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SECTION C : CONFIGURATION OF SUB & SPEAKER MODE

 

1. SETTING THE MODE AND MAIN GAIN

Before commissioning, check that the mode chosen corresponds to the model of enclosure or 
subwoofer connected.

The amplifier must be 

de-energized and disconnected the mains

. These settings are made inside  the 

device with the cover removed.  They can also be carried out by us at the factory when ordering the 
device. The default factory setting is  « 

SUB

 » mode. 

 

- The « SUB » mode and the « SPEAKER » mode are defined by the position of switch MP1  

 

(shown above).  

 

- Once  the  mode is set, switch MP5 manages the 

T-GUARD™

 processing (thermal protection  

 

of electronics and speakers).

- In 

« SUB » 

mode, the position of the switch MP5 (shown above) corresponds to 700W RMS continuous 

output for 12 seconds before triggering the T-GUARD™ thermal protection. 

- In 

« SPEAKER » 

mode, switch MP5 allows you to choose whether LCR300 or LCR500 speaker models 

are connected. 

- Depending on the output level of your AV processor or preamplifier, you can choose the input 
sensitivity level  through the master gain switch which is located on the same board.  The "0dB" position 
provides an overall gain of 29.8 dB. 

This position is suitable for the vast majority of configurations

. The 

"+15 dB" position gives an overall gain of 44.8 dB. It is intended for low-level preamplifiers/sources.

Regardless of the chosen settings and the position of the Volume Control (1) the maximum input  level 
(XLR and RCA) 

must not exceed 22 dBu (9.75 Vrms). 

NOTE ABOUT DIGITAL SATURATION : 

At the moment when the red LEDs are flashing, there is still a margin 

of about 10 dB before saturation of the A to D input converter (0dB Fs). When the A to D input convetor 
becomes saturated the result is a significant increase in distortion.

Summary of Contents for RS700

Page 1: ...INSTRUCTIONS RS700 WATERFALL SPECIAL EDITION W1 0 FEATURING X GUARD U GUARD T GUARD X TEND CSC M A D E I N F R A N C E READ BEFORE USE...

Page 2: ......

Page 3: ......

Page 4: ...MPORTANT NOTES The W1 0 program implemented in this version of the RS700 is dedicated for use with the LCR300 LCR500 and SUB600 SUB600S speakers This program is the direct result of in depth engineeri...

Page 5: ...replaced before testing Never operate the internal switches when the device is connected to mains power Power o the ampli er when not in use In case of thunderstorms or if the device is not to be use...

Page 6: ...create 2 1 or 2 2 systems The proprietary S PDIF protocol makes it possible to chain two RS700 together so that the 2 power channels of the primary device are replicated by the secondary device with...

Page 7: ...coils in the speakers or subwoofers connected according to the chosen setup It can help mitigate issues when the devices and or speakers are being used inappropriately The DSP continuously analyses an...

Page 8: ...ds the response in the infra bass amplitude while reducing the group delay which creates an improvement of the impulse response and phase response The extension of the bass response induces a greater...

Page 9: ...R MODE ONLY Cinema Screen Compensation technology allows you to change the frequency response above 1KHz for the speakers which are placed behind cinema screens to compensate for the acoustic absorpti...

Page 10: ...7 SECTION B GETTING STARTED 1 LAYOUT CONNECTIONS INFORMATION...

Page 11: ...m faceplate tamper protection 13 Red LEDS U GUARD power management and T GUARD thermal protection indicator 14 Blue LEDS power indicator 15 Green LEDS X GUARD excursion control processing indicator SU...

Page 12: ...eaker outputs XLR outputs and digital output are all reduced by 15 dB in order to propagate this audible alert to the equipment connected downstream of the ampli er The sudden and overall drop in the...

Page 13: ...s set to FULL 4 Mute This switch mutes all ampli er stages and it is imperative that it used when making connections or changing selectors 5 6 8 and 9 5 Analog input selector Choice of balanced 17 XLR...

Page 14: ...panel ensuring that they are adequately tight Alternatively the RS700 can be set on a at surface 4 adhesive hemi spherical pads are included for this use Ventilation Ensure that fan outlets are never...

