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Yamaha 01V96, Owner'S Manual

The Yamaha 01V96 is a versatile digital mixer designed for professional audio applications. Take complete control over your sound with the help of the comprehensive Service Manual. Download the manual for free from manualshive.com to explore all the features, settings, and functionalities of this exceptional audio powerhouse.

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Chapter 4—Connections and Setup

01V96—Owner’s Manual

Wordclock Connections and Settings

About Wordclock

Digital audio equipment must be synchronized when digital audio signals are transferred 
from one device to another. Even if both devices use identical sampling rates, digital signals 
may not transfer correctly, or audible noise or unwanted clicks may occur if the digital 
audio processing circuits inside each digital audio device are not synchronized with each 
other.

Wordclocks are signals that enable digital audio processing circuits to synchronize with each 
other. In a typical digital audio system, one device operates as the wordclock master, trans-
mitting wordclock signals, and the other devices operate as wordclock slaves, synchronizing 
to the wordclock master.

If you are digitally connecting the 01V96 to other equipment, you must decide which device 
to use as the wordclock master and which devices to use as slaves, then set up all the devices 
accordingly. The 01V96 can be used as the wordclock master running at either 44.1 kHz, 48 
kHz, 88.2 kHz, or 96 kHz, or slaved to an external wordclock source.

Wordclock Connections

To establish wordclock synchronization between the 01V96 and external devices, you can 
distribute wordclock signals independently via dedicated cables, or you can use clock infor-
mation derived from digital audio connections.

The WORD CLOCK IN and OUT connectors transmit and receive wordclock signals inde-
pendently on the 01V96. The following examples show two ways in which wordclock sig-
nals can be distributed and received via the WORD CLOCK IN and OUT connectors.

• Daisy Chain Distribution

In this example, the wordclock signal is distributed in a “daisy-chain” fashion, with each 
device feeding the wordclock signal from the wordclock out connector on to the wordclock 
in connector of the next device. This method of distribution is not recommended for larger 
systems.

• Star Distribution

In this example, a dedicated wordclock distribution box (such as a Yamaha IFU4) is used to 
supply wordclock signals from the wordclock master to each wordclock slave individually.

WC IN
(BNC)

WC OUT
(BNC)

WC OUT (BNC)

WC IN
(BNC)

WC IN
(BNC)

WC OUT
(BNC)

Wordclock 

master

Device A

Wordclock slave

Device B

Wordclock slave

Device C

Wordclock slave

WC OUT
(BNC)

WC IN (BNC)

WC IN (BNC)

WC IN (BNC)

WC IN (BNC)

Wordclock 

master

Device A

Wordclock slave

Device B

Wordclock slave

Device D

Wordclock slave

Device C

Wordclock slave

Wordclock 

distribution box

Summary of Contents for 01V96

Page 1: ...E Owner s Manual Keep This Manual For Future Reference ...

Page 2: ...0 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries ADVARSEL Lithiumbatteri Eksplosionsfare ved fejlagtig håndtering Udskiftning må kun ske med batteri af samme fabrikat og type Levér det brugte batteri tilbage til leverandoren VARNING Explosionsfara vid felaktigt batteribyte Använd samma batterityp eller en ekvivalent typ som rekomm...

Page 3: ...es and a third grounding prong The wide blade or the third prong are provided for your safety If the pro vided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Only use attachments accessories spe...

Page 4: ...ctrical shock hazard This unit has a slot for installing mini YGDAI cards For technical reasons certain card combinations are not supported Before installing any cards check the Yamaha web site to if your card is compatible Installing cards that are not endorsed byYamaha may cause elec trical shock fire or damage to the unit If the power cord is damaged i e cut or a bare wire is exposed ask your d...

Page 5: ... depends on the oper ating environment and is unavoidable Consult your dealer about replacing defective components Using a mobile telephone near this unit may induce noise If noise occurs use the telephone away from the unit If the message WARNING Low Battery appears when you turn on this unit contact your dealer as soon as possible about replacing the internal data backup battery The unit will st...

Page 6: ...ered trademarks of Teac Corporation Microsoft and Windows are registered trademarks of Microsoft Corporation Inc Waves is a trademark of Waves Inc Yamaha is a trademarkofYamahaCorporation Allothertrademarksarethepropertyof theirrespective holders and are hereby acknowledged Copyright No part of this unit its software or this Owner s Manual may be reproduced or distributed in any form or by any mea...

Page 7: ...r on the display pages References to physical buttons are enclosed in square brackets for example press the ENTER button References to display page buttons are not emphasized for example move the cursor to the ON button You can select display pages by using the DISPLAY buttons or the Left Tab Scroll Right Tab Scroll and F1 4 buttons below the display In order to simplify explanations the pro cedur...

Page 8: ...puts Outputs 71 Converting Sampling Rates of Signals Received at I O Card Inputs 72 Monitoring Digital Input Channel Status 73 Dithering Digital Outputs 74 Setting the Transfer Format for Higher Sampling Rates 75 7 Input Channels 77 About Input Channels 77 Setting the Input Channels from the Display 79 Setting the Input Channels from the Control Surface 90 Pairing Input Channels 92 Naming Input Ch...

Page 9: ...Linking 147 Using Fader Groups and Mute Groups 148 Linking EQ and Compressor Parameters 150 14 Internal Effects 153 About the Internal Effects 153 Using Effects Processors via Aux Sends 154 Inserting the Internal Effects into Channels 156 Editing Effects 157 About Plug Ins 159 15 Scene Memories 161 About Scene Memories 161 What is Stored in a Scene 161 About Scene Numbers 162 Storing Recalling Sce...

Page 10: ...ion 238 Initializing the 01V96 239 Calibrating the Faders 240 Appendix A Parameter Lists 241 USER DEFINED KEYS 241 USER DEFINED KEYS Initial Assignments 243 Input Patch Parameters 243 Initial Input Patch Settings 245 Output Patch Parameters 247 Initial Output Patch Settings 249 User Defined Remote Layer Initial Bank Settings 250 Effects Parameters 254 Preset EQ Parameters 274 Preset Gate Parameter...

Page 11: ...unctions to control 01V96 internal parameters ADAT optical connectors Expansion slot for optional digital I O AD and DA cards Sonic Specifications Linear 24 bit 128 times oversampling A D converters Linear 24 bit 128 times oversampling D A converters 20 Hz through 40 kHz frequency response at 96 kHz sampling rate 106 dB typical dynamic range 32 bit internal signal processing 58 bit accumulator Inp...

Page 12: ...and recalled Effects Four high quality multi channel effects Apply effects via Aux Sends or Channel Inserts Effect library for storing and recalling effect settings Scene Memory Scene memories for storing and recalling mix settings as Scenes Surround Sound Supports 3 1 5 1 and 6 1 channel surround sound production Surround channel outputs can be assigned to suit connected devices Remote Control Co...

Page 13: ...RT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O L R IN OUT 2TR 10dBV UNBAL PHANTOM 48V CH9 12 CH5 8 CH1 4 INPUT BAL INSERT OUT IN UNBAL ST IN 1 ST IN 2 USER DEFINED KEYS 1 2 3 4 5 6 7 8 5 5 5 10 5 10 10 10 15 15 15 20 20 20 30 30 30 30 40 40 40 50 50 50 60 60 70 70 20 30 40 40 50 50 60 70 0 0 5 10 15 20 0 0 5 10 5 10 15 30 20 30 40 40 50 50 60 70 20 30 40 40 50 50 60 70 20 30 40 40 5...

Page 14: ...D 15 16 button is turned off page 15 C INSERT I O connectors These unbalanced TRS phone type connectors are used for channel insert ins and outs Use a split cable to insert an external effects processor to AD input channels PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL PEAK SIGNAL CH15 16 2TR IN 4 26 GAIN 4 26 GAIN 4 26 GAIN...

Page 15: ...hen the AD15 16 selector in the AD Input section 8 is turned on pushed in the sig nals input at the 2TR IN connectors are routed to AD Input Channels 15 and 16 When the Monitor Source selector 2 is turned on pushed in you can monitor the 2TR IN signals from the MONITOR OUT connectors The 2TR OUT signals are always the same as the STEREO OUT signals B Monitor Source selector This button selects the...

Page 16: ...lected channels The SOLO button indicator of the cur rently soloed channel lights up C ON buttons These buttons turn the selected channels on or off The ON button indicators for On channels light up D Channel faders Depending on the button selected in the FADER MODE section see page 17 these faders adjust the selected channel input levels or the Bus Out or Aux Out levels STEREO Section A SEL butto...

Page 17: ...E Level controls These controls adjust the ST IN channel levels FADER MODE Section A AUX 1 AUX 8 buttons These buttons enable you to select the Aux Send you wish to control Pressing one of these buttons switches the Fader mode see page 33 and displays the corresponding Aux page The selected button s indicator lights up You can now adjust the send level of signals routed from Input Channels to the ...

Page 18: ... level of signals routed from Buses 1 8 to the Stereo Bus and adjust the stereo or surround pan settings see pages 85 135 G PAIR GROUP button This button displays a Pair Grup page enabling you to create or cancel channel pairs and group multiple channel faders or ON buttons see pages 93 147 H PATCH button This button displays a Patch page enabling you to patch input signals and Bus Out signals to ...

Page 19: ...s button selects the Remote Layer as the layer controlled in the Channel Strip section You can use this layer to control external MIDI devices or computer based DAWs See page 185 for more information on the Remote layer Display Section A Display This is a 320 x 240 dot LCD display with a backlight B Stereo meters These 12 segment level meters display the final output level of the Stereo Bus C Cont...

Page 20: ... the channel selected by the SEL button B HIGH button C HIGH MID button D LOW MID button E LOW button These buttons select the EQ band HIGH HIGH MID LOW MID LOW of the channel selected by the SEL button The corresponding button indicator of the currently selected band lights up F Q control This control adjusts the currently selected band Q G FREQUENCY control This control adjusts the currently sel...

Page 21: ...o store or recall Pressing the Scene Up button increments the selection pressing the Scene Down button decrements the selection Holding down either key increments or decrements the selection continuously C RECALL button This button recalls the Scene memory selected by the Scene Up Down buttons USER DEFINED KEYS Section A 1 8 buttons You can assign any of the 167 functions to these User Defined but...

Page 22: ...ameter values C DEC INC buttons These buttons increment or decrement a parameter value by one Pressing the INC but ton increments the value pressing the DEC button decrements the value Holding down either key increments or decrements the value continuously D Left Right Up Down cursor buttons These buttons move the cursor around the display pages or select parameters and options Holding down a curs...

Page 23: ...n 48V phantom power is supplied to the INPUT A con nectors AD Output Section A MONITOR OUT connectors L R These balanced TRS phone type con nectors output monitoring signals or 2TR IN signals The nominal signal level is 4 dB You can select signals using the Mon itor Source selector PHANTOM 48V p 23 Power Section p 25 AD Output Section p 23 SLOT Section p 25 MIDI Control Section p 25 Digital I O Se...

Page 24: ...r inputs a wordclock signal from a connected external device to the 01V96 C ADAT IN OUT connectors These optical TOSLINK connectors input and output ADAT digital audio signals D 2TR OUT DIGITAL COAXIAL This RCA phono connector outputs consumer format IEC 60958 digital audio The con nector is typically used to connect the digital stereo input consumer format of a DAT recorder MD recorder or CD reco...

Page 25: ...tional mini YGDAI cards into this slot See page 26 for information on installing these cards Power Section A POWER ON OFF switch This switch turns the power to the 01V96 on or off B AC IN connector This connector enables you to connect the 01V96 to an AC outlet via the supplied power cord Note To prevent loud clicks and thumps in your speakers turn on your audio equipment in the following order re...

Page 26: ... sure that the power to the 01V96 is turned off 2 Undo the two fixing screws and remove the slot cover as shown below Keep the cover and fixing screws in a safe place for future use 3 Insert the card between the guide rails and slide it all the way into the slot as shown below You may have to push firmly to fully insert the card into the internal connector 4 Secure the card using the attached thum...

Page 27: ...ters are the channel s Short name You can edit the channel s Short name if you desire see page 225 C Current Scene This section indicates the number and title of the currently selected Scene memory see page 162 If the selected Scene is write protected a padlock icon appears D EDIT indicator Thisindicatorappearswhenthecurrentmixsettingsnolongermatchthoseof theScene that was most currently recalled ...

Page 28: ...y displayed tabs by pressing the F1 F4 buttons If the selected display page group contains multiple pages press the F1 F4 buttons below the corresponding tab to select a specific page 3 To select a page for which a tab is not currently displayed press either the Left or Right Tab Scroll button depending on where the page is located to display the page tab then press the corresponding F1 F4 but ton...

Page 29: ...ENTER button to turn the func tion on highlighted or off The buttons also enable you to select one of two options or to execute certain functions Parameter Boxes The parameter boxes enable you to select one of multiple options Press the cursor buttons to move the cursor to a parameter box then rotate the Parameter wheel or press the INC DEC buttons to select the setting You may need to press the E...

Page 30: ...g ure on the right shows lowercase characters and numbers Use the cursor buttons to select characters and press the ENTER button to enter them into the title The cursor moves to the right automatically as each character is entered Use the Parameter wheel to move the cursor within the title Use the SHIFT LOCK button to select uppercase or lowercase characters and use the SPC button to enter a space...

Page 31: ...Layers Channel Strips 1 8 9 16 1 16 button Input Channel Layer 1 16 Input Channels 1 16 17 32 button Input Channel Layer 17 32 Input Channels 17 32 REMOTE button Remote Layer Operation depends on the selected target see page 185 MASTER button Master Layer Aux Send masters 1 8 Bus Out masters 1 8 Tip The function of each channel strip fader depends on the currently selected Fader mode see page 33 T...

Page 32: ...ly displayed page contains a relevant channel parameter the cursor moves to that parameter automati cally If the currently displayed page contains no such parameter a page that does contain such a parameter is selected automatically 3 To select the Stereo Out press the STEREO SEL button Repeatedly pressing the STEREO SEL button toggles between the Stereo Out left and Ste reo Out right channels If ...

Page 33: ... the channel fader functions for each Layer and Fader mode LAYER buttons Fader Mode Channel Strip Fader 1 8 9 16 1 16 button HOME button Input Channel 1 16 level AUX1 AUX8 buttons Input Channel 1 16 Aux Send level 17 32 button HOME button Input Channel 17 32 level AUX1 AUX8 buttons Input Channel 17 32 Aux Send level REMOTE button HOME button Operation depends on the selected target see page 185 AU...

Page 34: ...hannel signals B OUTPUT section This section enables you to select the metering position for Output Channel Aux Out 1 8 Bus Out 1 8 Stereo Out signals 2 Move the cursor to the desired parameter button in the INPUT or OUTPUT section then press ENTER You can select one of the following three positions in each section PRE EQ Immediately before EQ PRE FADER Immediately before the fader POST FADER Imme...

Page 35: ...e displays the left and right ST IN Channel 1 4 levels separately Master page This section displays the Output Channel Aux Out 1 8 Bus Out 1 8 Stereo Out levels altogether Effect page This page displays the internal effects processor 1 4 input and output levels altogether ...

Page 36: ...COMP GR The amount of gain reduction for the compressor LEVEL Input Channel input level or Output Channel output level 4 To activate the Peak Hold function move the cursor to the PEAK HOLD but ton then press ENTER The PEAK HOLD button turns on and the peak level is held on the meters on the page To cancel the Peak Hold function turn the PEAK HOLD button off Tip Thesepagesalsoallowyoutochangethemet...

Page 37: ...AIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 PAD FADER MODE DISPLAY ACCESS AUX 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8 AUX 2 AUX 3 AUX 4 AUX 8 AUX 7 AUX 6 AUX 5 HOME METER DYNAMICS EQ EFFECT VIEW PATCH UTILITY MIDI SCENE DIO SETUP INSERT DELAY PAN ROUTING PAIR GROUP A B A B A B A B A B A B A B A B A B A B A B A B 16 15 1...

Page 38: ...3 AUX 4 AUX 8 AUX 7 AUX 6 AUX 5 HOME METER DYNAMICS EQ EFFECT VIEW PATCH UTILITY MIDI SCENE DIO SETUP INSERT DELAY PAN ROUTING PAIR GROUP A B A B A B A B A B A B A B A B A B A B A B A B 16 15 13 12 11 10 9 8 7 6 4 3 2 1 5 14 INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O L R IN OUT 2TR 10dBV UNBAL PHANTOM 48V CH9 ...

Page 39: ...METER DYNAMICS EQ EFFECT VIEW PATCH UTILITY MIDI SCENE DIO SETUP INSERT DELAY PAN ROUTING PAIR GROUP A B A B A B A B A B A B A B A B A B A B A B A B 16 15 13 12 11 10 9 8 7 6 4 3 2 1 5 14 INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O INSERT I O L R IN OUT 2TR 10dBV UNBAL PHANTOM 48V CH9 12 CH5 8 CH1 4 INPUT BAL INSERT OUT I...

Page 40: ...tions To establish wordclock synchronization between the 01V96 and external devices you can distribute wordclock signals independently via dedicated cables or you can use clock infor mation derived from digital audio connections The WORD CLOCK IN and OUT connectors transmit and receive wordclock signals inde pendently on the 01V96 The following examples show two ways in which wordclock sig nals ca...

