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 IMPORTANT NOTES:

In "SPEAKER" mode, the W1.0 program is designed for Cinema applications where the speakers are 
configured high pass (usually at 80Hz) by the Audio-Video processor,  X-GUARD™  processing is not 
operational. By listening at high power in "pure  stereo" mode or if the speakers have been configured to 
“WIDE” mode in a Cinema installation, then there will be increased risk of mechanical damage of the 
loudspeakers.

      • U-GUARD™ PROCESSING    

U-GUARD™ processing aims to reduce the formation of square audio signals ( also known as clipping 
distortion)  at  the output of the  device when the maximum volume level is reached. The DSP 
continuously measures the amplitude of audio signals and limits them so as to never let the power stages 
crest to a square signal. The analog circuits are used to create what is known as "soft clipping" to provide 
protection from a square signal, which in turn alters the original signal.

The U-GUARD™ processing goes further by maintaining the form of the “clipped” signal closer to the 
original which is more natural to listen to.  This technology also helps protect power stages and speakers 
in extreme cases.  This processing is also applied on low-level outputs to avoid overdriving of the XLR 
outputs.

      • T-GUARD™ PROCESSING       

When listening at very high sound levels over an extended period of time, the moving coils within the 
Loudspeakers will get hot (this may exceed 200°C) and may lead to a loss in performance of the speakers 
or subwoofers. This decrease in efficiency is also known as "thermal compression".  Correspondingly with 
the power stages of the amplifier being driven hard to achieve high sound levels, the overall operating 
temperature of the electronics will be increased.

The T-GUARD™ processing manages, in real time, the thermal parameters of the power stages and also 
those of the moving coils in the  speakers or subwoofers connected (according to the chosen setup.) It 
can help mitigate issues when the devices and/or speakers are being used inappropriately.

The DSP continuously analyses and  measures the  audio signals transmitted to the power stages and  
calculates the average power during a rolling period (from 3 to 12 sec). When the thresholds are 
exceeded, the algorithm triggers a drop of -15 dB on all outputs of the RS700 (speaker outputs, XLR 
outputs, and digital S/PDIF link) in order to reduce the power  level of the system. Depending on the  
nature of the audio signals and if the input levels are not reduced, the thermal protection can remain 
continuously active. With a drop in the input audio level (about  10 dB), normal operation will resume after 
about 25 seconds.  

 When this protection is active, the 2 red LEDs (13) will be permanently lit .  At the same time, the  levels on 
the power outputs,  XLR outputs as well as on the digital output are reduced  by 15 dB in order for this 
audible alert to be propagated to the equipment connected downstream of the amplifier. 
The sudden and general drop in the noise level combined with the permanent lighting of the red LEDs 
is a prompt to the user to lower the volume. 

NOTE 1 : This processing does not protect the system against errors of installation, handling  and use 
such as (but not limited  to): 
 Improper connection – handling of cables (modulation, networks ...) - switches 
at full level - feedback - ground loop - inappropriate signal measurement - short circuits etc.

NOTE 2 : Short-circuit protection is operated directly on the amplifier power stages. It intervenes in case of a 
short circuit on the output connections but also in some cases of damage to the speakers and filters. It 
generally results  in quick cut outs with a degradation of the signal depending on the sound level. If this 
occurs, the amplifier should be  turned off immediately. Wiring and enclosures must be thoroughly inspected 
before recommissioning. If in doubt, consult your dealer and/or authorized service agent.

Summary of Contents for RS700

Page 1: ...INSTRUCTIONS RS700 WATERFALL SPECIAL EDITION W1 0 FEATURING X GUARD U GUARD T GUARD X TEND CSC M A D E I N F R A N C E READ BEFORE USE...

Page 2: ......

Page 3: ......

Page 4: ...MPORTANT NOTES The W1 0 program implemented in this version of the RS700 is dedicated for use with the LCR300 LCR500 and SUB600 SUB600S speakers This program is the direct result of in depth engineeri...

Page 5: ...replaced before testing Never operate the internal switches when the device is connected to mains power Power o the ampli er when not in use In case of thunderstorms or if the device is not to be use...

Page 6: ...create 2 1 or 2 2 systems The proprietary S PDIF protocol makes it possible to chain two RS700 together so that the 2 power channels of the primary device are replicated by the secondary device with...

Page 7: ...coils in the speakers or subwoofers connected according to the chosen setup It can help mitigate issues when the devices and or speakers are being used inappropriately The DSP continuously analyses an...

Page 8: ...ds the response in the infra bass amplitude while reducing the group delay which creates an improvement of the impulse response and phase response The extension of the bass response induces a greater...

Page 9: ...R MODE ONLY Cinema Screen Compensation technology allows you to change the frequency response above 1KHz for the speakers which are placed behind cinema screens to compensate for the acoustic absorpti...

Page 10: ...7 SECTION B GETTING STARTED 1 LAYOUT CONNECTIONS INFORMATION...

