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1.3.3 Outputs

The D-816 console has 

two main outputs

. Line, mi-

crophone   and   hybrid   channels   have   two   stereo 
sends to the output stage, they are called: 

PGM

 (pro-

gram) and 

REC

 (recording). 

In addition it has two 

USB

 

digital outputs

 that appe-

ar in the computer as 

external sound recording devi-

ces 

(USB recording devices) and sends the program 

(channel 6) and REC (channel 7) signals.

Summarizing, the outputs are as follows:

 

PGM,

  The  

PROGRAM

  output   is   used   the  

send the signal to the air.

REC

, used to recordings  (and allows to lis-

ten a channel in the main monitors without  
send it to the air).

REC USB, 

recording

 

output is also available 

via   USB   (only   if   channel   Digital   USB-7   is  
connected).

PGM   USB  

(Which   appears   in   the   PC   as  

“USB recording  

device

  #1”). It can be used  

as source of signal to WEB casting.

D-816 has send &  return connections for  

external 

hybrid

.   The   audio   from   the   external   hybrid   enters 

trough the “hybrid channel” and operates just as the 
built-in hybrids; which continue being operative. Ple-
ase note that land lines of internal & external hybrids 
will work in conference.

The Tally output allows the direct connection of ON-
AIR LED’s lights. Tally activates when

 

opening the 

channels MIC-1 and/or MIC-2 (channel MIC/3 does 
not activate the tally; since it can operate as line or 
microphone). The 

LOAD DOES NOT HAVE TO EX-

CEED   the   120   mA

  (two   Solidyne   AIR   lights).  

If your radio uses the old incandescent light bulbs, a 
12 V relay must be connected.

1.3.4 Start devices

This   D816   console   allows   starting   remote   devices 
when some faders are opened (MIC-1; MIC-2; LINE 
5 and

 

LINE 6)

It allows to command the automation software com-
puter, digital audio processors like Solidyne 462dsp 
&   562dsp   or   CD/DAT/   Minidisc   players,   Satellites, 
etc., provided with remote control. 

1.3.5 ETM - VCA

Using the technique of 

control by ETM-VCA

 (Electro-

metric  Voltage  Controlled  Amplifier)  the  faders  DO 
NOT manage audio signals. The variation of the le-
vel is made by means of amplifiers of low noise and 
great stability. The main faders only handle control 
signals that modify the gain of the electronic amplifi-
ers. For more information please visit our WEB site.

The main advantages of this technology are: 

Eliminates the   noisy  signals  due   to   dirty  

faders.

Eliminates the maintenance and improves 

the life of faders.

Gives a perfect stereo tracking (less than  

0,1 dB error) between Left and Right chan-
nels.

Allows   using   Conductive   Ceramic   faders  

of   one   million   guaranteed   operations  
(about 15 years of use).

Page 6

D·816

 broadcast console

SOLIDYNE

Summary of Contents for D 816

Page 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Page 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Page 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Page 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Page 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Page 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Page 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Page 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Page 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Page 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Page 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Page 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Page 13: ...SOLIDYNE D 816 broadcast console Page 13...

Page 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Page 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Page 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Page 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Page 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Page 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Page 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Page 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Page 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Page 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Page 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Page 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Page 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Page 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Page 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Page 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

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