Page 41: ...B 20dB 20dB 20dB 20dB 20dB 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 PAD FADER MODE DISPLAY ACCESS AUX 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8 AUX 2 AUX 3 AUX 4 AUX 8 AUX 7 AUX 6 AUX 5 HOME METER DYNAMICS EQ EFFECT VIEW PATCH UTILITY MIDI SCENE DIO SETUP INSERT DELAY PAN ROUTING...

Page 42: ...rs depends on the type of I O card installed adat These buttons select the inputs from the ADAT IN connector on the rear panel Inputs are selected in pairs odd and even numbers in this order WC IN This button selects the wordclock signal input at the WORD CLOCK IN connector on the rear panel 2TRD This button selects the 2TR IN DIGITAL input as the word clock source INT 44 1k INT 48k INT 88 2k INT ...

Page 43: ...tly assigned to Input Channels are shown in the parameter boxes 1 beneath the channel numbers The parameter indicators are explained below No assignment AD1 AD16 INPUT connectors 1 16 ADAT1 ADAT8 ADAT IN channels 1 8 SL 01 SL 16 Slot channels 1 16 FX1 1 FX1 2 Outputs 1 2 of Internal Effects Processor 1 FX2 1 FX2 2 Outputs 1 2 of Internal Effects Processor 2 FX3 1 FX3 2 Outputs 1 2 of Internal Effe...

Page 44: ...s 1 underneath the connector numbers The parameter indicators are explained below No assignment BUS1 BUS8 Bus Out 1 8 signals AUX1 AUX8 Aux Out 1 8 Signals ST L R Stereo Out signals INS CH1 INS CH32 Input Channels 1 32 Insert Outs INS BUS1 INS BUS8 Bus Out 1 8 Insert Outs INS AUX1 INS AUX8 Aux Out 1 8 Insert Outs INS ST L ST R Stereo Out Insert Outs CAS BUS1 BUS8 Bus Out 1 8 Cascade Outs CAS AUX1 ...

Page 45: ...e the cursor buttons to move the cursor to a patch parameter 1 you wish to change and rotate the Parameter wheel or press the INC DEC buttons to modify the patching 3 Press ENTER to confirm the change Tip To restore the default patching recall Output Patch memory 00 see page 175 ...

Page 46: ...46 Chapter 4 Connections and Setup 01V96 Owner s Manual ...

Page 47: ... 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 PAD FADER MODE DISPLAY ACCESS AUX 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8 AUX 2 AUX 3 AUX 4 AUX 8 AUX 7 AUX 6 AUX 5 HOME METER DYNAMICS EQ EFFECT VIEW PATCH UTILITY MIDI SCENE DIO SETUP INSERT DELAY PAN ROUTING PAIR GROUP A B A B A B A ...

Page 48: ...e hard disk recorder are routed to Input Channels 25 32 If the Input Patch settings have been changed from the default settings recall Input Patch memory 00 from the Input Patch library page 171 Tip See page 40 for more information on wordclock See page 75 for more information on 01V96s running at higher sampling frequencies 88 2 kHz or 96 kHz Note You can select the 01V96 internal clock as the wo...

Page 49: ... 12 Setting the Input Levels 1 Cue the musicians to play the musical instru ments connected to INPUT connectors 1 12 while adjusting the corresponding PAD switches and GAIN controls so that the PEAK indicators temporarily flash at the highest volumes 2 Press the LAYER 1 16 button Input Channel Layer 1 16 is now available for control from the channel strip section 3 Press the DISPLAY ACCESS HOME bu...

Page 50: ...l levels using the level meters on the display Pairing Channels On the 01V96 you can pair adjacent odd even channels for stereo operation Faders and most mix parameters of paired channels excluding the Input Patch phase routing and pan parameters are linked Pairing Input Channels is useful when you are connecting ste reo sources such as a rhythm machine or synthesizer 1 To pair adjacent odd even I...

Page 51: ...Tip Youcanstillselectoneofthepairedchannelsforcontrolbypressingthecorresponding SEL button When you select the channel the SEL button indicator lights up and the SEL button for the paired partner flashes You can also determine how to copy the parameter settings to the paired partner by using a special window see page 226 You can create or cancel pairs on the Pair Grup pages see page 93 You can als...

Page 52: ...display the Pan Route Rout1 16 page This page enables you to select a Bus Out as the signal destination for each channel This page contains the following buttons A 1 8 buttons These buttons route Input Channel signals to Buses 1 8 You can select multiple but tons B S button This button routes Input Channel signals to the Stereo Bus C D button This button routes Input Channel signals to the specifi...

Page 53: ...s 1 4 are assigned to Buses 1 and 2 and Input Channels 5 8 are assigned to Buses 3 and 4 4 Press the PAN ROUTING button repeatedly to display the Pan Route Pan page This page enables you to set the panpots for signals routed from the Input Channels to the Stereo Bus and for signals routed from the Input Channels to the odd even buses 5 Move the cursor to the PAN parameter controls for the Input Ch...

Page 54: ...l MTR in record ready mode routingthesignalssenttoTracks1 8of thedigitalMTRbacktothe01V96 sInputChannels 17 24 then patching them to the MONITOR OUT connectors and the PHONES jack 1 Arm the connected digital MTR s tracks for recording At this time set the monitor mode on the digital MTR accordingly so that you can monitor the input signals on the armed tracks Refer to the owner s manual for the di...

Page 55: ...steadily lit then raise the STE REO fader to 0 dB 7 While the musicians play the musical instruments adjust faders 1 8 MON ITOR OUT control and PHONES control to set the appropriate monitoring level Now you can monitor via the monitoring system and headphones the signals sent from Input Channels 17 24 to the Stereo Bus Tip Controlling Input Channel 17 32 Pan settings faders and the ON buttons will...

Page 56: ...n the F1 button to display the EQ EQ Edit page The EQ Edit page enables you to adjust the EQ parameters for the currently selected chan nel 4 Make sure that the EQ ON button in the upper left corner is turned ON The EQ ON OFF button turns the currently selected Input Channel s EQ on or off If the button is off press the ENTER button to turn it on 5 While a musician plays the musical instrument adj...

Page 57: ...orded to the tracks 1 Press the LAYER 1 16 button Input Channel Layer 1 16 is now available for control from the channel strip section 2 Press the SEL button of the Input Channel to which you want to apply com pression Tip TurntheQparametercontrolfortheLOWbandclockwiseallthe waytosettheLOW bandEQto L SHELF low shelving and counter clockwise all the way to set it to HPF high pass filter Turn the Q ...

Page 58: ...ses one of the compressor programs 1 36 from the Compressor library 4 Rotate the Parameter wheel to scroll the library title list and select a pro gram that you want to recall The selected program appears inside the dotted box 5 Move the cursor to the RECALL button located to the left of the library title list then press ENTER The selected program is recalled 6 Press the F3 button The 01V96 displa...

Page 59: ... setting up each channel you can start recording on the digital MTR as fol lows 1 Start recording on the digital MTR and cue the musicians to start playing the musical instruments During recording press the HOME button to display the Meter CH1 32 page or the Master page and check to confirm that the Input Channel levels and Bus 1 8 output levels are not clipping 2 When you finish playing stop the ...

Page 60: ... Layer 1 16 is now available for control from the channel strip section 3 Press the DISPLAY ACCESS HOME button then press the F1 button to dis play the Meter CH1 32 page 4 Make sure that ON button indicators for the channels to which the instru ments or microphone are connected are lit then raise the corresponding faders to 0dB Turn off the ON buttons for the channels not in use 5 While the musici...

Page 61: ... and 2 signals are now routed to Slot output channels 1 and 2 then output to Tracks 9 and 10 on the digital MTR Adjusting the Monitoring Level Follow the steps below to place the digital MTR in record ready mode and monitor the sig nals that are sent from Tracks 9 and 10 of the digital MTR back to the 01V96 s Input Chan nels 25 and 26 through the MONITOR OUT connectors and the PHONES jack 1 Arm th...

Page 62: ...te monitoring level If necessary play back the recording on the digital MTR and adjust the volume balance between the recorded and recording signals Recording 1 Start recording on the digital MTR and cue the musicians to start playing the musical instruments while monitoring the recorded tracks During recording display the Meter CH1 32 page and confirm that the Input Channel levels are not clippin...

Page 63: ...16 2TR IN LEVEL PHONES LEVEL 0 10 0 10 4 26 GAIN 4 26 GAIN 4 26 GAIN GAIN 4 26 GAIN 20dB 16 60 GAIN 20dB 16 60 GAIN 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 PAD FADER MODE DISPLAY ACCESS AUX 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS...

Page 64: ...elected 6 Turn off the ON button for ST IN Channel 2 The button indicator turns off This ON button should be turned on only when you monitor the playback signal of the master recorder Adjusting the Track Mix Balance Follow the steps below to adjust the mix balance among Tracks 1 16 and process the signals using the EQ compressor and gate 1 Make sure that Tracks 1 16 on the digital MTR are all disa...

Page 65: ...meters using the buttons and controls in the SELECTED CHANNEL sec tion Compressing the track signals Select the desired channel by pressing the corresponding SEL button press the DYNAM ICS button then press the F4 button to display the Dynamics Comp Lib page and recall the desired compressor program see page 82 Press the DYNAMICS button then press the F3 button to display the Comp Edit page then e...

Page 66: ...patched to ST IN Channel 1 L and R as shown in the diagram above 2 Make sure that the ON button for ST IN Channel 1 in the ST IN section is turned on 3 Press the DISPLAY ACCESS EFFECT button repeatedly until the Effect FX1 Lib page appears The Effect FX1 Lib page enables you to recall effect programs to be used by Effects proces sor 1 from the Effects library and store the current effects settings...

Page 67: ...it faders 1 16 control the Aux 1 8 send levels In this example the faders control the send level of the signals routed from Input Channels 17 32 to Aux 1 Effects processor 1 input 8 While playing back the recording on the digital MTR from the beginning operate faders 1 16 to adjust the send level of the signals routed from Input Channels to Effects processor 1 9 To adjust the effect return level u...

Page 68: ...he ST IN section The button indicator lights up 4 Play back the recording on the master recorder The playback signal is input at the 01V96 s 2TR IN DIGITAL connector then routed through ST IN Channel 2 to the Stereo bus When the master recorder finishes playing back turn off the ON button for ST IN Chan nel 2 Note Most consumer type DAT recorders and MD recorders are unable to synchronize to exter...

Page 69: ... con nectors of the same number only the signal from INPUT B is effec tive e g B 2 takes priority over A 2 INPUT connectors 13 16 These balanced TRS type phone connectors accept line level signals When the AD 15 16 source selector is turned on pushed in signals from INPUT 15 and 16 are ignored Instead signals from the 2TR IN connector will be routed to AD Input Channels 15 and 16 INSERT I O connec...

Page 70: ... panels feature output connectors that enable you to connect a mon itoring system master recorder effects processors and other line level devices MONITOR OUT connectors L R These balanced TRS type phone connectors output monitoring sig nals or input signals routed from the 2TR IN connectors The nom inal output level is 4 dB Use the Monitor source selector in the AD Input section to select the sign...

Page 71: ...s 8 channel ADAT optical format signals which can be patched to any Input Channel page 121 ADAT OUT connector This TOSLINK connector outputs an 8 channelADAT optical format signal You can patch any Bus Outs or Input Channel Direct outs to this output page 123 SLOT This slot allows you to install an optional mini YGDAI Yamaha General Digital Audio Interface I O card This card offersAD DA conversion...

Page 72: ...type balanced x4 MY8 DA96 8 24 bit 44 1 48 88 2 96 kHz 25 pin D sub MY8 AE2 AES EBU I O 8 8 24 bit 44 1 48 kHz MY8 AE96 24 bit 44 1 48 88 2 96 kHz MY8 AE96S3 MY8 AT2 ADAT I O 24 bit 44 1 48 kHz Optical x2 MY16 AT 16 16 Optical x4 MY8 TD2 Tascam 8 8 25 pin D sub BNC wordclock output MY8 mLAN2 IEEE1394 6 pin 1394 connector x2 1 This card is a substitution for a 20 bit MY8 AD card 2 These cards suppo...

Page 73: ...les you to view the Channel Status of input signals connected to the 2TR Digital Inputs B SLOT These buttons enable you to view the Channel Status of each two adjacent odd and even in this order channel signals connected to the digital I O card installed in the slot 2 Move the cursor to the desired input or slot button then press ENTER Channel Status information for the selected input is displayed...

Page 74: ...bottom of the page 2 Move the cursor to the output or channel to which you want to apply dith ering then rotate the Parameter wheel or press the INC DEC buttons to select the value that matches the resolution of the receiving device D Broadcast Digital broadcast reception Instruments Musical instrument microphone and sources that generate string signals A D Conv A D converter without copyright inf...

Page 75: ...T parameters are used to set one of the following data transfer formats for each slot input and output DOUBLE CHANNEL In Double Channel mode digital audio data is received and transmitted as mono signals at a sampling rate that is exactly half 44 1 48 kHz the current higher sampling rate Data is handled by two channels This is useful when you wish to transfer data between the 01V96 running at a hi...

Page 76: ...o the 01V96 running at 88 2 kHz Note This mode is unavailable for the slot in which the optional Yamaha MY9 AE96 or MY8 AE96S Digital I O card is installed You cannot select this mode unless the 01V96 is operating at a high sampling rate When the 01V96 operates at a high sampling rate 88 2 kHz or 96 kHz only two internal effects processors are available Tip Theparameterfieldsdisplay iftheslotconta...

Page 77: ...ignals GATE This dynamics processor can be used as a gate or for ducking COMP Compressor This dynamics processor can be used as compressor expander or limiter The compressor can be pre EQ pre fader or post fader ATT Attenuator This section enables you to attenuate or amplify the level of signals that will be input to the EQ The attenuator enables you to prevent post EQ signals from clipping and to...

Page 78: ...ctors or I O card or insert the internal effect processors You can patch any inputs out puts or I O card channels Note that this is different from the INSERT I O connectors in the AD Input section METER This section enables you to switch the metering position of the signal levels that are dis played in the Meter page See page 34 for more information on selecting the metering posi tion ST IN Channe...

Page 79: ...tton of the channel for which you want to change the phase then press the ENTER or INC DEC buttons to change the setting A NOR REV These buttons switch the corresponding Input Channel phase NOR buttons indicate normal phase and REV buttons indicate reversed phase B GLOBAL The GLOBAL NOR REV buttons allow you to set the phase for all Input Channels simultaneously Tip You can store these channel par...

Page 80: ...o samples beat Units are set to beats frame Units are set to timecode frames B GANG button When this button is turned on highlighted the delay time for each channel in a chan nel pair can be set simultaneously When this option is turned off the delay time can be set for each channel in a channel pair individually C Channel section You can set individual delay parameters here The delay parameters i...

Page 81: ... not paired C CURVE This area displays the current gate curve D TYPE This area displays the current gate type GATE or DUCKING Tip This function is unavailable for the ST IN Channels The delay time range depends on the sampling rate at which the 01V96 is operating For example at 44 1 kHz the range is 0 through 984 1 msec If you select the DELAY SCALE meter or feet button the distance value can be c...

Page 82: ...tion of the com pressor within the channel from the following options PRE EQ Immediately before EQ default PRE FADER Immediately before the fader POST FADER Immediately after the fader B STEREO LINK This ON OFF button enables you to pair compressors for stereo operation even when channels are not paired C CURVE This area displays the current compressor curve D TYPE This field indicates the compres...

Page 83: ...type Attenuating Input Channels To set the attenuator for each Input Channel press the DISPLAY ACCESS EQ button then press the F3 button to display the EQ In Att page Move the cursor to the knob for the desired Input Channel then rotate the Parameter wheel to set the amount of attenuation in the range of 96 dB to 12 dB Tip This function is unavailable for the ST IN Channels You can store the compr...

Page 84: ...pe of EQ TYPE I is the EQ type used on legacy Yamaha 02R series digital mixing consoles TYPE II is a newly developed algorithm C ATT Determines the amount of pre EQ signal attenuation in dB It is the same Attenuator parameter that appears on the EQ ATT In page D CURVE This area displays the current EQ curve E Meters These meters indicate the post EQ signal levels of the currently selected Input Ch...

Page 85: ... pan controls operate independently GANG In Gang mode paired Input Channel pan controls operate in unison maintaining the current pan range INV GANG In Inverse Gang mode paired Input Channel pan controls operate in unison but move in opposite directions Tip TheLOW bandEQfunctionsasahigh passfilterwhentheQparameterintheLOWsection is set to HPF It functions as a shelving type EQ when the Q parameter...

Page 86: ...nel s Pan setting is applied to the Bus outs B Bus buttons 1 8 These buttons route the currently selected Input Channel to the Bus Outs If the 01V96 is in Surround mode the button indicators change as follows depending on the selected Surround mode L Left R Right C Center S Surround Ls Left Surround Rs Right Surround E Low Frequency Effect Bs Back Surround The above table shows the default assignm...

Page 87: ...ew and adjust parameter settings for the currently selected Input Channel on the View Parameter or Fader pages Viewing the Gate Compressor and EQ Settings To display the View Parameter page for a specific Input Channel use the corresponding SEL button to select the desired channel then press the DISPLAY ACCESS VIEW but ton repeatedly Move the cursor to a parameter you wish to change then rotate th...

Page 88: ...n G DELAY section This section enables you to set the currently selected channel s Delay function See page 80 for more information H PAIR section This section indicates whether or not channels are paired The heart icon is in one piece when channels are paired The heart icon is broken when channels are not paired See page 92 for more information Viewing the Pan Fader and Aux Send Level Settings To ...