Page 11: ...m faceplate tamper protection 13 Red LEDS U GUARD power management and T GUARD thermal protection indicator 14 Blue LEDS power indicator 15 Green LEDS X GUARD excursion control processing indicator SU...

Page 12: ...eaker outputs XLR outputs and digital output are all reduced by 15 dB in order to propagate this audible alert to the equipment connected downstream of the ampli er The sudden and overall drop in the...

Page 13: ...s set to FULL 4 Mute This switch mutes all ampli er stages and it is imperative that it used when making connections or changing selectors 5 6 8 and 9 5 Analog input selector Choice of balanced 17 XLR...

Page 14: ...panel ensuring that they are adequately tight Alternatively the RS700 can be set on a at surface 4 adhesive hemi spherical pads are included for this use Ventilation Ensure that fan outlets are never...

Page 15: ...ce these cancellations For correction equalization the best practice is to attenuate the identi ed modes and if necessary raise the level in a partial band shelving or in the subwoofer band as part of...

Page 16: ...riggering the T GUARD thermal protection In SPEAKER mode switch MP5 allows you to choose whether LCR300 or LCR500 speaker models are connected Depending on the output level of your AV processor or pre...

Page 17: ...utput of the AV processor to either the L or R RCA 16 or the L or R XLR 17 input of the RS700 Either the L or R input can be used as the inputs in this mode are automatically summed Connect ampli er o...

Page 18: ...be positioned at the lowest position fully counter clockwise on start up Then adjust the volume accordingly Points to note The volume control 1 adjusts the volume on the L R channels simultaneously T...

Page 19: ...PDIF digital protocol The power outputs of the PRIMARY RS700 and SECONDARY RS700 will be identical and without any additional latency Reminder Connections are to be made with all electronics turned o...

Page 20: ...turn on the device with the main power switch 11 and switch MUTE 4 to position 1 Points to note All settings are made on the PRIMARY RS700 The volume control 1 adjusts the volume simultaneously on th...

Page 21: ...hannels Reminder lThe W1 0 program is designed for Cinema applications where the speakers are ltered in high pass usually at 80Hz by the audio video processor X GUARD processing is not operational Nev...

Page 22: ...control 1 adjusts the volume on the L R channels simultaneously Switch 7 Phase Does not operate By default leave it set to 0 Switch 9 Processing is inactive when switch 8 Filtering is set to FULL do n...

Page 23: ...must be high pass ltered The switch 8 FILTERING must be set to position 1 or 2 and NEVER in set in FULL position Due to the high power listening at very high volume levels in wideband large mode may p...

Page 24: ...n 1 or 2 of switch 8 determines the type of slope and it s cut o Switch 9 controls the X GUARD and X TEND settings The XLR 18 outputs have a xed 100 Hz high pass lter to power speakers using a generic...

Page 25: ...ics turned o Connect from the rst PREOUT L R output of your audio preampli er to the ANALOG INPUT inputs 16 or 17 of the rst RS700 con gured in SPEAKER mode Connect ampli ed outputs 21 to speakers Con...

Page 26: ...for SUB STEREO 2 x SUB600S SETUP LOW PASS 12dB Butterworth Switch 6 must be set to AN analog input Set switch 5 to XLR or RCA depending on the type of connector used Switch 8 Filtering must be set to...

Page 27: ...SUB STEREO 2 x SUB600S SETUP LOW PASS 24dB Linkwitz Riley Switch 6 must be set to AN analog input Set switch 5 to XLR or RCA depending on the type of connector used Switch 8 Filtering must be set to...

Page 28: ...powered by a generic ampli er without DSP controlled by the XLR DSP ANALOG OUTPUT 19 of the RS700 that powers the SUB600S Reminder Connections are to be made with all electronics turned o Connect the...

Page 29: ...band This extension of the response at very low frequencies results in a lower SPL RS700 IN SUB MODE with 2 x SUB600S 2 x SUB600S SETUP LOW PASS 24dB Linkwitz Riley Switch 6 must be set to AN analog i...

Page 30: ...W RMS 4 16 Ohms 3 Ohms 2 x 30 A 2 Hz 45 kHz 3dB 2 30 kHz 2 Hz 35 150 Hz regl 12 or 24 dB oct or 2 350 Hz LFE 3dB TO 0 06 1000 2 inputs 4 di erential outputs 32 bit 32 bits 295 MHz Sigma DSP 96 kHz 24...

Page 31: ...28 MEASUREMENTS IN MILLIIMETERS 450 U 2 8 8 423 350 7 5 10 312 5 4 8 467 2 6 7 482...

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Page 33: ...int free cloth Never use any kind of abrasive product CLEANING Waterfall speakers are guaranteed for 5 years covering both parts and manufacturing defects Ampli ers are guaranteed for 2 years For deta...

Page 34: ...arch and development policy allows us to be able to these develop products Waterfall Audio reserves the right to modify these features without notice All drivers and ampli ers are developed and manufa...

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