Rev. 2.0 - EN EU - fw 5.22
31
PAGE 1/6 - ROUTINGS
This menu allows you to select from the nine different routing possibilities, i.e.,
the nine different configurations of the PedalPro effects chain, whereby the
F1 filter and the F2 filter are physically connected at different points of the
chain (See section ‘
Routing Options - An Overview
’, on page 28, for details).
È 1 / 6
R o u t e
:
y p e
F l
i t e
t
F L = Â
o t
u
ng
i
r r
0 0
F R = Â
Route type
– Effect chain routing selector. Range: 00 to 09
•
To change the Route type, press
EDIT
[
5
]; the cursor will blink next to the
route type number. Adjust the value with the
selection dial
[
4
].
PAGE 2/6 - FILTER MODE CONFIGURATION
Page 2 is the main configuration page for your two filters, F1 and F2. The set-
tings for F1 are on the left-hand side of the screen, and the settings for F2 are
on the right.
È2/6
F Md
1
M
F l
i te
Q1 : 05 0
.
:
d a
:
a n
i
F
+
r m
2
env
uto
type Ç Ñ
Ï
Q2: 0 1 5
.
F2
HSync Ç Â
HSync
– HumanSync™ switch. Range: on (
Á
), off (
Â
)
With HSync engaged, the
auto filters
(that is, when filter F1 and/or filter F2
are set to auto mode) will sweep according to the settings on pages
3/6
(F1)
and
4/6
(F2) – if the level of the signal from your guitar is above an adjustable
threshold.
If the signal is below the threshold, the filter sweep will be paused. Once the
signal from your guitar becomes louder than the threshold, the sweeping ac-
tion begins. In this way, you can control exactly when the filter starts to sweep
and when it stops, using your guitar.
•
To engage HSync simply press the
PARAM. SWITCH
key [
10b
].
QUICK TIP: HSync
With
HSync
engaged, if you assign the adjustable threshold parameter
(
Fsync_th
) to an expression pedal* via the
ADES page
you can control the
number of wah/vowel cycles that you are going to produce and these
cycles are always synchronised with your strumming action.
If you set the correct
Tempo
parameter in the filter configuration page
3/6
(for F1) or
4/6
(for F2), the filter sweeping action will also be synchronised
with your drummer (or your drum machine).
*Optional Pedalino™ Foot Controller required.
Q1
– Resonance factor of filter F1. Range: 1 to 18, increments of 0.5
Q2
– Resonance factor of filter F2. Range: 1 to 16, increments of 0.5
The resonance factor (aka
Q
) characterises a filter’s bandwidth relative to its
centre frequency. Essentially, the higher the resonance Q, the more the filter
will emphasise the frequencies around its centre frequency.
•
To change the Q of F1 (Q1) or F2 (Q2), press
EDIT
[
5
]. Use the
arrow keys
[
3
] to position the blinking cursor next to Q1 or Q2. Adjust the value with
the
selection dial
[
4
].
F2type
– F2 filter type selector. Range: Low-pass (
ÏÑ
) or Band-pass (
ÐÑ
)
The F2 Filter has an additional feature that allows you to select between two
filter types: a low-pass filter and a band-pass filter
•
To select between the two possible settings for F2type, press
PARAM.
SWITCH
key [
10d
].
F1Md & F2Md
– F1 and F2 mode selector. Range: auto, manual (manl), enve-
lope positive (env+), envelope negative (env-)
You can choose to independently configure F1 and F2 in one of four modes:
1. auto = auto mode
(for example, auto Wah). If this option is selected for
either F1 or F2, or both, the parameters of page
3/6
and page
4/6
will
define F1 and/or F2 modulator settings.
9
Working with Effects: Filters