Page 89: ... selected in the parameter box below the button The D button is unavailable for the ST IN Channels FOLLOW PAN This button determines whether the Input Channel s Pan set ting is applied to the paired Bus Outs Follow Pan function When the button is turned off the Follow Pan function is dis abled and an identical signal is sent to the paired Bus Outs D AUX section AUX These controls set the currently...

Page 90: ... you rotate the PAN control the Pan Route Pan page is displayed automatically ST IN Channels 1 4 1 Use the ST IN ST IN button to select the desired ST IN Channels The indicators next to the ST IN button display the ST IN Channels currently selected for control by the ST IN section 2 Press the SEL button for the channel for which you want to adjust the level and or pan settings 3 Rotate the level c...

Page 91: ...utton LOW MID band LOW button LOW band 3 Use the SELECTED CHANNEL Q FREQUENCY and GAIN controls to adjust the Q frequency and gain of the band selected in Step 2 When the Auto EQUALIZER Display page 227 check box is on the 01V96 displays the EQ EQ Edit page If the check box is off the parameter value currently being adjusted pops up See page 84 for more information on EQ Tip Pressing and holding d...

Page 92: ...ing the SEL Buttons 1 While pressing and holding down the SEL button for one of the channels you wish to pair press the SEL button for the adjacent channel The paired channel numbers should be odd and even in this order When the Pair Confirmation check box is on the Channel Pairing window appears Linked parameters SEL buttons Faders Channel on off Insert on off Solo on off Solo Safe Aux on off Aux...

Page 93: ...y 1 Press the PAIR GROUP button repeatedly until the Pair Grup Input page appears The parameters on this page are described below A PAIR MODE Determines how channels are paired B STEREO MONO x2 buttons These buttons turn pairs on or off 2 Move the cursor to the PAIR MODE parameter field 1 then select the HORIZONTAL or VERTICAL button The function of each mode is described below HORIZONTAL This but...

Page 94: ...y Short names in the center column 1 and Long full names in the right column 2 When the Name Input Auto Copy check box 3 is on the first four characters of a newly entered Long name are automatically copied to the Short name On the other hand a newly entered Short name is automatically added to the beginning of the Long name You can reset all channel names to their default names by moving the curs...

Page 95: ...e the cursor to a name you wish to change then press ENTER The Title Edit window appears enabling you to enter a name 3 Edit the name move the cursor to the OK button then press ENTER The new name is now effective Tip The edited name is stored in the Input Patch library ...

Page 96: ...96 Chapter 7 Input Channels 01V96 Owner s Manual ...

Page 97: ... attenuator prevents post EQ signals from clipping or corrects signal levels that are too low 4 BAND EQ 4 band equalizer This parametric EQ features four bands HIGH HIGH MID LOW MID and LOW COMP Compressor This dynamics processor can be used as compressor expander or limiter The processor can be located pre EQ pre STEREO fader or post STEREO fader ON On Off This button turns the Stereo Out on or o...

Page 98: ...e are identical to those for the Stereo Out For more information refer to the explanation of the Stereo Out see page 97 Bus to Stereo Bus Out 1 8 signals are also routed to the Stereo Bus In addition to the ON LEVEL and other parameters you can also set the Send Level On Off Pan and other parameters Note You can also patch the Stereo Out signals to other output connectors or the I O card by using ...

Page 99: ...Att page On this page you can attenuate the Bus Out 1 8 Aux Out 1 8 and Stereo Out signals The parameters on this page and the procedure for setting them are the same as for Input Channels see page 83 Delaying the Stereo Out and Bus Outs To delay the Stereo Out and Bus Out 1 8 signals press the INSERT DELAY button repeatedly until the INS DLY Out Dly page appears The parameters on this page and th...

Page 100: ...page and the procedure for setting them are the same as for Input Channels see page 82 EQ ing the Stereo Out and Bus Outs To set the EQ for the Stereo Out and Bus Out 1 8 EQ press the DISPLAY ACCESS EQ button then press the F1 button to display the EQ EQ Edit page and use the SEL but tons to select the Stereo Out or Bus Out 1 8 The parameters on this page and the procedure for setting them are the...

Page 101: ...s 1 8 as a Group Bus To patch the Bus Out 1 8 signals to the Stereo Bus press the DISPLAY ACCESS PAN ROUTING button repeatedly to display the Pan Route Bus to St page Move the cursor to the desired parameter you wish to change then rotate the Parameter wheel or press the INC DEC buttons to modify the setting A TO ST PAN These controls pan the Bus Out 1 8 signals between the left and right Stereo O...

Page 102: ...or Input Channels except for the following items The Stereo Out and Bus Out 1 8 Parameter pages do not contain the Gate and Phase parameters The Stereo Out Parameter page does not contain the Pair parameter Viewing Faders and Other Parameters To display the View Fader page use the corresponding SEL button to select the desired bus then press the DISPLAY ACCESS VIEW button then press the F2 button ...

Page 103: ...der Thisfadersetsthecurrently selectedBusOut 1 8 level andlinkswiththefader 9 16 in the Master layer The fader knob is highlighted when the fader is set to 0 0 dB C TO ST PAN This control sets the Bus Out to Stereo Out Pan position for the currently selected Bus Out 1 8 D TO ST ON OFF This button turns on or off the Bus Out to Stereo Out signal for the currently selected Bus Out 1 8 E TO ST Fader ...

Page 104: ... At this time you can turn Bus Out 1 8 on or off using the ON 9 16 buttons EQ ing and Balancing the Stereo Out and Bus Outs 1 Press the SEL button of the bus to which you want to apply EQ or set the level balance 2 To adjust the EQ of the currently selected bus select the desired band by pressing one of the following buttons in the SELECTED CHANNEL section HIGH button HIGH band H MID button HIGH M...

Page 105: ...on this page are described below A STEREO MONOx2 These buttons turn Bus or Aux Send pairs on or off B F S This button determines whether Aux Sends follow the Input Channel Surround Pan when the 01V96 is in any Surround mode other than Stereo When this button is turned on Aux Sends follow the Input Channel Surround Pan This is useful for feeding Surround signals to external Surround effects process...

Page 106: ...l the list up or down using the Parameter wheel to select the desired output or slot channel for which you want to adjust attenuation The following outputs and slot channels can be selected STEREO OUT L R STEREO OUT L R channels MONITOR OUT L R MONITOR OUT L R channels OMNI OUT 1 4 OMNI OUT connectors 1 4 SLOT OUT 1 1 through 1 16 Slot channels 1 16 ADAT OUT 1 8 ADAT OUT channels 1 8 2TR OUT DIGIT...

Page 107: ...t column 2 When the Name Input Auto Copy check box 3 is on the first four characters of a newly entered Long name are automatically copied to the Short name On the other hand a newly entered Short name is automatically added to the beginning of the Long name You can reset all bus names to their default names by moving the cursor to the INITIALIZE button then pressing ENTER 2 Move the cursor to a n...

Page 108: ...108 Chapter 8 Bus Outs 01V96 Owner s Manual ...

Page 109: ...processors and monitors The following diagram illustrates the Aux Out 1 8 signal flow INSERT ATT Attenuator 4 BAND EQ 4 band equalizer COMP Compressor ON On Off LEVEL OUTPUT DELAY Output delay METER These parameters are the same as the Stereo Out and Bus Out 1 8 see page 97 Tip You can also pair adjacent odd even Aux Sends in this order for stereo Aux operation Note With the default setting Aux Ou...

Page 110: ...e and the procedure for setting them are the same as for Input Channels see page 83 Delaying Aux Outs To delay Aux Out 1 8 signals press the DISPLAY ACCESS INSERT DELAY button repeatedly until the INS DLY Out Dly page appears The parameters on this page and the procedure for setting them are the same as for Input Channels except that this page does not include the MIX FB GAIN parameters see page 8...

Page 111: ...esired Aux Out 1 8 by using the corresponding SEL buttons The parameters on this page and the procedure for setting them are the same as for Input Channels see page 82 EQ settings TosettheEQforAuxOut1 8 presstheDISPLAYACCESS EQ button thenpressthe F1 button to display the EQ EQ Edit page then use the SEL buttons to select Aux Out 1 8 The parameters on this page and the procedure for setting them a...

Page 112: ...ting them are the same as for Input Channels except that this page does not include the Gate and Phase parameters see page 87 Viewing Faders and On Off Parameters To display the View Fader page use the corresponding SEL button to select the desired Aux Out 1 8 then press the DISPLAY ACCESS VIEW button then press the F2 but ton ON OFF This button turns the currently selected Aux Out 1 8 on or off I...

Page 113: ...etting them are the same as for Input Channels see page 83 Setting Aux Send Levels You can adjust the level of signals routed from Input Channels to the corresponding Aux Out 1 8 Setting Send Levels from the Display You can view multiple channels Aux Send levels on the screen and adjust them individually 1 Press the FADER MODE AUX 1 AUX 8 buttons to select the Aux 2 Make sure that the 01V96 displa...

Page 114: ...taneously 3 Move the cursor to the FIXED or VARIABLE button in the MODE section for the currently selected Aux Send to select a mode Fixed Mode In this mode Aux Send levels are fixed at nominal 0 0 dB Also channel ON OFF buttons appear instead of the Send level rotary controls and PRE POST buttons Note In Fixed mode Aux Send ON OFF buttons appear instead of the Aux Send rotary con trols PRE POST b...

Page 115: ...ed mode in Step 3 the ON OFF buttons turn each Input Channel on or off for the currently selected Aux Send Tip You can select Variable or Fixed mode individually for each of the eight Aux Note In Fixed mode all ON OFF buttons are turned OFF WhenyouswitchtoVariablemode thesignalsourcepointsaresettopost fader PRE POST buttons are set to POST and Send level rotary controls are reset to Note In Fixed ...

Page 116: ...re Post parameters for paired Input Channels are linked to each other GLOBAL PRE POST buttons enable you to set all Input Channels simultaneously includ ing those not displayed on the current page to pre fader or post fader Note Do not raise the level of theAux Sends patched to the effects processor on the effects return channels For example by default Aux 1 is routed to the input of the internal ...

Page 117: ...evels of Input Channels 17 32 and ST IN Channels 1 4 These pages display the source Input channels and the corresponding Aux Sends in a matrix The parameters on these two pages and the procedure for setting them are the same A DISPLAY Use the following buttons to display the desired parameters LEVEL Select the LEVEL button to display Send level bar graphs for Input Channels routed to Aux 1 8 PRE P...

Page 118: ...uttons to set the Send level then press the ENTER button to turn the currently selected Aux Send on or off One of the following indicators appears depending on the current Aux mode Aux Sends in Fixed mode A FIX indicator appears for OnAux Sends and a dot appears for Off Aux Sends Aux Sends in Variable mode The current Send levels are displayed by the bar graphs If the level is set to nominal 0 0 d...

Page 119: ...e cursor to the Aux pan control of the desired Input Channel the rotate the Parameter wheel to set the pan value 5 If necessary move the cursor to the MODE parameter box then rotate the Parameter wheel to select INDIVIDUAL GANG or INV GANG then press ENTER If the INPUT PAN LINK ON OFF button is turned off this Mode setting is independent of the Mode parameter on the Pan page See page 85 for more i...

Page 120: ...32 button 2 Press one of the FADER MODE AUX 1 AUX 8 buttons to select the desired Aux Send copy destination The confirmation window for the Copy operation appears 3 To execute the Copy operation move the cursor to the YES button then press ENTER To cancel the Copy operation move the cursor to the NO button then press ENTER Note If you release the button in the LAYER section before you proceed to S...

Page 121: ... By default the Input Channels are patched as follows You can change these patches if you desire Input Channels Input connectors and Slot channels 1 16 INPUT connectors 1 16 17 24 ADAT IN Input Channels 1 8 25 32 Slot Channels 1 8 ST IN Channels 1 4 Internal Effects Processor 1 4 Outputs 1 2 Input Patching INPUT connector 1 INPUT connector 2 INPUT connector 3 INPUT connector 4 INPUT connector 5 IN...

Page 122: ...elected channel is indicated in the upper right corner of the screen 1 Below the channel name is the long name of the selected input channel 2 See page 94 for informa tion on changing channel names 3 Press ENTER to confirm the change Parameter value Description No assignment AD1 AD16 INPUT connectors 1 16 ADAT1 ADAT8 ADAT IN Input Channels 1 8 SL 01 SL 16 Slot Channels 1 16 FX1 1 FX1 2 Outputs 1 2...

Page 123: ...s Output connectors and slot channels Signal flow ADAT OUT output channels 1 8 Bus Outs 1 8 Slot Channels 1 8 Bus Outs 1 8 Slot Channels 9 16 Bus Outs 1 8 OMNI OUT connectors 1 4 Aux Outs 1 4 2TR OUT DIGITAL L Stereo Out L 2TR OUT DIGITAL R Stereo Out R Tip You can patch a signal to multiple outputs You can store the Output Patch settings to the Output Patch library Refer to Chapter 16 for more in...

Page 124: ...arameter boxes set the routing of OMNI OUT connector 1 4 signals The parameter indicators are explained below 2 Move the cursor to a patch parameter you wish to change then rotate the Parameter wheel or press the INC DEC buttons to modify the patching 3 Press ENTER to confirm the change Parameter value Description No assignment BUS1 BUS8 Bus Out 1 8 signal AUX1 AUX8 Aux Out 1 8 signal ST L R Stere...

Page 125: ... the patching 3 Press ENTER to confirm the change Patching Direct Outs Input Channel 1 32 signals can be directly patched to any outputs or slot outputs as well as Bus Out 1 8 and Stereo Out This patching is convenient when you wish to record each Input Channel signal to an individual track on a connected recorder 1 Press the DISPLAY ACCESS PATCH button repeatedly until the Patch Direct Out page a...

Page 126: ...he channels you want to patch to the Direct Out appears Rout1 16 page This page enables you to change the Input Channel 1 16 rout ings Rout17 STI page This page enables you to change the Input Channels 17 32 and ST IN Channel 1 4 routings 5 Move the cursor to the D button for the channel you want to patch to the Direct Out then press ENTER The Direct Out patching is now effective and the signals a...

Page 127: ...nsert Patching You can patch the 01V96 s inputs outputs ADAT connector channels slot channels and effects processor inputs and outputs to the Insert Ins and Outs The same procedure applies to both Input Channels and Output Channels 1 Press the SEL button of an Input Channel or Output Channel for Insert patching 2 Press the INSERT DELAY button repeatedly until the INS DLY Insert page appears This p...

Page 128: ... display another page before you press the ENTER button all settings on this page will be cancelled 5 Move the cursor to the desired IN parameter box then rotate the Parameter wheel or press the INC DEC buttons to select the inputs ADAT IN chan nels or slot input channels to be patched to the Insert In Refer to the explanation regarding the Input Patch for more information on the parameter values ...

Page 129: ...Patch Input Ins page appears This page displays Input Channels 1 32 Insert In Patches 2 Move the cursor to a channel patch parameter box you wish to change then rotate the Parameter wheel or press the INC DEC buttons to modify the patching 3 Press ENTER to confirm the change 4 To view the Output Channels Insert Ins press the PATCH button repeatedly until the Patch Output Ins page appears 5 Move th...

Page 130: ...130 Chapter 10 Input Output Patching 01V96 Owner s Manual ...

Page 131: ... Monitor outputs MONITOR TRIM This section adjusts the monitoring signal level in the digital domain MONITOR OUT LEVEL Use the MONITOR MONITOR OUT control on the top panel to adjust the monitoring signal level in the analog domain MONITOR 2TR IN As a monitoring signal you can select either the 01V96 internal signals or 2TR IN digital inputs PHONES The Monitor signal is also fed to the PHONES jack ...

Page 132: ...d Input Channels are not fed to the Stereo bus while the Solo function is enabled C SEL MODE This parameter determines how the Input Channels will be soloed when you press the SOLO button of each Channel There are two options MIX SOLO In Mix Solo mode any number of channels can be soloed simultaneously LAST SOLO In Last Solo mode only one channel can be soloed at a time by pressing the SOLO button...

Page 133: ...This button switches the Monitor signal into mono Using the Monitor 1 Connect a monitoring system to the MONITOR OUT connectors To monitor the signal via headphones connect headphones to the PHONES jack 2 Press the Monitor Source selector in the MONITOR section to select the mon itoring signal source To monitor the 01V96 s internal signals turn off the selector the button should be raised To monit...

Page 134: ...nnel signals are fed to the Monitor outputs 4 To solo and monitor Output Channels press the LAYER MASTER button then press the channel SOLO buttons Input and Output Channels Aux Out 1 8 Bus Out 1 8 cannot be solo monitored simul taneously For example if you solo an Input Channel then solo an Output Channel the first solo channel is cancelled If you solo an Output Channel first then solo an Input C...

Page 135: ...an the stereo image you can use the Parameter wheel or INC DEC buttons You can also store the surround pan settings in a Scene In addition to a normal Stereo mode the 01V96 features the following three Surround modes 3 1 This mode uses four channels that include front left front right front center and rear 5 1 This mode uses six channels that include front left front right rear left rear right fro...

Page 136: ... a Surround mode by using the following buttons The button that is turned on highlighted indicates the currently selected Surround mode STEREO The 01V96 uses normal stereo mode default 3 1 Selects 3 1 Surround mode 5 1 Selects 5 1 Surround mode 6 1 Selects 6 1 Surround mode B PAN SURR LINK Whenthisbuttonisturnedon InputChannelpanpotsandstereosurroundpanningare linked C Press this button to display...

