background image

Please do not connect  a signal pin (2 or 3) to 
ground. Never uses “mono plug' s” to connect the 
outputs. 

The 

nominal output level

 is 

+4 dBu @ 0VU

. If you 

unbalance the outputs, take in mind that the level re-
duces in 6 dB, therefore 0VU = -2dBm. 

Note that if some nonprofessional equipment is con-
nected to the balanced output, may  the level be too 
high, causing saturation. In those cases a fixed atte-
nuator must be used to reduce the level (a resistive 
splitter is a solution). 

2.2.3.2 USB OUTPUTS

The output signals PGM and REC are available also 
in digital format; for direct connection to a PC using 
the USB ports.  

This feature does not require any 

additional installation.

 The USB recording devices 

are available when connecting the USB input chan-
nels (please see “2.2.2.2 – USB digital inputs). The 

channel   6   USB

  gives   the  

program

  signal   (PGM) 

whereas 

channel 7 USB

 sends the 

recording

 signal 

(REC). 

Usually signal  

REC

  will  be used  for direct to hard 

disk recording; whereas PGM, that is the on-air sig-
nal, finds its main utility for broadcasting of the signal 
via   Internet   (WEB   casting).   For   details   of   use   the 
USB outputs in Windows© please see “3,6 - Recor-
ding of programs”. 

2.2.4 Monitoring outputs

2.2.4.1 HEADPHONES

There   are   separate   outputs   for   study   and   control 
room headphones; with individual level adjustment. 

The   Studio   output   has   a   distribution   amplifier   and 
supports up to

 

eight

 

headphones of 32 Ohms con-

nected in parallel. So that each speaker has an inde-
pendent   volume   control;   you   can   use   headphones 
with built-in level control or; as a more professional 
solution, to mount a control on the speaker’s table. A 
potentiometer of  2 x 1KOhm will be right to manage 
the level. In this case the level control of the console 
is left to the maximum. 

Next scheme is the connection for the external level 
control.  

2.2.4.2 MONITORS

D-816   was   designed   to   work   with   active   loudspe-
akers.   The   STUDIO

 

and   CONTROL   outputs   work 

with line level at 0 dBu. They have independent con-
trols for bus assignment and level. Both outputs use 
female 1/8” TRS connectors. 

Remember that studio monitors are muted when channels 
MIC-1 or MIC-2 are opened. Control Room speakers are 
muted when the button Talkback is pressed. 

2.2.5 Tally

Tally output gives 

12V/120 mA

 (2 Solidyne Air lights) 

when MIC-1 and/or MIC-2 activates. Channel MIC-3 
does not  activate  the  light  nor mutes the loudspe-
akers of the studio; since this channel also can ope-
rate as Line channel. Also MIC3 must be used when 
the speaker/DJ operates the console from the Con-
trol   Room   (self-operation).   In   this   case   the   control 
room loudspeakers must be used with very low volu-
me to avoid feedbacks loops. 

The consumption

 

of the Tally Light output 

NEVER must overpass 120 mA.

2.2.6 Telephonic Hybrid

2.2.6.1 CONNECTING STANDARD LINES

The hybrid channel manages to two land telephone 
lines   and   one   cellular   phone.   The   internal   adjust-
ments are from factory; so the user do not needs to 
make adjustments. 

On the rear panel there are three RJ11connectors. 
Two are for the telephone lines, and the other one is 
for the cell phone adapter cable. 

The lines can directly be connected to public central 
telephone or the local central (PBX) of the radio stati-
on. 

Page 10

D·816

 broadcast console

SOLIDYNE

Summary of Contents for D 816

Page 1: ...Buenos Aires Argentina Phone 54 11 4702 0090 e mail info solidynepro com Fax 54 11 4702 2375 Web site www SolidynePRO com USB INPUTS OUTPUTS DIRECT HARD DISK RECORDING ON AIR compact console User s m...

Page 2: ...Page 2 D 816 broadcast console SOLIDYNE...

Page 3: ...ER 3 Using the console 15 3 1 Overview 15 3 1 1 Quick checking 15 3 2Using the hybrid channel 16 3 2 1 Operation 16 3 2 1 1 Use with a CELL PHONE 16 3 2 2 Return to phone line 17 3 2 3 Rejection setup...

Page 4: ...Page 4 D 816 broadcast console SOLIDYNE...

