THE BLOCKS
41
Mix
Mix between direct sound and effect.
In Level
Controls the input level of the block.
Out Level
Controls the output level of the Delay block.
Mute mode
See Mute mode in the introduction of this chapter.
One Tap Delay
Time
Sets the delay time. Maximum delay time is 1480 ms.
Tempo
The Tempo parameter sets the relationship to the global
Tempo e.g. if you set it to 1/4T you will get quarter note
triplets of the tapped tempo. 1/4 equals the BPM (tapped
Tempo).
If you select “Ignored” the current parameter will use the
Preset value and will not be affected by the Global Tempo.
Feedback
Adjusts the amount of Feedback.
Pan position
Controls the panning of the Delay.
Lowcut
Cuts off frequencies lower than the selected. The slope of
the filter is 12dB/octave.
Highcut
Cuts off frequencies higher than the selected frequency. So if
you feel that there is too much treble in your signal, you
remove this by adjusting the highcut filter down. The slope
of the filter is 12dB/octave.
Mix
Mix between direct sound and effect.
In Level
Controls the input level of the block.
Out Level
Controls the output level of the Delay block
Mute mode
See Mute mode in the introduction of this chapter.
Dual Two Tap Delay
The Dual Two Tap Delay is capable of performing two delay
taps on each of the two delay lines. The two delay lines have
their own Input level, which basically means that they
perform much like two individual delay processors.
Delay line 1&2
Time 1-2
Sets the delay time of the two taps on Delay line 1.
Maximum delay time per tap is 1480 ms.
Tempo
The Tempo parameter sets the relationship to the global
Tempo e.g. if you set it to 1/4T you will get quarter note
triplets of the tapped tempo. 1/4 equals the BPM (tapped
Tempo).
If you select “Ignored” the current parameter will use the
Preset value and will not be affected by the Global Tempo.
Feedback 1-2
Sets the amount of feedback on Tap 1 and 2.
NOTE: The sum of the two feedbacks is limited to 100%.
Levels 1-2
Sets the level of each of the two taps.
Pan position 1-2
Controls the panning of the two Delay taps.
Lowcut 1-2
Cuts off frequencies lower than the selected frequency. The
slope of the filter is 12dB/octave.
Highcut 1-2
Cuts off frequencies higher than the selected frequency. So if
you feel that there is too much treble in your signal, you
remove this by adjusting the highcut filter down. The slope
of the filter is 12dB/octave.
Line Level 1-2
Adjusts the input level of the two Delay lines. This enables
you to lower the level of one of the two lines without
affecting the second. The Line level is a percentage
adjustment of the algorithm In Level.
These levels can be used for creating spillover
from a slap back Delay in Line 1 to a slower lead
Delay in Line 2. Turn the level of Line 1 up and the
Level of Line 2 down in Preset 1 and the other way
around in preset 2. The Delays will now ring out
across the preset change.
Summary of Contents for G-Force
Page 1: ...G Force GUITAR EFFECTS PROCESSOR USER S MANUAL...
Page 2: ...2...
Page 4: ...4...
Page 32: ...UTILITY This page is intentionally left blank...