Page 137: ...1 Surround 5 1 Surround 6 1 Surround 3 Press the ENTER button The confirmation window for changing the Surround mode appears 4 Move the cursor to the YES button then press ENTER The 01V96 enters the selected Surround mode 5 To link the Input Channel Pan setting with the stereo surround panning move the cursor to the PAN SURR LINK button then press ENTER When the PAN SURR LINK button is turned on a...

Page 138: ...gnment move the cursor to the desired Bus parameter rotate the Parameter wheel to select a channel then press ENTER The channels are swapped between the selected Bus and the Bus to which the channel assigned to the selected Bus was assigned previously 8 Depending on the selected Surround mode or applications patch the Bus Out signals to the outputs ADAT OUT channels or slot output channels Connect...

Page 139: ...ed to the digital MTR The following diagram illustrates an example of recording 5 1 Surround mode signals to a digital MTR BUS1 L BUS2 R BUS3 Ls BUS4 Rs BUS5 C BUS6 LFE SURROUND PAN LFE LEVEL SURROUND PAN LFE LEVEL SURROUND PAN LFE LEVEL 8 TRACK DIGITAL 01V96 Input Channel 2 Digital MTR Slot Channel 1 Channel 2 Channel 3 Channel 4 Channel 5 Channel 6 MY8 TD etc Track 1 Track 2 Track 3 Track 4 Trac...

Page 140: ...rom the OMNI OUT 1 4 connectors in 5 1 Surround mode Tip To output left and right front signals of the surround channels from the STEREO OUT L R connectors turn on the Surround LR to Stereo checkbox on the Surr Bus page BUS1 L BUS2 R BUS3 Ls BUS4 Rs BUS5 C BUS6 LFE SURROUND PAN LFE LEVEL SURROUND PAN LFE LEVEL SURROUND PAN LFE LEVEL STEREO OUT L Front L Front R Rear L Rear R Center Subwoofer 01V96...

Page 141: ...er A small diamond indicates the current surround pan posi tion You can move the current surround pan position directly to one of the speaker icons by selecting its icon then pressing ENTER B Trajectory patterns These buttons represent seven trajectory patterns that determine how the surround pan moves when you operate the Parameter wheel or the INC DEC buttons C FAST Turning on this button increa...

Page 142: ...enter channel When you set the parameter to 0 the Center signal is fed to only the Left and Right channels When you set the parameter to 50 the Center signal is fed equally to the Left Right and Center channels G LINK This button is available only in 6 1 Surround mode When you turn on this button the F and R controls are set to the same value and linked together H ST LINK Turning on this button li...

Page 143: ...arameters The sound image moves from front right to rear left With this pattern you can also fine tune the trajectory using the WIDTH DEPTH OFFSET and OFFSET parameters The sound image moves between left and right while tracing an arc With this pattern you can also fine tune the radius and shape of the arc using the WIDTH DEPTH OFFSET and OFFSET parameters 40 56 36 40 36 36 36 12 8 8 44 16 20 16 3...

Page 144: ...FFSET parameter values 5 To move the sound image move the cursor to anywhere outside the param eter boxes then rotate the Parameter wheel The sound image of the selected channel moves along the selected trajectory pattern 6 To link the surround pan settings of two channels displayed on the page turn on the ST LINK button Use the PATTERN parameter box below the ST LINK button to specify how you wan...

Page 145: ...ed channel and a dotted line indicates the movement of the linked partner 7 To list multiple channel surround pan settings press the PAN ROUTING button repeatedly until the Pan Route Surr1 16 Surr17 32 or Surr ST IN page appears These pages display and enable you to edit the surround pan settings for 16 channels A Surround pan graphs These graphs display the trajectory patterns and the current pan...

Page 146: ...eter box This parameter box enables you to move the surround pan setting of the selected chan nel front and rear 8 To move the sound image of each channel on these pages move the cursor to the desired channel then rotate the Parameter wheel The pan setting of the channel changes along the trajectory pattern Press ENTER to dis play the currently selected channel s CH Edit page ...

Page 147: ... Input Channel or Output Channel ON buttons can be grouped There are eight Input Channel mute groups and four Output Channel mute groups When channel ON buttons are grouped pressing any one of them turns the ON buttons for all the grouped channels on or off A mute group can include On channels and Off channels at the same time which turn off or on respectively when you press any one of the grouped...

Page 148: ... desired group and channels appears In Fader page This page enables you to set Fader groups A H for Input Channels 1 32 and ST IN Channels 1 4 Out Fader page This page enables you to set Fader groups Q T for Bus Outs 1 8 Aux Outs 1 8 and Stereo Out In Mute page This page enables you to set Mute groups I P for Input Channels 1 32 and ST IN Channels 1 4 respectively Out Mute page This page enables y...

Page 149: ...p operate one of the faders or level controls for the grouped channels 7 To use a mute group press one of the ON buttons for the grouped chan nels All channels in the group switch their on off status Tip If you add one channel from a pair to a group the pair partner is automatically added to the group You can also select a channel on another layer by switching layers Note If youwishtochangetherela...

Page 150: ...s function enables you to set EQ or compressor parameters for multiple chan nels to the same values simultaneously 1 Press the DISPLAY ACCESS PAIR GROUP button repeatedly until one of the following pages appears In EQ page This page enables you to set EQ links a d for Input Channels 1 32 and ST IN Chan nels 1 4 Out EQ page This page enables you to set EQ links e h for Bus Outs 1 8 Aux Outs 1 8 and...

Page 151: ...meters 13 In Comp page This page enables you to set Compressor links i l for Input Channels 1 32 Out Comp page This page enables you to set Compressor links m p for Bus Outs 1 8 Aux Outs 1 8 and Stereo Out 2 Press the up or down cursor button to select a link to which you want to add channels ...

Page 152: ...ngs for the first channel added to the link are applied to all sub sequently added channels 5 After all desired channels are added to the link edit the EQ or compressor parameters for one of the linked channels The edits for the EQ or compressor parameters are applied to the rest of the linked channels Tip If you add one channel from a pair to a link the pair partner is automatically added to the ...

Page 153: ...ffects pro cessor inputs can be fed from the Aux Sends and output to ST IN Channels effects send return Effects processors can also be inserted into Input Channels Bus Outs Aux Outs or the Stereo Out Effects processors 1 through 4 create 1 in 2 out or 2 in 2 out effects The 01V96 also features the Effects library which contains 44 preset programs and 84 user programs Note When the 01V96 operates a...

Page 154: ...boxes select the signals to be fed to the effects processors B OUT These parameter boxes select the destination of the signals output from the effects pro cessors C button This button recalls the FX1 Edit FX4 Edit pages which enable you to adjust the effect parameters 3 To select a signal to be input to the effects processor move the cursor to the desired In parameter box select a signal from the ...

Page 155: ...ultiple effect inputs Move the cursor to an IN parameter box and press the ENTER button The Patch Select window appears This window enables you to select the input source quickly Tip If youselectanSTINChannelasthedestination youcanpatchtheLandRchannelsignals separately You can also use the Patch Select window to set the OUT parameter boxes as explained in Step 3 Thenumberofinputsavailableforeachef...

Page 156: ...e inputs of the effects processor selected in Step 1 FX1 1 FX1 2 Inputs 1 2 of Internal Effects Processor 1 FX2 1 FX2 2 Inputs 1 2 of Internal Effects Processor 2 FX3 1 FX3 2 Inputs 1 2 of Internal Effects Processor 3 FX4 1 FX4 2 Inputs 1 2 of Internal Effects Processor 4 6 Press ENTER to confirm the setting 7 Move the cursor to the IN parameter box in the INSERT section select the outputs of the ...

Page 157: ...n of the effect program is displayed below this parameter C button Move the cursor to this parameter then press ENTER to display the Library page for the selected effects processor D button Move the cursor to this button then press ENTER to display the Patch Effect page which enables you to assign signals to the inputs and outputs of Effects processors 1 4 E MIX BALANCE This parameter knob enables...

Page 158: ...e meters indicate the input or output levels of the currently selected effects proces sor Select the IN button or OUT button to display the input levels or output levels respectively Move the cursor to a parameter you wish to change and rotate the Parameter wheel or press the INC DEC buttons to adjust the setting You can store the edited settings as a new program in the Effects library see page 17...

Page 159: ...uts to the plug in input The plug in output can be patched to Input Channels or channel insert ins To use the plug in effects press the EFFECT button repeatedly until the Effect P In Edit page appears For details on using plug ins refer to the owner s manual that came with the plug in card As of February 2003 the 01V96 supports the following plug in cards Visit theYamaha web site http www yamahapr...

Page 160: ...160 Chapter 14 Internal Effects 01V96 Owner s Manual ...

Page 161: ...nnel ON button settings All channel Phase settings All channel Attenuator settings All channel Delay settings excluding ST IN Channels All channel Compressor settings excluding ST IN Channels Input channel Gate settings excluding ST IN Channels All channel EQ settings All channel Pan settings All channel routings Fader groups Mute groups EQ links and Compressor links All channel pair settings Effe...

Page 162: ... that contains the mix settings in effect immediately before the most recently recalled or stored Scene To undo or redo Scene memory recall and store operations recall Scene memory U When you adjust parameters after recalling a Scene the Edit indicators appear EDIT at the top of the display indicating that the mix settings no longer match those of the Scene that was most recently recalled The cont...

Page 163: ... to be stored 4 Enter the title move the cursor to the OK button then press ENTER The Title Edit window closes and the current Scene is stored to the selected Scene memory 5 To recall a Scene press the SCENE MEMORY Up or Down buttons to select a Scene memory number then press the SCENE MEMORY RECALL button Note When you store Scenes make sure that there are no settings in the Edit Buffer that you ...

Page 164: ...edit a selected Scene title B RECALL This button recalls the contents of the selected Scene memory C STORE This button stores the current Scene to the selected Scene memory By default a confir mation window appears before you store the Scene D CLEAR This button deletes the contents of the selected Scene memory E PROTECT ON OFF This button switches on and off the write protection of the contents of...

Page 165: ... Update function is enabled parameter edits made after the Scene was recalled are stored in the Scene s Shadow memory When you again recall the Scene the contents of the Original and Shadow memories are recalled alternately Therefore even after you recall the Original Scene memory you can recall the edited version from Shadow memory to restore the most recent edits If the EDIT indicator appears at...

Page 166: ...ng A Global Fade Time When this check box is checked a Scene is recalled using the currently specified Fade Time The Fade Time setting stored in the recalled Scene is temporarily ignored This check box setting works in unison with the Out Fade page B ALL INPUT CLEAR This button resets all channel Fade Times on the page to 00 0 second C INPUT CH1 32 ST IN 1 4 These parameters enable you to set the ...

Page 167: ...ic operation is the same as on the In Fade page A BUS1 8 These parameters enable you to set the Fade Time for each Bus Out 1 8 in the range of 00 0 through 30 0 seconds B AUX1 8 These parameters enable you to set the Fade Time for Aux Outs 1 8 C STEREO This parameter enables you to set the Fade Time for the Stereo Out Tip You can copy the currently selected Output Channel Fade Time setting to all ...

Page 168: ...l Safe function C MODE The following MODE buttons determine which Safe channel parameters will remain unaffected by Scene recalls The MODE buttons correspond to the following parame ters ALL All parameters FADER Channel faders or level controls ON Channel On Off parameters PAN Channel Pan parameters EQ Channel EQ parameters COMP Channel Comp parameters GATE Channel Gate parameters AUX Channel Aux ...

Page 169: ...left column then rotate the Parameter wheel or press the INC DEC buttons to select the Scene mem ory you wish to move 3 Move the cursor to the DESTINATION list 2 in the right column then rotate the Parameter wheel or press the INC DEC buttons to select the position to which you want to move the source Scene memory 4 Press ENTER to move the source Scene memory to the specified destina tion The Scen...

Page 170: ...170 Chapter 15 Scene Memories 01V96 Owner s Manual ...

Page 171: ...ing on the library Refer to the latter part of this chapter for more information on how to display the desired library page The example below assumes you have located the Input Patch library page The library memory title list is displayed in the middle of the page The message No Data appears in the title column of empty library memories An icon is displayed next to the name of read only preset mem...

Page 172: ...ory recall confirmation window C STORE This button stores the settings to the selected memory Before you store the settings you can enter or edit the title using the Title Edit window Refer to page 30 for more infor mation on entering characters You can disable the Title Edit window by turning off the Store Confirmation parameter on the DIO Setup Prefer1 page If you bypass the Edit Title window th...

Page 173: ...nel is an Input Channel 1 32 or ST IN Channels 1 4 its Surround mode and Aux configuration information is displayed here C Level meters These meters indicate the levels of the currently selected channel and the available part ner D STORED FROM This parameter indicates the channel for which the settings were originally stored in the selected library memory If the currently selected library memory c...

Page 174: ...brary contains one preset memory and 32 user readable writable memories To access the Input Patch library press the DISPLAY ACCESS PATCH button repeatedly until the Patch IN LIB page appears For details on storing and recalling memories see General Library Operation on page 171 Input Patch preset memory 0 contains the following settings No Preset Name Description 0 Reset dB This preset memory rese...

Page 175: ...r readable writable programs To store and recall settings to and from the library you must locate the corresponding Effects processor s page To access the Effects library press the DISPLAY ACCESS EFFECT button repeatedly until the library page for the desired Effects processor appears Each Effects processor features the library pages listed below Internal Effects Processor 1 Library FX1 Lib page I...

Page 176: ...is button then press ENTER to display the Effect FX1 Edit FX2 Edit FX3 Edit or FX4 Edit page to adjust the Effects parameters D Move the cursor to this button then press ENTER to display the In Patch Effect page to assign the input and output signals of Effects processors 1 4 E Level meters These meters indicate the input or output levels of the currently selected Effects proces sor Select the IN ...

Page 177: ...DELAY Simple repeat delay with modulation 11 Delay LCR DELAY LCR 3 tap left center right delay 12 Echo ECHO Stereo delay with crossed left right feedback No Preset Name Type Description 13 Chorus CHORUS Chorus 14 Flange FLANGE Flanger 15 Symphonic SYMPHONIC Proprietary Yamaha effect that produces a richer and more complex modulation than normal chorus 16 Phaser PHASER 16 stage stereo phase shifter...

Page 178: ...ho REV SYMPHO Reverb and symphonic in series 35 Rev Pan REV PAN Reverb and auto pan in series 36 Delay ER DELAY ER Delay and early reflections in parallel 37 Delay ER DELAY ER Delay and early reflections in series 38 Delay Rev DELAY REV Delay and reverb in parallel 39 Delay Rev DELAY REV Delay and reverb in series 40 Dist Delay DIST DELAY Distortion and delay in series No Preset Name Type Descript...

Page 179: ... channel and its available pair partner D Type Curve section The type Gate or Ducking and curve of the currently selected memory is displayed here 2 Use the LAYER buttons to select layers then press the SEL buttons to select channels You can now store the selected channel gate settings or recall the gate library memories to channels For details on storing and recalling memories see General Library...

Page 180: ... CURRENT CURVE This graph displays the current compressor curve C GR meters These meters indicate the amount of gain reduction being applied by the compressor and the post comp levels of the currently selected channel and its available pair partner D Type Curve section The type and curve of the currently selected memory is displayed here 2 Use the LAYER buttons to select layers then press the SEL ...

Page 181: ... electric bass guitar 14 Syn Bass COMP Compressor for controlling or emphasizing the level of a synth bass 15 Piano1 COMP Compressor for brightening the tonal color of a piano 16 Piano2 COMP A variation on preset 15 using a deep threshold to change the overall attack and level 17 E Guitar COMP Compressor for electric guitar cutting or arpeg gio style backing The sound color can be varied by playin...

Page 182: ...the currently selected EQ program are displayed here 2 Use the LAYER buttons to select layers then press the SEL buttons to select channels You can now store the selected channel EQ settings or recall the EQ library memories to channels For details on storing and recalling memories see General Library Operation on page 171 31 Click Erase EXPAND Expander for removing a click track that may bleed th...

Page 183: ... variation on preset 16 18 E G Dist 1 Makes a heavily distorted guitar sound clearer 19 E G Dist 2 A variation on preset 18 20 A G Stroke 1 Emphasizes the bright tones of acoustic guitars 21 A G Stroke 2 A variation on preset 20 You can also use it with an acoustic electric nylon string guitar 22 A G Arpeg 1 Ideal for arpeggio playing on acoustic guitars 23 A G Arpeg 2 A variation on preset 22 24 ...

Page 184: ...184 Chapter 16 Libraries 01V96 Owner s Manual ...

Page 185: ...e external device You cannot adjust the 01V96 s parameters unless you select a different layer You can assign functions of a target device to the controls on the top panel of the 01V96 by using Remote layer The following targets are available for remote control ProTools You can remotely control Digidesign Pro Tools Nuendo You can remotely control Steinberg Nuendo General DAW You can remotely contr...

Page 186: ...16 2TR IN LEVEL PHONES LEVEL 0 10 0 10 4 26 GAIN 4 26 GAIN 4 26 GAIN GAIN 4 26 GAIN 20dB 16 60 GAIN 20dB 16 60 GAIN 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 PAD FADER MODE DISPLAY ACCESS AUX 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS...

Page 187: ...recognizes the 01V96 as a USB MIDI interface that fea tures eight ports 6 Choose Peripherals from the Setups menu to open the Peripherals window 7 Double click the MIDI Controllers tab 8 Refer to the screen below to set the Type Receive From Send To and Ch s parameters The 01V96 can emulate up to two MIDI controllers 9 When you finish setting the parameters close the window Tip To control Pro Tool...