Page 15: ...ce these cancellations For correction equalization the best practice is to attenuate the identi ed modes and if necessary raise the level in a partial band shelving or in the subwoofer band as part of...

Page 16: ...riggering the T GUARD thermal protection In SPEAKER mode switch MP5 allows you to choose whether LCR300 or LCR500 speaker models are connected Depending on the output level of your AV processor or pre...

Page 17: ...utput of the AV processor to either the L or R RCA 16 or the L or R XLR 17 input of the RS700 Either the L or R input can be used as the inputs in this mode are automatically summed Connect ampli er o...

Page 18: ...be positioned at the lowest position fully counter clockwise on start up Then adjust the volume accordingly Points to note The volume control 1 adjusts the volume on the L R channels simultaneously T...

Page 19: ...PDIF digital protocol The power outputs of the PRIMARY RS700 and SECONDARY RS700 will be identical and without any additional latency Reminder Connections are to be made with all electronics turned o...

Page 20: ...turn on the device with the main power switch 11 and switch MUTE 4 to position 1 Points to note All settings are made on the PRIMARY RS700 The volume control 1 adjusts the volume simultaneously on th...

Page 21: ...hannels Reminder lThe W1 0 program is designed for Cinema applications where the speakers are ltered in high pass usually at 80Hz by the audio video processor X GUARD processing is not operational Nev...

Page 22: ...control 1 adjusts the volume on the L R channels simultaneously Switch 7 Phase Does not operate By default leave it set to 0 Switch 9 Processing is inactive when switch 8 Filtering is set to FULL do n...

Page 23: ...must be high pass ltered The switch 8 FILTERING must be set to position 1 or 2 and NEVER in set in FULL position Due to the high power listening at very high volume levels in wideband large mode may p...

Page 24: ...n 1 or 2 of switch 8 determines the type of slope and it s cut o Switch 9 controls the X GUARD and X TEND settings The XLR 18 outputs have a xed 100 Hz high pass lter to power speakers using a generic...

Page 25: ...ics turned o Connect from the rst PREOUT L R output of your audio preampli er to the ANALOG INPUT inputs 16 or 17 of the rst RS700 con gured in SPEAKER mode Connect ampli ed outputs 21 to speakers Con...

Page 26: ...for SUB STEREO 2 x SUB600S SETUP LOW PASS 12dB Butterworth Switch 6 must be set to AN analog input Set switch 5 to XLR or RCA depending on the type of connector used Switch 8 Filtering must be set to...

Page 27: ...SUB STEREO 2 x SUB600S SETUP LOW PASS 24dB Linkwitz Riley Switch 6 must be set to AN analog input Set switch 5 to XLR or RCA depending on the type of connector used Switch 8 Filtering must be set to...

Page 28: ...powered by a generic ampli er without DSP controlled by the XLR DSP ANALOG OUTPUT 19 of the RS700 that powers the SUB600S Reminder Connections are to be made with all electronics turned o Connect the...

Page 29: ...band This extension of the response at very low frequencies results in a lower SPL RS700 IN SUB MODE with 2 x SUB600S 2 x SUB600S SETUP LOW PASS 24dB Linkwitz Riley Switch 6 must be set to AN analog i...

Page 30: ...W RMS 4 16 Ohms 3 Ohms 2 x 30 A 2 Hz 45 kHz 3dB 2 30 kHz 2 Hz 35 150 Hz regl 12 or 24 dB oct or 2 350 Hz LFE 3dB TO 0 06 1000 2 inputs 4 di erential outputs 32 bit 32 bits 295 MHz Sigma DSP 96 kHz 24...

Page 31: ...28 MEASUREMENTS IN MILLIIMETERS 450 U 2 8 8 423 350 7 5 10 312 5 4 8 467 2 6 7 482...

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Page 33: ...int free cloth Never use any kind of abrasive product CLEANING Waterfall speakers are guaranteed for 5 years covering both parts and manufacturing defects Ampli ers are guaranteed for 2 years For deta...

Page 34: ...arch and development policy allows us to be able to these develop products Waterfall Audio reserves the right to modify these features without notice All drivers and ampli ers are developed and manufa...

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