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3.5

Line channels

The  D-816  console  has  four  stereo   LINE   channels. 
Line channels have two inputs that are selected from 
the front panel. 

Channels

 

4 & 5

 have balan-

ced stereo inputs (DIN-5 con-
nector)   and   unbalanced   ste-
reo inputs (RCA).

Channels 6 and 7

 are digital 

inputs, with direct 

connection 

to the PC via USB

. It is equi-

valent   to   have   two   external 
soundcards. Additionally they 
provide   USB   digital   outputs 
(PGM and REC). Channel 6 
provides a secondary  analog 
unbalanced   stereo   input 
(RCA),   whereas   channel   7 
has   a  analog   stereo

 

balan-

ced input (DIN-5). 

Channel MIC-3 can work as 
Line 3 (unbalanced).

Like   the   microphone   channels, 
line   channels  have   gain   adjust-
ment   that   must   be  set   for   the 
channel   faders   working   above 
the OVL zone, to avoid overlo-
ad. 

NOTE:

  please see at “2.2.2.2 –  

Digital inputs/outputs” the special 
note about the USB audio levels 
and Windows©.

To route the signal on the air; as-
sign  the   channel   to   PGM   and 
open the fader. The correct level 
is   obtained   when   the   peaks   of 
the signal reach 0VU. 

Connections   are   explained   at 

“Chapter 2 – Installation and wi-
rings”

Main faders of all channels work 
with

 

ETM-VCA   technology 

(Electrometric-Voltage Controlled 
Amplifier). The fader only mana-

ges DC, that control amplifier of variable gain. 

This method guarantees very low distortion and full eli-
minates the possibility of noise by wearing down of the 
fader.  Complete information about the new ceramic 
fader technology, used in D816, will be found at our 
WEB site.

3.6 Recording programs

D-816   consoles   have   two   stereo   output   channels. 
The main channel is denominated Program (PGM) 
and used for the On-Air signal. 

For   recording   REC  is   used.   You   can   make   recor-
dings while, simultaneously, the console is on the air. 
We will see like example the procedure to make a re-
cording in the computer whereas a musical program 
is on air. 

3.6.1 Direct to Hard Disc recording

Remember that the main output (PGM) and the re-
cording output (REC) are available in digital format, 
through connections USB. 

Once connected, the outputs appear in Windows© 
like: (Control Panel/Audio and Sound Devices/Audio)

“USB  Recording  device   USB  1”:

  corresponds  to 

channel USB 6 and gives the PGM signal.

“USB   recording   device   USB   2”:  

corresponds   to 

channel and gives REC signal.

On the PC:

 

configure your recording software 

to 

use an USB recording device. 

At the console:

 route the channels that you want to 

record to REC bus. The others remain assigned to 
PGM. You must proceed as follows: 

a)

In Monitor Section assign the Control Room 
monitors to the recording bus (REC). If you 
want you can send REC signal to the studio 
monitors too. 

b)

Assign to REC the channels required for the 
recording   (for   example   MIC-1   and   Line-4). 
When a channel is routed to REC it is remo-
ved from Air 

c)

Meanwhile   the radio still  on air through,  for 
example, the channel 5 with a musical pro-
gram. 

Now makes the recording on the PC. In order to acti-
vate the microphone, open the fader of MIC-1

 

chan-

nel. 

The recording level is verified in the REC VUmeter of 
the console and in the recording software, and it ad-
justs from the console. You cannot change the input 
level from software (Windows Mixer). 

SOLIDYNE

D·816

 broadcast console

Page 23

Summary of Contents for D 816

Page 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Page 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Page 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Page 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Page 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Page 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Page 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Page 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Page 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Page 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Page 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Page 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Page 13: ...SOLIDYNE D 816 broadcast console Page 13...

Page 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Page 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Page 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Page 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Page 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Page 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Page 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Page 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Page 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Page 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Page 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Page 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Page 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Page 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Page 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Page 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

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