Page 188: ...irm the setting 4 Move the cursor to the adjacent parameter box on the right then rotate the Parameter wheel to spec ify the port ID 5 Press the DISPLAY ACCESS DIO SETUP button repeatedly until the DIO Setup Remote page appears 6 Select ProTools as the target device for the Target parameter 1 located in the upper right corner of the page By default the Remote layer target is set to ProTools If ano...

Page 189: ...his parameter enables you to select the remote control target device B COUNTER This counter indicates the current position This counter works in unison with the time code counter on Pro Tools The display format of the counter is specified in Pro Tools The following three check boxes in the COUNTER section indicate the cur rently selected format TIME CODE Pro Tools timecode format is set to Time Co...

Page 190: ... this section ASSIGN Turn on this button to insert plug ins into Pro Tools channels If youareusingtheTDMsystem youcanalsoassignoutboard effects processors COMPARE You can compare your edits with the original settings by turn ing on this button This button works in unison with the Com pare button in the Pro Tools Inserts and Sends windows BYPASS Turning on this button bypasses the plug ins see page...

Page 191: ...meter controls for tracks 1 16 are displayed Parameter controls 1 16 Channel parameter controls such as channel 1 16 panpots Send A E send levels etc are dis played Meter Display mode F4 button Press the F4 button to select this display mode in which the level meters for tracks 1 16 are displayed Channels 1 16 The channel 1 16 levels or Send levels are displayed ...

Page 192: ...n Press and hold down this button and press the desired SEL button to reset the correspond ing channel fader level Move the cursor to the parameter control on the display then press and hold down this but ton and press ENTER to reset the corresponding channel panpot to center While you are holding down the AUX 6 button the SELECT ASSIGN parameter indicates DFLT AUX 7 button When this button is tur...

Page 193: ... or execute the shuttle and scrub operation By default it adjusts the value of the currently selected param eter The P WHEEL MODE parameter indicates Prm USER DEFINED KEYS section 1 8 buttons You can assign one of 167 parameters to each of these buttons In particular if you assign any of 54 Remote Control parameters to these buttons you can operate the transport sec tion and select various Pro Too...

Page 194: ...n a Channel or Meter Display page when you press and hold the button to which this function is assigned DAW GROUP STATUS Displays a Group ID to which each channel belongs below each channel number on a Channel or Meter Display page in all caps for a main group and in lowercase letters for a sub group DAW MONI STATUS Pressing the key to which this function is assigned enables you to view the curren...

Page 195: ...AW CTRL CLUCH DAW ALT FINE DAW BANK Executes the Bank Swap operation Pressing the button to which this function is assigned switches the entire 16 channel bank DAW BANK DAW Channel Executes the Channel Scroll operation Pressing the buttons to which these functions are assigned enables you to scroll channels horizontally DAW Channel DAW REC RDY 1 Pressing the buttons to which these functions are as...

Page 196: ...ess the STEREO SEL button then press the AUX 7 button to select the L or R channel Pressing the AUX 7 button repeatedly toggles between the left and right channels When the left channel is selected the AUX 7 button indicator lights up and the SELECT ASSIGN parameter on the display indicates Pan When the right channel is selected the AUX 7 button indicator flashes and the SELECT ASSIGN parameter in...

Page 197: ...s A E You can pan channel signals sent to stereo Aux Sends by rotating the SELECTED CHAN NEL PAN control if faders ON buttons and the PAN control are in Flip mode Refer to the next section for more information Flip Mode In Flip mode you can use the faders ON buttons and the PAN control to control send levels pre post positions and mute settings as shown in the following table 1 Press the FADER MOD...

Page 198: ... cursor to the ASSIGN button 2 then press ENTER to turn on the button You can now select plug ins If you press another channel s SEL button after you turn on the ASSIGN button the button turns off If you wish to assign plug ins to other channels turn on the ASSIGN button again 6 Move the cursor to one of the four parameter controls then rotate the Parameter wheel to select a plug in By default the...

Page 199: ...the parameters In the INSERTASSIGN EDIT section the PARAM button is automatically selected and the Information box indicates the selected plug in parameters You can now use parameter controls 1 4 and the ENTER button to adjust the parameters 5 Use the Tab Scroll buttons to display the parameter value you wish to change Most plug ins feature five or more parameters To edit the fifth or subsequent p...

Page 200: ...splay the parameters of the plug in you wish to bypass in the INSERT ASSIGN EDIT section then turn on the BYPASS button Scrub Shuttle By assigning the DAW SCRUB parameter to one of the User Defined buttons 1 8 you can scrub Pro Tools tracks back and forth by turning the Parameter wheel By assigning the DAW SHUTTLE parameter to one of the User Defined buttons 1 8 you can shuttle back and forth by t...

Page 201: ...hannel 1 16 SEL buttons become available for the Automation mode setting Press the desired channel SEL buttons while pressing the programmed User Defined but ton to switch the corresponding channels Automation settings While the channel SEL buttons are available for the Automation mode setting pressing the SEL buttons will cause the Fader Touch or Untouch command to be transmitted to Pro Tools Thi...

Page 202: ... LAYER REMOTE button to set the TARGET parameter to Nuendo You can now remotely control Nuendo using the Remote Layer Other DAW Remote Layer You can remotely control DAW software that supports the Pro Tools protocol Configuring Computers 1 Connect the 01V96 to your computer using a USB cable and install the required USB driver included on the 01V96 CD ROM Refer to the Studio Manager installation g...

Page 203: ...NNEL PAN DEC INC SOLO CLEAR RECALL STORE SCENE MEMORY PHONES MONITOR OUT MONITOR 2TR IN CH15 16 2TR IN LEVEL PHONES LEVEL 0 10 0 10 4 26 GAIN 4 26 GAIN 4 26 GAIN GAIN 4 26 GAIN 20dB 16 60 GAIN 20dB 16 60 GAIN 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 PAD FADER MODE DISPLAY ACCESS AUX 1 ...

Page 204: ...he DIO Setup Remote page appears 5 Move the cursor to the TARGET parameter box rotate the Parameter wheel to select USER DEFINED then press ENTER The confirmation window for changing the setting appears Move the cursor to the YES button then press ENTER The display changes as follows A TRANSMIT ENABLE DISABLE This button switches the MIDI Remote function between enable and disable B INITIALIZE Thi...

Page 205: ...L SEL SEL SEL SEL SEL SEL SEL SEL SEL ST IN ENTER EQUALIZER HIGH HIGH MID LOW MID LOW Q FREQUENCY GAIN STEREO SELECTED CHANNEL PAN DEC INC SOLO CLEAR RECALL STORE SCENE MEMORY PHONES MONITOR OUT MONITOR 2TR IN CH15 16 2TR IN LEVEL PHONES LEVEL 0 10 0 10 4 26 GAIN 4 26 GAIN 4 26 GAIN GAIN 4 26 GAIN 20dB 16 60 GAIN 20dB 16 60 GAIN 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 16 60 GAIN 16 60 GA...

Page 206: ...ed in hexadecimal END This message indicates the end of MIDI messages Subsequent messages assigned in the DATA parameter boxes will be ignored This message indicates that no messages are assigned to the DATA parameter boxes 7 While continuing to hold down the foot switch turn off the LEARN button 8 Move the cursor to the third parameter box 7F in this example then rotate the Parameter wheel to cha...

Page 207: ...ts Off mes sages When SW is assigned LATCH UNLATCH When SW is not assigned UNLATCH Tip If SW isnotassignedintheDATAparameterboxesoftheONsection thecurrentMIDI messages are output Note Be sure to set one of the DATA parameter boxes of the FADER section to FAD If no FAD is assigned fader operation is ignored Tip Refertothediagramsbelowforinformationonhowthe ON buttonsbehavewhenLatch or Unlatch is se...

Page 208: ...B 16 60 GAIN 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 GAIN 16 60 PAD FADER MODE DISPLAY ACCESS AUX 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8 AUX 2 AUX 3 AUX 4 AUX 8 AUX 7 AUX 6 AUX 5 HOME METER DYNAMICS EQ EFFECT VIEW PATCH UTILITY MIDI SCEN...

Page 209: ...eds to match the ID of the devices you wish to control 5 To start remote control press the DISPLAY ACCESS DIO SETUP button repeatedly until the DIO Setup Machine page appears This page contains the following parameters A LOCATE TIME section This section enables you to set the locate points LOCATE 1 8 These buttons locate the positions specified by the TIME val ues on external machines RTZ This Ret...

Page 210: ...ording on external machines D FRAMES This parameter selects the timecode frame rate from 24 25 30D drop frame and 30 6 To control the transport functions move the cursor to the desired button in the TRANSPORT section then press ENTER 7 If you desire move the cursor to the buttons and parameters in the LOCATE TIME section and the TRACK ARMING section then press the ENTER button or rotate the Parame...

Page 211: ...ed Parameter Changes MMC MIDI Machine Control MMC is used for external machine control MIDI Note On Off These messages are used to adjust the Freeze effect Bulk Dump Messages These messages enable you to store the 01V96 s internal data to a sequencer or MIDI filer When the 01V96 receives these messages they overwrite the 01V96 data The 01V96 features the following interface for transmitting and re...

Page 212: ...SB or SLOT available only with an optional mLAN card installed If you select USB or SLOT specify the port number 1 8 in the right parameter box Tx PORT This parameter specifies a port for general MIDI data transmis sion The available ports are the same as for the Rx PORT parameter B MIDI THRU section These parameters enable you to route incoming MIDI data from one port or slot to another without c...

Page 213: ...ox a port number pair 1 2 3 4 5 6 7 8 REMOTE This parameter indicates the target currently selected for Remote Layer If the target is set to USER DEFINED you can select a MIDI message destination port CASCADE LINK This parameter determines whether MIDI messages are trans mittedbetweentwocascaded01V96s If youselectMIDI MIDI messages will be transferred between two cascaded units If you select no MI...

Page 214: ... parameter row enables or disables transmission and reception of Program Changes Tx ON OFF Transmission of Program Change messages is enabled or dis abled Rx ON OFF Reception of Program Change messages is enabled or disabled OMNI ON OFF When this button is turned on Program Changes on all MIDI Channels are received regardless of the CHANNEL row set tings ECHO ON OFF This button determines whether ...

Page 215: ... HIGH button When the LOW button is selected the fader resolution switches to 256 steps Assigning Scenes to Program Changes for Remote Recall You can assign 01V96 Scenes to MIDI Program Changes for remote recall When you recall a Scene on the 01V96 the unit transmits the assigned Program Change to the connected MIDI device When the 01V96 receives a Program Change the assigned Scene is recalled Ini...

Page 216: ...1V96 parameters to MIDI Control Changes for real time control When the 01V96 receives a Control Change the assigned 01V96 parameter is set accordingly Also when you adjust a parameter on the 01V96 the 01V96 transmits the assigned Control Change message 1 Press the DISPLAY ACCESS DIO SETUP button repeatedly until the DIO Setup MIDI Host page appears then specify ports for transmission and reception...

Page 217: ...s on the Ctl Asgn page regardless of the MIDI Channels currently selected for transmission and reception Skip Steps 5 and 6 if you turned on the NRPN button in Step 4 6 Select parameters in the parameter boxes in the three PARAMETER columns Select a parameter group in the parameter box in the first PARAMETER column and spec ify the desired values in the parameter boxes in the second and third PARA...

Page 218: ...UX8 SEND BUS TO ST BUS1 8 PHASE CHANNEL INPUT1 32 ST IN1L 4R INSERT ON CHANNEL INPUT1 32 MASTER BUS1 8 AUX1 8 STEREO PRE POST AUX1 SEND INPUT1 32 ST IN1 4 AUX2 SEND AUX3 SEND AUX4 SEND AUX5 SEND AUX6 SEND AUX7 SEND AUX8 SEND IN DELAY ON INPUT1 32 TIME HIGH TIME MID TIME LOW MIX HIGH MIX LOW FB GAIN H FB GAIN L OUT DELAY ON BUS1 8 AUX1 8 STEREO L R TIME HIGH TIME MID TIME LOW HIGH MID LOW ...

Page 219: ... MID L Q HI MID F HI MID G HI MID H G HI MID L Q HIGH F HIGH G HIGH H G HIGH L ATT H ATT L HPF ON LPF ON GATE ON INPUT1 32 ATTACK THRESH H THRESH L RANGE HOLD H HOLD L DECAY H DECAY L COMP ON INPUT1 32 BUS1 8 AUX1 8 STEREO ATTACK THRESH H THRESH L RELEASE H RELEASE L RATIO GAIN H GAIN L KNEE PAN CHANNEL INPUT1 32 ST IN1L 4R AUX1 2 AUX3 4 AUX5 6 AUX7 8 BUS TO ST BUS1 8 BALANCE MASTER STEREO HIGH MI...

Page 220: ...SS MIDI button then press the F1 button to dis play the MIDI Setup page then specify MIDI Transmit and Receive Chan nels 8 Turn on the CONTROL CHANGE Tx ON OFF and Rx ON OFF buttons 01V96 parameters will now be set accordingly when the 01V96 receives corresponding Control Changes Also when you adjust parameters on the 01V96 the 01V96 will transmit corresponding Control Changes SURROUND LFE H INPUT...

Page 221: ...and reception of MIDI messages see page 212 2 Make connections using the ports selected in Step 1 so that the 01V96 can transmit and receive MIDI messages to and from the external device 3 Press the DISPLAY ACCESS MIDI button then press the F1 button to dis play the MIDI Setup page then turn off the Tx and Rx ON OFF buttons in the PARAMETER CHANGE row The 01V96 will now set certain parameter value...

Page 222: ...ou to select data for transmission and reception B REQUEST Move the cursor to this button then press ENTER to transmit messages from the 01V96 that request a second 01V96 connected to the first 01V96 to transmit the data specified in the CATEGORY section This button is used primarily when two 01V96s are connected in cascade C TRANSMIT Move the cursor to this button then press ENTER to transmit dat...

Page 223: ...eter wheel or press the INC DEC buttons to select the desired bulk dump data 6 To start transmitting bulk data move the cursor to the TRANSMIT button then press ENTER Bulk Dump is executed During the operation the Bulk Dump window appears indicating the current bulk dump status To abort the bulk dump operation move the cursor to the CANCEL button in the window then press ENTER 7 To receive bulk da...

Page 224: ...224 Chapter 18 MIDI 01V96 Owner s Manual ...

Page 225: ... the Patch In Name page appears Channel IDs Short names and Long names are listed from left to right on the page You can specify Short names in the parameter boxes 1 in the center column and Long names in the parameter boxes 2 in the right column 2 Move the cursor to the desired parameter box then use the Parameter wheel or the INC DEC buttons to select a port for which you want to change the name...

Page 226: ...el names press the DISPLAY ACCESS PATCH button repeatedly until the Patch Out Name page appears The procedure for editing the names and using the Name Input Auto Copy check box and the INITIALIZE button is the same as on the In Name page Setting Preferences You can change the default settings and environmental settings of the 01V96 by using the DIO Setup Prefer1 and Prefer2 pages To locate one of ...

Page 227: ... on you can select a channel by moving the corresponding fader or by turning on the corresponding channel SOLO or ON button Store Confirmation If this check box is on the Title Edit window to input a Scene or library memory name appears when you store a Scene or library memory Recall Confirmation If this check box is on a confirmation window appears when you recall a Scene or library memory Patch ...

Page 228: ...channel Direct Out is automatically dis abled Prefer2 page The Prefer2 page enables you to name the channel indicated on the display and adjust the display brightness This page contains the following parameters A Channel ID Channel This parameter selects a style for the displayed channel If the Channel ID check box is selected the Channel ID appears e g CH1 CH16 AUX1 If the Channel Short Name chec...

Page 229: ...SPLAY ACCESS DIO SETUP button repeatedly until the DIO Setup Remote page appears 2 Set the TARGET parameter to USER ASSIGNABLE then press ENTER A confirmation window appears 3 Move the cursor to the YES button then press ENTER The 01V96 displays the page shown below 4 Select the channels you wish to assign to the User Assignable layer using the 1 16 parameter boxes 1 You can store up to four 16 ch...

Page 230: ...then press ENTER you can select multiple channels 3 Move the cursor to one of the WAVEFORM parameter buttons then press ENTER You can select the following waveforms SINE 100Hz 100 Hz sinewave SINE 1kHz 1 kHz sinewave SINE 10kHz 10 kHz sinewave PINK NOISE Pink noise BURST NOISE Burst noise 200 msec pink noise pulses at four second inter vals 4 Move the cursor to the parameter control in the LEVEL s...

Page 231: ...SER DEFINED KEYS 1 Press the USER ACCESS UTILITY button to locate the Utility User Def page This page contains the following parameters A INITIALIZE This button resets the contents of all banks to their initial settings B BANK These buttons select the desired banks C TITILE This parameter displays the name of the bank selected by the BANK parameter button Move the cursor to the TITLE parameter box...

Page 232: ...e center and right columns vary depending on the function selected in Step 4 6 To close the window move the cursor to the YES button then press ENTER When the window closes the specified function is assigned to the selected User Defined button To cancel the assignment move the cursor to the CANCEL button then press ENTER 7 If you assigned functions that require numbers such as recalling a Scene or...

Page 233: ...assword using the Channel 1 10 SEL buttons Channel 10 SEL button enters 0 The password characters are represented by asterisks Move the cursor to the OK button then press ENTER to enable Operation Lock The factory default password is 1234 To cancel Operation Lock press ENTER The Password window appears again Enter the password and select the OK button Operation Lock is cancelled B OPERATION LOCK S...

