17
Voice Lists
MIDI Data Format
Symphonic
no.
c
v
name
0
1
0 ~ 1
Mode
1
1
0 ~ 127
Freq
2
1
0 ~ 100
Depth
3
1
0 ~ 10
Diffusion
4
1
0 ~ 12
Lo-Fi
5
1
0 ~ 100
Wet/Dry Balance
6~9
reserve
Celeste
no.
c
v
name
0
1
0 ~ 1
Mode
1
1
0 ~ 127
Freq
2
1
0 ~ 100
Depth
3
1
0 ~ 126
Delay
4
2
-100 ~ 100
FB Gain
6
1
0 ~ 12
Lo-Fi
7
1
0 ~ 100
Wet/Dry Balance
8~9
reserve
DisFlanger
no.
c
v
name
0
1
0 ~ 100
Overdrive
1
1
0 ~ 5
Speaker
2
1
0 ~ 100
Output Level
3
1
0 ~ 127
Freq
4
1
0 ~ 100
Depth
5
1
0 ~ 126
Delay
6
1
-8 ~ 8
Phase
7
1
0 ~ 100
FB Gain
8
1
0 ~ 9
High
9
1
0 ~ 100
Flanger Balance
DisWah
no.
c
v
name
0
1
0 ~ 100
Overdrive
1
1
0 ~ 5
Speaker
2
1
0 ~ 100
Output Level
3
1
0 ~ 3
Mode
4
1
0 ~ 1
Wah Pre/Post
5
1
0 ~ 127
Cutoff Freq
6
1
0 ~ 127
Resonance
7
1
0 ~ 100
Sens
8~9
reserve
Table 5.1.2 Feedback Delay
Mono
no.
c
v
name
0~5
reserve
6
2
0 ~1024
Delay Time
8
1
0 ~ 100
Level
9
2
0 ~1024
FB Delay Time
11
1
0 ~ 100
FB Gain
12
1
0 ~ 9
High
13~17
reserve
L/R
no.
c
v
name
0
2
0 ~ 512
Lch Delay Time
2
1
0 ~ 100
Lch FB Gain
3
1
0 ~ 9
Lch High
4
1
0 ~ 100
Lch Level
5
2
0 ~ 512
Rch Delay Time
7
1
0 ~ 100
Rch FB Gain
8
1
0 ~ 9
Rch High
9
1
0 ~ 100
Rch Level
10~17
reserve
L/C/R
no.
c
v
name
0
2
0 ~1024
Lch Delay Time
2
1
0 ~ 100
Lch Level
3
2
0 ~1024
Rch Delay Time
5
1
0 ~ 100
Rch Level
6
2
0 ~1024
Cch Delay Time
8
1
0 ~ 100
Cch Level
9
2
0 ~1024
FB Delay Time
11
1
0 ~ 100
FB Gain
12
1
0 ~ 9
High
13~17
reserve
Table 5.1.3 Reverberation
no.
c
v
name
0
1
0 ~ 100
Return
1
1
0 ~ 95
Reverb Time
2
1
0 ~ 9
High Control
3
1
0 ~ 10
Diffusion
4
2
0 ~ 405
Initial Delay
6
1
-21 ~ 12
Treble
7
1
-21 ~ 12
Bass
8
1
0 ~ 3
Feel
9
1
0 ~ 10
Reverb Time Boost
Table 5.2 Element Parameters
no.
c
p
v
name
0
1
00 00
0 ~ 124
Pressure Control
1
1
00 01
-16 ~ 16
Pressure Curve
2
2
00 02
-127 ~ 127
Pressure Depth
4
1
00 04
0 ~ 124
Embouchure Control
5
1
00 05
0 ~ 1
Embouchure Mode
6
2
00 06
-127 ~ 127
Embouchure Upper Depth
8
2
00 08
-127 ~ 127
Embouchure Lower Depth
10
1
00 0A
0 ~ 124
Pitch Control
11
1
00 0B
0 ~ 1
Pitch Mode
12
1
00 0C
-12 ~ 12
Pitch Upper Depth
13
1
00 0D
-12 ~ 12
Pitch Lower Depth
14
1
00 0E
0 ~ 124
Vibrato Control
15
reserve
16
2
00 10
-127 ~ 127
Vibrato Depth
18
1
00 12
0 ~ 124
Tonguing Control
19
1
00 13
-16 ~ 16
Tonguing Curve
20
2
00 14
-127 ~ 127
Tonguing Depth
22
1
00 16
0 ~ 124
Amplitude Control
23
1
00 17
-16 ~ 16
Amplitude Curve
24
2
00 18
-127 ~ 127
Amplitude Depth
26
1
00 1A
0 ~ 124
Scream Control
27
1
00 1B
0 ~ 127
Scream Value
28
1
00 1C
-16 ~ 16
Scream Curve
29
2
00 1D
-127 ~ 127
Scream Depth
31
1
00 1F
0 ~ 124
B.Noise Control
32
1
00 20
0 ~ 127
B.Noise Value
33
1
00 21
-16 ~ 16
B.Noise Curve
34
2
00 22
-127 ~ 127
B.Noise Depth
36
1
00 24
0 ~ 124
Growl Control
37
1
00 25
0 ~ 127
Growl Value
38
1
00 26
-16 ~ 16
Growl Curve
39
2
00 27
-127 ~ 127
Growl Depth
41
1
00 29
0 ~ 124
T.Formant Control
42
1
00 2A
0 ~ 127
T.Formant Value
43
1
00 2B
-16 ~ 16
T.Formant Curve
44
2
00 2C
-127 ~ 127
T.Formant Depth
46
1
00 2E
0 ~ 124
D.Filter Control
47
1
00 2F
-16 ~ 16
D.Filter Curve
Summary of Contents for VL
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Page 24: ...M D G EMI Division Yamaha Corporation 1995 512POCP6 2 01A0 Printed in Japan...