Waterfall Audio RS700 Instructions Manual Download Page 17 | Manualshive

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SECTION D : CINEMA SET-UP

1. CINEMA SET-UP : 2 SUB600S AMPLIFICATION

Reminder :

Connections are to be made with all electronics turned oﬀ.

• Connect the SUB PREOUT output of the AV processor to either the L or R RCA (16) or the

L or R XLR (17) input of the RS700. Either the L or R input can be used as the inputs in this mode

are automatically summed.

• Connect ampliﬁer outputs (21) to SUB600S.

In SUB mode X-GUARD™, U-GUARD ™, T-GUARD™ technologies are active on the (21) ampliﬁer outputs.
X-TEND™ technology can be only be used with SUB600S.

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Summary of Contents for RS700

Page 1: ...INSTRUCTIONS RS700 WATERFALL SPECIAL EDITION W1 0 FEATURING X GUARD U GUARD T GUARD X TEND CSC M A D E I N F R A N C E READ BEFORE USE...

Page 2: ......

Page 3: ......

Page 4: ...MPORTANT NOTES The W1 0 program implemented in this version of the RS700 is dedicated for use with the LCR300 LCR500 and SUB600 SUB600S speakers This program is the direct result of in depth engineeri...

Page 5: ...replaced before testing Never operate the internal switches when the device is connected to mains power Power o the ampli er when not in use In case of thunderstorms or if the device is not to be use...

Page 6: ...create 2 1 or 2 2 systems The proprietary S PDIF protocol makes it possible to chain two RS700 together so that the 2 power channels of the primary device are replicated by the secondary device with...

Page 7: ...coils in the speakers or subwoofers connected according to the chosen setup It can help mitigate issues when the devices and or speakers are being used inappropriately The DSP continuously analyses an...

Page 8: ...ds the response in the infra bass amplitude while reducing the group delay which creates an improvement of the impulse response and phase response The extension of the bass response induces a greater...

Page 9: ...R MODE ONLY Cinema Screen Compensation technology allows you to change the frequency response above 1KHz for the speakers which are placed behind cinema screens to compensate for the acoustic absorpti...

Page 10: ...7 SECTION B GETTING STARTED 1 LAYOUT CONNECTIONS INFORMATION...

Page 11: ...m faceplate tamper protection 13 Red LEDS U GUARD power management and T GUARD thermal protection indicator 14 Blue LEDS power indicator 15 Green LEDS X GUARD excursion control processing indicator SU...

Page 12: ...eaker outputs XLR outputs and digital output are all reduced by 15 dB in order to propagate this audible alert to the equipment connected downstream of the ampli er The sudden and overall drop in the...

Page 13: ...s set to FULL 4 Mute This switch mutes all ampli er stages and it is imperative that it used when making connections or changing selectors 5 6 8 and 9 5 Analog input selector Choice of balanced 17 XLR...

Page 14: ...panel ensuring that they are adequately tight Alternatively the RS700 can be set on a at surface 4 adhesive hemi spherical pads are included for this use Ventilation Ensure that fan outlets are never...

Page 15: ...ce these cancellations For correction equalization the best practice is to attenuate the identi ed modes and if necessary raise the level in a partial band shelving or in the subwoofer band as part of...

Page 16: ...riggering the T GUARD thermal protection In SPEAKER mode switch MP5 allows you to choose whether LCR300 or LCR500 speaker models are connected Depending on the output level of your AV processor or pre...

Page 17: ...utput of the AV processor to either the L or R RCA 16 or the L or R XLR 17 input of the RS700 Either the L or R input can be used as the inputs in this mode are automatically summed Connect ampli er o...

Page 18: ...be positioned at the lowest position fully counter clockwise on start up Then adjust the volume accordingly Points to note The volume control 1 adjusts the volume on the L R channels simultaneously T...

Page 19: ...PDIF digital protocol The power outputs of the PRIMARY RS700 and SECONDARY RS700 will be identical and without any additional latency Reminder Connections are to be made with all electronics turned o...

Page 20: ...turn on the device with the main power switch 11 and switch MUTE 4 to position 1 Points to note All settings are made on the PRIMARY RS700 The volume control 1 adjusts the volume simultaneously on th...

Page 21: ...hannels Reminder lThe W1 0 program is designed for Cinema applications where the speakers are ltered in high pass usually at 80Hz by the audio video processor X GUARD processing is not operational Nev...

Page 22: ...control 1 adjusts the volume on the L R channels simultaneously Switch 7 Phase Does not operate By default leave it set to 0 Switch 9 Processing is inactive when switch 8 Filtering is set to FULL do n...

Page 23: ...must be high pass ltered The switch 8 FILTERING must be set to position 1 or 2 and NEVER in set in FULL position Due to the high power listening at very high volume levels in wideband large mode may p...

Page 24: ...n 1 or 2 of switch 8 determines the type of slope and it s cut o Switch 9 controls the X GUARD and X TEND settings The XLR 18 outputs have a xed 100 Hz high pass lter to power speakers using a generic...

Page 25: ...ics turned o Connect from the rst PREOUT L R output of your audio preampli er to the ANALOG INPUT inputs 16 or 17 of the rst RS700 con gured in SPEAKER mode Connect ampli ed outputs 21 to speakers Con...

Page 26: ...for SUB STEREO 2 x SUB600S SETUP LOW PASS 12dB Butterworth Switch 6 must be set to AN analog input Set switch 5 to XLR or RCA depending on the type of connector used Switch 8 Filtering must be set to...

Page 27: ...SUB STEREO 2 x SUB600S SETUP LOW PASS 24dB Linkwitz Riley Switch 6 must be set to AN analog input Set switch 5 to XLR or RCA depending on the type of connector used Switch 8 Filtering must be set to...

Page 28: ...powered by a generic ampli er without DSP controlled by the XLR DSP ANALOG OUTPUT 19 of the RS700 that powers the SUB600S Reminder Connections are to be made with all electronics turned o Connect the...

Page 29: ...band This extension of the response at very low frequencies results in a lower SPL RS700 IN SUB MODE with 2 x SUB600S 2 x SUB600S SETUP LOW PASS 24dB Linkwitz Riley Switch 6 must be set to AN analog i...

Page 30: ...W RMS 4 16 Ohms 3 Ohms 2 x 30 A 2 Hz 45 kHz 3dB 2 30 kHz 2 Hz 35 150 Hz regl 12 or 24 dB oct or 2 350 Hz LFE 3dB TO 0 06 1000 2 inputs 4 di erential outputs 32 bit 32 bits 295 MHz Sigma DSP 96 kHz 24...

Page 31: ...28 MEASUREMENTS IN MILLIIMETERS 450 U 2 8 8 423 350 7 5 10 312 5 4 8 467 2 6 7 482...

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Page 33: ...int free cloth Never use any kind of abrasive product CLEANING Waterfall speakers are guaranteed for 5 years covering both parts and manufacturing defects Ampli ers are guaranteed for 2 years For deta...

Page 34: ...arch and development policy allows us to be able to these develop products Waterfall Audio reserves the right to modify these features without notice All drivers and ampli ers are developed and manufa...

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