Page 234: ...n cascade using the digital inputs and outputs or the OMNI IN and OMNI OUT connectors In this way two consoles work just like one big console integrating each unit s Buses 1 8 Aux Sends 1 8 Stereo Bus and Solo Bus The following functions are linked between two cascaded 01V96s via the MIDI IN and OUT ports Display page selection Aux selection Solo function Fader Mode Metering Position Peak Hold On ...

Page 235: ...0 40 50 20 30 40 50 60 70 40 50 60 70 40 50 60 70 40 50 60 70 40 50 60 70 40 50 60 70 40 50 60 70 40 50 60 70 30 15 5 10 15 20 0 5 10 5 10 0 5 10 15 20 0 5 10 5 10 0 5 10 15 20 0 30 5 10 15 20 0 30 5 10 15 20 0 30 5 10 15 20 0 30 5 10 15 20 0 30 30 30 5 10 15 20 0 5 10 15 20 0 5 10 15 20 0 5 10 5 10 0 15 5 10 5 10 0 15 5 10 5 10 0 15 5 10 5 10 0 15 20 30 40 50 15 15 20 30 40 50 15 5 10 5 10 0 5 10...

Page 236: ...ds such as MY8 AT 7 On the master unit press the DISPLAY ACCESS DIO SETUP button repeat edly until the DIO Setup Cascade page appears then adjust the Attenua tors using the parameter controls The DIO Setup Cascade page enables you to adjust the level of signals input to the Cascade Bus using the dedicated attenuators You can also turn the Cascade Buses on or off using the buttons below the paramet...

Page 237: ...he copy source unit Move the cursor to the TRANSMIT button for the SYNC parameter then press ENTER Data such as libraries and Scene memories on the copy source unit is copied onto the other 01V96 via the MIDI ports If you select the REQUEST button instead of the TRANSMIT button for the SYNC parameter you can reverse the copy direction At this point Bus 1 8 Aux 1 4 and the Stereo Bus on both 01V96s...

Page 238: ...e Status is Okay the battery has sufficient voltage for operation If the Status is Voltage Low ask your Yamaha dealer or authorized Yamaha service center to replace the battery as soon as possible Failure to replace a low battery may result in data loss B Ver X XX X XX represents the version number This indicator identifies the system version number Check the current system version number before y...

Page 239: ...EL button then press ENTER When the internal data is thoroughly overwritten the 01V96 restarts using the factory set tings 4 To reset the Operation Lock password to its initial setting in Step 2 move the cursor to the PASSWORD button then press ENTER The password is reset to 1234 If you do not take any action after the confirmation window appears the window automat ically closes and the 01V96 rest...

Page 240: ...n is in progress Calibration takes about two minutes It is important that you do not touch the faders while this message is displayed When calibration is finished the 01V96 displays a page that enables you to fine tune the fader position 3 Follow the instructions on the display and lower all faders to then press ENTER 4 Set faders 1 16 to 15 and the Stereo fader to 30 then press ENTER 5 Set faders...

Page 241: ...up E 43 Input Fader Group Enable F IN Fader Group F 44 Input Fader Group EnableG IN Fader Group G 45 Input Fader Group Enable H IN Fader Group H 46 Input MUTE Group Enable I IN Mute Group I 47 Input MUTE Group Enable J IN Mute Group J 48 Input MUTE Group Enable K IN Mute Group K 49 Input MUTE Group Enable L IN Mute Group L 50 Input MUTE Group Enable M IN Mute Group M 51 Input MUTE Group Enable N I...

Page 242: ...DAW AUTO FADER DAW AUTO FADER 133 DAW AUTO MUTE DAW AUTO MUTE 134 DAW AUTO PAN DAW AUTO PAN 135 DAW AUTO SEND DAW AUTO SEND 136 DAW AUTO PLUGIN DAW AUTO PLUGIN 137 DAW AUTO SEND MUTE DAW AUTO SEND MUTE 138 DAW AUTO READ DAW AUTO READ 139 DAW AUTO TOUCH DAW AUTO TOUCH 140 DAW AUTO LATCH DAW AUTO LATCH 141 DAW AUTO WRITE DAW AUTO WRITE 142 DAW AUTO TRIM DAW AUTO TRIM 143 DAW AUTO OFF DAW AUTO OFF 14...

Page 243: ...D6 AD IN 6 AD6 AD IN 6 AUX6 AUX6 ADAT6 ADAT6 IN AD7 AD IN 7 AD7 AD IN 7 AUX7 AUX7 ADAT7 ADAT7 IN AD8 AD IN 8 AD8 AD IN 8 AUX8 AUX8 ADAT8 ADAT8 IN AD9 AD IN 9 AD9 AD IN 9 INS CH1 InsertOut CH1 SL 01 Slot CH1 IN AD10 AD IN 10 AD10 AD IN 10 INS CH2 InsertOut CH2 SL 02 Slot CH2 IN AD11 AD IN 11 AD11 AD IN 11 INS CH3 InsertOut CH3 SL 03 Slot CH3 IN AD12 AD IN 12 AD12 AD IN 12 INS CH4 InsertOut CH4 SL 0...

Page 244: ...6 AD IN 16 FX1 1 Effect1 OUT 1 FX1 1 Effect1 OUT 1 INS BUS1 InsertOut BUS1 2TD L 2TR IN Dig L FX1 2 Effect1 OUT 2 FX1 2 Effect1 OUT 2 INS BUS2 InsertOut BUS2 2TD R 2TR IN Dig R FX2 1 Effect2 OUT 1 FX2 1 Effect2 OUT 1 INS BUS3 InsertOut BUS3 FX2 2 Effect2 OUT 2 FX2 2 Effect2 OUT 2 INS BUS4 InsertOut BUS4 FX3 1 Effect3 OUT 1 FX3 1 Effect3 OUT 1 INS BUS5 InsertOut BUS5 FX3 2 Effect3 OUT 2 FX3 2 Effec...

Page 245: ...25 S 1 26 S 2 27 S 3 28 S 4 29 S 5 30 S 6 31 S 7 32 S 8 STI1L FX1 1 STI1R FX1 2 STI2L FX2 1 STI2R FX2 2 STI3L FX3 1 STI3R FX3 2 STI4L FX4 1 STI4R FX4 2 1 1 AUX1 1 2 NONE 2 1 AUX2 2 2 NONE 3 1 AUX3 3 2 NONE 4 1 AUX4 4 2 NONE BUS1 NONE BUS2 NONE BUS3 NONE BUS4 NONE BUS5 NONE BUS6 NONE BUS7 NONE BUS8 NONE AUX1 NONE AUX2 NONE AUX3 NONE AUX4 NONE AUX5 NONE AUX6 NONE AUX7 NONE AUX8 NONE ST L NONE ST R N...

Page 246: ... CH13 CH13 CH14 CH14 CH14 CH14 CH15 CH15 CH15 CH15 CH16 CH16 CH16 CH16 CH17 CH17 CH17 CH17 CH18 CH18 CH18 CH18 CH19 CH19 CH19 CH19 CH20 CH20 CH20 CH20 CH21 CH21 CH21 CH21 CH22 CH22 CH22 CH22 CH23 CH23 CH23 CH23 CH24 CH24 CH24 CH24 CH25 CH25 CH25 CH25 CH26 CH26 CH26 CH26 CH27 CH27 CH27 CH27 CH28 CH28 CH28 CH28 CH29 CH29 CH29 CH29 CH30 CH30 CH30 CH30 CH31 CH31 CH31 CH31 CH32 CH32 CH32 CH32 ST IN1 ST...

Page 247: ...rtOut CH7 SL 01 Slot CH1 IN OMNI1 OMNI OUT 1 INS CH7 InsertOut CH7 INS CH8 InsertOut CH8 SL 02 Slot CH2 IN OMNI2 OMNI OUT 2 INS CH8 InsertOut CH8 INS CH9 InsertOut CH9 SL 03 Slot CH3 IN OMNI3 OMNI OUT 3 INS CH9 InsertOut CH9 INS CH10 InsertOut CH10 SL 04 Slot CH4 IN OMNI4 OMNI OUT 4 INS CH10 InsertOut CH10 INS CH11 InsertOut CH11 SL 05 Slot CH5 IN 2TD L 2TR OUT Dig L INS CH11 InsertOut CH11 INS CH...

Page 248: ...us1 CAS BUS1 Cascade Out Bus1 CAS BUS2 Cascade Out Bus2 CAS BUS2 Cascade Out Bus2 CAS BUS3 Cascade Out Bus3 CAS BUS3 Cascade Out Bus3 CAS BUS4 Cascade Out Bus4 CAS BUS4 Cascade Out Bus4 CAS BUS5 Cascade Out Bus5 CAS BUS5 Cascade Out Bus5 CAS BUS6 Cascade Out Bus6 CAS BUS6 Cascade Out Bus6 CAS BUS7 Cascade Out Bus7 CAS BUS7 Cascade Out Bus7 CAS BUS8 Cascade Out Bus8 CAS BUS8 Cascade Out Bus8 CAS AU...

Page 249: ...1 ADAT1 2 ADAT2 3 ADAT3 4 ADAT4 5 ADAT5 6 ADAT6 7 ADAT7 8 ADAT8 9 SLOT 1 10 SLOT 2 11 SLOT 3 12 SLOT 4 13 SLOT 5 14 SLOT 6 15 SLOT 7 16 SLOT 8 17 NONE 18 NONE 19 NONE 20 NONE 21 NONE 22 NONE 23 NONE 24 NONE 25 NONE 26 NONE 27 NONE 28 NONE 29 NONE 30 NONE 31 NONE 32 NONE 1L ST L 1R ST R CHANNEL ID SHORT LONG AUX1 AUX1 AUX1 AUX1 AUX2 AUX2 AUX2 AUX2 AUX3 AUX3 AUX3 AUX3 AUX4 AUX4 AUX4 AUX4 AUX5 AUX5 A...

Page 250: ...M CH05 VOL PAN ON END FADER B4 07 FAD END RM06 GM06 GM CH06 VOL PAN ON END FADER B5 07 FAD END RM07 GM07 GM CH07 VOL PAN ON END FADER B6 07 FAD END RM08 GM08 GM CH08 VOL PAN ON END FADER B7 07 FAD END RM09 GM09 GM CH09 VOL PAN ON END FADER B8 07 FAD END RM10 GM10 GM CH10 VOL PAN ON END FADER B9 07 FAD END RM11 GM11 GM CH11 VOL PAN ON END FADER BA 07 FAD END RM12 GM12 GM CH12 VOL PAN ON END FADER B...

Page 251: ... ON END FADER B4 07 FAD END RM06 GM06 GM CH06 VOL EFF1 ON END FADER B5 07 FAD END RM07 GM07 GM CH07 VOL EFF1 ON END FADER B6 07 FAD END RM08 GM08 GM CH08 VOL EFF1 ON END FADER B7 07 FAD END RM09 GM09 GM CH09 VOL EFF1 ON END FADER B8 07 FAD END RM10 GM10 GM CH10 VOL EFF1 ON END FADER B9 07 FAD END RM11 GM11 GM CH11 VOL EFF1 ON END FADER BA 07 FAD END RM12 GM12 GM CH12 VOL EFF1 ON END FADER BB 07 FA...

Page 252: ...ER F0 43 10 4C 08 05 0B FAD F7 END RM07 XG07 XG CH07 VOL PAN ON END FADER F0 43 10 4C 08 06 0B FAD F7 END RM08 XG08 XG CH08 VOL PAN ON END FADER F0 43 10 4C 08 07 0B FAD F7 END RM09 XG09 XG CH09 VOL PAN ON END FADER F0 43 10 4C 08 08 0B FAD F7 END RM10 XG10 XG CH10 VOL PAN ON END FADER F0 43 10 4C 08 09 0B FAD F7 END RM11 XG11 XG CH11 VOL PAN ON END FADER F0 43 10 4C 08 0A 0B FAD F7 END RM12 XG12 ...

Page 253: ...D END RM06 CH6 VST MIXER CH6 ON B5 40 SW END FADER B5 07 FAD END RM07 CH7 VST MIXER CH7 ON B6 40 SW END FADER B6 07 FAD END RM08 CH8 VST MIXER CH8 ON B7 40 SW END FADER B7 07 FAD END RM09 CH9 VST MIXER CH9 ON B8 40 SW END FADER B8 07 FAD END RM10 CH10 VST MIXER CH10 ON B9 40 SW END FADER B9 07 FAD END RM11 CH11 VST MIXER CH11 ON BA 40 SW END FADER BA 07 FAD END RM12 CH12 VST MIXER CH12 ON BB 40 SW...

Page 254: ... kHz THRU Low pass filter cutoff frequency GATE LVL OFF 60 to 0 dB Level at which gate kicks in ATTACK 0 120 ms Gate opening speed HOLD 1 1 0 02 ms 2 13 s fs 44 1 kHz 0 02 ms 1 96 s fs 48 kHz 0 01 ms 1 06 s fs 88 2 kHz 0 01 ms 981 ms fs 96 kHz Gate open time DECAY 2 2 6 ms 46 0 s fs 44 1 kHz 5 ms 42 3 s fs 48 kHz 3 ms 23 0 s fs 88 2 kHz 3 ms 21 1 s fs 96 kHz Gate closing speed Parameter Range Desc...

Page 255: ...plus values for normal phase feedback minus values for reverse phase feedback HI RATIO 0 1 1 0 High frequency feedback ratio HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Max value depends on tempo setting Used in conjunction with TEMPO to determine DELAY Parameter Range Descri...

Page 256: ...unction with TEMPO to determine FREQ Parameter Range Description DELAY L 0 0 2730 0 ms Left channel delay time DELAY C 0 0 2730 0 ms Center channel delay time DELAY R 0 0 2730 0 ms Right channel delay time FB DLY 0 0 2730 0 ms Feedback delay time LEVEL L 100 to 100 Left channel delay level LEVEL C 100 to 100 Center channel delay level LEVEL R 100 to 100 Right channel delay level FB GAIN 99 to 99 F...

Page 257: ...ency feedback ratio HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency SYNC OFF ON Tempo parameter sync on off NOTE L 1 1 Maximum value depends on the tempo setting Used in conjunction with TEMPO to determine DELAY L NOTE R 1 Used in conjunction with TEMPO to determine DELAY R NOTE FBL 1 Used in conjunction with TEMPO to determine...

Page 258: ... EQ peaking type bandwidth HSH F 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 0 to 12 0 dB High shelving filter gain SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform LSH...

Page 259: ... 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 0 to 12 0 dB High shelving filter gain SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth DIR 1 1 L R L R L R Turn L Turn R Panning direction WAVE Sine Tri Square Modulation waveform LSH F 21 2 Hz 8 00 ...

Page 260: ... type gain EQ Q 10 0 0 10 EQ peaking type bandwidth HSH F 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 0 to 12 0 dB High shelving filter gain SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description PITCH 12 to 12 semitones Pitch shift FINE 50 to 50 cents Pitch shift fine DELAY 0 0 1000 0 ms Delay time FB GAIN 99 to 9...

Page 261: ... to 100 Channel 2 level plus values for normal phase minus values for reverse phase PAN 2 L63 to R63 Channel 2 pan DELAY 2 0 0 1000 0 ms Channel 2 delay time FB G 2 99 to 99 Channel 2 feedback gain plus values for normal phase feedback minus values for reverse phase feedback MODE 1 10 Pitch shift precision SYNC OFF ON Tempo parameter sync on off NOTE 1 1 1 Maximum value depends on the tempo settin...

Page 262: ...Used in conjunction with TEMPO to determine FM FREQ Parameter Range Description FREQ 0 05 40 00 Hz Modulation speed DEPTH 0 100 Modulation depth PHASE 0 00 354 38 degrees Left channel modulation and right channel modulation phase difference TYPE LPF HPF BPF Filter type low pass high pass band pass OFFSET 0 100 Filter frequency offset RESO 0 20 Filter resonance LEVEL 0 100 Output level SYNC OFF ON ...

Page 263: ...ne control TREBLE 0 100 High tone control CAB DEP 0 100 Speaker cabinet simulation depth EQ F 100 8 00 kHz Parametric equalizer frequency EQ G 12 0 to 12 0 dB Parametric equalizer gain EQ Q 10 0 0 10 Parametric equalizer bandwidth N GATE 0 20 Noise reduction Parameter Range Description SOURCE INPUT MIDI Control source input signal or MIDI Note On velocity SENSE 0 100 Sensitivity DIR UP DOWN Upward...

Page 264: ...00 kHz EQ peaking type frequency EQ G 12 0 to 12 0 dB EQ peaking type gain EQ Q 10 0 0 10 EQ peaking type bandwidth HSH F 50 0 Hz 16 0 kHz High shelving filter frequency HSH G 12 0 to 12 0 dB High shelving filter gain Parameter Range Description SOURCE INPUT MIDI Control source input signal or MIDI Note On velocity SENSE 0 100 Sensitivity DIR UP DOWN Upward or downward frequency change DECAY 1 1 6...

Page 265: ...on depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DIFF 0 10 Spread DENSITY 0 100 Reverb density HPF ...

Page 266: ...l phase feedback minus values for reverse phase feedback WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DIFF 0 10 Spread DENSITY 0 100 Reverb density...

Page 267: ...lation depth MOD DLY 0 0 500 0 ms Modulation delay time WAVE Sine Tri Modulation waveform SYNC OFF ON Tempo parameter sync on off NOTE 1 1 Used in conjunction with TEMPO to determine FREQ Parameter Range Description REV TIME 0 3 99 0 s Reverb time INI DLY 0 0 500 0 ms Initial delay before reverb begins HI RATIO 0 1 1 0 High frequency reverb time ratio DIFF 0 10 Spread DENSITY 0 100 Reverb density ...

Page 268: ...1000 0 ms Left channel delay time DELAY R 0 0 1000 0 ms Right channel delay time FB DLY 0 0 1000 0 ms Feedback delay time FB GAIN 99 to 99 Feedback gain plus values for normal phase feedback minus values for reverse phase feedback HI RATIO 0 1 1 0 High frequency feedback ratio HPF THRU 21 2 Hz 8 00 kHz High pass filter cutoff frequency LPF 50 0 Hz 16 0 kHz THRU Low pass filter cutoff frequency DLY...

Page 269: ...r cutoff frequency DLY BAL 0 100 Delay and early reflected delay balance 0 all early reflected delay 100 all delay TYPE S Hall L Hall Random Revers Plate Spring Type of early reflection simulation ROOMSIZE 0 1 20 0 Reflection spacing LIVENESS 0 10 Early reflections decay characteristics 0 dead 10 live INI DLY 0 0 500 0 ms Initial delay before reverb begins DIFF 0 10 Spread DENSITY 0 100 Reverb den...

Page 270: ...tion with TEMPO to determine left channel DELAY L NOTE R 1 Used in conjunction with TEMPO to determine right channel DELAY R NOTE FB 1 Used in conjunction with TEMPO to determine FB DLY Parameter Range Description DELAY L 0 0 1000 0 ms Left channel delay time DELAY R 0 0 1000 0 ms Right channel delay time FB DLY 0 0 1000 0 ms Feedback delay time FB GAIN 99 to 99 Feedback gain plus values for norma...

Page 271: ...0 Modulation depth DLY BAL 0 100 Distortion and delay balance 0 all distortion 100 all delayed distortion SYNC OFF ON Tempo parameter sync on off DLY NOTE 1 1 Maximum value depends on the tempo setting Used in conjunction with TEMPO to determine DELAY MOD NOTE 2 2 Used in conjunction with TEMPO to determine FREQ Parameter Range Description TYPE 1 HPF LPF BPF Filter 1 type high pass low pass band p...

Page 272: ...e playback is triggered by the input signal START 1 1 0 0 2970 5 ms fs 44 1 kHz 0 0 2729 2 ms fs 48 kHz 0 0 2970 5 ms fs 88 2 kHz 0 0 2729 2 ms fs 96 kHz Playback start point in milliseconds END 1 Playback end point in milliseconds LOOP 1 Loop start point in milliseconds LOOP NUM 0 100 Number of times the sample plays START SAMPLE 2 2 0 131000 ms fs 44 1 kHz 48 kHz 0 262000 fs 88 2 kHz 96 kHz Play...

Page 273: ... 5 Compressor knee LOOKUP 0 0 100 0 ms Lookup delay CMP BYP OFF ON Compressor bypass L M XOVR 21 2 Hz 8 00 kHz Low mid crossover frequency M H XOVR 21 2 Hz 8 00 kHz Mid high crossover frequency SLOPE 6 to 12 dB Filter slope CEILING 6 0 to 0 0 dB OFF Specifies the maximum output level EXP THRE 54 0 to 24 0 dB Expander threshold EXP RAT 1 1 to 1 Expander ratio EXP REL 1 1 6 ms 46 0 s fs 44 1 kHz 5 m...

Page 274: ... 180 Hz 335 Hz 2 36 kHz 4 00 kHz Q 10 0 7 0 1 05 Tom tom 1 PEAKING PEAKING PEAKING PEAKING G 2 0 dB 7 5 dB 2 0 dB 1 0 dB F 212 Hz 670 Hz 4 50 kHz 6 30 kHz Q 1 4 10 1 2 0 28 06 Cymbal L SHELF PEAKING PEAKING H SHELF G 2 0 dB 0 0 dB 0 0 dB 3 0 dB F 106 Hz 425 Hz 1 06 kHz 13 2 kHz Q 8 0 9 07 High Hat L SHELF PEAKING PEAKING H SHELF G 4 0 dB 2 5 dB 1 0 dB 0 5 dB F 95 Hz 425 Hz 2 80 kHz 7 50 kHz Q 0 5 ...

Page 275: ...0 Hz 1 32 kHz 4 50 kHz Q 0 18 10 6 3 16 E G Crunch 1 PEAKING PEAKING PEAKING PEAKING G 4 5 dB 0 0 dB 4 0 dB 2 0 dB F 140 Hz 1 00 kHz 1 90 kHz 5 60 kHz Q 8 4 5 0 63 9 17 E G Crunch 2 PEAKING PEAKING PEAKING H SHELF G 2 5 dB 1 5 dB 2 5 dB 0 0 dB F 125 Hz 450 Hz 3 35 kHz 19 0 kHz Q 8 0 4 0 16 18 E G Dist 1 L SHELF PEAKING PEAKING H SHELF G 5 0 dB 0 0 dB 3 5 dB 0 0 dB F 355 Hz 950 Hz 3 35 kHz 12 5 kHz...

Page 276: ...0 dB F 170 Hz 236 Hz 2 65 kHz 6 70 kHz Q 0 11 10 5 6 27 Female Vo 1 PEAKING PEAKING PEAKING PEAKING G 1 0 dB 1 0 dB 1 5 dB 2 0 dB F 118 Hz 400 Hz 2 65 kHz 6 00 kHz Q 0 18 0 45 0 56 0 14 28 Female Vo 2 L SHELF PEAKING PEAKING H SHELF G 7 0 dB 1 5 dB 1 5 dB 2 5 dB F 112 Hz 335 Hz 2 00 kHz 6 70 kHz Q 0 16 0 2 29 Chorus Harmo PEAKING PEAKING PEAKING PEAKING G 2 0 dB 1 0 dB 1 5 dB 3 0 dB F 90 Hz 850 Hz...

Page 277: ...AKING PEAKING PEAKING H SHELF G 4 5 dB 13 0 dB 4 5 dB 2 5 dB F 100 Hz 475 Hz 2 36 kHz 10 0 kHz Q 8 10 9 37 Piano Low PEAKING PEAKING PEAKING H SHELF G 5 5 dB 1 5 dB 6 0 dB 0 0 dB F 190 Hz 400 Hz 6 70 kHz 12 5 kHz Q 10 6 3 2 2 38 Piano High PEAKING PEAKING PEAKING PEAKING G 5 5 dB 1 5 dB 5 0 dB 3 0 dB F 190 Hz 400 Hz 6 70 kHz 5 60 kHz Q 10 6 3 2 2 0 1 39 Fine EQ Cass L SHELF PEAKING PEAKING H SHELF...

Page 278: ...11 Range dB 53 Attack ms 0 Hold ms 1 93 Decay ms 400 4 A Dr SN GATE Threshold dB 8 Range dB 23 Attack ms 1 Hold ms 0 63 Decay ms 238 Title Type Parameter Value 1 Comp COMP Threshold dB 8 Ratio 1 2 5 Attack ms 60 Out gain dB 0 0 Knee 2 Release ms 250 2 Expand EXPAND Threshold dB 23 Ratio 1 1 7 Attack ms 1 Out gain dB 3 5 Knee 2 Release ms 70 3 Compander H COMPAND H Threshold dB 10 Ratio 1 3 5 Attac...

Page 279: ... Release ms 12 8 A Dr SN EXPAND Threshold dB 23 Ratio 1 2 Attack ms 0 Out gain dB 0 5 Knee 2 Release ms 151 9 A Dr SN COMPAND S Threshold dB 8 Ratio 1 1 7 Attack ms 11 Out gain dB 0 0 Width dB 10 Release ms 128 10 A Dr Tom EXPAND Threshold dB 20 Ratio 1 2 Attack ms 2 Out gain dB 5 0 Knee 2 Release ms 749 11 A Dr OverTop COMPAND S Threshold dB 24 Ratio 1 2 Attack ms 38 Out gain dB 3 5 Width dB 54 R...

Page 280: ...e hard Release ms 238 16 Piano2 COMP Threshold dB 18 Ratio 1 3 5 Attack ms 7 Out gain dB 6 0 Knee 2 Release ms 174 17 E Guitar COMP Threshold dB 8 Ratio 1 3 5 Attack ms 7 Out gain dB 2 5 Knee 4 Release ms 261 18 A Guitar COMP Threshold dB 10 Ratio 1 2 5 Attack ms 5 Out gain dB 1 5 Knee 2 Release ms 238 19 Strings1 COMP Threshold dB 11 Ratio 1 2 Attack ms 33 Out gain dB 1 5 Knee 2 Release ms 749 20...

Page 281: ...ease ms 238 24 SamplingPerc COMPAND S Threshold dB 18 Ratio 1 1 7 Attack ms 8 Out gain dB 2 5 Width dB 18 Release ms 238 25 Sampling BD COMP Threshold dB 14 Ratio 1 2 Attack ms 2 Out gain dB 3 5 Knee 4 Release ms 35 26 Sampling SN COMP Threshold dB 18 Ratio 1 4 Attack ms 8 Out gain dB 8 0 Knee hard Release ms 354 27 Hip Comp COMPAND S Threshold dB 23 Ratio 1 20 Attack ms 15 Out gain dB 0 0 Width d...

Page 282: ...s 284 32 Announcer COMPAND H Threshold dB 14 Ratio 1 2 5 Attack ms 1 Out gain dB 2 5 Width dB 18 Release ms 180 33 Limiter1 COMPAND S Threshold dB 9 Ratio 1 3 Attack ms 20 Out gain dB 3 0 Width dB 90 Release ms 3 90 s 34 Limiter2 COMP Threshold dB 0 Ratio 1 Attack ms 0 Out gain dB 0 0 Knee hard Release ms 319 35 Total Comp1 COMP Threshold dB 18 Ratio 1 3 5 Attack ms 94 Out gain dB 2 5 Knee hard Re...

Page 283: ...B S N STEREO OUT STEREO fader at nominal level and all CH INPUT faders at minimum level Input Pad 0 dB Input Sensitivity 60 dB 64 dB 68 dB S N STEREO OUT STEREO fader at nominal level and one CH INPUT fader at nominal level Maximum Voltage Gain 74 dB CH INPUT CH1 12 to STEREO OUT OMNI BUS OUT 40 dB CH INPUT CH13 16 to STEREO OUT 74 dB CH INPUT CH1 12 to OMNI AUX OUT via pre input fader 74 dB CH IN...

Page 284: ... 96 dB to 10 dB 256 step Routing STEREO BUS1 8 DIRECT OUT Direct out Pre EQ pre fader post fader Metering Displayed on LCD Peak hold on off Stereo Input Channel CH1 4 Input patch L R Phase L R Normal reverse Attenuator L R 96 0 to 12 0 dB 0 1 dB step Equalizer 4band PEQ TYPE1 5 On off Fader 100 mm motorized INPUT AUX1 8 send Aux send On off AUX1 8 pre fader post fader Solo On off Pre fader after p...

Page 285: ... 32 BUS 1 8 AUX 1 8 STEREO CASCADE OUT BUS 1 8 AUX 1 8 STEREO SOLO Option Output SLOT Available card Optional digital interface card MY16 MY8 MY4 series Dither On off Word length 16 20 24 bit Output patch STEREO BUS1 8 AUX 1 8 DIRECT OUT 1 32 INSERT OUT CH 1 32 BUS 1 8 AUX 1 8 STEREO CASCADE OUT BUS 1 8 AUX 1 8 STEREO SOLO STEREO Comp type4 On off Pre EQ pre fader post fader Attenuator 96 0 to 12 ...

Page 286: ...erating free air temperature range 10 35 C Storage temperature range 20 60 C Supplied Accessories AC Cable CD ROM Studio Manager Owner s Manual Studio Manager Installation Guide Options Digital interface card MY16 MY8 MY4 series RACK MOUNT KIT RK1 1 Total harmonic distortion is measured with a 6 dB octave filter 80 kHz 2 Hum Noise are measured with a 6 dB octave filter 12 7 kHz equivalent to a 20 ...

Page 287: ...Hz 0 01 ms 1 06 s 216 points 88 2 kHz Decay 5 ms 42 3 s 160 points 48 kHz 6 ms 46 0 s 160 points 44 1 kHz 3 ms 21 1 s 160 points 96 kHz 3 ms 23 0 s 160 points 88 2 kHz Compressor Threshold 54 dB 0 dB 0 1 dB step Ratio x 1 x 1 1 1 1 3 1 5 1 7 2 2 5 3 3 5 4 5 6 8 10 20 16 points Out gain 0 dB to 18 dB 0 1 dB step Knee Hard 1 2 3 4 5 6 step Attack 0 ms 120 ms 1 ms step Release 5 ms 42 3 s 160 points ...

Page 288: ...o 0 dB 0 1 dB step Ratio x 1 x 1 1 1 1 3 1 5 1 7 2 2 5 3 3 5 4 5 6 8 10 20 15 points Out gain 18 dB to 0 dB 0 1 dB step Width 1 dB 90 dB 1 dB step Attack 0 ms 120 ms 1 ms step Release 5 ms 42 3 s 160 points 48 kHz 6 ms 46 0 s 160 points 44 1 kHz 3 ms 21 1 s 160 points 96 kHz 3 ms 23 0 s 160 points 88 2 kHz Effect library EFFECT 1 4 Presets 44 User memories 84 Compressor library Presets 36 User mem...

Page 289: ...hone jacks are balanced Tip HOT Ring COLD Sleeve GND 16 dB 26 dB 38 8 mV 16 dB 123 mV 4 dB 1 23 V 20 6 dB 338 mV 4 dB 1 23 V 24 dB 12 28 V INPUT 13 16 26 dB 10k Ω 600 Ω Lines 36 dB 12 3 mV 26 dB 38 8 mV 6 dB 388 mV Phone jack TRS Balanced 3 4 dB 6 dB 388 mV 4 dB 1 23 V 24 dB 12 28 V CH INSERT IN 1 12 10k Ω 600 Ω Lines 12 dB 195 mV 2 dB 616 mV 18 dB 6 16 V Phone jack TRS Unbalanced 4 4 CH INSERT IN...

Page 290: ...word length 16 20 24 bit OPTICAL Maker Model Function INPUT OUTPUT 1 1 Selectable from STEREO BUS AUX DIRECT OUT INSERT OUT CASCADE OUT STEREO BUS1 8 AUX1 8 SOLO Details depend on each interface card Format Resolution Frequency The numberof Available cards Note Yamaha MY8 AT Digital I O 8 8 ADAT 24 bit 44 1 48 kHz 1 Can handle 24 bit 96 kHz by double channel mode MY16 AT 16 16 44 1 48 kHz 1 MY8 TD...

Page 291: ...every locale please check with your Yamaha dealer European Models Purchaser User Information specified in EN55103 1 and EN55103 2 Inrush Current 20 A Conforms to Environments E1 E2 E3 and E4 I O Port Format Level Connector in Console TO HOST USB USB 0 V 3 3 V B type USB connector MIDI IN1 1 MIDI IN can use as TIME CODE IN MTC MIDI DIN Connector 5P OUT MIDI DIN Connector 5P THRU MIDI DIN Connector ...

Page 292: ...52 95 95 10 10 53 53 96 96 11 11 54 54 97 97 12 12 55 55 98 98 13 13 56 56 99 99 14 14 57 57 100 00 15 15 58 58 101 16 16 59 59 102 17 17 60 60 103 18 18 61 61 104 19 19 62 62 105 20 20 63 63 106 21 21 64 64 107 22 22 65 65 108 23 23 66 66 109 24 24 67 67 110 25 25 68 68 111 26 26 69 69 112 27 27 70 70 113 28 28 71 71 114 29 29 72 72 115 30 30 73 73 116 31 31 74 74 117 32 32 75 75 118 33 33 76 76 ...

Page 293: ...EL INPUT15 48 FADER L CHANNEL INPUT16 49 FADER L CHANNEL INPUT17 50 FADER L CHANNEL INPUT18 51 FADER L CHANNEL INPUT19 52 FADER L CHANNEL INPUT20 53 FADER L CHANNEL INPUT21 54 FADER L CHANNEL INPUT22 55 FADER L CHANNEL INPUT23 56 FADER L CHANNEL INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 FADER L MASTER STEREO 63 NO ASSIGN 64 ON CHANNEL INPUT1 65 ON CHANNEL INPUT2 6...

Page 294: ... L MASTER BUS3 48 FADER L MASTER BUS4 49 FADER L MASTER BUS5 50 FADER L MASTER BUS6 51 FADER L MASTER BUS7 52 FADER L MASTER BUS8 53 FADER L MASTER AUX1 54 FADER L MASTER AUX2 55 FADER L MASTER AUX3 56 FADER L MASTER AUX4 57 FADER L MASTER AUX5 58 FADER L MASTER AUX6 59 FADER L MASTER AUX7 60 FADER L MASTER AUX8 61 NO ASSIGN 62 BALANCE MASTER STEREO 63 NO ASSIGN 64 ON CHANNEL INPUT25 65 ON CHANNEL...

