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Voice Lists

Voice number

Voice name

Voice explanation

G01 (097)

AirSqeezer

Simple octave analog synth.

G02 (098)

Nat Tenor

Tenor sax with a unique attack.

G03 (099)

Sarangi

Traditional Indian string instrument.  Use aftertouch vibrato and pitch bend for microtonal ornaments,
and for timbral variation.

G04 (100)

Cornet

A cornet for easy-listening styles.

G05 (101)

Square

Synth bass with emphasized filter.

G06 (102)

Nu Viola

Mellow, woody viola.  Range C2-G6. MW2 (CC13) for tremolo. Vary BC pressure for bowing … try
tonguing BC for hard bowed attack.

G07 (103)

MoreGrunge

A new type of deep synthesized lead.

G08 (104)

Aerophone

Hollow, breathy, new woodwind instrument.  Play in tenor and alto ranges.  MW2 (CC13) to
Embouchure for alternate bend effect.  Aftertouch for growl.

G09 (105)

Spanish

Spanish type acoustic guitar.

G10 (106)

FluBassoon

A classical woodwind ensemble.

G11 (107)

Floboe

A combination of properties of several different woodwind instruments.

G12 (108)

PlastcReed

The sound of a plastic reed instrument that is warm at low pressures but thin at higher pressures.
Growl on aftertouch.

G13 (109)

Mu

Noise produced by MW1. The tone is controlled by MW2 (CC13).

G14 (110)

DarkBasoon

A dark, but lighter bassoon voice than the original VL bassoon. Range is Bb1 (oct down) to Eb5.

G15 (111)

Faerie Bow

A new “violin” instrument that happens to sound like a bright, vocal, “gizmo” motorized synth. Try BC
tonguing for a nice hard bowed attack.  MW2 (CC13) controls attack tightness.  Range C2-C6.

G16 (112)

Yamasteel

A steel drum-like  percussion sound. MW2 (CC13) changes the timbre.

Voice number

Voice name

Voice explanation

H01 (113)

Afterwork

This voice benefits from extensive use of aftertouch.

H02 (114)

Alto Sax

Bright alto sax simulation.

H03 (115)

Tenor Air

Unique tenor lead tone. MW2 (CC13) controls Embouchure for subtle pitch bend effects.

H04 (116)

Lite Tuba

A “light” tuba simulation.

H05 (117)

Brite Bass

Artifical slap-bass. Low velocity for thumped notes; high velocity for slapped notes.

H06 (118)

Lite Cello

A “light” cello simulation.

H07 (119)

FunkyLead

Funky wah synth for percussive riffs. Very velocity sensitive.

H08 (120)

Syraphone

Unique transient attack response when playing intervals over a fifth with fast, staccato articulation …
gives a nice tongued/bowed attack to the sound.  Plays very smoothly with legato articulations and
BC tonguing.

H09 (121)

AsianPlck

Oriental plucked sound.

H10 (122)

BaroqeDuet

A dynamic split with a recorder sound on top and baroque sounding cello on the bottom.  Velocity
controls the volume of the cello; breath controls the volume of the recorder.  Vibrato for both voices
is on aftertouch.

H11 (123)

GrassHarp

A harmonica type sound with grass reeds. Use a sustain pedal to switch to the mono mode for an
ethnic sounding woodwind solo.

H12 (124)

CombMute

Imaginary trumpet type instrument with a very strange mute. Try moving MW2 (CC13) for a more
natural vibrato.

H13 (125)

Haze

A psychedelic fuzzy organ in fifths, with breath control routed to the filter.

H14 (126)

AltoRecrdr

A duophonic alto recorder for imitating renaissance recorder duets. Range is F3 to F5.

H15 (127)

Bowed Saw

Sound of a bowed saw. Has the character of Ondes Martenot or Theremin (pioneer electronic
instruments).

H16 (128)

Waterphone

Mysterious percussion instrument.  Attack is softened with MW1.  Squeakiness (embouchure) on
MW2 (CC13).  Violent SCRAPE sound with aftertouch.

VL1/VL1-m Version 2 Voices

Summary of Contents for VL

Page 1: ...ersion 2 Voices 2 VL1 VL1 m Version 2 WX Voices 6 VL7 Version 2 Voices 8 VL7 Version 2 WX Voices 10 Additional Version 2 Voices 11 MDI Data Format 12 MIDI Implementation Chart VL1 21 VL1 m 22 VL7 23 V...

Page 2: ...n The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 MuteCone Simulation of the muted trumpet A16 016 Acid Bass A perfect bass sound for acid basslines Voice n...