Page 5: ...put Four LINE channels allow connecting up to 8 sour ces Channels 4 and 5 manages balanced analogical inputs whereas channels 6 and 7 are digital with di rect connection to the computer via USB ports...

Page 6: ...hen opening the channels MIC 1 and or MIC 2 channel MIC 3 does not activate the tally since it can operate as line or microphone The LOAD DOES NOT HAVE TO EX CEED the 120 mA two Solidyne AIR lights If...

Page 7: ...of equipment s to the AC line the seconds ones are generated by communications transmitters or industrial equipment If these signals penetrate into audio lines with sufficient intensity can surpass th...

Page 8: ...s and out puts connectors Take in mind that good connections offer safe and free of faults operation By this reason we recommend you take it the time necessary to make the connections care fully and u...

Page 9: ...uter in digital format the program and recording outputs please see 2 2 3 2 USB Outputs VERY IMPORTANT USB 7 CANNOT BE USED IF CHANNEL USB 6 IS NOT CONNECTED since it is slave of channel 6 In order to...

Page 10: ...in level control or as a more professional solution to mount a control on the speaker s table A potentiometer of 2 x 1KOhm will be right to manage the level In this case the level control of the conso...

Page 11: ...ode denominated 4 wires different from the telephone lines 2 wires In almost all models microphone and speaker dis connects while the cell phone is used in free hands mode Please refers to the user ma...

Page 12: ...s of the console There are three signals of control channels of mi crophone 1 and 2 they handle the same output channel Line 5 and Line 6 These three control outputs are of open collector type They wo...

Page 13: ...SOLIDYNE D 816 broadcast console Page 13...

Page 14: ...2 2 10 Recommended grounding for a FM station Page 14 D 816 broadcast console SOLIDYNE...

Page 15: ...E level unbalanced Then it can be used as MIC or LIN input The three microphone channels can be routed to the processing stage 4 bands EQ and compressor with independence The analog line channels mana...

Page 16: ...taken the talk back MIC is sent to both callers You will engage in a dialog in mode half duplex When the private dialog finalizes you can raise the fa der HYBRID towards the position HOLD that sends...

Page 17: ...we keep a high grade of excel lence in the audio quality of the hybrid on air sound And that quality do not depend on the operator set tings Note that the Solidyne Hybrid on air audio qua lity of the...

Page 18: ...cell phone The D 816 allows maximum flexibility to generate a virtual forum between journalists and interviewees very far apart For this proceed as follows 1 Keep the controls like previous descripti...

Page 19: ...t will be listened in monitors and headphones The assignments for Studio and Control Room are independent The options are PGM to listen the console output REC allows the listening of the channels that...

Page 20: ...ol Room monitors will be muted to avoid feedbacks loops Your voice will be listened inside the Studio by the left channel The right channel stays with the on air audio so that speakers and journalists...

Page 21: ...processor stage EQ with both buttons released If both buttons are pressed the signal is only sent to PGM Enable disable the phantom power 48V for all mic channels Main fader To enable the microphones...

Page 22: ...er below this level the signal from the previous stage must be very high and the peaks will be clipped 3 4 2 Processing Each MIC channel can be sent directly to the air PGM or the processing stage EQ...

Page 23: ...rams D 816 consoles have two stereo output channels The main channel is denominated Program PGM and used for the On Air signal For recording REC is used You can make recor dings while simultaneously t...

Page 24: ...IGNAL EX CEPT WAVE AND GAIN CONTROL MAIN When the work is finished reset all the controls to the original position to return the console to the nor mal way of operation 3 6 2 Recording calls The D 816...

Page 25: ...ember that the rear connec tors are not designed for daily use avoid connection of headsets directly to console When the operator s changes frequently its headsets use an external pat ch panel to avoi...

Page 26: ...This page was left empty intentionally Page 26 D 816 broadcast console SOLIDYNE...

Page 27: ...control to the minimum and increase the input level up to 18 dBm move the fader until ob tain 4 dBm at the output without visible clipping Increase the gain with the main fader until obtaining 15 dBm...

Page 28: ...t MIC and PGM in the channel under test Enable the module by pressing AIR Set the main fader to 10 dB Change the gain control until obtaining 15 dBm at the console output this is the reference level R...

Page 29: ...ompression ratio 2 dB variation for 15 dB change MIC level Noise MIC input EIN 120 dBu 150 ohms LINE input S N 70 dBA Dynamic range From Line to PGM 90 dBA CD quality Crosstalk PGM REC 65 dBA 1 kHz Di...

Reviews: