Waldorf KYRA, User Manual

Page: 120 / 165

Kyra Sound Programming
120 Kyra Manual
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Take the time to learn when to use a unipolar and
when to use a bipolar LFO routing. As an example,
if you are modulating the pitch of an oscillator with
an LFO, you’d want the average pitch to be that the
oscillator to be configured for. The LFO would then
apply modulation in both directions (sharp and
flat). You’d use a bipolar routing for that. Note that
hardwired LFO routings are always bipolar.
If a modulation route is set to be negative the effect of the
modulation is inverted. For a unipolar source, the modula-
tion will be completely negative. This is especially useful
for EG sources.
Modulation Destinations
Almost all Kyra’s parameters are available as Mod Mat
destinations.
Destination Description
OSC1 tune <- see destination name
OSC1 detune <- see destination name
OSC1 wavetable OSC2 FM <- see destination name
OSC1 LFO1 to pitch <- see destination name
OSC1 LFO2 to pulse width <- see destination name
OSC1 sawtooth level <- see destination name
OSC1 wavetable level <- see destination name
OSC1 pulse level <- see destination name
OSC1 aux oscillator level <- see destination name
OSC1 sub level <- see destination name
OSC1 sub detune <- see destination name
OSC1 pulse width <- see destination name
OSC2 tune <- see destination name
OSC2 detune <- see destination name
OSC2 LFO1 to pitch <- see destination name
OSC2 LFO2 to pulse width <- see destination name
OSC2 sawtooth level <- see destination name
OSC2 wavetable level <- see destination name
OSC2 pulse level <- see destination name
OSC2 sub level <- see destination name
OSC2 sub detune <- see destination name
OSC2 pulse width <- see destination name
Hypersaw intensity <- see destination name
Hypersaw spread <- see destination name
Filter 1/2 balance <- see destination name
Filter 1 cutoff frequency <- see destination name
Filter 1 resonance <- see destination name
Filter 1 EG1 to cutoff <- see destination name