Page 3: ...047 Croma Harp A chromatic harmonica simulation C16 048 JungleBass Sliding bass for jungle music Voice number Voice name Voice explanation D01 049 SynthSplit Dual Oscillator synth lead with slow attac...

Page 4: ...zzy tenor sax F03 083 SteamLead Soft lead w hard attack Velocity controls the brigtness of the steam MW2 CC13 brings the sound up an octave and changes the timbre F04 084 Horn A poly mode horn voice F...

Page 5: ...lanation H01 113 Afterwork This voice benefits from extensive use of aftertouch H02 114 Alto Sax Bright alto sax simulation H03 115 Tenor Air Unique tenor lead tone MW2 CC13 controls Embouchure for su...

Page 6: ...d To turn this effect off set the Sustain Lvl parameter in the EDIT E1 ENV VIBRATO parameter page to 0 Voice number Voice name Voice explanation A01 001 Hey Kenny A soprano sax simulation with delayed...

Page 7: ...mely wide range B08 024 HarpSoprn A combination of soprano sax and harp B09 025 WX Trumpet Tonguing can produce sounds ranging from flugelhorn to bright trumpet Try applying gradual upward pitch bend...

Page 8: ...an using lots of throat formant A13 013 Freezing Experiment with all the controllers A14 014 EnglishHrn The sound of the oboe s bigger brother the english horn The range is F2 to about A4 A15 015 Mute...

Page 9: ...range with BC Warm reedy timbre at low pressure MW2 CC13 controls tonguing move towards maximum to soften the tonguing transient Voice number Voice name Voice explanation D01 049 AirSqeezer Simple oct...

Page 10: ...soprano sax simulation with delayed vibrato A02 002 AcoEkoSyn A grass reed type synth voice that takes full advantage of VL technology Take advantage of the light portamento effect A03 003 PanPicol So...

Page 11: ...ersion 2 Voices Additional Version 2 Voices File name ADDITION ALL This file includes some excellent voices that are not in the VL1_VER2 ALL or VL7_VER2 ALL files Most are single element voices so the...

Page 12: ...hanges Program Change data Voice number VL1 1 m 00 7F A01 001 H16 128 VL7 00 3F A01 001 D16 064 40 7F A01 001 D16 064 Reception may not be possible if Memory protect is ON in Bulk Dump Details of Syst...

Page 13: ...etails of System Exclusive Message are given later Active Sensing will be transmitted every 270 msec approximately Keyboards Octave Switch Transpose Note Shift Tone Generator Controllers Local on off...

Page 14: ...1 are ignored as they are sent as 0 s Data for VC is nos 32 139 Common Data Separate table 5 1 nos 0 107 nos 140 1619 Element 1 Data Separate table 5 2 nos 0 1479 nos 1620 3099 Element 2 Data Separate...

Page 15: ...bbbbb b LSB of byte count Byte count is from count 6 to the beginning of check sum 6 01001100 4C ascii L 7 01001101 4D ascii M 8 00100000 20 ascii 9 00100000 20 ascii 10 00111000 38 ascii 8 11 0011000...

Page 16: ...em2 Rand Pitch VL1 1 m only 45 1 00 2D 0 86 Elem1 MicroTuning 46 1 00 2E 0 86 Elem2 MicroTuning VL1 1 m only 47 1 00 2F 0 127 Elem1 Level 48 1 00 30 0 127 Elem2 Level VL1 1 m only 49 1 00 31 64 63 Ele...

Page 17: ...h 13 17 reserve Table 5 1 3 Reverberation no c v name 0 1 0 100 Return 1 1 0 95 Reverb Time 2 1 0 9 High Control 3 1 0 10 Diffusion 4 2 0 405 Initial Delay 6 1 21 12 Treble 7 1 21 12 Bass 8 1 0 3 Feel...

Page 18: ...tion 198 1 01 46 0 127 Break Point 1 199 1 01 47 64 63 Offset 1 200 213 01 48 01 55 Break Point Offset 2 8 214 1 01 56 0 127 Amplitude Level 215 1 01 57 0 127 Break Point 1 216 1 01 58 64 63 Offset 1...

Page 19: ...1 07 4A 07 4B Break Point Offset 2 972 1 07 4C 0 127 E P EG Attack Level 973 1 07 4D 0 127 Break Point 1 974 1 07 4E 64 63 Offset 1 975 976 07 4F 07 50 Break Point Offset 2 977 1 07 51 0 127 E P EG De...

Page 20: ...e Master Tuning of System Parameters can only be performed during reception Transmission will be performed using the 4 4 DX1 Master Tuning Compatibil ity format In addition Device Number Parameter Cha...

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Page 24: ...M D G EMI Division Yamaha Corporation 1995 512POCP6 2 01A0 Printed in Japan...

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