Page 295: ...EQ G LOW L INPUT17 50 EQ G LOW L INPUT18 51 EQ G LOW L INPUT19 52 EQ G LOW L INPUT20 53 EQ G LOW L INPUT21 54 EQ G LOW L INPUT22 55 EQ G LOW L INPUT23 56 EQ G LOW L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LOW INPUT1 65 EQ F LOW INPUT2 66 EQ F LOW INPUT3 67 EQ F LOW INPUT4 68 EQ F LOW INPUT5 69 EQ F LOW INPUT6 70 EQ F LOW INPUT7 71 ...

Page 296: ...SSIGN 47 NO ASSIGN 48 NO ASSIGN 49 NO ASSIGN 50 NO ASSIGN 51 NO ASSIGN 52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LOW INPUT25 65 EQ F LOW INPUT26 66 EQ F LOW INPUT27 67 EQ F LOW INPUT28 68 EQ F LOW INPUT29 69 EQ F LOW INPUT30 70 EQ F LOW INPUT31 71 EQ F LOW INPUT32 72 EQ F LOW S...

Page 297: ... EQ G LO MID L INPUT18 51 EQ G LO MID L INPUT19 52 EQ G LO MID L INPUT20 53 EQ G LO MID L INPUT21 54 EQ G LO MID L INPUT22 55 EQ G LO MID L INPUT23 56 EQ G LO MID L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LO MID INPUT1 65 EQ F LO MID INPUT2 66 EQ F LO MID INPUT3 67 EQ F LO MID INPUT4 68 EQ F LO MID INPUT5 69 EQ F LO MID INPUT6 70 E...

Page 298: ...SSIGN 47 NO ASSIGN 48 NO ASSIGN 49 NO ASSIGN 50 NO ASSIGN 51 NO ASSIGN 52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F LO MID INPUT25 65 EQ F LO MID INPUT26 66 EQ F LO MID INPUT27 67 EQ F LO MID INPUT28 68 EQ F LO MID INPUT29 69 EQ F LO MID INPUT30 70 EQ F LO MID INPUT31 71 EQ F LO M...

Page 299: ... EQ G HI MID L INPUT18 51 EQ G HI MID L INPUT19 52 EQ G HI MID L INPUT20 53 EQ G HI MID L INPUT21 54 EQ G HI MID L INPUT22 55 EQ G HI MID L INPUT23 56 EQ G HI MID L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HI MID INPUT1 65 EQ F HI MID INPUT2 66 EQ F HI MID INPUT3 67 EQ F HI MID INPUT4 68 EQ F HI MID INPUT5 69 EQ F HI MID INPUT6 70 E...

Page 300: ...SSIGN 47 NO ASSIGN 48 NO ASSIGN 49 NO ASSIGN 50 NO ASSIGN 51 NO ASSIGN 52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HI MID INPUT25 65 EQ F HI MID INPUT26 66 EQ F HI MID INPUT27 67 EQ F HI MID INPUT28 68 EQ F HI MID INPUT29 69 EQ F HI MID INPUT30 70 EQ F HI MID INPUT31 71 EQ F HI M...

Page 301: ...H L INPUT17 50 EQ G HIGH L INPUT18 51 EQ G HIGH L INPUT19 52 EQ G HIGH L INPUT20 53 EQ G HIGH L INPUT21 54 EQ G HIGH L INPUT22 55 EQ G HIGH L INPUT23 56 EQ G HIGH L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HIGH INPUT1 65 EQ F HIGH INPUT2 66 EQ F HIGH INPUT3 67 EQ F HIGH INPUT4 68 EQ F HIGH INPUT5 69 EQ F HIGH INPUT6 70 EQ F HIGH INP...

Page 302: ...ASSIGN 47 NO ASSIGN 48 NO ASSIGN 49 NO ASSIGN 50 NO ASSIGN 51 NO ASSIGN 52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ F HIGH INPUT25 65 EQ F HIGH INPUT26 66 EQ F HIGH INPUT27 67 EQ F HIGH INPUT28 68 EQ F HIGH INPUT29 69 EQ F HIGH INPUT30 70 EQ F HIGH INPUT31 71 EQ F HIGH INPUT32 72 E...

Page 303: ...9 52 EQ ATT L INPUT20 53 EQ ATT L INPUT21 54 EQ ATT L INPUT22 55 EQ ATT L INPUT23 56 EQ ATT L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ HPF ON INPUT1 65 EQ HPF ON INPUT2 66 EQ HPF ON INPUT3 67 EQ HPF ON INPUT4 68 EQ HPF ON INPUT5 69 EQ HPF ON INPUT6 70 EQ HPF ON INPUT7 71 EQ HPF ON INPUT8 72 EQ HPF ON INPUT9 73 EQ HPF ON INPUT10 74 EQ ...

Page 304: ... ST IN4L 48 EQ ATT L ST IN4R 49 NO ASSIGN 50 NO ASSIGN 51 NO ASSIGN 52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 EQ HPF ON INPUT25 65 EQ HPF ON INPUT26 66 EQ HPF ON INPUT27 67 EQ HPF ON INPUT28 68 EQ HPF ON INPUT29 69 EQ HPF ON INPUT30 70 EQ HPF ON INPUT31 71 EQ HPF ON INPUT32 72 EQ HP...

Page 305: ...48 SURROUND LFE L INPUT16 49 SURROUND LFE L INPUT17 50 SURROUND LFE L INPUT18 51 SURROUND LFE L INPUT19 52 SURROUND LFE L INPUT20 53 SURROUND LFE L INPUT21 54 SURROUND LFE L INPUT22 55 SURROUND LFE L INPUT23 56 SURROUND LFE L INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 SURROUND DIV F INPUT1 65 SURROUND DIV F INPUT2 66 SURROUND DIV F INPUT3 ...

Page 306: ...FE L ST IN3L 46 SURROUND LFE L ST IN3R 47 SURROUND LFE L ST IN4L 48 SURROUND LFE L ST IN4R 49 NO ASSIGN 50 NO ASSIGN 51 NO ASSIGN 52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 SURROUND DIV F INPUT25 65 SURROUND DIV F INPUT26 66 SURROUND DIV F INPUT27 67 SURROUND DIV F INPUT28 68 SURROUN...

Page 307: ...INPUT22 55 SURROUND FR INPUT23 56 SURROUND FR INPUT24 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 SURROUND WIDTH INPUT1 65 SURROUND WIDTH INPUT2 66 SURROUND WIDTH INPUT3 67 SURROUND WIDTH INPUT4 68 SURROUND WIDTH INPUT5 69 SURROUND WIDTH INPUT6 70 SURROUND WIDTH INPUT7 71 SURROUND WIDTH INPUT8 72 SURROUND WIDTH INPUT9 73 SURROUND WIDTH INPUT10 74 S...

Page 308: ...52 NO ASSIGN 53 NO ASSIGN 54 NO ASSIGN 55 NO ASSIGN 56 NO ASSIGN 57 NO ASSIGN 58 NO ASSIGN 59 NO ASSIGN 60 NO ASSIGN 61 NO ASSIGN 62 NO ASSIGN 63 NO ASSIGN 64 SURROUND WIDTH INPUT25 65 SURROUND WIDTH INPUT26 66 SURROUND WIDTH INPUT27 67 SURROUND WIDTH INPUT28 68 SURROUND WIDTH INPUT29 69 SURROUND WIDTH INPUT30 70 SURROUND WIDTH INPUT31 71 SURROUND WIDTH INPUT32 72 SURROUND WIDTH ST IN1L 73 SURROUN...

Page 309: ...tents of the tables will match Parameter Change messages will always be used Command rx tx function 8n NOTE OFF rx Control the internal effects 9n NOTE ON rx Control the internal effects Bn CONTROL CHANGE rx tx Control parameters Cn PROGRAM CHANGE rx tx Switch scene memories Command rx tx function F1 MIDI TIME CODE QUARTER FRAME rx MTC Command rx tx function F8 TIMING CLOCK rx MIDI clock FE ACTIVE...

Page 310: ...efore CHECK SUM taking the binary compliment of this sum and then setting bit 7 to 0 CHECK SUM sum 0x7F Reception This message is received if Bulk RX is ON and the Rx CH matches the device number included in the SUB STATUS When a bulk dump is received it is immediately written into the specified memory When a bulk dump request is received a bulk dump is immediately transmit ted Transmission This m...

Page 311: ...sal bulk dump COUNT HIGH 0ccccccc ch data count ch 128 cl COUNT LOW 0ccccccc cl 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00111001 39 9 00110011 33 3 DATA NAME 01010011 53 S 00000010 02 00000000 00 No 256 Current BLOCK INFO 0ttttttt tt total block number minimum number is 0 0bbbbbbb bb current block number 0 total block number DATA 0ddddddd ds Setup data of bl...

Page 312: ...em exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Device number MIDI Channel FORMAT No 01111110 7E Universal bulk dump COUNT HIGH 0ccccccc ch data count ch 128 cl COUNT LOW 0ccccccc cl 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00111001 39 9 00110011 33 3 DATA NAME 01010101 55 U 00000000 00 0bbbbbbb bb b 0 3 ban...

Page 313: ...E Universal bulk dump 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00111001 39 9 00110011 33 3 DATA NAME 01010000 50 P 00000010 02 00000000 00 No 256 Current EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0000nnnn 0n n 0 15 Device number MIDI Channel FORMAT No 01111110 7E Un...

Page 314: ...00000 20 00100000 20 00111000 38 8 01000011 43 C 00111001 39 9 00110011 33 3 DATA NAME 01000111 47 G 0mmmmmmm mh 0 127 GATE Library no 1 128 0mmmmmmm ml 256 351 Channel current data BLOCK INFO 0ttttttt tt total block number minimum number is 0 0bbbbbbb bb current block number 0 total block number DATA 0ddddddd ds GATE Library data of block bb 0ddddddd de CHECK SUM 0eeeeeee ee ee Invert L de 1 0x7F...

Page 315: ...sal bulk dump COUNT HIGH 0ccccccc ch data count ch 128 cl COUNT LOW 0ccccccc cl 01001100 4C L 01001101 4D M 00100000 20 00100000 20 00111000 38 8 01000011 43 C 00111001 39 9 00110011 33 3 DATA NAME 01010010 52 R 0mmmmmmm mh 0 32 Input patch Library no 0 32 0mmmmmmm ml 256 Current data BLOCK INFO 0ttttttt tt total block number minimum number is 0 0bbbbbbb bb current block number 0 total block numbe...

Page 316: ...th total block number minimum number is 0 0ttttttt tl 0000iiii 0i Developer id High 0000iiii 0i Developer id Low 0000jjjj 0j Product id High 0000jjjj 0j Product id Low DATA 0ddddddd ds Plug in Effect card memory data of block bb 0ddddddd de CHECK SUM 0eeeeeee ee ee Invert L de 1 0x7F EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID num...

Page 317: ...I Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 00001101 0D 01V96 ADDRESS 00000010 02 Patch data 0eeeeeee ee Element no If ee is 0 ee is expanded to two bytes 0ppppppp pp Parameter no 0ccccccc cc Channel no EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Cha...

Page 318: ...ppppppp pp Parameter no 0ccccccc cc Channel no EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 01111111 7F Universal ADDRESS 00010000 10 Function call 00ffffff ff function 0mmmmmmm mh number High 0mmmmmmm ml numb...

Page 319: ...nufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 01111111 7F Universal ADDRESS 01010000 50 Function call 0100ffff 4f title 0mmmmmmm mh number High 0mmmmmmm ml number Low DATA 0eeeeeee ee result HH 0eeeeeee ee result HL 0eeeeeee ee result LH 0eeeeeee ee result LL EOX 11110111 F7 End of exclusive STATUS 1111000...

Page 320: ...anufacture s ID number YAMAHA SUB STATUS 0011nnnn 3n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 01111111 7F Universal ADDRESS 00010100 14 Function call 0000ffff 0f attribute 0mmmmmmm mh number High 0mmmmmmm ml number Low EOX 11110111 F7 End of exclusive STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATU...

Page 321: ... is ON this message is retransmitted without change Meter data uses the unmodified DECAY value of the DSP The inter pretation of the data will depend on the parameter STATUS 11110000 F0 System exclusive message ID No 01000011 43 Manufacture s ID number YAMAHA SUB STATUS 0001nnnn 1n n 0 15 Device number MIDI Channel GROUP ID 00111110 3E MODEL ID digital mixer MODEL ID 01111111 7F Universal ADDRESS ...

Page 322: ...hange RX is ON and the Rx CH matches the device number included in the SUB STATUS This is echoed if Parameter change ECHO is ON When this is received the Time Counter information is transmitted on the Rx CH channel every 50 msec for 10 seconds When the second byte of Address is received on 0x7F data transmission will be halted immediately disable Transmission If Parameter Change ECHO is ON this me...

Page 323: ...it 1 Hold one of the brackets against one side of the 01V96 so that the bracket ear projects to the side and align three holes on the bracket with the holes on the side of the 01V96 as shown in the illustration below 2 Affix the bracket using three screws included in the RK1 package 3 Attach the other bracket to the other side of the 01V96 in the same way ...

Page 324: ... Pairing 105 Routing signals to the stereo bus 101 Setting from the control surface 104 Setting from the display 99 Setting the levels 104 Viewing the settings 102 BUS1 BUS8 138 Buttons 29 C Cascade COMM Link preference 228 Cascading consoles 234 Cascade page 236 SYNC parameter 237 CATEGORY 73 CH1 4 ON OFF switch 23 CH5 8 ON OFF switch 23 CH9 12 ON OFF switch 23 Changing names 225 Channel Copy Par...

Page 325: ...me 166 INPUT CH1 32 166 ST IN 1 4 166 STEREO 167 FAST 141 Fast Meter Fall Time preference 227 FB GAIN 80 Features 11 Channel configuration 12 Effects 12 Hardware 11 Inputs and Outputs 11 MIDI 12 Remote control 12 Scene memory 12 Sonic specifications 11 Surround sound 12 Fixed mode 114 118 FLANGE 258 FREQUENCY control 20 FS 73 G GAIN controls 15 20 70 Gain of the AD card 37 GANG 85 Gate library 179...

Page 326: ...3 70 Monitor Source selector 15 Monitoring 131 Digital input channel status 73 LAST SOLO 132 MIX SOLO 132 MIXDOWN 132 MONO 133 RECORDING 132 Solo function 134 Solo safe function 133 Solo setup 132 MONO 133 MONO DELAY 255 MULTI FILTER 271 Multitrack recording 47 Mute groups 147 148 Muting 196 N Naming 94 107 Nuendo 185 202 O OMNI OUT connectors 24 44 70 OMS 187 ON buttons 16 17 Operating basics 27 ...

Page 327: ...I Control Section 25 Power section 25 SLOT section 25 RECALL button 21 Recall Confirmation preference 227 Recall safe function 168 RECORDING 132 Remote 185 FRAMES 210 Insert display mode 189 LOCATE TIME section 209 Machine control 185 208 MACHINE CONTROL section 209 MIDI messages 205 MIDI remote 203 Nuendo 185 ProTools 185 REMOTE 185 Target parameter 188 TRACK ARMING section 209 TRANSPORT section ...

Page 328: ...tem exclusive messages 211 System version 238 T Tab scroll arrows 28 Tab scroll buttons 20 Target parameter 188 Tascam I O card 72 Title edit window 30 TO HOST USB port 25 Trajectory patterns 142 TREMOLO 260 Tutorial 47 Compressing 57 EQ ing 56 Initial Track Recording 49 Internal Effects 66 Master Recorder 68 Mixdown 63 Monitoring Level 54 61 Overdubbing 60 Pairing 50 Recording 59 62 Routing 51 Se...

Page 329: ...Index 329 01V96 Owner s Manual ...

Page 330: ...ter Key s Ch s X X X X Pitch Bend X X Control Change 0 95 102 119 O O Assignable Prog Change True 0 127 0 127 0 99 Assignable System Exclusive O O 1 System Common Song Pos Song Sel Tune X X X X X X System Real Time Clock Commands X X O X Effect Control Aux Messages Local ON OFF All Notes OFF Active Sense Reset X X X X X X O O Notes MTC quarter frame message is recognized 1 Bulk Dump Request Parame...

Page 331: ... EQ INPUT DELAY Keyin 12ch Group 1 12 13 24 AUX 1 8 INSERT GATE Gain Reduction Out Meter METER METER METER INSERT COMP METER Gain Reduction Keyin Self or Stereo Link METER Out Meter AUX1 8 INSERT SEND 8 50 EFFECT METER SELECT FX1 SEND 1 2 FX1 METER AUX1 8 INSERT SEND AUX1 8 INSERT SEND AUX1 8 INSERT SEND 8 50 EFFECT METER SELECT FX2 SEND 1 2 FX2 METER 8 50 EFFECT EFFECT METER SELECT FX3 SEND 1 2 F...

Page 332: ...Bu Analog dBFS 180 0dBu 0 775Vrms 0dBFS Full Scale 20 10 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 24 4 170 180 190 Input 24dBu Max 4dBu 60dBu 40dBu Nominal Input Nominal Input PAD INSERT Digital Analog GAIN MAX PAD OFF GAIN MIN PAD ON Input Max Digital Analog ATT EQ INSERT LEVEL ON COMP DELAY PAN DELAY BUS Adder ATT EQ COMP MASTER LEVEL ON MASTER INSERT INSERT INSERT INSERT INSERT BA...

Page 333: ...lano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen Música S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 Göteborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK 2730 Herlev Denmark Tel 44 92 49 00 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N...

Page 334: ...maha co jp manual english U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2003 Yamaha Corporation WA84540 310IPAP2 3 03C0 Printed in Japan This document is printed on recycled chlorine free ECF paper with soy ink ...

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