produce sounds ranging from flugelhorn to bright trumpet Try applying gradual upward pitch bend...

Page 8: ...an using lots of throat formant A13 013 Freezing Experiment with all the controllers A14 014 EnglishHrn The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 Mute...

Page 9: ...range with BC Warm reedy timbre at low pressure MW2 CC13 controls tonguing move towards maximum to soften the tonguing transient Voice number Voice name Voice explanation D01 049 AirSqeezer Simple oct...

Page 10: ...soprano sax simulation with delayed vibrato A02 002 AcoEkoSyn A grass reed type synth voice that takes full advantage of VL technology Take advantage of the light portamento effect A03 003 PanPicol So...

Page 11: ...ersion 2 Voices Additional Version 2 Voices File name ADDITION ALL This file includes some excellent voices that are not in the VL1_VER2 ALL or VL7_VER2 ALL files Most are single element voices so the...

Page 12: ...hanges Program Change data Voice number VL1 1 m 00 7F A01 001 H16 128 VL7 00 3F A01 001 D16 064 40 7F A01 001 D16 064 Reception may not be possible if Memory protect is ON in Bulk Dump Details of Syst...

Page 13: ...etails of System Exclusive Message are given later Active Sensing will be transmitted every 270 msec approximately Keyboards Octave Switch Transpose Note Shift Tone Generator Controllers Local on off...

Page 14: ...1 are ignored as they are sent as 0 s Data for VC is nos 32 139 Common Data Separate table 5 1 nos 0 107 nos 140 1619 Element 1 Data Separate table 5 2 nos 0 1479 nos 1620 3099 Element 2 Data Separate...

Page 15: ...bbbbb b LSB of byte count Byte count is from count 6 to the beginning of check sum 6 01001100 4C ascii L 7 01001101 4D ascii M 8 00100000 20 ascii 9 00100000 20 ascii 10 00111000 38 ascii 8 11 0011000...

Page 16: ...em2 Rand Pitch VL1 1 m only 45 1 00 2D 0 86 Elem1 MicroTuning 46 1 00 2E 0 86 Elem2 MicroTuning VL1 1 m only 47 1 00 2F 0 127 Elem1 Level 48 1 00 30 0 127 Elem2 Level VL1 1 m only 49 1 00 31 64 63 Ele...

Page 17: ...h 13 17 reserve Table 5 1 3 Reverberation no c v name 0 1 0 100 Return 1 1 0 95 Reverb Time 2 1 0 9 High Control 3 1 0 10 Diffusion 4 2 0 405 Initial Delay 6 1 21 12 Treble 7 1 21 12 Bass 8 1 0 3 Feel...

Page 18: ...tion 198 1 01 46 0 127 Break Point 1 199 1 01 47 64 63 Offset 1 200 213 01 48 01 55 Break Point Offset 2 8 214 1 01 56 0 127 Amplitude Level 215 1 01 57 0 127 Break Point 1 216 1 01 58 64 63 Offset 1...

Page 19: ...1 07 4A 07 4B Break Point Offset 2 972 1 07 4C 0 127 E P EG Attack Level 973 1 07 4D 0 127 Break Point 1 974 1 07 4E 64 63 Offset 1 975 976 07 4F 07 50 Break Point Offset 2 977 1 07 51 0 127 E P EG De...

Page 20: ...e Master Tuning of System Parameters can only be performed during reception Transmission will be performed using the 4 4 DX1 Master Tuning Compatibil ity format In addition Device Number Parameter Cha...

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Page 24: ...M D G EMI Division Yamaha Corporation 1995 512POCP6 2 01A0 Printed in Japan...

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