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3.2

Using the hybrid channel

The hybrid channel manages 

2 standard telephone li-

nes

, and  

one cell phone

  input. Cell phone connects 

using the “free hands” cable set (please see “2.2.6.2 

Connecting a cell phone”). The three communications 

can be in simultaneous conference.
It also supports communication conference 'Vox-IP', 
made   from   a   computer   connected   to   channel   7 
(USB). Turning the key "Return to Vox-IP", the hybrid 
channel   audio   returns   the   phone   lines   to   the   PC 
through the REC bus. 

3.2.1  Operation

Its use is simple and error free due to its logic of secu-

rity and automatic control. 

When a call enters, a blue LED in the corresponding 

line will blink with each ‘ring'. 

You can 

answer

 in two ways: 

a)

 From the telephone associated to that line

;

b)

  from the console, by pressing the correspondent 

line button. When doing it, you will take the line and 

the blinking LED will be stopped. 

HYBRID FADER must be closed so that the commu-

nication takes place through circuit of CUE. In these 

conditions, you will listen to the caller by loudspeaker 

CUE of the console and at the operator’s headpho-

nes. You can fit to the level with the control “CUE le-

vel”; and with the knob “Cue level” of the own hybrid’s 

channel. In order to engage in a dialog, use the mi-

crophone   of   the   talkback   system,   pressing   button 

TALK (when two lines are taken, the talk-back MIC is 

sent to both callers). You will engage in a dialog in 

mode half duplex.

When the private dialog finalizes, you can raise the fa-

der HYBRID towards the position “

HOLD

”, that sends 

the on-air signal to the telephone lines to retain the 

caller in waiting mode. The caller listens to the radio 

(PGM signal). The CUE return disconnects automati-

cally in this position. 

If now you raise still more the fader, you  

send the 

calling to the air

. The final position of fader is obtai-

ned verifying the level of the calling in the PROGRAM 

VU-meters of the console.

SWITCH PGM - REC: 

So that the communication be 

on air, switch PGM-REC must be on 

PGM

. The hybrid 

signal is sent to AIR or to recording output according 

to the position of this switch. Please see “3.6.1 - Re-

cording of telephone lines”. 

IF YOU DO NOT HAVE AUDIO OF THE HYBRID 

ON THE AIR; CHECK THE POSITION OF THE 

SWITH “PGM-REC”. THIS MUST BE “PGM”

In order to quit the calling from the air and to send it to 

the CUE circuit, close the fader HYBRID. If you want to 

take  the   communication   on   the   telephone  set,   you 

must off-hook the telephone before to release the line 

at the console (remember

 

that the associated telepho-

ne is connected in parallel). If the telephone is hung, 

the communication ends when release the line button. 

3.2.1.1 Use with a CELL PHONE

The procedure is the same one that for land

 

telephone 

lines. The difference is:

 

the call is not answered from 

the console, but from the own cell phone. 

Page 16

D·816

 broadcast console

SOLIDYNE

Summary of Contents for D 816

Page 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Page 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Page 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Page 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Page 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Page 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Page 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Page 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Page 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Page 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Page 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Page 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Page 13: ...SOLIDYNE D 816 broadcast console Page 13...

Page 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Page 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Page 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Page 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Page 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Page 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Page 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Page 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Page 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Page 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Page 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Page 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Page 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Page 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Page 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Page 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

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